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[ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
[ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
07-04-2022 , 13:08:11 | #3051 | |||
Denunciante Ultra | Treat.- The Endgame (2022) [44.1kHz/24bit] Treat - The Endgame (2022) 44.1-24 Country: Sweden Genre: Hard Rock,Melodic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 55:12 Full Size: 712.66 MB Over the years, both prior to and after their reunion, Treat have established themselves as leaders in the Swedish melodic hard rock scene. With bassist Nalle Påhlsson (who appeared on "Coup De Grace") back in the ranks, vocalist Robert Ernlund, guitarist Anders "Gary" Wikström, drummer Jamie Borger, and keyboardist Patrick Appelgren have once again set a course for yet another exciting musical journey. Twelve songs in total, including uptempo rockers, ballads, '80s sounding gems, and ones with musical influences beyond the ordinary, make this album another definitive statement by the quintet from the south of Stockholm. Produced by Peter Mansson (who also helmed "Tunguska" and "Ghost Of Graceland"), "The Endgame," by all means qualifies as a true classic album from Treat. Cita:
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No Calculado | #1.5 |
SponSor | Re: Treat.- The Endgame (2022) [44.1kHz/24bit] |
07-04-2022 , 13:12:32 | #3052 | ||
Denunciante Ultra | Fortune - Level Ground (2022) [44.1kHz/24bit] Fortune - Level Ground (2022) 44.1-24 Country: USA Genre: Melodic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:49 Full Size: 577.2 MB Cita:
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07-04-2022 , 13:22:35 | #3053 | ||
Denunciante Ultra | Bjørn Riis - Everything to Everyone (2022) [44.1kHz/24bit] Bjørn Riis - Everything to Everyone (2022) 44.1-24 Country: Norway Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:14 Full Size: 530.14 MB Cita:
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07-04-2022 , 13:27:24 | #3054 | ||
Denunciante Ultra | Jack White (The White Stripes) - Fear Of The Dawn (2022) [96kHz/24bit] Jack White (The White Stripes) - Fear Of The Dawn (2022) 96-24 Country: USA Genre: Alternative Rock, Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 39:54 Full Size: 834.06 MB The first half of 2022's two solo releases from Jack White (acoustic Entering Heaven Alive is out in July), Fear of the Dawn is a solid reminder the rock 'n' roll isn't dead: Call it White's Sabbath era. "Taking Me Back" is as heavy, and as '70s, as anything he's done, layered with fuzzed-out guitar, underwater drums, and in-and-out effects that make the whole thing sound so big it's shorting out the system. The title track absolutely swings, its bass like an 18-wheeler plowing down a highway at midnight-steady while the guitar squalls, out of control and all over the place, refusing to between the lines. White works himself up into a tent-revival preacher froth-on the cusp of evangelism and madness-on "What's the Trick": "Stomping on a box that I thought was empty/ But there was something sharp inside," he rants as a guitar maniacally runs scales through a monster filter. And that's hardly the weirdest moment. White, a guy who has never seemed casual or like he takes his purpose lightly, is in a playful, experimental mood. "Into the Twilight" starts with a bit of Manhattan Transfer-style vocals, then leaps fearlessly into '70s funk and disco camp, throwing in a William S. Burroughs sample ("When you cut into the present, the future leaks out") and down-and-dirty keys. "Hi-De-Ho" kicks in with mystical vocalization before A Tribe Called Quest's Q-Tip rolls up with some '80s style rap-nodding to the obvious reference ("Hi-de-hi-de-ho is a Calloway vibe") and unleashing some fun top-of-their-game nonsense: "Hurting real bad, like Stevie Wonder with contusions/ It's a guitar chuck coming from Chuck Berry/ Hi-de-high tones from Minnie Rip, Mariah Carey/ Olajuwon post moves, Bron or Embiid/ Everybody got it in 'em, find yours and succeed." "That Was Then, This Is Now" incorporates '70s bubblegum glam metal a la The Sweet, "Eosophobia" rides a jackhammer rhythm that slides sideways into The Edge-style atmospherics and laser-show effects, and "The White Raven" features both a pounding, industrial grind and haunted-house howls. "My camouflage is invisible . my armor is invincible," White sings, big, freewheeling and refreshed. © Shelly Ridenour/Qobuz Cita:
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07-04-2022 , 13:30:46 | #3055 | ||
Denunciante Ultra | Envy Of None (Rush, Coney Hatch) - Envy of None (2022) [96kHz/24bit] Envy Of None (Rush, Coney Hatch) - Envy of None (2022) 96-24 Country: USA / Canada Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:45 Full Size: 867.4 MB Alex Lifeson is no stranger to the concept of evolution. As a founding member of Rush, he's been able to explore more musical ground than just about any other guitar player out there - taking rock to new progressive heights throughout the decades and always in the most wildly inventive of ways. His influence can be heard on countless bands around the world, from indie shoegaze and math rock to heavy metal and beyond. Over the last few years Lifeson has been focusing on a new project that, no matter how well-acquainted you are with his discography, will undoubtedly shatter all seeds of expectation and blow the mind. That project is Envy Of None. The new band, also featuring Coney Hatch founder/bassist Andy Curran, accomplished producer and engineer Alfio Annibalini and singer-songwriter Maiah Wynne, will be releasing their self-titled debut album on April 8 via Kscope. Its 11 tracks - which ricochet between various shades of alternative, experimental and synth rock - throw surprises at every turn, twisting dark melodies against contemporary pop hooks. Lifeson himself is proudly aware of how little of it crosses over with the band that made him famous. However, it was only when singer Maiah Wynne became involved that this truly started to feel like a band destined to go somewhere. Her haunting melodies and soul-baring intensity is - by the admission of her own bandmates - what truly brought this music to life. All things considered; she is a star in the making. "I sent over an early version of the song Shadow," explains Andy Curran. "When I played what she'd done back to the others they were like, 'Who is this crazy talented person?!'" Cita:
