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Blackfield - Blackfield IV (2013) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...b5d7c699a.jpeg Blackfield - Blackfield IV (2013) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 31:23 Full Size: 373.41 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bonnie Raitt - Slipstream (2012) 88.2-24 https://i117.fastpic.org/thumb/2022/...21692678d.jpeg Bonnie Raitt - Slipstream (2012) 88.2-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 57:15 Full Size: 1.14 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Paul Simon - Graceland [25th Anniversary Edition] 1986 (2012) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...5588ea6a4.jpeg Paul Simon - Graceland [25th Anniversary Edition] 1986 (2012) 96-24 Country: USA Genre: Pop Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:07:51 Full Size: 1.39 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Sweet - The Polydor Albums (4 CD Box Set) (2017) [FLAC] https://i117.fastpic.org/big/2022/05...5955c7cf0.jpeg Sweet - The Polydor Albums (4CD Box Set Caroline Records) (2017) FLAC Country: UK Genre: Glam rock,Hard rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 03:12:34 Full Size: 1.62 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Black Oak Arkansas - Black Oak Arkansas 1971 (2018) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...599b8d438.jpeg Black Oak Arkansas - Black Oak Arkansas 1971 (2018) 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:31 Full Size: 726.98 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Graham Bonnet Band - Live... Here Comes the Night (2017) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...c61f540c6.jpeg Graham Bonnet Band - Live... Here Comes the Night (2017) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:11:51 Full Size: 863.99 MB Legendary rock vocalist Graham Bonnet is back with a new live album and home video captured during his acclaimed performance at Frontiers Rock Festival III in Trezzo (Milan, Italy) on April 24, 2016. Accompanied by a stellar band featuring founding member Beth-Ami Heavenstone on bass, South American guitar sensation Conrado Pesinato on lead guitar, and Mark Zonder (known for his work with Warlord and Fates Warning) on drums, Bonnet masterfully delivered a thrilling "Best of" set which included songs from his stints with bands such as Rainbow, McAuley Schenker Group, Alcatrazz, Impellitteri, and of course his solo material too. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...fe43252c8.jpeg Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:14:53 Full Size: 1.55 GB Capturing some of their chart-topping smashes and other key tracks, Tears for Fears marks a monumental career with their collection Tears Roll Down: Greatest Hits 82-92. Toward the end of the praise surrounding their third album, 1991's Seeds of Love, Curt Smith left the band. Roland Orzabal was left to sail the ship alone, and the strong success dwindled years later. However, this dozen-track compilation showcases some of the band's early tracks heavily dominated by pulsating bass drops and heavy synth beats. "Pale Shelter" and "Mad World" from their 1982 debut The Hurting moved toward the soul-defining musical maturation found on 1985's groundbreaking staple Songs From the Big Chair. The Top Ten hits are undoubtedly featured: "Everybody Wants to Rule the World," "Shout," and the more obscure "Mothers Talk." The luscious "Head Over Heels" cuts short of its closing guitar work, a disappointment in the grand scheme of Tears for Fears' synth-dominated sound. Such layered riffs separated the rawness from the fluffy new wave aspect. "Sowing the Seeds of Love" marked the band's own branded progressive rock & roll, but "Woman in Chains," the gospel-tinged cut featuring guest vocals from Oleta Adams, was their most spiritual effort. Essentially, the dozen-track collection is a perfect look at what Tears for Fears did for music during the '80s until the mid-'90s. They made new wave sound cool and melodically beautiful. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Alphaville - Forever Young (Super Deluxe) (2019) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...5d0bd5f95.jpeg Alphaville - Forever Young (Super Deluxe) (2019) 44.1-24 Country: Germany Genre: Synthpop,New Wave Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:07:29 Full Size: 2.11 GB Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish. © Tim DiGravina /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Opeth - Sorceress (2016) [44.1kHz/24bit] https://static.qobuz.com/images/cove...gjrtwc_600.jpg Opeth - Sorceress (2016) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:16 Full Size: 985.02 MB When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity. Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales. Sorceress is a madly assorted mixed bag. Åkerfeldt's inspirations this time out may still recall prog sources, but there are heavier ones, too: Black Sabbath and the Ritchie Blackmore/Jon Lord-era of Deep Purple. Opener "Persephone" has a brief nylon-string guitar sketch in waltz time that could have come from folk music antiquity. It gives way to the title track and first single. Joakim Svalberg's knotty organ riff dominates the opening moment before a crushing syncopated guitar riff joins in. This track somewhat recalls the Pale Communion sessions but is far more unhinged. The Geezer Butler-esque bassline and explosive kick drums make it the most accessible thing here -- its instrumental section keeps it firmly in prog terrain, however. "The Wilde Flowers" is a truly wild melange of musical styles. It's simultaneously heavy, hard, and spacy, with B-3, bluesy and squalling metal guitar breaks, and chorale vocals that drift in the center, weighting it as a solidly prog track. The bludgeoning guitar riff, up-mixed, swinging drums, and punishing bassline in "Chrysalis" make it a highlight; it shines with Åkerfeldt's finest vocal performance on the album (he can be notoriously lazy). There are lovely acoustic tracks here, too, such as "Will O' the Wisp," which exists in the space between Pentangle's Basket of Light and Led Zeppelin III. "The Seventh Sojourn" melds East Indian drone with North African modalism and exotic hand percussion; strings and keyboards eclipse an oud-like guitar line. It eventually dissembles, wedding near classical polyphony to subdued pop. "Strange Brew" winds through Peter Gabriel-era Genesis-esque ponderousness before a bluesy guitar line ushers it into thundering King Crimson-esque prog adorned with proto-metal riffs and vamps. "A Fleeting Glance" is a dynamic, multifaceted jam showcasing Åkerfeldt's sophisticated melodic sensibilities while touching on musical terrain from Pink Floyd and Gentle Giant to post-Village Green-era Kinks! "Era" opens with a delicate piano intro but Opeth erupts a minute later in melodic aggression. Åkerfeldt's more confident and individualized songwriting on Sorceress takes it in some dizzying directions. While it goes further musically than their two previous outings, it contains enough of the past to exist in a space that carves out terrain somewhere between Watershed and Heritage. Brilliant. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Mylene Farmer - Interstellaires (Instrumental Version) (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...9ecd3ec3a.jpeg Mylene Farmer - Interstellaires (Instrumental Version) (2022) 48-24 Country: France Genre: Pop, Synth-pop, Instrumental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:03 Full Size: 487.09 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Visions of Atlantis - The Deep & the Dark (2018) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...4a96de133.jpeg Visions of Atlantis - The Deep & the Dark (2018) 44.1-24 Country: Austria Genre: Symphonic Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 40:56 Full Size: 488.15 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackfield - Blackfield IV (2013) [5.1] [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...15ebe7b18.jpeg Blackfield - Blackfield IV (2013) [5.1] 96-24 Country: UK Genre: Progressive Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 31:23 Full Size: 1.41 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bonnie Raitt - Dig In Deep (2016) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...5ce0268c3.jpeg Bonnie Raitt - Dig In Deep (2016) 96-24 Country: USA Genre: Blues, Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 52:23 Full Size: 1.13 GB Listening through Dig in Deep, Bonnie Raitt's 20th album, the entire arc of her career becomes clear. In the early '70s she insisted on recording live in the studio with her road band. Later, various producers -- from Jerry Ragovoy to Peter Asher, from Don Was to T-Bone Burnett -- assisted in shaping her sound, often with great commercial success: she's sold nearly 20 million records. She's learned from them all. There have been downs, but each was balanced by a rise. In 2012 she ended a seven-year silence with the poignant, powerful Slipstream, co-produced with Joe Henry and released on Redwing, her own label. Dig in Deep was produced by Raitt, with the exception of "You've Changed My Mind, written by Henry specifically for her, and recorded in 2010. She wrote or co-wrote five of its 12 songs. The members of her fantastic road band are again her musical partners. Raitt's signature slide guitar is back out front; it shines throughout the recording. Her earthy singing voice, with just a hint of time's grain, is more disciplined and holds more emotional authority than ever before. It soars through a song collection balanced between rough, rowdy rockers and searing ballads. All of the material, regardless of tempo, underscores