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| Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
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02-04-2022
, 13:21:03
| #3031 | ||||
| Denunciante Ultra  |  Keith Richards - Talk Is Cheap 1988 (2018) 44-24
 Keith Richards - Talk Is Cheap 1988 (201  44-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 47:04 Full Size: 543.83 MB  Cita:
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Twittear Seguir a @denunciando
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| SponSor  |  Re: Keith Richards - Talk Is Cheap 1988 (2018) 44-24
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02-04-2022
, 13:24:33
| #3032 | |||
| Denunciante Ultra | Ronnie Atkins - 4 More Shots (The Acoustics) (2021) [44.1kHz/24bit]  Ronnie Atkins - 4 More Shots (The Acoustics) (2021) 44.1-24 Country: Denmark Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 20:46 Full Size: 246.71 MB Cita:
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02-04-2022
, 13:30:32
| #3033 | ||
| Denunciante Ultra | Marillion - Brave (Deluxe Edition) 1994 (2018) [96kHz/24bit]  Marillion - Brave (Deluxe Edition) 1994 (201 96-24 Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:15:23 Full Size: 3.91 GB Cita:
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02-04-2022
, 13:36:39
| #3034 | ||
| Denunciante Ultra | Tim Bowness - Flowers At The Scene (2019) [44.1kHz/24bit]  Tim Bowness - Flowers At The Scene (2019) 44.1-24 Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:50 Full Size: 469.99 MB Cita:
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04-04-2022
, 12:39:49
| #3035 | ||
| Denunciante Ultra | Bryan Adams - Classic (Classic Version) (2022) [96kHz/24bit]  Bryan Adams - Classic (Classic Version) (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 34:20 Full Size: 738.68 MB Cita:
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04-04-2022
, 12:42:51
| #3036 | ||
| Denunciante Ultra | Tears For Fears - The Tipping Point (Limited edition) (2022) [5.1] [48kHz/24bit]  Tears For Fears - The Tipping Point (Limited edition) (2022) [5.1] 48-24 Country: UK Genre: Synthpop, New Wave, Alternative Rock, Pop Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:03 Full Size: 1.25 GB For their first album in 18 years, Tears for Fears sound completely revitalized and as beautiful and engaging as ever. Remarkably, it's fueled in part by the 2017 death of Roland Orzabal's wife and partner of many years and his denial about losing her. "I think that when you've been close to someone for decades, they are living within you as well as without," he has said. "And consciously I did not believe she would die, though subconsciously I was, without doubt, preparing for the inevitable, arming myself against the future shock." The title track is shimmering and mysterious, with strident drums and alien beeps but also vocals like a soothing balm. "Winter done, they'll soon be gone/ From this unforgiving place/ To that vague and distant void/ Where the sunlight splits the eye," Orzabal sings of that threshold from life to death. It is heartbreaking, but also hopeful. "Please Be Happy" is incredibly candid-and one of their prettiest tracks: "These days it's like a wave is breaking over you/ Dragging you in with the undertow/ If you lay among the graves you will see other ghosts." And "No Small Thing," about facing the heartbreak of losing your love, is a stunner. Stripped-back acoustic guitar builds to the dreamy psychedelia Tears for Fears has always done so well, the whole thing swelling to a bursting-the-seams crescendo by the end. "Long, Long, Long Time" shows how the duo have always been masters of dynamics, its hymn-like organ giving way to a monster chorus; the song also reminds you just how much Sam Smith owes Curt Smith for their angelic style. "Master Plan" giddily dips into the band's longtime love of Sgt. Pepper-era Beatles, and "Break the Man" is catchy jangle pop touched with moody strings. "My Demons," meanwhile, is a nasty piece of work, in the best way (one akin to Depeche Mode's "Personal Jesus"), with Orzabal drilling the doomed lyrics: "Why is my name in lights when my name is spelled wrong . People always find you when your cell phone is on." Smith comes in to sweeten up the chorus, but he sounds thrillingly stretched to his limits as the rhythm gallops like a sweating horse. Put The Tipping Point on the shelf next to Joan Didion's The Year of Magical Thinking for times of crisis. © Shelly Ridenour/Qobuz Cita:
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04-04-2022
, 12:49:58
| #3037 | ||
| Denunciante Ultra | Ayreon - Transitus (2020) [44.1kHz/24bit]  Ayreon - Transitus (2020) 44.1-24 Country: Netherlands Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:20:36 Full Size: 959.89 MB Cita:
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04-04-2022
, 12:58:18
| #3038 | ||
| Denunciante Ultra | Voivod - The Wake (Deluxe Edition) (2018) [48kHz/24bit]  Voivod - The Wake (Deluxe Edition) (201 48-24 Country: Canada Genre: Progressive Thrash Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:28:40 Full Size: 1.13 GB In 2018, Voivod's 14th studio album, The Wake, is upon us. The band's original members, drummer Michel "Away" Langevin and vocalist Denis "Snake" Belanger, find themselves reinvigorated and reenergized by the presence of guitarist Daniel "Chewy" Mongrain and new bassist Dominic "Rocky" Laroche. Mongrain, now celebrating ten years in the band, has done a more than respectable job replacing original guitarist, the ever-beloved Denis "Piggy" D'Amour. His contribution to the making of The Wake was as integral to the new album as was Piggy's leadership during his reign. The Wake steers the Voivod spacecraft through a tangled, tantalizing storyline, woven into the most maze-like, edge-of-your-seat musical experience the band have embarked upon since those heady days of the late '80s. Songs such as "The End of Dormancy," "Iconspiracy" and "Spherical Perspective" churn and twist in such a way that no Voivod devotee could possibly have wished for more Cita:
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05-04-2022
, 12:27:57
| #3039 | ||
| Denunciante Ultra | Аrjеn Аnthоnу Luсаssеn's Stаr Оnе - Space Metal (Re-Issue) (2002) [2022] [FLAC]  Аrjеn Аnthоnу Luсаssеn's Stаr Оnе - Space Metal (Re-Issue) (2002) [2022] [FLAC] Country: Netherlands Genre: Progressive Metal, Progressive Rock,Symphonic Rock, Space Rock Format: FLAC (*tracks) Quality: Lossless Time: 01:24:32 Full Size: 603.54 MB The debut album from Arjen Anthony Lucassen's Star One offers stellar musicianship, visionary production and a simple yet far-reaching concept. Dan Swano (ex-Edge of Sanity, Nightingale), Russell Allen (Symphony X and more), Damian Wilson (ex-Threshold, Headspace) and Floor Jansen (Nightwish) provide the vocals.Robert Soeterboek (Ayreon) is on backing, Ed Warby on drums, and Erik Norlander plays the huge analog synth leads. Jens Johansson (Yngwie Malmsteen, Dio, Stratovarius) and Hawkwind's Dave Brock talso guest. Cita:
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05-04-2022
, 12:31:18
| #3040 | ||
| Denunciante Ultra | Pink Floyd - The Dark Side Of The Moon (1973) (Remaster) (2021) [5.1] [96kHz/24bit]  Pink Floyd - The Dark Side Of The Moon (1973) (Remaster) (2021) [5.1] 96-24 Country: UK Genre: Progressive Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:54 Full Size: 2.43 GB By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one. © Stephen Thomas Erlewine /TiVo Cita:
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