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07-04-2022 , 13:36:57 | #3056 | ||
Denunciante Ultra | Papa Roach - Ego Trip (2022) [48kHz/24bit] Papa Roach - Ego Trip (2022) 48-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:49 Full Size: 584.15 MB Cita:
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07-04-2022 , 13:39:50 | #3057 | ||
Denunciante Ultra | Black Swan - Generation Mind (2022) [44.1kHz/24bit] Black Swan - Generation Mind (2022) 44.1-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 55:28 Full Size: 695.94 MB When the Black Swan was hatched in 2020, the debut of this super-group for the new decade made some real waves. Schenker vocalist Robin McAuley was carried capably by Dokken bassist Jeff Pilson, along with fellow Dokken alum Reb Beach, also infamous for Winger, Whitesnake, Night Ranger and almost countless other credits. Massive drumming was handled by Frehley and Mr. Big powerhouse drummer Matt Starr, and still is. The debut album did a number of new things, in some familiar flavors, to the end that it scored very well with the Sonic Perspectives team. The same band remains intact, and has delivered a new album for 2022. "Generation Mind" promises to be a more focused and polished offering than the band's original debut, but let's find out how it measures up. This one-hour collection of twelve tracks is meant to be one of the biggest arrivals for 2022 from Frontiers Records, as it should be with this talented lineup. The album scores some bonus points for creativity with a one-minute instrumental introduction, which may be called "Before The Light," but seems to reach back a little bit to the Zeppelin catalog and "In The Light," albeit a darker more ominous interpretation of the same feelings. Of course, when Reb starts weaving in some leads halfway in, his signature tremolo work almost gets some Jason Becker vibes happening, which is cool. When the second track, the first "real" track starts, entitled "She Hides Behind," it has Reb's fingerprints all over it. As with the previous Black Swan release, as well as other Reb projects like "The Mob" (with Dug Pinnick), Reb tends to employ riffs and song structures which are great rockers in their own right, but perhaps not adequately the right proggy flavor for the underrated composer known as C.F. Kip Winger. For pushing seventy years of age, Robin McAuley certainly has zero reservations about pushing his vocal cords to the limits, and his voice remains solid and more than up to the task. Reb's solo in the piece is his usual solid work, filled with his signature blend of high-speed legato runs complemented by the occasional right hand tapping and trem flutters and pull-ups. Cita:
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09-04-2022 , 12:56:43 | #3058 | ||
Denunciante Ultra | Inglorious - MMXXI Live at the Phoenix (Live) (2022) [44.1kHz/24bit] Inglorious - MMXXI Live at the Phoenix (Live) (2022) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:05 Full Size: 584.12 MB Cita:
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09-04-2022 , 13:07:59 | #3059 | ||
Denunciante Ultra | Black Sabbath - 13 (2014) TrueHD Black Sabbath - 13 (2014) TrueHD 2.0 Country: UK Genre: Heavy Metal Format: TrueHD 2.0 (*tracks) Quality: Lossless [96kHz/24bit] Time: 01:08:49 Full Size: 1.45GB 13 is the 19th studio album by British rock band Black Sabbath. The album was released on 10 June 2013 in Europe and 11 June 2013 in North America, via Vertigo Records and Republic Records in the US, and via Vertigo Records worldwide. It is the first studio album released by Black Sabbath since Forbidden (1995), and their first studio recording with original singer Ozzy Osbourne and bassist Geezer Butler since the live album Reunion (199, which contained two new studio tracks. It is also the first studio album with Osbourne since Never Say Die! (197, and with Butler since Cross Purposes (1994). This is also the first Black Sabbath studio album since Never Say Die! not to feature longtime keyboardist Geoff Nicholls, and the first since The Eternal Idol (1987) on Vertigo (outside the US and Canada). Black Sabbath's original line-up first began work on a new studio album in 2001 with producer Rick Rubin. The album's development was delayed because Osbourne was in the middle of finishing his eighth solo album Down to Earth, and the rest of the band members eventually went on to pursue other projects, including GZR and Heaven & Hell. When Black Sabbath announced the end of their hiatus on 11 November 2011, the band announced that they would restart work on a new album with Rubin. In addition to original members Osbourne, Butler and guitarist Tony Iommi, they were joined at the recording sessions by drummer Brad Wilk, of Rage Against the Machine and Audioslave, following original drummer Bill Ward's decision to not participate in the reunion, due to a "contractual dispute". Cita:
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09-04-2022 , 13:10:11 | #3060 | ||
Denunciante Ultra | Inglorious - II (2017) [44.1kHz/24bit] Inglorious - II (2017) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 44:39 Full Size: 541.83 MB Cita:
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