her title. The themes in these songs -- loss, betrayal, desire, regret, atonement, loneliness, resolution -- are all resonant. Opener "Unintended Consequence of Love" is a funky NOLA-flavored R&B groover complete with great breaks from drummer Ricky Fataar. The reading of INXS' "Need You Tonight" is more unruly than the original -- and way sexier. Raitt's distorted slide break is nasty, delicious in its aggression. The cover of Los Lobos' "Shakin' Shakin' Shakes" is a roadhouse boogie with teeth as Raitt's slide and George Marinelli's counter leads snake around one another. "I Knew," with its irresistible hook, wise lyrics, and beguiling melody, would have been at home on Nick of Time. Her "What You're Doin' to Me" juxtaposes gospel and blues via Mike Finnigan's Hammond B-3 and Raitt's pumping piano; the lyric is a celebration of unfettered desire. It's hard to believe the swaggering blues-rocker "Gypsy in Me" wasn't written by Raitt -- but one of her many gifts has been interpreting songs in such a way that they become inseparable from her persona. Her own choogling "The Comin' Round Is Going Through" is a scorching political rocker that takes on the one percent and foretells coming karmic consequences. It can communicate on a roadhouse dancefloor as well as in a concert hall. Two ballads, Henry's "You've Changed My Mind" and her own "The Ones We Couldn't Be," portray different kinds of vulnerability to what life extracts as it is being lived. Raitt's voice in both songs -- and indeed throughout Dig in Deep -- expresses unwavering honesty and unqualified acceptance. The aforementioned arc has come full circle: Raitt is now in full control of her career, delivering consistently great music as a result. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Carole King - The Carnegie Hall Concert - June 18, 1971 (Remaster) 1996 (2011) [96... https://i117.fastpic.org/thumb/2022/...61acf6545.jpeg Carole King - The Carnegie Hall Concert - June 18, 1971 (Remaster) 1996 (2011) 96-24 Country: USA Genre: Pop ,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:43 Full Size: 1.4 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Cloven Hoof - Throne of Damnation (EP) (2010) [FLAC] https://i117.fastpic.org/big/2022/05...6c1e29700.jpeg Cloven Hoof - Throne of Damnation (EP) (2010) [FLAC] Country: UK Genre: Heavy Metal Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 23:18 Full Size: 190.85 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Florence + The Machine - Dance Fever (Deluxe) (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...95b21d6f9.jpeg Florence + The Machine - Dance Fever (Deluxe) (2022) 96-24 Country: UK Genre: Indie Rock,Indie Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:06:43 Full Size: 1.29 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Van Morrison - What's It Gonna Take (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...d035eaa4c.jpeg Van Morrison - What's It Gonna Take (2022) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:19:14 Full Size: 1.7 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Anvil - Impact Is Imminent (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...b09d9227b.jpeg Anvil - Impact Is Imminent (2022) 44.1-24 Country: Canada Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:43 Full Size: 639.94 MB Formed by Canadian school friends Rob Reiner and Steve (Lips) Kudlow and for the past eight years supported by bassist Chris Robertson, Anvil release their nineteenth studio release `Impact Is Imminent` this month. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Symphonity - Marco Polo - The Metal Soundtrack (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...b5ae55222.jpeg Symphonity - Marco Polo- The Metal Soundtrack (2022) 44.1-24 Country: *****ia Genre: Symphonic Melodic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:47 Full Size: 507.79 MB With its third full-length release, Symphonity has the attention of an audience that is hangry for something to sink its teeth into. Outside of New Horizon's Gate of the Gods and Stray Gods' Storm the Walls, there haven't been too many standout power or heavy/power metal releases rivaling the best of last year's bunch. Releases from Power Paladin, Validor, Veonity, and Palantir have all been strong but none reach the grandiosity of Marius Danielsen's Legend of Valley Doom - Part 3 or the extreme noodling of Eternity's End's Embers of War. And, mostly, this album exploits that need well. Playing a highly particularized brand of symphonic power metal that very much sounds Italian in origin-despite the band's ***** roots-Symphonity brings you, dear listener, the story of Marco Polo. Appropriately titled Marco Polo: The Metal Soundtrack, the album is as richly textured as it is heavy. And it's that latter commitment to riffs that not only keeps this ship afloat but makes for smooth sailing-sorry, it had to be done. Symphonic metal can mean many things. But Symphonity's symphonic has much more in common with Rhapsody of Fire than it does Nightwish. There's a rapidity to Symphonity's sound that feels more purely power metal than most symphonic metal bands that bridge the two sub-genres. As one might expect, the rapidity is more obvious in shorter songs such as "The Plague" and "I Found My Way Back Home" than a more epic song such as "Mongols." But regardless of song length, there's a grit to the band's approach that, to its credit, stresses riffs above all else. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Evergrey - A Heartless Portrait (The Orphéan Testament) (2022) 44ю1-24 https://i117.fastpic.org/thumb/2022/...827b76e5c.jpeg Evergrey - A Heartless Portrait (The Orphéan Testament) (2022) 44ю1-24 Country: Sweden Genre: Progressive Metal,Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:14 Full Size: 587.96 MB Swedish metal powerhouse EVERGREY returns with album number thirteen, "A Heartless Portrait (The Orphean Testament)", a release that continues along the band's proven path of producing extremely heavy, soulful progressive heavy metal that's true to form yet fresh and inventive all at once. Yet again, EVERGREY wields its world-class musicianship and progressive sensibilities with a focus upon quality songwriting that makes sense, avoiding the pitfalls faced by many talented prog bands who succumb to self-indulgent urges. Frontman Tom S. Englund continues to lead the charge with lyrics and conceptual references to Orpheus, the figure in Greek mythology who traveled into the underworld to save his wife. The universal sense of journey and struggle is evident throughout the listening experience, which feels cinematic in scope, scraping across a myriad of emotions with a resilient spirit threaded from the first song to the last. Beyond the fact that it's heavy sonically, the Gothenburg quintet has proven itself over time because of its depth. "Ominous" is true to its name while resting upon methodical yet stuttered drumbeats. While Englund is clearly the focal point with his incredible vocals, other members prove their talent as well. Keyboardist Rikard Zander offers spellbinding synth parts on tracks like "Heartless", and drummer Jonas Ekdahl provides a solid backbone from start to finish. EVERGREY has maintained its relevance for a few reasons. The Swedes haven't shied away from their passion for everything that is heavy metal, and they keep their eyes locked upon the present and future. "A Heartless Portrait (The Orphean Testament)" is a remarkable album that may be heralded as one of the year's peak moments for progressive metal. At the end of the day, they've earned that claim because they've created something that is forward thinking and inspirational. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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James LaBrie (Dream Theater) - Beautiful Shade Of Grey (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...86f736ae1.jpeg James LaBrie (Dream Theater) - Beautiful Shade Of Grey (2022) 48-24 Country: Canada Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:11 Full Size: 593.81 MB JAMES LaBRIE, known internationally as the vocalist for progressive metal icons Dream Theater, embarks on uncharted waters with his fourth solo album, titled 'Beautiful Shade Of Grey'. The new endeavor sees him traverse personal maturation, loss, a myriad of complex relationships, and most importantly - LaBrie's burning passion for music. On paper, the latest studio offering from the Canadian singer first took shape shortly after the global pandemic began to emerge. But in reality, LaBrie formed a bond with his fellow collaborator, bassist Paul Logue, nearly a decade earlier. On 'Beautiful Shade of Grey', the end goal isn't creating something that meets a certain genre characterization, but rather being informed by decades of finding beautiful expression across a wide swath of musical artists, and knowing that veering away from familiar habits is a part of creative growth. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Hinterland Band - Indiana in Stereo Sound (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...6b6182078.jpeg The Hinterland Band - Indiana in Stereo Sound (2022) 48-24 Country: USA Genre: Americana | Folk Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:11 Full Size: 524.08 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Rob Wheeler - Little Ghost (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...427859da6.jpeg Rob Wheeler - Little Ghost (2022) 44.1-24 Country: UK Genre: Folk Rock,Pop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:26 Full Size: 1.