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24-09-2022
, 09:27:32
| #3861 | |||||
| Denunciante Ultra  |  Status Quo - Backbone (2019) [96kHz/24bit]
 Status Quo - Backbone (2019) 96-24 Country: UK Genre: Classic Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:47 Full Size: 880.9 MB "Status Quo are back! With more than 118 million records sold countless gold awards received and several top 10 singles all around the world, there really is no need to introduce this band. Now, after more than half a century of existence, they are still the convincing live band they have always been known for and rock like they have never done before! Status Quo released 'Backbone' their 33rd studio album. Some doubters said 'Backbone' was a record that could not be made, but the 2019 line-up of Status Quo has been through a lot, and as of today will have chalked up over 130 shows as a unit and travelled tens of thousands of miles. This is a Group of musicians that is strong, that back each other up and are tighter than ever. 'Backbone' features of a trio songs drawn from the classic partnership of Rossi / Young as well as contributions from all of the rest of the band.  Cita:
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| SponSor  |  Re: Status Quo - Backbone (2019) [96kHz/24bit]
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24-09-2022
, 09:36:39
| #3862 | ||
| Denunciante Ultra | Colosseum - Tomorrow's Blues [2003] (2020) [44.1kHz/24bit]  Colosseum - Tomorrow's Blues 2003 (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 52:48 Full Size: 622.95 MB Cita:
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24-09-2022
, 09:44:07
| #3863 | ||
| Denunciante Ultra | Blind Guardian - Imaginations from the Other Side (Live) (2020) [48kHz/24bit]  Blind Guardian - Imaginations from the Other Side (Live) (2020) 48-24 Country: Germany Genre: Power Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 53:58 Full Size: 722.46 MB Cita:
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24-09-2022
, 09:48:29
| #3864 | ||
| Denunciante Ultra | Thin Lizzy - Thunder And Lightning (2013) [192kHz/24bit]  Thin Lizzy - Thunder And Lightning (2013) 192-24 Country: Ireland Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 40:33 Full Size: 1.45 GB Thin Lizzy's final studio release, Thunder and Lightning, was their most consistent album since 1979's Black Rose. Guitarist John Sykes replaced Snowy White, and the new blood must have inspired Lynott and company to write some of their best compositions in years. Although a pop-metal production hinders the tracks, there's more of a harder edge present than on their last release, Renegade. While the title track served as the ensuing tour's raging opener, half-baked lyrics detailing a fistfight and an unwarranted synth-solo weakens what should have been a straight-ahead rocker. But such heavies as "This Is the One" and "Cold Sweat" suit the band much better. Lizzy takes a stab at dance-rock with "The Holy War," while laying back with the tranquil "The Sun Goes Down" and the album's underrated highlight, the melodic "Bad Habits." Like Lizzy's other '80s releases, filler is present -- "Someday She Is Going to Hit Back" and "Heart Attack" and disappointingly, guitarist Scott Gorham abandons his trademark harmony leads of yesteryear in favor of '80s-era high-tech shredding. © Greg Prato /TiVo Cita:
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24-09-2022
, 12:36:54
| #3865 | ||
| Denunciante Ultra | Death Cab for Cutie - The Photo Album [2001] (2015) [88.2kHz/24bit]  Death Cab for Cutie - The Photo Album [2001] (2015) 88.2 Country: USA Genre: Rock,Indie Rock,Althernative Format: FLAC (*tracks) Quality: Lossless [88,2kHz/24 bit] Time: 38:51 Full Size: 765.77 MB Cita:
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24-09-2022
, 12:42:22
| #3866 | ||
| Denunciante Ultra | Megadeth - Super Collider (2013) [48kHz/24bit]  Megadeth - Super Collider (2013) 48-24 Country: USA Genre: Thrash Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 45:14 Full Size: 605.42 MB Cita:
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24-09-2022
, 12:45:17
| #3867 | ||
| Denunciante Ultra | Machine Head - Catharsis (2018) [44.1kHz/24bit]  Machine Head - Catharsis (201  44.1-24 Country: USA Genre: Thrash Metal / Groove Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:14:18 Full Size: 981.62 MB Offering vast quantities of style and substance, Catharsis is a 75-minute, 15-track eruption of pain and fury, hope and joy, melody and savagery. By far the most hard-hitting album Machine Head have ever made, both musically and lyrically, it sustains their long tradition of writing songs about the real world and the authentic, heartfelt emotions that define the human condition. Instant classics like the thunderous, riff-driven "Beyond The Pale", the lurching grooves and drug-dealer poetry of "Triple Beam" and the grinding psychedelia of "Kaleidoscope" are among the most evocative and powerful that Flynn and his decades-long band-mates, drummer Dave McClain and guitarist Phil Demmel