Rock,Metal - HD Audio

Ronnie Atkins - One Shot (2021) 44.1-24
Country: Denmark
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 44:44
Full Size: 543.82 MB

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Marillion - Misplaced Childhood 1985 (2017 Remastered) 96-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 41:11
Full Size: 796.88 MB








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Nite - Voices of the Kronian Moon (2022) 48-24
Country: USA
Genre: Blackened Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 36:57
Full Size: 502.17 MB


The San Francisco Bay has a history steeped in heavy metal and NITE carries that torch with pride. Founded in 2018, their blackened heavy metal barrels towards the peril of an unknown future, while still paying homage to metal's foundations. Guitarists Van Labrakis (Satan's Wrath) and Scott Hoffman (High Spirits) let loose galloping riffs and harmonies that evoke the classic sounds of the NWOBHM while driving their dark, melodic metal into the modern era. With sophomore album 'Voices of the Kronian Moon,' NITE solidifies their place among emerging artists to watch!








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UK - Danger Money 1979 (2022) 96-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 42:09
Full Size: 989.05 MB


Danger Money is the second studio album by the progressive rock supergroup U.K., featuring John Wetton, Eddie Jobson and Terry Bozzio. John Wetton rose to fame with bands Mogul Thrash, Family, King Crimson, Roxy Music/Bryan Ferry, Uriah Heep, and Wishbone Ash. Whilst Eddie Jobson has been a member of several progressive rock bands, including Curved Air, Roxy Music, UK, Jethro Tull and (very briefly) Yes. He was also part of Frank Zappa's band in 1976?77. And Terry Bozzio is best known for his work with Missing Persons and Frank Zappa. The album was released by E.G. Records / Polydor in March 1979. "The Only Thing She Needs", "Caesar's Palace Blues" and "Carrying No Cross" had been performed on tour throughout 1978 (and an early version of "Carrying No Cross" included what became the intro to the title track) by the band's original line-up with Bill Bruford and Allan Holdsworth. "Rendezvous 6:02" and "Nothing to Lose" were both released as singles.






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Machine Gun Kelly -Tickets To My Downfall (2020) 44.1-24
Country: USA
Genre: Pop Punk
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 36:04
Full Size: 436.62 MB


Though his 2019 album Hotel Diablo mostly continued the commercial rap style that made Machine Gun Kelly famous, the record closed with "I Think I'm Okay," a melodic rock song featuring guest appearances from U.K. vocalist YUNGBLUD and blink-182's Travis Barker. The catchy tune injected Machine Gun Kelly's emotionally raw lyricism into a template of spirited guitar-driven pop-punk and it became a huge hit. For fifth album Tickets to My Downfall, Machine Gun Kelly commits fully to the pop-punk style that was hinted at with "I Think I'm Okay," making a bold-faced turn from moody rap songs to blasts of distorted guitar, uptempo drums, and vocal harmonies right out of the early-2000s mall punk playbook. Travis Barker is again a frequent collaborator, producing the album as well as contributing drums and occasionally co-writing some songs. This direct association might be part of why Tickets to My Downfall sounds inarguably enamored with blink-182, with songs like "Bloody Valentine," pained ballad "Play This When I'm Gone," and the explosive "Title Track" following blink's blueprint of straightforward melodies, huge hooks, and cathartic choruses. The rap elements of the past aren't completely scrubbed clean, with trap drums added to the mix of tunes like "Drunk Face," and cameo appearances from rappers like Trippie Redd and Blackbear. Even still, when Trippie Redd shows up on "All I Know," he's not rapping as much as singing some melodic lines that play nicely with the emo-rock format of the song. The themes of self-destruction, tainted romance, and struggles with depression that were often visited on Machine Gun Kelly's earlier material translate seamlessly from tormented rap to heart-aching pop-punk. Songs like the lovelorn and dramatic "My Ex's Best Friend" might have a delivery that's worlds away from the brooding rap he's known for, but he's still singing about the same problems as always. The profound stylistic upset of Tickets to My Downfall will leave some listeners flat, simply because what they enjoyed about Machine Gun Kelly as a rapper might be harder to find in his pop-punk songs. For those willing to come along for the ride, the album serves as a sincere and somewhat nostalgic embrace of pop-punk from the Myspace era. Machine Gun Kelly's personality is still at the heart of every song, even when trading 808 beats for crunchy guitar riffs. While some songs are more interesting than others and some tend too close to blink-182 worship, Tickets to My Downfall succeeds more than it falters. While it would rank as a slightly above average album for any given pop-punk band, there's an added excitement in how risky this about-face is for a multi-platinum artist who could have easily turned in the same record he made last time.
© Fred Thomas /TiVo






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Ghost - Prequelle (201 44.1-24
Country: Sweden
Genre: Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 41:43
Full Size: 41:43


One can't help but see in Ghost and its multitasking omnipotent leader Tobias Forge the worthy successor of a shock rock so dear to Alice Cooper. More than just a band, it is a complete immersion in a show, in which everything is connected. But like with Cooper, nothing must be overlooked, especially not the music. Indeed, if the whole structure holds together, it is mostly thanks to a devilishly effective sound, for which nothing is left to chance in Forge's meticulous compositions. This is why Ghost succeeds where some rare and brave bands have failed in the past thirty years, like Demon, who tried a rather similar approach as early as 1983. They are often criticized for their lack of creativity, but how many bands really do manage to blend genres without it resulting in an unpalatable stew? With four albums and two EPs, Ghost has not only forged a style identifiable from the very first listen, but it also keeps on improving by thoughtfully and cleverly integrating increasingly varied ingredients to its sound. To the point of taking up the saxophone, or collaborating with a specialist (Gavin Fitzjohn on Miasma).

