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Jani Liimatainen - My Father's Son (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...e96093a9e.jpeg Jani Liimatainen - My Father's Son (2022) 44.1-24 Country: Finland Genre: Melodic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 58:21 Full Size: 684.66 MB Guitarist/songwriter Jani Liimatainen (The Dark Element, Insomnium, Cain's Offering) release a new solo album, "My Father's Son" on May ! "My Father's Son" includes guest lead vocals from Bjorn "Speed" Strid (Soilwork, The Night Flight Orchestra), Tony Kakko (Sonata Arctica), Timo Kotipelto (Stratovarius), Anette Olzon (The Dark Element), Renan Zonta (Electric Mob), Pekka Heino (Brother Firetribe), and Antti Railio (Celesty, Diecell). Liimatainen even takes on lead vocal duties himself, as well. Additionally, bassist Jonas Kuhlberg (One Desire), drummer Rolf Pilve (Stratovarius, Smackbound), and pianist Jarkko Lahti provide instrumentation, while Liimatainen handles guitars, keyboards, and programming. Jens Johansson (Stratovarius, Rainbow) and Janne Huttunen provide guest keyboard and saxophone solos, respectively. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Christian Death - Evil Becomes Rule (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...f14bc5dcb.jpeg Christian Death - Evil Becomes Rule (2022) 48-24 Country: USA Genre: Gothic Rock,Deathrock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:25 Full Size: 527.79 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Mental Care Foundation - III (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...45861107f.jpeg Mental Care Foundation - III (2022) 44.1-24 Country: Finland Genre: Thrash Metal,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:46 Full Size: 455.49 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Whitesnake - Greatest Hits (Revisited, Remixed, Remastered MMXXII) (2022) [96kHz/2... https://i117.fastpic.org/thumb/2022/...1f62b0c73.jpeg Whitesnake - Greatest Hits (Revisited, Remixed, Remastered MMXXII) (2022) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:16:21 Full Size: 1.7 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Neil Young - Citizen Kane Jr. Blues 1974 (Live at The Bottom Line) (2022) [192kHz/... https://i117.fastpic.org/thumb/2022/...83b65b24f.jpeg Neil Young - Citizen Kane Jr. Blues 1974 (Live at The Bottom Line) (2022) 192-24 Country: Canada Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 54:23 Full Size: 2.26 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lips Turn Blue - Lips Turn Blue (2022) [44,1kHz/24 bit] https://i117.fastpic.org/thumb/2022/...bd313ae38.jpeg Lips Turn Blue - Lips Turn Blue (2022) [44,1kHz/24 bit] Country: USA Genre: Melodic Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:03 Full Size: 586.14 MB Upstate NY band LIPS TURN BLUE releases its debut album "Lips Turn Blue", the last work of late Canadian singer Phil Naro. Naro was the frontman for Peter Criss Band for many years, but also melodic hard bands like D Drive, 24K, Talas, and worked with many Canadian acts like Lee Aaron. Also in the band and long time Naro partner guitarist Don Mancuso will continue with LIPS TURN BLUE enlisting a new vocalist, but this debut deserved to be released with Naro's voice as it was written and recorded by him, completed before passing away in May 2021 from cancer. This is classic melodic hard rock with an early Nineties feel, melodic, emotional, with a clean bright production and ver, very good songs. Legend Lou Gramm duets on one song with Naro The debut album features a wide variety of musical styles and textures, all crafted around the powerhouse rhythms of LTB and the remarkable voice of Phil Naro. The album even contained a remake of Black Sheep's "Chain On Me," which was written by Mancuso and Lou Gramm, as well as a Mancuso/ Naro original, "A Little Outside," which features Foreigner's Lou Gramm on lead vocals and Naro on backing vocals. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Windwaker - Love Language (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...67a31cf31.jpeg Windwaker - Love Language (2022) 48-24 Country: Australia Genre: Alternative Rock,Heavy Metal,Metalcore Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 39:58 Full Size: 530.75 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Heart - Little Queen 1977 (2015) [192kHz/24bit] https://i117.fastpic.org/thumb/2022/...52a6a6a32.jpeg Heart - Little Queen 1977 (2015) 192-24 Country: USA Genre: Hard Rock, Folk Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 38:57 Full Size: 1.34 GB Little Queen is Heart's third studio album originally released in 1977. It spent 41 weeks on chart and became a multi-platinum selling record. Little Queen features popular single "Barracuda" as well as "Kick It Out" and the title track. After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen. Once again, loud-and-proud, Led Zeppelin-influenced hard rock was the thing that brought Heart the most attention. But while "Barracuda" and "Kick It Out" are the type of sweaty rockers one thought of first when Heart's name was mentioned, hard rock by no means dominates this album. In fact, much of Little Queen consists of such folk-influenced, acoustic-oriented fare as "Treat Me Well" and "Cry to Me." Anyone doubting just how much Heart's ballads have changed over the years need only play "Dream of the Archer" next to a high-volume power ballad like "Wait for an Answer" from 1987's Bad Animals. