Rock,Metal - HD Audio

Aldo Nova - The Life and Times of Eddie Gage (A Rock Opera) (2022) 44.1-24
Country: USA
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 51:21
Full Size: 607.37 MB









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Golden Earring - You Know We Love You (Live Ahoy 2019) (2022) 48-24
Country: Netherlands
Genre: Hard rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:49:29
Full Size: 1.26 GB









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Gov't Mule - Heavy Load Blues (Deluxe Edition) (2022) 96-24
Country: USA
Genre: Blues,Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 02:00:28
Full Size: 2.36 GB


"For me, personally, it's kind of been on my list of things to do for years. I didn't know if it was gonna be a solo album or a Gov't Mule record. We play some traditional blues on stage from time to time and although it's usually never more than a few songs per show, our approach to the blues is unique and based on our collective chemistry as a band. This album gave us a mission. Although in some way it was 'anything goes,' we wanted to stay true to the spirit of the blues in a traditional sense. It's not a blues/rock record - it's a blues record. We wanted it sonically to sound different from a normal Gov't Mule record." - Warren Hayne






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Jack Lancaster & Robin Lumley - Marscape 1976 (Expanded & Remastered Edition) (2022) 96-24
Country:
Genre: Fusion,Jazz-Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 52:49
Full Size: 1.03 GB


Newly remastered of the wonderful 1976 album 'Marscape' by Jack Lancaster And Robin Lumley.

This excellent album was recorded and released in 1976 and was composed and conceived to mark the landing on Mars of Nasa's Viking 2 Explorer in September of that year.

For the sessions, saxophonist and woodwind player Jack Lancaster and keyboard player Robin Lumley were joined by John Goodsall on guitars, Percy Jones on bass and Phil Collins on drums.

The finished album was an incredible work and paved the way for the formation of the acclaimed group Brand X soon after.

This new edition of 'Marscape' has been remastered from newly discovered original master tapes.

"Lancaster is the former sax player in Blodwyn Pig, but this album is better-known for its side-players: Robin Lumley, John Goodsall, Percy Jones, Phil Collins, Morris Pert... in short, Brand X! Fans of Brand X actively search out this album expecting a pre-Brand X Brand X album. Well, yes and no. One can certainly hear the Brand X style in embryonic form on some songs, but we must remember, this is really Lancaster's show. Lancaster primarily plays sax, but he also plays a lot of Lyricon, an early wind synthesizer. Sometimes, it's hard to tell which synth lines were played by Lumley or Lancaster, although others have a definite "reedy" quality to their sound (i.e., you can tell by the phrasing that the notes came out of a wind instrument and not a keyboard). Other guest appearances include Penguin Cafe Orchestra mainstay Simon Jeffes on koto, while vocalist Bernie Frost graces some songs with his eerie falsetto, though none of the songs has any lyrics. The songs fall into two distinct categories: 1) Soft and atmospheric with gentle melodies expressed on sax/Lyricon/flute backed by Lumley's keyboards (usually piano) and 2) Jazz-fusion somewhat in the Mahavishnu mold with prominent sax and energetic rock backing. The latter passages are those which will be of greatest interest to Brand X fans, Percy Jones' distinctive bass playing being most prominent. One can't help but wonder if the program music on this album was perhaps originally intended to be a soundtrack of some sort. Worth getting if you know what to expect." (Mike Ohman)






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Grand Funk Railroad - On Time 1969 (2021) 192-24
Country: USA
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 51:42
Full Size: 1.97 GB


On Time is the debut studio album by American rock band Grand Funk Railroad. The album was released on August 25, 1969, by Capitol Records. It was produced by Terry Knight. "Time Machine", the band's first single release, just made it into the top 50 in the singles charts, reaching #48.

After the success of their second album Grand Funk (also known as The Red Album) in 1970, On Time went gold, one of four RIAA gold record awards for the band that year. The other two albums reaching gold status in 1970 for Grand Funk Railroad were Closer to Home and Live Album.