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pymlico - Supermassive (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...891149dbc.jpeg Pymlico - Supermassive (2022) 44.1-24 Country: Norway Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 44:24 Full Size: 509.15 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Church of The Cosmic Skull - There Is No Time (2022) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...0547f092d.jpeg Church of The Cosmic Skull - There Is No Time (2022) 48-24 Country: UK Genre: Progressive Rock,Classic Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 37:23 Full Size: 457.13 MB British faux-gospel prog rockers Church return with this splendorous fourth album. It's an entirely enigmatic project led by singer/ guitarist Bill Fisher, and the band's mystical origins and white-robed stage attire carry all the trappings of an early-70s hippie sex cult, but their sound is rooted firmly in crunching classic-era arena rock. It's like Ghost and the Polyphonic Spree proselytising in some high-watt megachurch. One More Step, the album's lead single, is a mesmerising entry point into their world, both sinister and inviting, building from a stoner-rock organ groove into a pocket symphony of heavenly choirs and crashing guitars. Elsewhere the band channel the grandeur of Queen (Seven Rays Of Colour) and the acid-burn of Hawkwind (Valley and Hills Part 1). Even the more intimate numbers, such as power-ballad closer We Lost It Somewhere, have an expansive, cinematic quality to them. There Is No Time is a frequently enthralling collection that balances doomy invocations with life-affirming positivity. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Black Oak Arkansas - If an Angel Came to See You...Would You Make Her Feel at Home... https://i117.fastpic.org/thumb/2022/...8d660149c.jpeg Black Oak Arkansas - If an Angel Came to See You...Would You Make Her Feel at Home 1972 (2018) 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 36:13 Full Size: 818.11 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Wucan - Heretic Tongues (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...22a6a6983.jpeg Wucan - Heretic Tongues (2022) 44.1-24 Country: Germany Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:53 Full Size: 503.32 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Various Artists - Eurovision Song Contest Turin 2022 (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...a1fa21c0c.jpeg Various Artists - Eurovision Song Contest Turin 2022 (2022) 44.1-24 Country: Varios Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:57:25 Full Size: 1.45 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Van Morrison - The Prophet Speaks (2018) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...48ce4549b.jpeg Van Morrison - The Prophet Speaks (2018) 96-24 Country: UK Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:08:49 Full Size: 1.47 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Led Zeppelin - Led Zeppelin [Vinyl Rip] (1969) [192kHz/24bit] https://i117.fastpic.org/big/2022/05...0d89e33940.jpg Led Zeppelin - Led Zeppelin [Vinyl Rip] (1969) [192kHz/24bit] Country: UK Genre: Hard Rock,Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 44:32 Full Size: 2.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackfield - Blackfield II (Remastered) 2007 (2020) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...10ba86b38.jpeg Blackfield - Blackfield II (Remastered) 2007 (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:28 Full Size: 478.11 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Thunder - All the Right Noises (2021) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...23423d84b.jpeg Thunder - All the Right Noises (2021) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:21 Full Size: 1.05 GB Thunder return with the release of their 13th studio album 'All The Right Noises' on 12th March 2021. It's a return to the full-throttle sound of Thunder that has seen them carve out a hugely successful 30+ year career at the forefront of British rock. 'All The Right Noises' is an intense confection of illicit charms, but make no mistake, this album is 100% Thunder, and 100% rock. Recorded in the months leading up to the first Covid-19 lockdown, it was originally due for release in September 2020. Strange to reflect then on how much of the new material appears to address the challenging new world we now inhabit. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Suzi Quatro - Stumblin' In - Live (2020) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...d5316a997.jpeg Suzi Quatro - Stumblin' In - Live (2020) 44.1-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:03:23 Full Size: 785.73 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Black Oak Arkansas - Keep The Faith 1972 (2018) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...a3a9cc39f.jpeg Black Oak Arkansas - Keep The Faith 1972 (2018) 96-24 Country: USA Genre: Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 37:31 Full Size: 841.83 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Mylene Farmer - Timeless (Live, Lyon 2013) (2013) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...2564bf07a.jpeg Mylene Farmer - Timeless (Live, Lyon 2013) (2013) 96-24 Country: France Genre: Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:32:10 Full Size: 1.89 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Radiohead - Minidiscs (Hacked) (2019) [FLAC] https://i117.fastpic.org/thumb/2022/...e5d0cb2d8.jpeg Radiohead - Minidiscs (Hacked) (2019) [FLAC] Country: UK Genre: Alternative Rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless Time: 16:18:52 Full Size: 5.64 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Florence + The Machine - How Big, How Blue, How Beautiful (Deluxe) (2015) [96kHz/2... https://i117.fastpic.org/thumb/2022/...83ef8155d.jpeg Florence + The Machine - How Big, How Blue, How Beautiful (Deluxe) (2015) 96-24 Country: UK Genre: Indie Rock,Indie Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:09:45 Full Size: 1.55 GB The much-anticipated third studio long-player from Florence Welch and her mechanically inclined companions, How Big, How Blue, How Beautiful arrives after a period of recalibration for the spirited English songtress. Arriving three-and-a-half years after 2011's well-received Ceremonials, the 11-track set, the first Florence + the Machine album to be produced by Markus Dravs (Arcade Fire, Coldplay), eschews some of the bombast and water- and death-fixated metaphors of Lungs and Ceremonials in favor of a more restrained sonic scope and an honest reckoning with the dark follies of your late twenties. This change is most notable on the workmanlike opener "Ship to Wreck," a shimmering, open road-ready folk-rock rumination on the ambiguity/inevitability of post-fame self-destruction that, unlike prior first cuts like "Dog Days Are Over" and "Only If for a Night," feels firmly rooted in the now. Whether it be simple maturity or Dravs' calculated production style, there's no denying that an effort has been made to dial back a bit on some of the pageantry of Welch's earlier works, and for the most part, her penchant for pairing mystic Bronte-esque pondering with similarly windswept pagan/gothic gospel rock is left bubbling beneath the surface. This attempt to reign in Welch's more histrionic tendencies yields mixed results, with some songs finding the sweet spot between bluster and nuance and others (most of them in the album's sleepy latter half) disappearing altogether. Of the former, the bluesy (and ballsy) "What a Man," the propulsive and purposeful "Delilah," and the gorgeous title track impress the most. Instead of building to a fevered crescendo, as is the Flo-Machine way, the latter cut, a transcendent, slow-burning, chamber pop gem, dissolves into a simple and elegant, yet still goose-bump-inducing round of horns, and is breathtaking without knocking the wind out of you. Whether How Big, How Blue, How Beautiful ends up being a transitional album remains to be seen, as there is enough of each side of Welch (the pastoral and the feral) represented to tip the scale either way. That said, her Brit-pop soul treacle is still miles better than some of her contemporaries' top-tier offerings, and when the album connects it moves right in and starts to redecorate, but when it falters, it's akin to a chatty party guest failing to realize that everyone else has gone home. © James Christopher Monger /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Heart - Bebe Le Strange 1980 (2015) [192kHz/24bit] https://i117.fastpic.org/thumb/2022/...e05c2ccf4.jpeg Heart - Bebe Le Strange 1980 (2015) 192-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 37:30 Full Size: 1.4 GB Bebe le Strange is the fifth studio album by the American rock band Heart. It was the first album without founding member Roger Fisher on lead guitar, who had left the band months prior along with his brother Michael. The album was a commercial success, peaking at number five on the U.S. Billboard 200 and staying in the charts for 22 weeks. It also was certified Gold by the RIAA. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Poets Of The Fall - Alexander Theatre Sessions (2020) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...00d9241fb.jpeg Poets Of The Fall - Alexander Theatre Sessions (2020) 44.1-24 Country: Finland Genre: Acoustic,Alternative Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 56:16 Full Size: 637.25 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Paul Simon - One-Trick Pony 1980 (2011) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...1a3950cf4.jpeg Paul Simon - One-Trick Pony 1980 (2011) 96-24 Country: USA Genre: Pop Rock, Folk, Soft Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 50:25 Full Size: 946.03 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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