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Roxy Music - The Best Of Roxy Music (2003) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...86e134c14.jpeg Roxy Music - The Best Of Roxy Music (2003) 96-24 Country: UK Genre: Pop Rock, Synth-Pop, Glam Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:13:46 Full Size: 1.53 GB Released to herald a reunion of the band and superseding several out-of-print predecessors, The Best of Roxy Music is an excellent summary of the group's hits and album highlights between 1972 and 1982. There are really two editions of Roxy Music, the glam rock unit that achieved widespread U.K. success from 1972 to 1975, and the more polished one that was a broader international success from 1979 to 1982. The compilers have dealt with the dichotomy and the more lasting popularity of the later recordings by presenting the compilation in reverse chronological order, so that soft rock hits like "Over You" and "Dance Away," which scored in America, come before U.K.-only hits like "Street Life" and "Virginia Plain," which rock much harder. But all the major hits are here (only a couple of less-successful British singles chart entries are missing), augmented by memorable album tracks like "Do the Strand" and "Mother of Pearl." In print or not, this is the best single-disc collection of Roxy Music, since it is more complete than earlier compilations like the 1977 Greatest Hits and 1983 The Atlantic Years (1973-1980) LPs, and, unlike later best-ofs such as Street Life: 20 Great Hits (1986), The Ultimate Collection (1988), and More Than This: The Best of Bryan Ferry and Roxy Music (1995) (the latter two U.K. releases), it is not divided between Bryan Ferry solo tracks and Roxy Music ones. © William Ruhlmann /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Red Hot Chili Peppers - Mother's Milk 1989 (2013) [192kHz/24bit] https://i116.fastpic.org/thumb/2022/...0d0187451.jpeg Red Hot Chili Peppers - Mother's Milk 1989 (2013) 192-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 44:46 Full Size: 1.8 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tim Bowness & Peter Chilvers - Modern Ruins (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...98c204b07.jpeg Tim Bowness & Peter Chilvers - Modern Ruins (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 40:19 Full Size: 405.48 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Simple Minds - Live in the City of Angels (Deluxe) (2019) [48kHz/24bit] https://i116.fastpic.org/thumb/2022/...732481656.jpeg Simple Minds - Live in the City of Angels (Deluxe) (2019) 48-24 Country: UK Genre: Pop Rock,Alternative rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 03:26:17 Full Size: 2.69 GB The album captures the band on their most recent North American tour where they took in 31 cities on a coast-to-coast excursion. The resulting album, LIVE IN THE CITY OF ANGELS, is a 40-song collection, spanning one of the most diverse catalogues of, to date, a 40 year career. Simple Minds' live prowess, incredible musicianship, led by the band's exceptional and iconic guitarist Charlie Burchill, and the soulfulness of frontman Jim Kerr's voice - which has matured into a powerful instrument in its own right - delivers a set that proves why Simple Minds are still a vital and relevant band. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Anna Calvi - Tommy (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...fb8b59c43.jpeg Anna Calvi - Tommy (2022) 96-24 Country: UK Genre: Alternative Rock, Indie Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 14:59 Full Size: 306.1 MB Anna Calvi has released her new EP Tommy, The album features four new tracks from Calvi, including a cover of "Red Right Hand" - the Peaky Blinders theme song by Nick Cave & The Bad Seeds, a cover of Bob Dylan's "All The Tired Horses" and two original songs written specifically for the show, "Ain't No Grave" and "Burning Down". "Ain't No Grave" first appeared during Peaky Blinders season 5 but acts as the musical lynchpin of season 6, appearing throughout the six episodes, its swaggering presence underscoring the drama on screen. