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05-04-2022 , 12:39:07 | #3041 | |||
Denunciante Ultra | Keith Richards & The X-Pensive Winos - Live at the Hollywood Palladium (2020) [96k... Keith Richards & The X-Pensive Winos - Live at the Hollywood Palladium (2020) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:19:57 Full Size: 1.7 GB Cita:
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SponSor | Re: Keith Richards & The X-Pensive Winos - Live at the Hollywood Palladium (2020) [96k... |
05-04-2022 , 12:48:09 | #3042 | ||
Denunciante Ultra | Marillion - Marbles In The Park (2017) [96kHz/24bit] Marillion - Marbles In The Park (2017) 96-24 Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:10:20 Full Size: 2.57 GB Cita:
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05-04-2022 , 12:58:05 | #3043 | ||
Denunciante Ultra | Simple Minds - Acoustic (2016) [48kHz/24bit] Simple Minds - Acoustic (2016) 48-24 Country: UK Genre: Alternative rock,Post-punk,Art rock,New wave,Synthpop Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 58:07 Full Size: 962.02 MB An unplugged retelling of many of the band's best-known songs, Simple Minds' Acoustic is an enjoyable if not particularly organic set. Employing the criteria used during the heyday of MTV Unplugged, the veteran Scots do indeed reimagine their catalog using acoustic instruments, though the amount of manipulation via effects and creative mixing makes for something a bit different. The resulting album is a sort of hybrid of stripped-down arrangements with just enough rock sweetening to reach the back seats. In the case of monster hits like "Alive and Kicking" and "Don't You (Forget About Me)," this approach feels a bit underwhelming and bland. While these renditions aren't necessarily bad, it does seem like Simple Minds missed out on an opportunity to dramatically shake up their repertoire in any number of possible directions, but instead settled for simply swapping out the electric guitars and synths with acoustic guitar and piano. The whole point of doing acoustic versions is usually to lay bare the material, deconstructing it down to its roots, but for the most part, Acoustic feels a bit too polished and adjusted. © Timothy Monger /TiVo Cita:
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06-04-2022 , 12:26:40 | #3044 | ||
Denunciante Ultra | Black Sabbath - Live At Last (Remastered) (2013) [44.1kHz/24bit] Black Sabbath - Live At Last (Remastered) (2013) 44.1-24 Country: UK Genre: Heavy metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 57:26 Full Size: 664.15 MB Cita:
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06-04-2022 , 12:30:50 | #3045 | ||
Denunciante Ultra | Аrjеn Аnthоnу Luсаssеn's Stаr Оnе - Victims Of The Modern Age (Re-Issue) (2010) [2... Аrjеn Аnthоnу Luсаssеn's Stаr Оnе - Victims Of The Modern Age (Re-Issue) (2010) [2022] [FLAC] Country: Netherlands Genre: Progressive Metal, Progressive Rock,Symphonic Rock, Space Rock Format: FLAC (*tracks) Quality: Lossless Time: 01:17:17 Full Size: 572.32 MB On 2010's Victims of the Modern Age, Arjen Anthony Lucassen's Star One reunite the stellar cast of lead vocalists from the debut release Space Metal (2002): Russell Allen (Symphony X), Damian Wilson (Headspace, Threshold), Floor Jansen (ReVamp, ex-After Forever), and Dan Swanö (Nightingale, Second Sky, ex-Edge Of Sanity). Arjen plays the rhythm guitars, Hammond organ, Mellotron, Solina strings and analog synths. Ed Warby (Ayreon, Hail of Bullets, Gorefest), Peter Vink, Joost van den Broek, Gary Wehrkamp (Shadow Gallery), Mike Andersson (Cloudscape, Full Force, Silent Memorial), Rodney Blaze, and former Black Sabbath front man Tony Martin also appear. Cita:
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06-04-2022 , 12:41:11 | #3046 | ||
Denunciante Ultra | Grand Funk Railroad - What's Funk 1983 (2005) [192kHz/24bit] Grand Funk Railroad - What's Funk 1983 (2005) 192-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 39:10 Full Size: 1.5 GB Cita:
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06-04-2022 , 12:44:44 | #3047 | ||
Denunciante Ultra | Gov't Mule - Revolution Come... Revolution Go (Deluxe Edition) (2017) [88.2kHz/24bit] Gov't Mule - Revolution Come... Revolution Go (Deluxe Edition) (2017) 88.2-24 Country: USA Genre: Blues,Blues Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 01:53:47 Full Size: 2.15 GB In the four-year interim between Gov't Mule studio albums, guitar boss Warren Haynes has been busy: He played on the final Allman Brothers Band tour, paid tribute to Jerry Garcia with a symphony orchestra, issued an Americana-esque solo album, and played on James Cotton's Cotton Mouth Man. That said, no other music he makes resonates in the same way as what he creates with Gov't Mule (co-founder and drummer Mat Abts, keyboardist/guitarist Danny Louis, and bassist Jorgen Carlsson). Revolution Come...Revolution Go began on election night 2016. The band had their own ideas about the outcome, but as the night wore on, their worst fears came true and influenced the direction of the music here. The title doesn't pin the definition of "revolution" down to one topic, it's a verb, noun, adjective, and metaphor in Gov't Mule's dictionary; it describes