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Udo Lindenberg - Staerker als die Zeit Live ((Deluxe Edition) [3CD] (2016) [FLAC] https://i4.imageban.ru/thumbs/2022.0...2bad61c90a.jpg Udo Lindenberg - Staerker als die Zeit Live (2016, 3 CD) [FLAC] Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 03:32:02 Full Size: 1.44 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Wake Woods - Treselectrica (2022) [44.1kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...61466524af.jpg The Wake Woods - Treselectrica (2022) 44.1-24 Country: Germany Genre: Blues Rock,Garage Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:40 Full Size: 505.2 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Planeswalker - Tales of Magic (2022) [44.1kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...91afe77895.jpg Planeswalker - Tales of Magic (2022) 44.1-24 Country: USA Genre: Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:25 Full Size: 576.44 MB Planeswalker, the new power metal band founded by Helion Prime guitarist Jason Ashcraft and newly added Gloryhammer vocalist Sozos Michael, celebrate the release of their debut album "Tales of Magic". https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Oscar Rangel's Avantgarde - Ghost of Time (2022) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...4585d628c9.jpg Oscar Rangel's Avantgarde - Ghost of Time (2022) 44.1-24 Country: Canada Genre: Symphonic Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:01:00 Full Size: 706.39 MB Oscar Rangel (Best Known For His Work With Thrash Legends Annihilator And Symphonic Metal Band Operus) Presents Avantgarde, His Latest Musical Fantasy And Artistic Utopia The Debut Album 'Ghost Of Time' Blends Theatrical Imaginations With Rock And Metal Sounds, Showcasing Over 60 Minutes Of Powerhouse Compositions, Ranging From Intimate Movements To Choirs And Instrumental Sections Of Epic Proportions. The Mystical Passages And Eccentric Textures, With Eclectic And Expressive Voices, Feel Straight Out Of A Twisted Vaudeville. For Those Who Enjoy Creepy Fantasies, Magical Horror, And Dark Arts, All Presented In A Metal Fashion, This Artistic Expression Is For You. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lastera - From The Ashes (2022) [48kHz/24bit] https://i5.imageban.ru/thumbs/2022.0...f395573f6e.jpg Lastera - From The Ashes (2022) 48-24 Country: Denmark Genre: Progressive Power Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 48:06 Full Size: 623.96 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Billy Talent - Crisis of Faith (2022) [96kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...817dd5928a.jpg Billy Talent - Crisis of Faith (2022) 96-24 Country: Canada Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 36:42 Full Size: 838.09 MB Billy Talent release their sixth studio album CRISIS OF FAITH on Jan 21, 2022. The ten track album was produced entirely by the band's guitarist and main songwriter, Juno-nominated producer Ian D'Sa, in the band's Toronto studio and was mixed by the legendary Chris Lord-Alge (My Chemical Romance, Green Day, All Time Low). Billy Talent are one of Canada's most successful bands and are renowned for their unique alt-punk style. Crisis Of Faith features the singles End of Me (feat Rivers Cuomo) of Weezer, "Reckless Paradise" and "I Beg to Differ (This Will Get Better)," along with the anthemic prog-inspired "Forgiveness I + II." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Chapter One - Two (2022) [44.1kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...8a7f7d4d4d.jpg Chapter One - Two (2022) 44.1-24 Country: Finland Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 54:27 Full Size: 608.47 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Swampwater - Swampwater 1971 (2021) [192kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...5f554cde8d.jpg Swampwater - Swampwater 1971 (2021) 192-24 Country: USA Genre: Rock,Folk,Country Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 28:31 Full Size: 1.21 GB Swampwater's 1970 debut stands alongside Sweetheart of the Rodeo, Guilded Palace of Sin, Poco's debut, the Everly Brothers' Roots and Bradley's Barn as one of the best country-rock records ever. Founder, Gib Guilbeau had a strong Bakersfield resume prior to forming Swampwater. Guilbeau and Gene Parsons had released a few early country-rock singles in the late 60's as well as an album which eventually saw light of day in 1970 (although recorded in 1968-). The two recruited Clarence White in 1968 to record the legendary Nashville West album. This album has a good live feel and is highlighted by some of Clarence White's best playing which was always breathtaking