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackfield - Blackfield (Remastered) 2004 (2020) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...55450cde1.jpeg Blackfield - Blackfield (Remastered) 2004 (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:22 Full Size: 407.26 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Secret Sphere - Lifeblood (2021) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...22971e24a.jpeg Secret Sphere - Lifeblood (2021) 44.1-24 Country: Italy Genre: Melodic Power/Progressive Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:29 Full Size: 639.63 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Reef - In Motion [Live from Hammersmith) (2019] [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...76c2cc958.jpeg Reef - In Motion [Live from Hammersmith) (2019] 48-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:18:25 Full Size: 1000.71 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Thunder - Please Remain Seated (2019) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...d0cecc9c0.jpeg Thunder - Please Remain Seated (2019) 96-24 Country: UK Genre: Blues Rock,Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:03:14 Full Size: 1.22 GB Thunder released their brand new studio album 'Please Remain Seated' on 18 January 2019 through BMG. The album, released as the band enter their third decade, is a collection of radically reworked versions of songs from throughout their extensive catalogue. This album will raise eyebrows, hackles and heartbeats in equal measure. 'Please Remain Seated' is the sound of a band taking a strange journey into their own music, but also distilling thirty years of playing together in order to create something truly compelling. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Suzi Quatro - No Control (2019) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...faeaa6a27.jpeg Suzi Quatro - No Control (2019) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:51 Full Size: 937.74 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kenny Wayne Shepherd - Straight To You - Live (2020) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...00d802d30.jpeg Kenny Wayne Shepherd - Straight To You - Live (2020) 48-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:23:19 Full Size: 1.07 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Rush - Permanent Waves 1980 (2CD Box Set 2020) [FLAC] https://i117.fastpic.org/thumb/2022/...497916122.jpeg Rush - Permanent Waves 1980(2CD Box Set Mercury Records 2020) [FLAC] Country: Canada Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 01:55:20 Full Size: 3.42 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Weezer - Weezer (Black Album) (2019) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...84ef0e503.jpeg Weezer - Weezer (Black Album) (2019) 44.1-24 Country: USA Genre: Alternative Rock,Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:39 Full Size: 467.4 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kikagaku Moyo - Kumoyo Island (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...ce8b2c85b.jpeg Kikagaku Moyo - Kumoyo Island (2022) 48-24 Country: Japan Genre: Psychedelic Rock, Art Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 48:08 Full Size: 573.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Ufomammut - Fenice (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...fe627fa82.jpeg Ufomammut - Fenice (2022) 44.1-24 Country: Italy Genre: Psychedelic,Doom metal,Stoner rock,Sludge metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 38:17 Full Size: 417.55 MB Ufomammut's music is defined by its universe-scale ambitions. The Italian 'cosmic doom' trio traverse infinity atop enormous, groove-leaden riffs that expand and contract, encountering colorful bursts of nebulae in between long stretches of empty, majestic space. Analog synth interjections crackle and oscillate like communications from distant civilizations. Effect-smothered vocals cry out from within the ether - god-like commands beckoning the travelers towards the heart of a distant sun. This thrilling approach falls somewhere between doom metal and kosmische musik, channeling the former's pummeling weight and the latter's wondrous majesty. At their best, Ufomammut are capable of tapping into something truly grand and awe-inspiring. Their 2010 album Eve, a single track split into five movements across 45-minutes, is a stunning example of the band's abilities, up there with their debut Godlike Snake as transcendent highpoints in the trio's now two decades-long career. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tenebra - Moongazer (2022) [24Bit 96kHz] https://i117.fastpic.org/thumb/2022/...c57b0c487.jpeg Tenebra - Moongazer (2022) [24Bit 96kHz] Country: Italy Genre: Hard Rock,Stoner rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:50 Full Size: 843.64 MB Moongazer is the second album by the four-piece stoner rock powerhouse from Italy, TENEBRA. The band had already made waves on the scene with their debut album 'Gen Nero' before delivering 'What We Do is Sacred' their debut EP for New Heavy Sounds last year, 3 killer tracks that were but a taster of things to come. Moongazer takes the story a stage further with nine slabs of crushing fuzzed up grooves, fuelled by 70's proto metal, hard rock, punk, psych-blues and noise, loaded with great riffs and melody and topped off by gutsy soulful vocals. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Red City Radio - Live at Gothic Theatre (2022) [24Bit 44.1kHz] https://i117.fastpic.org/thumb/2022/...4f6619475.jpeg Red City Radio - Live at Gothic Theatre (2022) [24Bit 44.1kHz] Country: USA Genre: Punk rock, Alternative rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:17 Full Size: 556.37 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Stefan Kaiser - Chaosinspiration (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...a8b5c4e41.jpeg Stefan Kaiser - Chaosinspiration (2022) 44.1-24 Country: Gernany Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:00 Full Size: 623.21 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Black Keys - Dropout Boogie (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...08ec986b1.jpeg The Black Keys - Dropout Boogie (2022) 44.1-24 Country: USA Genre: Blues Rock,Alternative Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 33:55 Full Size: 411.04 MB With Dan Auerbach now a studio owner and label chief, it's natural to wonder how he is finding the time to write quality songs and record with his original band. Or focus enough to make another masterpiece like 2004's Rubber Factory or 2011's El Camino. That situation may have influenced the title of this collection, but any fears about consistency or the way forward are dispelled by the opening riff rocker, "Wild Child." The vintage Black Keys three chord tromper "Your Team is Looking Good" also rocks convincingly, and they get back to one of their core strengths-Mississippi hill country blues stomp, which they celebrated on their last album, Delta Kream-in "For the Love of Money." In a strange turn, the biggest guest here, ZZ Top's Billy Gibbons isn't asked to do much in the mid-tempo "Good Love," which he co-wrote. Recorded at Auerbach's Easy Eye Sound studio in Nashville over a five-month period in summer and fall of 2021, Dropout Boogie was engineered by M. Allen Parker and Caleb VanBuskirk and mixed by the A-list talents of Tchad Blake and Tom Elmhirst. Percussionist Sam Bacco adds variety to Patrick Carney's drumming. A deceptively capable vocalist, Auerbach takes a very credible stab at writing and singing a ballad in "How Long" which is fleshed out by a harpsichord and backup vocals by Cincinnati's Andy Gabbard (Thee Shams, Buffalo Killers) who also tours as The Black Keys' second guitarist. Auerbach sings incendiary lyrics, "If we make it to your town/ We're gonna burn the damn thing down" in odd, leisurely fashion in the decidedly non-menacing, "Burn the Damn Thing Down." And near its end, "Baby I'm Coming Home" breaks into the signature riff from the Allman Brothers, "Midnight Rider." As the album's second half winds down, so does the strength of the tunes, but you'll still find the same fuzzy guitars, big beats and layered vocals that have made their sound special. If not essential Black Keys, the lower key Dropout Boogie is at least more of what's made them one of the last major rock bands left alive. © Robert Baird/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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J.B.O. - Planet Pink (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...c9e807d3c.jpeg J.B.O. - Planet Pink (2022) 44.1-24 Country: Germany Genre: Heavy Metal,Comedy metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:27 Full Size: 523.8 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Visions Of Atlantis - Pirates (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...423c1694f.jpeg Visions Of Atlantis - Pirates (2022) 44.1-24 Country: Austria Genre: Symphonic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 58:00 Full Size: 665.69 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Pineapple Thief - Give It Back (Rewired) (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...dc467cfe6.jpeg The Pineapple Thief - Give It Back (Rewired) (2022) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:00 Full Size: 1.