Rock,Metal - HD Audio

Scar For Life - Sociophobia (2022) 44.1-24
Country: Portugal
Genre: Heavy Metal,Progressive Metal,Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 48:43
Full Size: 624.84 MB


Scar for Life are back with their 5th album Sociophobia, which includes 12 new tracks and some additions to Alex Santos' and Rob Mancini's past adventure, the 2014 album "World's Entwined". Marc Lynn (Gotthard) on bass and guest musicians Tobbe Jonsson (The Lightbringer Of Sweden) and Darrel Treece-Birch (TEN) on drums and Darrel Treece-Birch (Ten) on keyboards complete the line-up. The long pause was used to reflect the controversy of the actual world situation in their energy, their songs and above all in their lyrics. Guitarist Alexandre Santos founded the Portuguese heavy rock band Scar for Life in 2008, with songs ranging from very aggressive, groovy pieces to acoustic songs and with a penchant for unforgettable hooks and vocal melodies. In 2014, US singer Rob Mancini (Boneyard Dog) joined the band. Definitely one of the best Portuguese metal bands in the scene.






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Oceans Of Slumber - Starlight And Ash (2022) 44.1-24
Country: USA
Genre: Southern Gothic rock, Progressive Doom Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 49:45
Full Size: 561.52 MB









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Jack White - Entering Heaven Alive (2022) 96-24
Country: USA
Genre: Alternative Rock, Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 40:05
Full Size: 802.02 MB


Released three months after Fear of the Dawn, Jack White's latest isn't so much a sequel as a completely different beast. If Fear was his Black Sabbath record, Entering Heaven Alive is his low-key, often acoustic Led Zeppelin era. The "Going to California" and "Over the Hills and Far Away" vibes are strong, and it's kind of wild how much White sounds like Robert Plant on these songs. (The title, White has said, draws biblical inspiration from the story of the prophet Elijah going to heaven without dying.) It's also the "quieter" record, but hardly quiet. "All Along the Way" is medieval folky-delicate and mysterious but not twee; in fact, the bridge majorly flexes muscle. "I've Got You Surrounded (With My Love)" starts off swampy before an electric guitar slices through the thick humidity and the whole thing rolls into a Chicago-style blues-funk strut. Excellent opener "A Tip from You to Me" is a full-on embrace of '70s classic rock and an intriguing mix of Zeppelin, the Band and Leon Russell-style piano. It also encapsulates the stubbornly independent, kinda morose, world-against-me lyrical bent White traffics in more and more: "Ask yourself if you are happy/ Then you cease to be/ That's a tip from you to me . Now I know for sure/ I don't need nobody's help now anymore." "Please God, Don't Tell Anyone" is a gothic, not goth, litany of regrets and dread ("Please God . don't show anyone all the idiot things that I've done"). As on Fear of the Dawn, White bares some surprisingly playful eccentricities. With its fairytale strings and piano, "Help Me Along" channels Yellow Submarine-era Beatles via a funny little melody, like a tugboat bobbing on the waves. "A Tree On Fire From Within" sounds at once ominous and uplifting, cruising on a groovy bass line and piano runs. And "Queen Of The Bees" is a high-drama love song with a swirly garage-psych melody-marimba!-and some of the most impish lyrics White's ever written: "Pass me the bread and the brown sugar too/ And I'll butter your bread . I want to hold you like a sloth hugs a tree."(Perhaps it's a tribute to Black Belles singer Olivia Jean, White's longtime girlfriend who he proposed to and married at a concert earlier this year.) White has admitted, "I was challenging myself to sort of see what I could get away with! If you went back when I was 25 and said, 'Would you write lyrics about buttering toast?' I would say, 'Never, I would never do that!'" Bookending the project, he revives Fear's heavy-as-all-get-out opener "Taking Me Back" here as closer "Taking Me Back (Gently)," a jazzy steampunk version recorded on 1930s equipment. The revamp feels like an Appalachian-ized Charleston and may be totally unnecessary-it's hard to imagine it becoming a live staple-but White certainly leaves you thinking. © Shelly Ridenour/Qobuz





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Highway Sentinels - The Waiting Fire (2022) 48-24
Country: USA
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 57:11
Full Size: 763.22 MB