and revolutionary. Eventually Swampwater formed and started out as Linda Ronstadt's backing group in the late 60's. Eric White, Clarence's brother was also in the band and prior to forming Swampwater had been in the excellent Kentucky Colonels. Swampwater made two distinct albums in the early 70's without Linda Ronstadt's involvement. The above album was different than many notable country rock acts of the time for adding cajun and swamprock elements. The album opens and closes with two certified country-rock classics, Louisiana Woman and Big Bayou. Guilbeau had recorded the classy Louisiana Woman with both Nashville West and on his 1970 album with Parsons, though the version heard on Swampwater is the best. Big Bayou is a hard rocking, white hot country song with pretty fiddle that has been covered by many popular artists inlcuding Rod Stewart. Other songs like the acoustic flavored Man From New Orleans are highlighted by beautiful harmonies and a tear in your beer ambience. Swampwater's musicianship is high caliber and Guilbeau's lyrics are always first-rate and thoughtful. Great songs like Kathleen, Desperation's Back Again (supposedly an Everly Brothers homage with great down and out lyrics) and River People are beautifully arranged and display superior craftsmanship. It's really a wall of greatness, with each song just as good as the next. Swampwater mastered all the rural styles from cajun to folk-rock but just never received the breaks they so justly deserved. Their members were slugging it out in bars playing this sort of music years before anyone else had thought to do so. This album is a masterpiece and recommended to any true country fan. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Gentle Men - The Evolution of Tears (2021) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...8c096b6347.jpg The Gentle Men - The Evolution of Tears (2021) 44.1-24 Country: USA Genre: Alternative Metal, Alternative Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:18 Full Size: 437.49 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Aua - The Damaged Organ (2022) [88.2kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...f02a5093a0.jpg Aua - The Damaged Organ (2022) 88.2-24 Country: Germany Genre: Krautrock,Experimental Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 29:58 Full Size: 527.79 MB AUA's second album, "The Damaged Organ", explores in depth the concept of alienation. While the duo's songs approach this topic with introspection ('I am a stranger to body') as well as a sociological perspective ('I am alien to this world'), to a certain extent the album is also a story of a search for identity: 'Who am I and how do I fit into this world?' Musically, this is reflected in a space that seems more boundless than AUA's 2020 debut, "I Don't Want It Darker". New possibilities open up. There is more at stake. All the more astonishing that this multifaceted work was once again recorded in DIY fashion. Before production started, Fabian Bremer and Henrik Eichmann went hunting for strange and unusual electronic instruments, seeking inspiration and new sounds which would expand upon AUA's already eclectic mix of explosive Motorik beats, Carpenter-esque arpeggios, and surf guitars. Throughout "The Damaged Organ" Bremer and Eichmann play virtually every instrument while taking turns on vocals. "Islands Song" also features Annika Henderson (Anika, Exploded View), whose voice adds a unique element to the otherworldly nature of the track, the modulating synthetic melodies of which bring Mort Garson's "Plantasia" to mind. All songs written, performed and recorded by Fabian Bremer and Henrik Eichmann. Lyrics and vocal line for "Islands Song" written by Annika Henderson. Mixed by Henrik Eichmann and Fabian Bremer. Mastered by Philipp Welsing at Original Mastering. Artwork by Mihailo Kalabić. Typography by Fabian Bremer. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Meat Loaf - Bat Out of Hell 1977 (2012) [96kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...82cdf53377.jpg Meat Loaf - Bat Out of Hell 1977 (2012) 96-24 Country: USA Genre: Rock, Hard rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 46:35 Full Size: 963.72 MB Bat Out of Hell is the 1977 debut album by American rock singer Meat Loaf and composer Jim Steinman. It is one of the best-selling albums of all time. The album was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974. It was recorded during 1975-1976 at various studios, including Bearsville Studios in Woodstock, New York, produced by Todd Rundgren, and released in October 1977 by Cleveland International/Epic Records. Bat Out of Hell has spawned two Meat Loaf sequel albums: Bat Out of Hell II: Back into Hell and Bat Out of Hell III: The Monster Is Loose. Bat Out of Hell has sold over 43 million copies worldwide. It is certified 14x Platinum by the Recording Industry Association of America (RIAA). It is the best-selling album in Australia. As of June 2019, it has spent 522 weeks in the UK Albums Chart, the second longest chart run by a studio album. Rolling Stone ranked it at number 343 on its list of the 500 Greatest Albums of All Time. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Nasson - Scars (2022) [44.1kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...2a4ea3ec38.jpg Nasson - Scars (2022) 44.1-24 Country: Chile Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:18 Full Size: 599.89 MB Frontiers Music Srl release of "Scars", debut solo album from Nasson (Sinner's Blood, Chaos Magic) on January 2022. Nasson is a skilled guitarist, producer and songwriter, whom fans may recognize from his work with Sinner's Blood and Chaos Magic, and "Scars" sees him taking on the front-man role for the first time. The new single and video, 'Not Today' is out now. Watch it below. Nasson, a Chilean guitarist, songwriter, and now in-demand producer, has recently come to the attention of hard rock and metal fans through his work on the latest CHAOS MAGIC album, "Furyborn" and the outstanding debut record from SINNER'S BLOOD, "The Mirror Star". Based in Santiago, Chile, Nasson is a stellar writer, arranger, and musician and with this new solo project, he also reveals his abilities as lead vocalist. On "Scars", Nasson offers fine examples of contemporary melodic metal with influences ranging from Evergrey to Pretty Maids to Eclipse. Handling all the songwriting and arrangements, he also plays the bulk of the instrumentation on "Scars", with the help of Rodrigo Leiva on drums and Caterina Nix (Chaos Magic) on background vocals. Caterina also appears together with her fellow talented Frontiers artists based in South America on the song "We Are the Army", where she is joined by fellow lead vocalists Gui Oliver (Landfall, Mayank), Mizuho Lin (Semblant, The Erinyes), and James Robledo (Sinner's Blood). Other special guests on the album include Alessandro Del Vecchio for a vocal duet on "When it Rains," Mistheria (Bruce Dickinson, Rob Rock) handling additional synth on "Mother Moon", and Ignacio Torres handling lead guitars on "Not Today", "Bringer of Sorrow" and "We Are the Army." "Scars" is an outstanding, and quite personal album, showcasing the amazing abilities of this new star in metal music, Nasson https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Evergrey - Before the Aftermath (2022) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...a4764174dc.jpg Evergrey - Before the Aftermath (2022) 44.1-24 Country: Sweden Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:46:57 Full Size: 1.25 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Serious Black - Vengeance Is Mine (2022) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...04ae0d2f3e.jpg Serious Black - Vengeance Is Mine (2022) 44.1-24 Country: International Genre: Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 52:14 Full Size: 715.56 MB The international power metal formation SERIOUS BLACK return with their fastest and most imaginative work so far. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Earthless - Night Parade Of One Hundred Demons (2022) [48kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...806a1acbf3.jpg Earthless - Night Parade Of One Hundred Demons (2022) 48-24 Country: USA Genre: Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:01:39 Full Size: 768.73 MB Earthless release their forthcoming new album Night Parade Of One Hundred Demons, January via Nuclear Blast. The San Diego psych rock trio's sixth studio album is compiled of just two songs, but each are of monstrous length - the title track weighs in at 41 minutes while the second, Death To The Red Sun, is half the length, but still comes in at a giant 20 minutes long. Night Parade Of One Hundred Demons, otherwise referred to as Hyakki Yagyo, depicts an ancient Japanese legend in which a throng of demons, ghosts and other spine-chilling paranormal creatures descend on sleeping villages at night, once a year. According to one tale, anyone who witnesses this supernatural procession will perish instantly or be abducted. To avoid being taken away by the otherworldly beings, villagers hide in their homes. Bassist Mike Eginton - who was also responsible for creating the album artwork - explains, "My son and I came across the Night Parade Of One Hundred Demons in a book of traditional Japanese ghost stories. I like the idea of people hiding and being able to hear the madness but not see it. It's the fear of the unknown." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lordi - Lordiversity- Abusement Park (2022) [44.1kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...e71b889241.jpg Lordi - Lordiversity- Abusement Park (2022) 44.1-24 Country: Finland Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:40 Full Size: 510.31 MB Begin 2020 bracht het Finse metalmonster Lordi de fictieve verzamelaar Killection uit, met daarop songs in diverse stijlen uit de rijke rock- en metalhistorie: van glam tot prog, van disco tot thrash. Deze plaat zou een weergave zijn van Lordi door de jaren heen. Het is een grap, want Lordi bestond nog niet in de jaren zeventig. Maar wat als Lordi al decennialang successingles schrijft? Met dat idee, de muziek van Killection, en de extra tijd die de coronaellende Mr. Lordi gaf, ging hij aan de slag met het schrijven van meer materiaal in stijlen waarvan Lordi zich normaliter niet bedient. Het resultaat is de boxset Lordiversity. Het zijn zeven albums met elk een eigen karakter. Elk van die platen past in een periode uit de muziekgeschiedenis. Het geluid is onmiskenbaar Lordi, maar verschilt dusdanig van de gebruikelijke shockrock en -metal dat het uniek klinkt. Het idee is in ieder geval bijzonder origineel. Met de geweldige titel Abusement Park blijft Lordi op dit hoofdstuk uit de Lordiversity-boxset dicht bij huis. De band bedient zich van glam-, sleaze- en hardrock in de stijl van onder meer W.A.S.P. en Twisted Sister. Geen onbekende invloeden wanneer je vaker naar Lordi luistert. Het is dan ook zeker geen onontgonnen gebied voor het kwintet. Helaas is het juist dit album dat wat tegenvalt. De periode waarop de Finnen hier teruggrijpen staat niet bekend om zijn virtuoze muzikale escapades. De doorgaans rechttoe-rechtaan songs hebben vaak weinig om het lijf met eenvoudige melodieen, dito instrumentatie en flauwe teksten. Lordi vergroot dat uit, waardoor ook de negatieve kanten van deze stijlen sterker naar voren komen. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Praying Mantis - Katharsis (2022) [44.1kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...8da34e812f.jpg Praying Mantis - Katharsis (2022) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:03 Full Size: 636.75 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lana Lane - Neptune Blue (2022) [44.1kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...2f4d3eced2.jpg Lana Lane - Neptune Blue (2022) 44.1-24 Country: USA Genre: Melodic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 58:00 Full Size: 715.12 MB "Neptune Blue" is the title of new album from Lana Lane released via Frontiers Music Srl on January , 2022. Lana Lane released her last album, "El Dorado Hotel" in 2012, so it has been a long time coming for new music from the well-respected singer. "Neptune Blue" was produced by Lana's husband, Erik Norlander and features an outstanding lineup including Norlander on keyboards and backing vocals, Jeff Kollman on lead and rhythm guitars, Mark McCrite on rhythm and acoustic guitars, bass guitar and backing vocals, Don Schiff on NS/Stick, Greg Ellis on drums and percussion, and John Payne on backing vocals. The new single and video, 'Remember Me,' is out now. Watch it below. "Neptune Blue" sees Lane going in a modern AOR direction with slight proggy and pomp elements. This a very welcomed and exciting return by Lane for all the fans who have enjoyed her work in the past and are keen to embrace her outstanding musical comeback. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kraemer - All the Way (2022) [44.1kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...2b6fd12baa.jpg Kraemer - All the Way (2022) 44.1-24 Country: Finland Genre: Melodic Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:58 Full Size: 532.55 MB Frontiers Music Srl release of "All The Way", the debut album from Kraemer on January 2022. Kraemer is a new musical collaboration that sees Finnish vocalist Erik Kraemer (Simulacrum) applying his vocals to melodic hard rock songs in the style of the classic Scandinavian school of the genre. The musicians playing with vocalist Erik Kraemer on "All The Way" include Alessandro Del Vecchio on bass, keyboards, and background vocals, Andrea Seveso (Robin McAuley) on guitars and Michele Sanna (Brother Against Brother) on drums. With a set of songs written by Del Vecchio, Marco Sivo, Pete Alpenborg (ex-Arctic Rain), Kristian Fyhr (Seventh Crystal), Jan Akesson (Infinite & Divine), Ulrick Lonnqvist, Fabio Dessi, and Carmine Martone, and outstanding production from the always in demand Del Vecchio, this record showcases