have penned to date, while snarling, thrash'n'roll bruisers like "California Bleeding" and the Lemmy-saluting "Razorblade Smile" revel in Machine Head's thuggish, obnoxious side. All human life is here, expressed with maximum honesty and brute force. In the era of short attention spans, Machine Head are proudly going against the grain on Catharsis, delivering a bona fide musical journey that demands total immersion and surrender to the album's dramatic peaks and troughs. Long-time fans will be immediately sated by the crushing heaviness of songs like historical epic "Heavy Lies The Crown", which tells the tale of Louis XI, the 'Spider King' of France, and the swaggering crunch of the grunge-tinged "Screaming At The Sun". Meanwhile, Machine Head are conquering fresh territory on Catharsis, via the deeply poignant folk-punk curveball of "Bastards" and the all-acoustic melancholy of "Behind A Mask", one of numerous songs that showcase the blossoming vocal harmony partnership between Flynn and bassist Jared MacEachern. Cita:
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24-09-2022
, 12:55:28
| #3868 | ||
| Denunciante Ultra | Spirit Adrift - Angel & Abyss Redux [EP] (2020) [48kHz/24bit]  Spirit Adrift - Angel & Abyss Redux EP (2020) 48-24 Country: USA Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 12:09 Full Size: 149.2 MB Cita:
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24-09-2022
, 12:57:57
| #3869 | ||
| Denunciante Ultra | Pearl Jam - Pearl Jam (Brendan O'Brien Mix) [2006] (2017) [192kHz/24bit]  Pearl Jam - Pearl Jam 2006 (Brendan O'Brien Mix) (2017) 192-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 49:31 Full Size: 1.98 GB Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock. Gone are the arty detours (some call them affectations) that alternately cluttered and enhanced their albums from 1993's sophomore effort, Vs., all the way to 2002's Riot Act, and what's left behind is nothing but the basics: muscular, mildly meandering rock & roll, enlivened by Eddie Vedder's bracing sincerity. Pearl Jam has never sounded as hard or direct as they do here -- even on Ten there was an elasticity to the music, due in large part to Jeff Ament's winding fretless bass, that kept the record from sounding like a direct hit to the gut, which Pearl Jam certainly does. Nowhere does it sound more forceful than it does in its first half, when the tightly controlled rockers "Life Wasted," "World Wide Suicide," "Comatose," "Severed Hand," and "Marker in the Sand" pile up on top of each other, giving the record a genuine feeling of urgency. That insistent quality and sense of purpose doesn't let up even as they slide into the quite beautiful, lightly psychedelic acoustic pop of "Parachutes," which is when the album begins to open up slightly. If the second half of the record does have a greater variety of tempos than the first, it's still heavy on rockers, ranging from the ironic easy swagger of "Unemployable" to the furious "Big Wave," which helps set the stage for the twin closers of "Come Back" and "Inside Job." The former is a slow-burning cousin to "Black" that finds Pearl Jam seamlessly incorporating soul into their sound, while the latter is a deliberately escalating epic that gracefully closes the album on a hopeful note -- and coming after an album filled with righteous anger and frustration, it is indeed welcome. But Pearl Jam's anger on this eponymous album is not only largely invigorating, it is the opposite of the tortured introspection of their first records. Here, Vedder turns his attention to the world at large, and while he certainly rages against the state of W's union in 2006, he's hardly myopic or strident; he's alternately evocative and specific, giving this album a resonance that has been lacking in most protest rock of the 2000s. But what makes Pearl Jam such an effective record is that it can be easily enjoyed as sheer music without ever digging into Vedder's lyrics. Song for song, this is their best set since Vitalogy, and the band has never sounded so purposeful on record as they do here, nor have they ever delivered a record as consistent as this. And the thing that makes the record work exceptionally well is that Pearl Jam has embraced everything they do well, whether it's their classicist hard rock or heart-on-sleeve humanitarianism. In doing so, they seem kind of old fashioned, reaffirming that they are now thoroughly outside of the mainstream -- spending well over a decade galloping away from any trace of popularity will inevitably make you an outsider -- but on their own terms, Pearl Jam hasn't sounded as alive or engaging as they do here since at least Vitalogy, if not longer. © Stephen Thomas Erlewine /TiVo Cita:
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24-09-2022
, 13:02:44
| #3870 | ||
| Denunciante Ultra | Queen - A Night At The Opera (1975) [2015] [96kHz/24bit]  Queen - A Night At The Opera (1975) [2015] 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:08 Full Size: 984.07 MB Cita:
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