This Prequelle doesn't evoke Blue Öyster Cult as much as numerous bands that brought glory to the AOR genre (for album-oriented rock, which later became adult-oriented rock) in the United States, or hard FM on our side of the pond. Particularly these bands that had a hint of progressive about them, like Zebra, Triumph, Styx, or pop, like Cheap Trick, Def Leppard, Bon Jovi, Toto, Winger, and at last a touch of pomp like Queen, Meat Loaf and Ambrosia. More than ever, Forge, a.k.a. Cardinal Copia, was able to shake things up and add a variety to his style, even if his talent for metal shows rather in quality than quantity. Except for the powerful and contagious Rats - which bears a striking resemblance to Ozzy in his The Ultimate Sin days −, the song Faith − which appears to be in the same vein as Dio's The Last in Line − and a Dance Macabre worthy of Scorpion (a song which evokes the Germans' Big City Nights), the album favours lighter, more melodic songs, even atmospheric - but not drowsy - instrumentals. Worth pointing out is this Helvetesfonster, quite similar to Steve Wilson and Mikael Åkerfeldt's project Storm Corrosion, and with good reason as they contributed stunning acoustic guitar parts. Ghost has even become an expert on finely carved ballads, as illustrated by an almost symphonic Pro Memoria. When Life Eternal, the other plainer ballad, ends, Prequelle leaves the impression of being cut short, which is not necessarily a bad thing. With ten tracks and over forty minutes of music, i.e. one less than Meliora, it falls on the good side of average. Some will argue that the album is missing one or two catchy tunes worthy of the unstoppable Square Hammer. But all in all, the final product will no doubt convert plenty of new followers and please the old-timers. © Jean-Pierre Sabouret/Qobuz






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Ten - Illuminati (201 44.1-24
Country: UK
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 58:13
Full Size: 728.29 MB









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Roxy Music - Country Life 1974 (2015) 96-24
Country: UK
Genre: Art Rock,Experimental,Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 41:53
Full Size: 854.78 MB


Continuing with the stylistic developments of Stranded, Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. At their best, Roxy combine these two extremes, like on the exhilarating opener "The Thrill of It All," but Country Life benefits considerably from the ebb and flow of the group's two extremes, since it showcases their deft instrumental execution and their textured, enthralling songwriting. And, in many ways, Country Life offers the greatest and most consistent set of Roxy Music songs, illustrating their startling depth. From the sleek rock of "All I Want Is You" and "Prairie Rose" to the elegant, string-laced pop of "A Really Good Time," Country Life is filled with thrilling songs, and Roxy Music rarely sounded as invigorating as they do here.
© Stephen Thomas Erlewine /TiVo






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Evil Invaders - Shattering Reflection (2022) 48-24
Country: Belgium
Genre: Speed Metal,Thrash Metal
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 42:54
Full Size: 569.59 MB


Belgian Metal frontrunners EVIL INVADERS unleash their third album, Shattering Reflection via Napalm Records! It took the band almost five years to craft a new record and it has been undoubtably worth the wait. EVIL INVADERS have found the perfect balance between fast, mid and slow tempo songs focusing on strong choruses, touching lyrics and even some progressive touches that will grab every Heavy Metal fan by the throat and screaming for more! EVIL INVADERS's Shattering Reflection is promising to be a game-changer for the Belgian 4-piece as the band seems to have found their own formula to turn Heavy Metal into another extreme direction.
Shattering Reflection takes off with a fast Heavy Metal banger "Hissing in Crescendo", followed by the epic anthem "Die For Me", already destined to become an EVIL INVADERS's all-time classic. A calmer side is explored on tracks like mid-tempo opus "Forgotten Memories", creating a dense, heavy wall of sound with piercing vocals and ditto lyrics underlined by guitar solo virtuosity. That thrilling epos stands in line with "In Deepest Black", which showcases even more how the band has managed to craft a pure classic Heavy Metal anthem with melodic guitar lines and catchy choruses, creeping relentlessly into the listener's head. It also proves how Joe has matured as his vocals have entered a whole new dimension, both in the high and the low ranges. On the contrary, "Sledgehammer Justice" is a furious outburst of classic Thrash/Speed Metal in which the Belgian quartet goes full throttle with hammering rhythms and guitar solo madness! Another album highlight is the dark opus "The Circle", creating a horrifying atmosphere with stomping drums and excellent guitar lines. Fans of King Diamond will definitely dig this one! Throughout the album the band manages to keep the balance between fast Extreme Heavy Metal with sharp shredding and mosh-worthy tracks, as well as very melodic, more intense and chorus-oriented midtempo anthems.
Shattering Reflection has turned out to be a monster of an album that will prove that in a new generation of Metal bands, EVIL INVADERS have been able to develop and mature record after record, just like the great classics did in the good old days. You will want to hear this record and also find out how EVIL INVADERS will deliver this masterpiece live on stage!






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Wolf - Shadowland (2022) 44.1-24
Country: Sweden
Genre: Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 38:57
Full Size: 687.32 MB


WOLF recently announced their return with the "Shadowland" album, set to be released through Century Media Records on April 1st. It is their 9th studio effort and the follow-up to their 2020 release "Feeding The Machine." The artwork was once again handled by the one and only Thomas Holm (Mercyful Fate, King Diamond).






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