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Zero Hour - Agenda 21 (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...3d562e8ca.jpeg Zero Hour - Agenda 21 (2022) 44.1-24 Country: USA Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:51 Full Size: 612.25 MB Frontiers Music Srl release of "Agenda 21", the new studio album from the recently reformed progressive metal band Zero Hour. Original members Jasun Tipton (guitars) and Erik Rosvold (vocals) have recruited bassist Andreas Blomqvist (Seventh Wonder) and drummer Roel van Helden to join them on this new chapter for Zero Hour. Originally formed in the San Francisco Bay Area in '90s by Jasun and his brother Troy, Zero Hour released six studio albums from 1998 to 2008. Their self-titled debut (1998), "The Towers of Avarice" (2001), "Metamorphosis" (2003), "A Fragile Mind" (2005), "Specs of Pictures Burnt Beyond" (2006), and "Dark Deceiver" (2008). The genesis of Zero Hour was to create heavy, melodic, dark, intricate music with influences from diverse influences like the DIO-led years of Rainbow, The Pat Metheny Group, and Dream Theater. Zero Hour dissolved after the release of their 2008 album "Dark Deceiver" when Troy Tipton suffered an arm injury that prevented him from playing bass. After Jasun and Erik got back together to start the band back up, they recruited drummer Roel van Helden. Jasun and Roel had become friends after Roel's group at the time, Sun Caged and Zero Hour played a gig as direct support for Liquid Tension Experiment. They stayed in contact and years later, Jasun caught up with Roel overseas and they chatted about making music together. Roel was then instrumental in bringing Andreas into the fold as one of Roel's former bands had toured with Andreas' band Seventh Wonder. Jasun structured the music for "Agenda 21", tracking the guitars and keys. Roel then arranged the drums and entered Kohlekeller Studios to record the drums with Kai Stahlenberg. Andreas followed by arranging and recording his bass at Cross Back Studios. Erik Rosvold wrote the lyrics for the songs on "Agenda 21" with the vocal melodies arranged by Erik and Jason together as the vocals were recorded. Progressive metal fans will find much to celebrate on Zero Hour's fantastic return album, "Agenda 21"! https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Graham Bonnet Band - Day out in Nowhere (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...7e153093b.jpeg Graham Bonnet Band - Day out in Nowhere (2022) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 47:11 Full Size: 576.09 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smile (Radiohead) - A Light for Attracting Attention (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...6bc76810a.jpeg The Smile (Radiohead) - A Light for Attracting Attention (2022) 44.1-24 Country: UK Genre: Alternative,Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:18 Full Size: 629.88 MB When is a Radiohead record not a Radiohead record? That's a fair question when listening to the debut from The Smile-which includes most prominent Radiohead members Thom Yorke and Jonny Greenwood and is produced by Nigel Godrich, who has worked on every Radiohead album since OK Computer. They're even recycling bits and bobs of old songs that never made the permanent Radiohead roster, like "Skrting on the Surface" which has roots going back to that band's In Rainbows era as well as Yorke's Atoms for Peace side project. Here, it's served as an ambient moment-as much a mood as a song. Greenwood's jazz guitar arpeggios dress things up while soft brass fades in and out and Yorke vocalizes like flotsam drifting through the ether. In other words, the song plays it cool: a good simmer that doesn't need to overdo it as a full-on boil. "Open the Floodgates" started as a Radiohead track back in 2006, when it was known as "Porous," and also got revived for live gigs with Atoms for Peace. It sure sounds like a frustrated commentary on concert fans: "Don't bore us/ Get to the chorus/ And open the floodgates/ We want the good bits/ Without your bullshit." (Pretty perfect for a band named after the Ted Hughes poem "The Smile," with its ominous warning about hungry fakers consuming purity.) Joining the band is jazz drummer Tom Skinner, also of Sons of Kemet, who lays down a busy, jittery rhythm that matches the oddly charming funk-to-post-punk-siren path of "The Opposite." The drums pace like a caged tiger on the big, festival-ready "You Will Never Work in Television Again," and it's a wow moment to hear Yorke singing like he's in the Wipers or Mission of Burma. He hits his famed upper register on "Pana-vision," a moody, fog-at-the-seaside piano track with strings conducted by Hugh Brunt, who has worked with both Radiohead and Greenwood on his film scores. "Thin Thing" thrives on math-rock tension. "Speech Bubbles" is a graceful, if morose crawl. "The Same" delivers great washes of uneasy noise. "Waving a White Flag" brainwashes with sterile, spacey synth followed by drawling