Highway Sentinels is a project created by Steven Rosen and Jimmy Waldo. Steven, himself a legendary author, journalist and guitar enthusiast going back to the 1970s, be it traveling on a plane with Led Zeppelin or as a close friend of Eddie Van Halen, he has always been at the forefront of rock journalism and its surrounding culture. Jimmy Waldo, founding member of Alcatrazz and New England, as well as having performed and recorded with the likes of Quiet Riot, Vinnie Vincent, Blackthorne, Pretty Maids, W.A.S.P., Skull, The Scream and many more, has an astounding resume and a catalog of recorded music few can rival.
During the lockdowns of 2021 the two men set about recording a batch of songs that they had been working on for a number of years, some dating back even decades were brought into the mix. The right vocalist had to be found as the guys wanted one consistent singer throughout to tie it all together, too many records these days are made up of singer 1 plus singer 2, 3 and 4 . And while there are a number of highly skilled guest guitarists on this record, the guys felt it important to also present this as a band union, so it not comes across as yet another 'chuck all these guys together and see what happens' type of project. Each guest soloist was chosen for the song, rather than name value alone.
David Reece was this vocalist, his work with Accept, Bangalore Choir, Bonfire and as a solo artist speaks for itself . He was given complete freedom to write lyrics and vocal melodies. A couple of songs come from the past. "Afterlife" and "We Won't Be Forgotten" come from Jimmy's past with Blackthorne and "Victim Of The Night" is a song David had recorded with Bangalore Choir which never found its way onto the classic debut of that band. Mark Zonder on drums brings an enormous pedigree to the record, known worldwide as the longtime drummer of Fates Warning and Warlord as well as the newly launched A-Z band with Fates Warning vocalist Ray Alder; it all made sense to have Mark Zonder be the featured drummer on this record. On bass we have Donnie Van Stavern, from the much loved metal legends Riot, Donnie's involvement means that no one has to worry about the bottom end falling out of a song, or having to have the guitarist recut the bass parts in a backroom somewhere . Donnie only plays one way . and that is go for the throat full on metal!
All together this is "Highway Sentinels" a record rooted very much in the traditions classic rock. The album is titled "The Waiting Fire"... but now you will wait no longer.






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Dreamtide - Drama Dust Dream (2022) 48-24
Country: Germany
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 53:33
Full Size: 737.37 MB









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Bells and Ravens - What Death Cannot End (2022) 44.1-24
Country: Germany
Genre: Heavy Metal,Power Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 01:03:48
Full Size: 770.93 MB


Back to a time when adjectives like "heavy" and "epic" were considered characteristics of our beloved METAL and there was no need to put each new band into a separate drawer.
A time when it wasn't seen as a weakness if not every song on an album sounded exactly the same, and most importantly - long songs like Hallowed Be Thy Name, Child In Time, Diary Of A Madman, Victim Of Changes, Battle Hymn or Master Of Puppets were the measure of all things!

Since 2018 BELLS AND RAVENS has been the baby of ex-Contracrash mastermind
Matt Carviero and he had already shown on his debut album IN OUR BLOOD (2020) where his priorities lie - powerful riffs, huge choruses, bombastic arrangements and sprawling instrumental parts!

On his soon to be released second album WHAT DEATH CANNOT END you will find ten tracks with a total length of almost 64 minutes! But due to their catchiness some of them should even delight listeners with shorter attention spans!

The german guitarist is supported by top-class singers such as Zak Stevens (Savatage, Circle II Circle, Trans-Siberian Orchestra) or Tim "Ripper" Owens (ex-Judas Priest, ex-Iced Earth, ex-Yngwie Malmsteen) as well as the bassist Roberto Palacios (Chinchilla, My Darkest Hate, Goblin's Blade) and the drummer Claudio Sisto (played in Mystic Prophecy, Chinchilla, My Darkest Hate, Goblin's Blade, Contracrash and more) who unfortunately passed away last year.

So the question is - Why bother listening to an epic, long song when you could listen to three fast food songs in the same amount of time? Every music lover knows the answer!
An overwhelming listening experience is the reward for those who do not see themselves mentally at the drive-through with this album, but consciously prepare themselves for a five-course gourmet menu with wine accompaniment!

The stunning artwork for this self-produced album was done by world-renowned swedish artist Par Olofsson (Exodus, Immortal, etc.)