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X - Wild - So What! 1994 (Reissue) (2022) 44.1-24
Country: Germany
Genre: Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 52:09
Full Size: 674.06 MB









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Pattern-Seeking Animals - Prehensile Tales (2020) 96-24
Country: USA
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 55:25
Full Size: 649.65 MB








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Grand Funk Railroad - Closer To Home 1970 (2013) 192-24
Country: USA
Genre: Hard Rock, Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 44:49
Full Size: 2.04 GB


Grand Funk Railroad (also known as Grand Funk) is an American blues rock band that was highly popular during the 1970s, touring extensively and playing to packed arenas worldwide. David Fricke of Rolling Stone magazine once said, "You cannot talk about rock in the 1970s without talking about Grand Funk Railroad!" Known for their crowd-pleasing arena rock style, the band was well-regarded by audiences despite a relative lack of critical acclaim. The band's name is a play on words of the Grand Trunk Western Railroad, a railroad line that ran through the band's home town of Flint, Michigan.





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Karen Dalton - In My Own Time (50th Anniversary Edition) 1971 (2022)
Country: USA
Genre: Folk, Country,Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 01:06:26
Full Size: 1.17 GB


A half-century after the release of Karen Dalton's cult classic second album, In My Own Time sounds as magical as it always has; it was never-despite the album's title-that she was ahead of her time, but rather not of this world. Which is not to say she was some ethereal creature. After a whole life lived in her teenage years, married twice and with two kids, Dalton moved from Oklahoma to New York City to be part of the Greenwich Village 1960s folk scene alongside the likes of Tim Hardin and Neil Young. Bob Dylan called her one of his favorites, saying "Karen had a voice like Billie Holiday." She reportedly hated the comparison, though you get why Dylan made it: it's the weary ache and that slim silver thread of hope that remains. You can hear it on her cover of George Jones' "Take Me;" the piano flutters like it needs a fainting couch, but Dalton turns the quiet plea into something wistful rather than desperate. "Take me to Siberia and the coldest weather of the winter time/ And it would be just like spring in California," she sings, drawing out that last word like it's some impossible oasis. (By then, Dalton had had two teeth knocked out in a fight between boyfriends.) It's in her jaunty delivery of the Holland-Dozier-Holland's "How Sweet It is" and her interpretation of Richard Manuel's psychedelic country-rock "In a Station," Dalton blowing like wind through some desolate space. And lord knows it's in her most famous song, the Scottish folk traditional "Katie Cruel." Helped along by high-lonesome banjo, it's as haunted as they come. "When I first came to town, they called me the roving jewel," Dalton sings, managing to make it sound like she's not broken by it all. "Now they've changed their tune, call me Katie Cruel." Credit her wavery, light-refracted voice and the way it reflects both a fragility of nature and a hardscrabble strength of circumstance. (While the story of folkie Fred Neil secretly recording Dalton's first album by not telling her the tape was running has been romanticized, it's also exploitative and manipulative.) Dalton, who would disappear after In My Own Time, battled heroin and alcohol addiction and died at age 55 after an AIDS diagnosis. But her influence carries on, in Angel Olsen, Lucinda Williams, Sharon Van Etten, Courtney Barnett and Nick Cave, to name a few. This new expanded and remastered edition includes alternate takes of "In My Own Dream," "Something on Your Mind" and "Katie Cruel." The latter two light a small fire under the beat, but find Dalton less declarative, like she's consoling a friend in hushed tones. There are also several live tracks. "Take Me," captured in April 1971 in Germany, is so intimate it's disarming, Dalton's voice cracking on the line "like heaven to me." But there is strength-an almost defiance-on the songs from her Montreaux performance a month later, even in "Blues on the Ceiling" when she predicts she'll "Never get out of these blues alive." © Shelly Ridenour/Qobuz






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Enuff Z'Nuff - Brainwashed Generation (2020) 44.1-24
Country: USA
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 43:30
Full Size: 530.47 MB


Featuring founding member Chip Z'nuff along with Alex Kane (guitars), Tory Stoffregen (guitars), and Daniel Benjamin Hill (drums), Enuff Z'Nuff's new studio release, "Brainwashed Generation" showcases a diverse collection of songs that demonstrate the progression of musical styles in the Enuff Z'nuff catalog, all while retaining the undercurrent that has kept them a loyal fanbase since the '80s. The album also features guest appearances from original frontman and guitarist Donnie Vie ("Strangers In My Head") as well as guest appearances from Mike Portnoy, Ace Frehley, and Daxx Nielsen (Cheap Trick).





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