the talents of one of the hottest up-and-coming vocalists of the European scene and will be an absolute delight for the ears of all melodic music lovers. Erik Kraemer is a singer and performer who has years of experience touring in his homeland of Finland with different bands and has also starred in various musical productions. He is also known for being one of the singers of Finnish progressive metallers Simulacrum. Additionally, he has collaborated with Timo Tolkki (Timo Tolkki's Avalon, ex-Stratovarius) on the guitarist's Infinite Visions project and more recently on the Circus Of Rock project masterminded by Finnish drummer Mirka Rantanen (Raskasta Joulua, King Company). https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Jethro Tull - The Zealot Gene (2022) [48kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...6efbdac848.jpg Jethro Tull - The Zealot Gene (2022) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 46:45 Full Size: 575.38 MB British Progressive Rock Luminaries JETHRO TULL release the group's first studio album of new material in over 18 years! A record that began to take shape as early as 2017, 'The Zealot Gene', in many ways, seeks to defy convention during a time when the business of being a touring and recording artist has never faced more uncertainties. Tull bandleader Ian Anderson holds no reservations about the role for which the mythos and themes of Biblical storytelling played in the lyrical content of the new album, saying "While I have a spot of genuine fondness for the pomp and fairytale story-telling of the Holy Book, I still feel the need to question and draw sometimes unholy parallels from the text. The good, the bad, and the downright ugly rear their heads throughout, but are punctuated with elements of love, respect, and tenderness." Looking back on the earth-shaking disruption of the Coronavirus pandemic, which ultimately ended the band's touring plans and hopes of a 2020 release for 'The Zealot Gene', Anderson shares "It was so sudden. Amidst the concerns and warnings of the scientific community and a few more enlightened politicians, we all retreated in disbelief to our homes to wait out the storm." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steve Vai - Inviolate (2022) [96kHz/24bit] https://i5.imageban.ru/thumbs/2022.0...3587651048.jpg Steve Vai - Inviolate (2022) 96-24 Country: USA Genre: Prog Rock,Instrumental Rock, Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 46:36 Full Size: 1.03 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Beatles - Get Back - The Rooftop Performance (2022) [96kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...897a0b42b3.jpg The Beatles - Get Back - The Rooftop Performance (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:28 Full Size: 719.28 MB The Beatles' famous rooftop concert at their Apple Corps' Savile Row headquarters on January 30, 1969 https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Amoth - The Hour Of The Wolf (2022) [44.1kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...039e96bfc4.jpg Amoth - The Hour Of The Wolf (2022) 44.1-24 Country: Finland Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:29 Full Size: 610.73 MB Amoth is a melodic progressive heavy metal band from Helsinki, Finland. Their third studio album "The Hour Of The Wolf" is a huge leap forward compared to their previous recordings "Revenge" (2016), "Crossing Over" (2011), "Wounded Faith (EP) (2008). "This is by far our best album yet! Superior performances from all of the musicians. Much better production and songwriting. It's not a fast-food album. Some of the songs are quite complex so it takes probably more than one listen to really get into!" comments Amoth guitarist and main songwriter Tomi Ihanamäki. Amoth's roots are strongly founded on 80's heavy metal, but branch out in different directions with elements from progressive rock, thrash, and even jazz brought to the table. The new album features Pekka Montin of Ensiferum once again as the lead vocalist and for the first time, there are also keyboards on an Amoth recording. Fans can expect insane vocals and virtuoso-like playing from all members of the band. The nine songs are very diverse, taking sudden twists and turns into unexplored territory. Amoth even offers up two Steve Vai / Joe Satriani-style instrumentals on this new full-length with tracks "Wind Serenade Part I" and "Wind Serenade Part II". Amoth's new album "The Hour of The Wolf" is recommended for fans of Iron Maiden, King Diamond, Testament, Megadeth, Joe Satriani. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Freaks And Clowns - We Set the World on Fire (2022) [48kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...49ed73c502.jpg Freaks And Clowns - We Set the World on Fire (2022) 48-24 Country: Sweden Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 56:32 Full Size: 774.48 MB Freaks and Clowns is a Swedish quintet, two full-lengths into their five-year career. While undoubtedly power metal in Christer Wahlgren's vibrato-laden trills, expect little Rhapsody of Fire sword-flashing here. Injected with a healthy dose of AC/DC-esque hard rock and aptly energetic Gothenburg riffing with an Avatar clown theme to boot, tracks range from glam-themed arena-rock anthems to take-no-prisoners beatdowns of riffy goodness. Ultimately a mixed bag with little originality to be found, third release We Set the World on Fire rides Occam's razor like a Harley with some of the best riffs of the year's start, with some of the blandest songwriting to kick it off. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Stone the Crows - Live at the BBC (2022) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...9ca08bc61b.jpg Stone the Crows - Live at the BBC (2022) 44.1-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 04:04:55 Full Size: 2.31 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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North Mississippi Allstars - Set Sail (2022) [96kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...fa79784fd1.jpg North Mississippi Allstars - Set Sail (2022) 96-24 Country: USA Genre: Blues Rock,Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:18 Full Size: 867.92 MB As the well-versed sons of the late, great musician/producer Jim Dickinson, guitarist Luther and drummer Cody Dickinson have become guardians of hill country blues and American roots music. Their particular genius is in continually finding new ways to explore these traditions. Their 2013 set World Boogie is Coming, titled after one of their father's more famous expressions (and he had more than a few!), was built around field recordings of north Mississippi legends Othar Turner and R.L. Burnside; in 2019 they released Up and Rolling, inspired by photos of area musicians from a lost roll of film taken by Wyatt McSpadden. For Set Sail the brothers, along with bassist Jesse Williams, have befriended another second-generation musician, singer Lamar Williams Jr.-son of the Allman Brothers bassist (no relation to Jesse). According to Luther Dickinson, being sons of famous musicians was their bonding connection: "I believe music is a form of communion with our loved ones and conjuring this vibe with members of musical families can be inspirational. We never had to figure out what it means and takes to be a musician." The primeval voodoo rhythms that are in the brother's DNA drive "Rabbit Foot" where Williams sings, "Don't spell my name on a stone/ Give me an unmarked grave and a box of bones/ When my spirits free to roam." "See the Moon," an upbeat, '70s-inspired funk groove is a welcome new flavor with Sharisse Norman joining Williams on vocals. The history-conscious brothers bring in 82-year-old Stax veteran William Bell to convincingly sing "Never Want to Be Kissed," his ode to a final kiss with a dying lost love. In general though, this is not one of the brothers' more distinguished collections of originals. While the playing is tight, Williams is an uninspiring amateur, more of a talker than a singer with little range, and often lacking any emotion. "Juicy Juice" whose title screams funk, is set to an elastic '70s rhythm but is oddly low key and also handicapped by silly lyrics about a "classy city stoner chick" whose "juice is the truth." Williams flatlines in the slow "Bumpin'," sounding as if he's reading from a page. Few of the tunes are memorable, particularly closer "Authentic," a righteous plea for sanity and respect; with lyrics about "guns in the streets" it's is an overly simplistic message song with Williams' sing-talking over a weak musical foundation: "On the American tree of music roots/ Each branch bears a different fruit/ Music runs in the blood of our family in/ Music and love is what I believe." This rare misstep from Cody and Luther is missing their usual confidence and ferocity, perhaps the evidence that urban-leaning funk is one subgenre the talented duo just does not feel. © Robert Baird/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Eric Gales - Crown (2022) [96kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...3bb57ddd55.jpg Eric Gales - Crown (2022) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:04:34 Full Size: 1.35 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Madrugada - Chimes At Midnight (2022) [96kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...829118e064.jpg