strings, like a spoonful of sugar to help the medicine go down. And "Free in the Knowledge," with its catchy vocal melody, could be Radiohead circa The Bends. © Shelly Ridenour/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Skills - Different Worlds (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...ccf069257.jpeg Skills - Different Worlds (2022) 44.1-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:19 Full Size: 525.3 MB Frontiers Music Srl is pleased to present the "Different Worlds", the debut album from Skills. Skills features the eye-popping line-up of vocalist Renan Zonta (Electric Mob), guitarist Brad Gillis (Night Ranger), bassist Billy Sheehan (Mr. Big, The Winery Dogs, Sons Of Apollo), and drummer David Huff (GIANT). SKILLS: "an ability to do an activity or job well, especially because you have practiced it" In the perfect extension of the meaning of the word, SKILLS is an amazing new band put together from the vision of Frontiers President and A&R director Serafino Perugino. Featuring vocalist Renan Zonta, guitarist Brad Gillis, bassist Billy Sheehan, and drummer David Huff, Skills brings together the worlds of old and new in hard rock for a timeless debut album. As is everyone who has heard him sing, Perugino was blown away by the abilities of Brazilian singer Renan Zonta (Electric Mob, Brother Against Brother) upon first hearing him. Knowing how much Renan loves classic '80s hard rock, Perugino thought it would be cool to pair him with some monster players from that era. After sharing clips and music of Renan with some of the most outstanding musicians from the era, all of whom agreed that Renan's talent is undeniable, a new musical beast was born with Brad Gillis (Night Ranger), Billy Sheehan (Mr. Big, The Winery Dogs, Sons of Apollo), and David Huff (Giant) joining the fold. In Skills, you have a singer whose vocal range is stunning and can mix the extension and the power of the likes of Glenn Hughes and Sammy Hagar with the expression of Steven Tyler and some David Coverdale thrown in. Along with one of the world's most renowned, prolific bass players, a hugely respected, talented, and stunning guitar player, and an absolutely killer drummer, Skills is a force to be reckoned with. Pairing Zonta, Gillis, Sheehan, and Huff together with incredible songs written by the team of Alessandro Del Vecchio, Renan Zonta, Martin Jepsen Andersen, Pete Alpenborg, and Gui Oliver, among others, "Different Worlds" is an album which will appeal to the discerning ears of fans of classic '80s hard rock/melodic rock. Don't miss the opportunity to enjoy the SKILLS on display from these talented musicans from different eras of killer rock 'n roll! https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Florence + The Machine - Dance Fever (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...fecbf299a.jpeg Florence + The Machine - Dance Fever (2022) 96-24 Country: UK Genre: Indie rock,Indie pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 47:08 Full Size: 928.21 MB Florence + The Machine's Dance Fever was recorded predominately in London over the course of the pandemic in anticipation of the worlds reopening. It conjures up what Florence missed most in the midst of lockdown -clubs, dancing at festivals, being in the whirl of movement and togetherness -and the hope of reunions to come. Its the album that brings back the very best of Florence - the festival headlining Boudicca, wielding anthems like a flaming sword. Just before the pandemic Florence had become fascinated by choreomania, a Renaissance phenomenon in which groups of people - sometimes thousands - danced wildly to the point of exhaustion, collapse and death. The image and concept of dance, and choreomania, remained central as Florence wove her own experiences of dance - a discipline she turned to in the early days of sobriety - with the folkloric elements of a moral panic from the Middle Ages. Dance Fever is an album that sees Florence at the peak of her powers, coming into a fully realised self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine and feminine, redemptive, celebratory, stepping fully into her place in the iconic pantheon. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Rolling Stones - Live At The El Mocambo 1977 (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...db54ad436.jpeg The Rolling Stones - Live At The El Mocambo 1977 (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:47:17 Full Size: 2.38 GB For 45 years, the Rolling Stones' Love You Live has been one of rock's greatest teases. About 75 percent of the double LP was recorded in arenas and stadiums during the band's 1976 tour, and presented competent but rarely exhilarating or necessary renditions of concert warhorses and deep cuts. But tucked away (on side three) were four songs cut at Toronto's tiny El Mocambo club in March 1977, when the Stones played a surprise set billed as "The Cockroaches." Playing in front of a few hundred people, and unable to hide behind props like the giant inflatable penis of the 1975 shows, the Stones had to focus on music, not spectacle. And judging from the small portion of the two El Mocambo shows heard on Love You Live, they stepped up to the job. With Mick Jagger unleashing a new style of growl, their crackling covers of Chuck Berry, Muddy Waters, Bo Diddley and Willie Dixon songs paid strutting homage to their heroes, and the recordings were so visceral that you felt as if you were in the first few rows of the 300-seat club. The distant crowd roar heard throughout most of Love You Live was a metaphor for how removed the Stones had become from the average rock fan, not to mention most mundane household chores. The El Mocambo tracks, pushed on by a clearly audible and enthralled small audience, presented them as a band that wanted to re-connect with those fans and stay relevant, just as punk rock was rearing its spiky head. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Opeth - In Cauda Venenum (2022 Extended Edition) (2019) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...d59f2f569.jpeg Opeth - In Cauda Venenum (2022 Extended Edition) (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:45:09 Full Size: 1.82 GB In interviews before the release of In Cauda Venenum, Mikael Akerfeldt, Opeth's vocalist, guitarist, and chief songwriter, stated that "heaviness" was an aesthetic rather than a sound, to explain why he had abandoned death metal. Beginning with 2011's Heritage, Opeth made a conscious shift toward progressive rock that has, as evidenced here, become pervasive. This set is their first to be issued in English and Swedish editions. Sonically and musically, the album contains musical and production traits already evident on Heritage and Sorceress -- and to a lesser degree, on Pale Communion -- as organs, synths, Mellotron, acoustic guitars, syncopated rhythms, strings, choirs, and key changes are crafted into the band's two-guitar-bass-drum attack. But where the previous three studio albums were rife with experimentation, In Cauda Venenum is focused on a cohesively pre-arranged whole. It may be the fourth entry in their progressive evolution, but it's their first to deliver the full realization of the band's potential. These ten songs are laden with lush textures, painstakingly crafted melodies, unapologetic gothic overtones, startling dynamics, and visceral presence. Opeth may deliberately borrow inspiration from many sources, but they aren't trying to re-create them. The band recorded at Park Studios in Stockholm with all-analog gear and a goal: "to be as epic as possible." While set-opener "The Garden of Earthly Delights" is a three-and-a-half-minute Gothic intro; the first tune proper, "Dignity," is heavy as hell, with multi-tracked wordless choral choruses, swirling organs and Mellotron, sampled spoken voices, sound effects, popping drums, and spiky lead guitars. Its intense opening section gives way to fingerpicked acoustic, gently sung lyrics, and textural atmospherics before roaring back into riff-laden hard rock. "Heart on Hand," the other advance track, commences with a guitar-and-bass riff right out of "Immigrant Song," framing the cleanest, most emotionally resonant vocals in Akerfeldt's career before swirling into instrumental chaos and transforming itself into a lilting ballad in the final third. There are brutal moments here, too, in angular jams like "Charlatan," with its overdriven, filthy bassline. "Universal Truth" alternates between folk-inflected prog and spidery hard rock. The moody classical guitar and piano intro to "The Garroter" gives way to spooky, swinging dark jazz. While the sprightly keyboard and strummed guitar vamp on "Continuum" are a sinister musical perversity, they circle toward spiraling prog metal with the vocal and rhythmic section syncopations of Yes, then unwind into moody pastoral, poly-harmonic, folk-inflected Gothic rock. Though it emerges slowly, there is a biting crackle in the sweeping majesty of closer "All Things Pass." Akerfeldt's and Fredrik Akesson's guitars spiral and slash in a loss-saturated vibe colored by swirling organ, Mellotron, and crashing tom-toms, as Opeth buoy the singer whose lyric is drenched in loss and grief. On In Cauda Venenum, Opeth have thoroughly revisioned prog rock for the 21st century. While there are referents to the past, they have merely been folded into a brand of heavy music that reflects not progressive rock's history, but Opeth's enduring, evolving image. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Garbage & the Flowers - Cinnamon Sea (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...b55b7b16c.jpeg The Garbage & the Flowers - Cinnamon Sea (2022) 44.1-24 Country: New Zealand Genre: Alternative,Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 20:26 Full Size: 223.53 MB 'Cinnamon Sea' is the perfect introduction to one of the most mysterious, ever-morphing underground bands from New Zealand. The Garbage and the Flowers make their long awaited return with another psychedelic masterpiece from the band that gave us 1997's cult dreampop gem 'Eyes Rind As If Beggars'. A hybrid fusion of the Velvets, Elephant 6 and any God-fearing stoned strummers you can think of, with a nod to Charlie Manson's bedside balladry to boot. On their return, the band hone their songcraft with tracks like 'Eye Know Who You Are', a tantalising piece of Mazzy Star on steroids, a spiralling sonic rumble, that reaches a miasmic high on every hummed chorus. It opens the Pandora's box of this release, a sleight of ear collection of five songs from this cosmology-observing Australia-based outfit. Tracks like 'Red Star' exist in a land where sound levels are destroyed by savage birds. 'On The Radio' trips into an untuned lagoon. There's a quasi-religious zeal to proceedings, a nod to Sterling Morrison's Velvet strum elsewhere, everything that would have been key to the Elephant 6 conglomerate not so long ago, maybe, if you can even imagine, My Bloody Valentine unplugged. 'Cinnamon Sea' was recorded in an abandoned courthouse in Freyerstown, a ghostly village in Victoria's Goldfields in Southeast Australia, where you're more likely to meet giant grey kangaroos bounding on its dusty main street than tottering prospectors these days. It unravels with claustrophobic glee as we traverse the structured climes of exemplary songwriting seasoned with the salt of improvisation. This from a band who previously released an album famously dubbed 'Stoned Rehearsal'. It closes with the track 'Jacob B', a melancholy tale that's a hybrid of Manson's troubled tunes and the psychedelic folk songs of Quicksilver's Dino Valente. File under: outsider music for insiders. "By some measure Wellington's most brilliant pop band, The Garbage & The Flowers are classic underground rock'n'roll with a hazy ramshackle sound pockmarked by bursts of genius." Forced Exposure https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackfield - Open Mind The Best of Blackfield (2018) [FLAC] https://i117.fastpic.org/thumb/2022/...d2735181c.jpeg Blackfield - Open Mind The Best of Blackfield (2018) [FLAC] Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 58:26 Full Size: 365.64 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Cat Stevens - Tea For The Tillerman˛ (2020) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...d4297e485.jpeg Cat Stevens - Tea For The Tillerman˛ (2020) 44.1-24 Country: UK Genre: Folk Rock, Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:23 Full Size: 422.12 MB Cat Stevens has returned and he's serving more tea. Tea For The Tillerman 2 is, as the name suggests, the second version of his 1970 folk-rock classic, Tea For The Tillerman. The album was a bit of a hangover from the sixties. All the teenagers would spend their times up in their rooms trying to decipher the notes and play the songs on acoustic guitar as they flowed one after another in a river of instrumental elegance and profound disenchantment. It was a philosophical and politically charged album, a way of announcing that he was turning his back on the modern world in a quest for spirituality. A few years later Stevens converted to Islam, adopted the name Yusuf Islam and distanced himself from the world of pop music for almost 30 years. He returned to pop in the mid-2000s and is now celebrating the anniversary of his album, as Tea For The Tillerman is now 50 years old. And Cat Stevens is 72. Rather than re-release this old classic with some slight embellishments, the singer has given himself a makeover and re-recorded the whole thing. Joined by his guitarist and producer from the time as well as a handful of new musicians, Cat Yusuf recaptures the subtle and care-free sweetness of the original version but adds fullness and a slight punch that it sometimes lacked. The new versions are, at times, rather similar to the original versions (with the same string and choir arrangements), and at other times nothing like them (like on Longer Boats featuring rapper Brother Ali with its funky bridge), but their essence remains the same and they are certainly recognisable. Above all, Cat Stevens sings better than ever before - his voice hasn't aged, and it's no longer cast in the shadow of Bob Dylan as it was on the 1970 version of Tea For The Tillerman. © Stéphane Deschamps/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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