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[ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
[ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
23-07-2022 , 13:17:34 | #3561 | |||
Denunciante Ultra | Mark Knopfler - Sailing to Philadelphia [2000] (2014) [48kHz/24bit] Mark Knopfler - Sailing to Philadelphia 2000 (2014) 48-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:01:11 Full Size: 680.63 MB Cita:
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No Calculado | #1.5 |
SponSor | Re: Mark Knopfler - Sailing to Philadelphia [2000] (2014) [48kHz/24bit] |
23-07-2022 , 13:22:56 | #3562 | ||
Denunciante Ultra | Leonard Cohen - Various Positions [1984] (2014) [44.1kHz/24bit] Leonard Cohen - Various Positions 1984 (2014) 44.1-24 Country: Canada Genre: Folk Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 35:27 Full Size: 381.74 MB Cita:
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23-07-2022 , 13:28:00 | #3563 | ||
Denunciante Ultra | Ramones - Leave Home 1977 (2013) [192kHz/24bit] Ramones - Leave Home 1977 (2013) 192-24 Country: USA Genre: Punk Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 30:52 Full Size: 1.31 GB Cita:
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23-07-2022 , 13:31:56 | #3564 | ||
Denunciante Ultra | Wilco - Schmilco (2016) [96kHz/24bit] Wilco - Schmilco (2016) 96-24 Country: USA Genre: Alternative rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 36:22 Full Size: 803.22 MB Wilco's 11th album, 2015's Star Wars, was a playful and angular set of noisy pop and pop-friendly noise, and it seemed fitting that it literally appeared out of nowhere, with the band sending it out as a free download without any advance warning one July afternoon. Little more than a year later, Wilco has released a follow-up, Schmilco, and in many respects this album is the flip side to Star Wars. Schmilco feels every bit as spontaneous as Star Wars (and much of the material was recorded during the same sessions), but where the earlier album seemed full of the joy of making music, this one is somber and low-key, a set of navel-gazing music even as the tunes confirm that Jeff Tweedy's way with a melody hasn't failed him. Acoustic guitars dominate most of Schmilco's 12 songs, with Tweedy's vocals right up front, sounding introspective and emphatic at once. On first listen, Schmilco plays like the work of one man and his guitar alone with his thoughts and his sorrows late one night. It takes a couple of spins for the contributions of the rest of the band to really sink in, but once they do, it becomes apparent this truly is a Wilco album, as Nels Cline's guitars, Pat Sansone and Mikael Jorgensen's keyboards, and Glenn Kotche's drums bring a rich spectrum of dynamics and texture to the songs, while John Stirratt's bass anchors these songs both melodically and rhythmically. Just as 1999's Summerteeth sounded like a smart pop album when observed casually but was an emotional horror show beneath the surface, Schmilco feels simple and declarative on first glance, but the deeper one is willing to dig, the more there is to find, both in terms of the band's interplay (which gets better and more intuitive with each album) and Tweedy's songs (which boast as much compassion and concern as brooding). Star Wars was Wilco's cheerfully bent version of a summer album; Schmilco is clearly music for autumn, meant for cool nights, crunching through the leaves, and the occasional dark night of the soul. And it speaks volumes about Wilco that they could make two albums so different within such a short space of time, and both times giving us music that sounds like no one else. © Mark Deming /TiVo Cita:
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23-07-2022 , 13:38:19 | #3565 | ||
Denunciante Ultra | Electric Light Orchestra - Face the Music 1975 (2015) [192kHz/24bit] Electric Light Orchestra - Face the Music 1975 (2015) 192-24 Country: UK Genre: Progressive rock,Symphonic rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 36:24 Full Size: 1.25 GB Cita:
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23-07-2022 , 13:46:51 | #3566 | ||
Denunciante Ultra | Led Zeppelin - Led Zeppelin II (Deluxe Edition) 1969 (2014) [96kHz/24bit] Led Zeppelin - Led Zeppelin II (Deluxe Edition) 1969 (2014) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:14:11 Full Size: 1.6 GB Cita:
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23-07-2022 , 13:53:09 | #3567 | ||
Denunciante Ultra | Black Oak Arkansas - Ain't Life Grand 1975 (2018) [96kHz/24bit] Black Oak Arkansas - Ain't Life Grand 1975 (201 96-24 Country: USA Genre: Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 35:53 Full Size: 827.9 MB Cita:
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23-07-2022 , 14:01:26 | #3568 | ||
Denunciante Ultra | Paul Simon - There Goes Rhymin' Simon [1973] (2015) [96kHz/24bit] Paul Simon - There Goes Rhymin' Simon 1973 (2015) 96-24 Country: USA Genre: Pop Rock, Folk, Soft Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 50:02 Full Size: 934.79 MB Cita:
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26-07-2022 , 13:00:39 | #3569 | ||
Denunciante Ultra | Nebula - Transmission From Mothership Earth (2022) [44.1kHz/24bit] Nebula - Transmission From Mothership Earth (2022) 44.1-24 Country: USA Genre: Stoner Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 38:09 Full Size: 438.61 MB NEBULA have been a stoner rock force since guitarist Eddie Glass broke away from the equally formidable FU MANCHU with former drummer Ruben Romano in 1997. Having established themselves as monolithic live phenomenon, the stoner rock veterans are back with a colossal seventh album to satisfy all your stoner, space rock and psychedelic needs. Transmissions From Mothership Earth dials up the cosmic strangeness and attempts to communicate with life from beyond the cosmos. Following on from their acclaimed 2019 album Holy Shit, NEBULA once again rise to the challenge and continue their run of form, venturing through a variety of evolving soundscapes to transport you beyond the stratosphere. Masters of blending the best elements of BLACK SABBATH with psychedelia and space rock, NEBULA have always been pioneers of their own unique take on stoner rock. What separates Transmissions From Mothership Earth from their previous work however, is that the album feels more conceptual, with a high level of focus on tying the songs together with a single galactic thread. Whilst the story is left for the listener to interpret for themselves, there is definitely a narrative running through the album, whether it be actually trying to communicate with some stoned aliens or just getting high and hallucinating that you're communicating with some stoned aliens. Transmissions From Mothership Earth has a more expansive quality as an album in comparison to Holy Shit or even one of the band's classic albums like To The Centre. Yet the stoner rock titans have brought some familiar musical approaches from 2009's Heavy Psych - Warzone Speedwulf being a prime example of this. The song stands out from the rest of the album as it sees NEBULA delve deep into the psychedelic lost oddities box to create a continuously evolving soundscape of warped vocals and driven guitar solos that drift from ear to ear. Even so, NEBULA never stray far from their sun-drenched, desert roots. The album was recorded in the Mojave desert, and those deep desert grooves mixed in with spacey, melodic vocals and rumbling, effervescent bass, are the beating heart of the album. Despite the lyrical matter being in space, Transmissions From Mothership Earth is still firmly grounded and incredibly earthy. NEBULA effortlessly continue their strong form here, tapping into a rich vein of creativity that has seen the band expand their sound as well as unleashing a few surprises. Transmissions From Mothership Earth is an intensely enjoyable journey through a hazy cosmos in the mind, its vivid riff writing taking you on a far out journey beyond the Milky Way. Cita:
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26-07-2022 , 13:11:42 | #3570 | ||
Denunciante Ultra | Ryan Adams - Romeo & Juliet (2022) [192kHz/24bit] Ryan Adams - Romeo & Juliet (2022) 192-24 Country: USA Genre: Rock,Folk Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:09:18 Full Size: 1.54 GB Cita:
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