Madrugada - Chimes At Midnight (2022) 96-24 Country: Norway Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 58:23 Full Size: 1.17 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Stoned Karma - Age Of Oblivion (2022) [44.1kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...6f80bb6876.jpg Stoned Karma - Age Of Oblivion (2022) 44.1-24 Country: France Genre: Psychedelic,Stoner Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 23:55 Full Size: 275.96 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Aaron Lewis - Frayed At Both Ends (2022) [96kHz/24bit] https://i1.imageban.ru/thumbs/2022.0...f0b96bdfd7.jpg Aaron Lewis - Frayed At Both Ends (2022) 96-24 Country: USA Genre: Country Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 55:48 Full Size: 1.12 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Evergrey - The Atlantic (2019) [44.1kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...f13783a005.jpg Evergrey - The Atlantic (2019) 44.1-24 Country: Sweden Genre: Progressive Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 54:02 Full Size: 637.01 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Meat Loaf - Braver Than We Are (2018) [44.1kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...7fb1fd5aeb.jpg Meat Loaf - Braver Than We Are (2018) 44.1-24 Country: USA Genre: Rock, Hard rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 55:17 Full Size: 619.53 MB Jim Steinman parted ways with Meat Loaf sometime after their improbable 1993 blockbuster Bat Out of Hell II: Back Into Hell. He contributed a couple of songs to its 1995 sequel, Welcome to the Neighborhood, but by the time Meat Loaf was ready to do a third installment of Bat Out of Hell, Steinman opted out for unspecified reasons, leaving the singer to use five previously released Steinman songs as produced by Desmond Child -- a satisfactory compromise that at the very least illustrated how Celine Dion's "It's All Coming Back to Me Now" should've been on a Bat Out of Hell album. Through a series of circumstances, Meat Loaf and Steinman wound up reuniting for 2016's Braver Than We Are, which was produced by Paul Crook, just like its 2012 predecessor Hell in a Handbasket. While the record bears some slick modern hallmarks, it is very much a throwback, evoking memories of Todd Rundgren's overblown Springsteen parody of 1977 as well as the earnest re-creation of 1993. Steinman's songs are suitably theatrical -- the opening "Who Needs the Young" feels like it's a Broadway reject -- and while he slyly winks at his past with "Going All the Way Is Just the Start (A Song in 6 Movements)," a song that features a cameo from "Paradise by the Dashboard Light" singer Ellen Foley, he also seems unaware that Ratt also got to the title "Loving You Is a Dirty Job" in 1990 (albiet after Steinman whose composition first appeared as a Bonnie Tyler single in 1985). That isolation is ultimately a benefit because Braver Than We Are feels caught between nostalgia and indifference, an album so old-fashioned it seems happily ignorant of modernity even when it threads EDM rhythms and metallic guitars into "More." The other way it's possible to tell this album was released in 2016 is Meat Loaf's performance. Thin and sometimes breathless, he's no longer the colossus of the '70s, but the diminishment of his range humanizes him and adds a bittersweet tinge to this reunion. Through Meat Loaf's voice alone, mortality becomes evident and it makes this third reunion with Steinman all the sweeter. Braver Than We Are may have its flaws -- it's too staid and self-conscious, for one -- but Steinman never found a better interpreter for his songs than Meat Loaf, and Meat Loaf never sounds more like himself than he does when singing Steinman, and that's why the album works. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Home (2021) [96kHz/24bit] https://static.qobuz.com/images/cove...sy07cc_600.jpg Pink Floyd - Home (2021) 96-24 Country: UK Genre: Art Rock, Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:28 Full Size: 849.48 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Earthless - From the Ages (2022) [48kHz/24bit] https://static.qobuz.com/images/cove...sahgra_600.jpg Earthless - From the Ages 2013 (2022) 48-24 Country: USA Genre: Psychedelic Rock, Experimental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:05:45 Full Size: 864.61 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Praying Mantis - Keep It Alive (2019) [44.1kHz/24bit] https://i1.imageban.ru/thumbs/2022.0...952d113ad9.jpg Praying Mantis - Keep It Alive (2019) 44.1-24 Country: UK Genre: Heavy Metal,Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:00:21 