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Randy Holden - Population III (2022) 44.1-24
Country: USA
Genre: Hard Rock,Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 57:44
Full Size: 666.42 MB









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Maple Mars - Someone's Got to Listen (2022) 44.1-24
Country: USA
Genre: Rock,Psychedelic power pop
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 40:22
Full Size: 485.86 MB


Arriving by time machine from the psychedelic era - and yet always thrillingly ahead of their time -- MAPLE MARS landed on the Los Angeles pop scene with a multi-colored bang! Fronted by singer-songwriter Rick Hromadka, their psychedelic pop/rock debut album Welcome To Maple Mars (Permanent Press Recordings) was recorded in guitarist Steve Berns' apartment. Industry mags such as Billboard, Album Network, Mojo, Hits Magazine, and Entertainment Weekly touted the album as one of the best indie pop-rock records of that year. As their journey progressed, Maple Mars recorded three more albums echoing the likes of Pink Floyd, The Who, The Move, and The Beatles. Their fourth album, Galaxyland (2010), received college/internet radio play and garnered accolades across the global pop rock scene, hailed as "a psychedelic masterpiece and their most acclaimed album yet" by Twirl Radio.

Producer/guitarist Steve Berns, drummer Ron Pak (Double Naught Spies), bassist Joe Giddings (Theme Music, Ruby Free), and Rick Hromadka (Double Naught Spies, Ruby Free) are the travelers who take their influences to new territories on their forthcoming 2022 LP Someone's Got To Listen. It's their fifth record overall and their first for Big Stir Records, who are delighted to welcome the hometown heroes to their roster. And it's no wonder: the label itself was born out of the LA live scene, where Maple Mars has long been renowned for massive, stadium-worthy performances whether headlining the label's concert series or opening for the likes of The Tubes.

Hromadka is also a three-time Emmy Award winning sound designer who began penning songs for TV teen shows like Breaker High, Sweet Valley High, and the Power Rangers, also landing a track on the Power Rangers movie Turbo. Maple Mars' music has also been featured in TV shows like ER, Third Watch, Felicity and Friday Night Lights. The band has appeared on a variety of pop compilations from countries like Sweden, Germany, Japan, Australia, and Canada, winning international attention along with tours of both coasts of the US and in Europe. And the band's already back on the road in advance of the new album. Someone's Got To Listen indeed, and with a clutch of invigorating new songs and their commanding stage presence, MAPLE MARS can be sure that fans worldwide are going to do just that.






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Lessmann/Voss - Rock Is Our Religion (2022) 44.1-24
Country: Germany
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 49:57
Full Size: 616.18 MB


Claus Lessmann [BONFIRE] and Michael Voss [CASANOVA, MAD MAX] have joined forces as LESSMANN/VOSS and created their debut album Rock Is Our Religion. Admittedly, calling it a debut is a bit of an understatement given that this isn't the first time the two have worked together to release music, as they are also members of rock band PHANTOM 5.

It's also worth pointing out that Rock Is Our Religion is the brilliant result of not only Lessmann and Voss, but also of producer Michael Schenker [SCORPIONS, THE MICHAEL SCHENKER GROUP]. Together, they have produced an album which is a mixture of both classic and modern rock music, something can you picture different generations enjoying and bonding over. Essentially it doesn't matter if you're part of the classic 80s rock crowd or part of the new generation; you can picture LESSMAN/VOSS performing at a festival and seeing the varying age groups joining forces and having the best time together.

Overall, Rock Is Our Religion is a highly enjoyable record. It's the type of album that you could bring out in the middle of a heatwave (a bit too soon?) and have played in the background as you sit with friends whilst having a barbecue and drinks. It's also an album that will make you feel good and something you can play regardless of environment, whether it's at that festival or at home doing housework, it will make you feel pumped, you will fist bump and you will find yourself headbanging along.






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Dawes - Misadventures Of Doomscroller (2022) 96-24
Country: USA
Genre: Folk rock,Indie folk,Alternative
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 46:00
Full Size: 1 GB


"Misadventures Of Doomscroller" marks Dawes' first new album following 2020's Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville's famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it "their liveliest, most visceral set yet."

"We've always prided ourselves on being minimalists. With this record we set out on being MAXIMALISTS," says Goldsmith. "Still a quartet. Still not letting these songs hide behind any tricks or effects. But really letting the songs breathe and stretch and live however they want to. We decided to stop having any regard for short attention spans. Our ambitions go beyond the musical with this one.

"We also wanted to honor the traditional length of a record - 40-45 minutes - but disregard any concern for numbers of tracks. The way Miles or Herbie often did. Documenting the songs is only half of the picture. For this record, they're also the platform for us to jump off from and get lost in. I think the best way I can say it is - we wanted this record to be less a collection of songs and more a collection of music." (Taylor Goldsmith)






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