everything from trends in music and social unrest to historical events and political and spiritual upheaval. The music here is heavy -- Mule heavy -- but also offers a host of other flavors and textures to expand the palette to dynamic effect. Opener "Stone Cold Rage" finds Haynes' mutating a James Gang vintage guitar vamp to suit Mule's purposes. Louis' swirling organ and Carlsson's distorted basslines are pushed forward by Abts' uncommonly funky breakbeats. The tune struts, swaggers, and pummels. "Drawn That Way" is a thundering blues-rocker that draws down on personal accountability. The musical change-ups here make this a standout. There's the slow, soulful "Pressure Under Fire" -- an exhortation to refute the mistakes of the past with collective tolerance and respect which contains an authority worthy of an Old Testament prophet. Likewise, the gospel-tinged R&B of "The Man I Want to Be," the Muscle Shoals-styled country of "Dreams & Songs," and the gritty, jazzy soul-funk of "Sarah, Surrender" offer different dimensions of the Southern-crusted rockist blues that is Gov't Mule's trademark. The latter tune contains Haynes' finest vocal performance on this or any other record he's been on, and he's assisted by the backing trio of Alecia Chakour, Jasmine Muhammad, and Bobby Allende. The abstract blues-jazz title track is bound to become a live staple for its suite-like structure. Guitarist Jimmie Vaughan lends a hand in adding earth to Haynes' fire on the psychedelic blues "Burning Point." The set closes with Carlsson's arrangement of Blind Willie Johnson's "Dark Was the Night Cold Was the Ground." It commences as a moaning drone, with slide guitar, piano, woozy bass, and rumbling drums, but erupts in a mind-melting, screaming Hendrixian blues overloaded with wah-wah and slide guitars for an apocalyptic finish. Revolution Come... Revolution Go is easily Gov't Mule's most urgent record, but their call to arms isn't preachy; instead, righteous anger is refracted through the lens of empathy. It is also a fresh reboot of the band's sound, offering excellent songwriting and arrangements; it sounds more like a group effort than anything they've released. The message is that the revolution is within you: Hear it, believe it, become it. © Thom Jurek /TiVo Cita:
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06-04-2022 , 12:52:05 | #3048 | ||
Denunciante Ultra | Red Hot Chili Peppers - Freaky Styley 1985 (2013) [192kHz/24bit] Red Hot Chili Peppers - Freaky Styley 1985 (2013) 192-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 39:50 Full Size: 1.6 GB Cita:
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06-04-2022 , 14:03:17 | #3049 | ||
Denunciante Ultra | Dan McCafferty - Last Testament (2019) [48kHz/24bit] Dan McCafferty - Last Testament (2019) 48-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:06:04 Full Size: 789.22 MB Cita:
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07-04-2022 , 13:02:20 | #3050 | ||
Denunciante Ultra | Hällas - Isle of Wisdom (2022) [48kHz/24bit] Hällas - Isle of Wisdom (2022) 48-24 Country: Sweden Genre: Hard Rock, Prog Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 44:21 Full Size: 554.26 MB "Traversing through an evocative, feel-good blend of nostalgic 70's hard rock, proto-metal, folk and psychedelic influences - Isle Of Wisdom emerges as the anticipated third studio album by breakout Swedish "Adventure Rock" stars HALLAS. Formed in 2011 and named after the main character featured in the stories of their lyrics - a knight in a parallel medieval universe destined to take part in a religious war caused by a tyrannical queen - HALLAS are the originators of the ""Adventure Rock"" genre, devoting themselves to the aforementioned sonic fusion and eccentric imagery inspired by rock greats of yore with a fantastical twist. Isle Of Wisdom, the brand new successor to HALLAS's successful full-length offering Conundrum (Top 50 in the Swedish Charts, P3 Guld Award nominee), is set for release on April 8, 2022, just before they hit the road on an extensive European tour. This collection of fresh tracks allows the listener to emerge in a brand new realm soaked in mystery and retro-rock atmosphere - key features of HALLAS' fantasy and sci-fi driven auditory aesthetic. Produced in collaboration with Linn Fijal and Vilma Colling at Riksmixningsverket studio, which has hosted the diverse likes of Arch Enemy, ABBA and Celine Dion, HALLAS experienced the rare chance to once again use ABBA's unique synthesizers for the production of Isle Of Wisdom. The album starts with synthesizer-laden "Birth Into Darkness", with an incredibly clever topline featuring the unique vocals of singer and bassist Tommy Alexandersson. The musical journey continues with the mystical single "Earl's Theme", embellished by choral voices, and proceeds with exceptional "Elusion's Gate" - a piece that, by giving space to the guitar lines of Alexander Moraitis and Marcus Petersson, underlines the overall epic and mysterious atmosphere of the album. Comprised of eight bold opuses, Isle Of Wisdom is a deft new step in the noteworthy sonic trajectory of HALLAS, cementing them as a band to watch! " Cita:
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