Full Size: 719.34 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Serious Black - Suite 226 (2020) 44-24 https://i2.imageban.ru/thumbs/2022.0...4db20ecd9d.jpg Serious Black - Suite 226 (2020) 44-24 Country: International Genre: Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:44 Full Size: 576.39 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bevar Sea - The Timeless Zone (2022) [48kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...fb99638844.jpg Bevar Sea - The Timeless Zone (2022) 48-24 Country: India Genre: Stoner,Doom,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 47:39 Full Size: 588.92 MB Bangalore's Bevar Sea are back with the of their third album titled 'The Timeless Zone. R"Five years after releasing their sophomore album 'Invoke the Bizarre', Bangalore's Bevar Sea used the Covid-19 imposed lockdown as an opportunity to regroup and start working on the third album titled 'The Timeless Zone'. With the backdrop of the lyrics portraying a tryst with the consciousness of man, storying into travels and visions within the self, the music on over the course of the album, pays homage to the glory years of the 70s and 80s hard rock and metal with the typical rifftastic stoner/doom sound the band has embraced on the two albums prior to this." Bevar Sea add, "The Timeless Zone, the song and the album, continues our approach of playing stoner doom music while being even more loyal to our hard rock and metal roots than before. Every band member had to step up and learn how to record themselves and work via email for arrangements, demos, and finally turn up one by one to record. This album is us embracing the 2021 way of making music while also being busy working from home, taking care of our families, and just dying to be able to play this new music to our fans live some day." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Metallica - San Francisco, CA 2021/12/17 (2021) [48kHz/24bit] https://i7.imageban.ru/thumbs/2022.0...7c6797dc76.jpg Metallica - San Francisco, CA 2021.12.17 (2021) 48-24 Country: USA Genre: Thrash Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:58:51 Full Size: 1.5 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Zappa Band - Holmdel (2021) [48kHz/24bit] https://i5.imageban.ru/thumbs/2022.0...35cb897ef5.jpg The Zappa Band - Holmdel (2021) 48-24 Country: USA Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 49:30 Full Size: 577.96 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Korn - Requiem (2022) [96kHz/24bit] https://i1.imageban.ru/thumbs/2022.0...75e90c6bf2.jpg Korn - Requiem (2022) 96-24 Country: USA Genre: Alternative Metal, Nu Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 32:36 Full Size: 795.94 MB If 2019's 'The Nothing' marked a reinvention of Korn's age-old sound, then 'Requiem' is their evolution. Doubling down on their expansive electronic influence and pop sensibilities while remaining faithful to their nu-metal past has paid off, creating a far-reaching and fertile landscape in which 'Requiem' occupies and blossoms within. The record pulses with sonic drop-outs, sharp screeches, lumbering riffs and a buzzcut delivery. Korn are anew, and 'Requiem' sees them fearless, no longer managing a balancing act with imprudent collaborators and instead embracing what made them famous to begin with. Impressively, their 14th studio album is teeming with riveting hooks: "I should've been good, I should've been down, I couldn't let go, what could I do?" in lead single 'Start The Healing', comes reinforced with coarse vocal layering and a thunderous sense of purpose. Unbound by time restraints and the typical intensity of recording, the band let the tracks develop naturally over a number of months, creating space for each to breathe and take on their own identity. 'Let The Dark Do The Rest' conjures up the pace and theatrics of a vivid slasher soundtrack, where Jonathan Davis' gravelly words fade inside each other among a bounding trawler of down-tuned groove filling the negative space. The outfit channel scratchy metalcore tropes on 'Lost In The Grandeur'; stark evidence that Korn have their finger firmly on the pulse. Following the lead of Limp Bizkit's late 2021 release 'STILL SUCKS' and coupling with the hype from a wave of newer, female-forward artists (Wargasm, Nova Twins, even Rina Sawayama), 'Requiem' appears in the midst of a transportive wave of nu-metal revivalism. 'Requiem' has the potential to introduce Korn's comprehensive mythology to new ears as they continue to pioneer experimentation in a sometimes stagnant scene. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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