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David Gilmour - About Face (2006 Remaster) 1984 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...eacf2678a.jpeg David Gilmour - About Face (2006 Remaster) 1984 (2021) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:45 Full Size: 943.2 MB David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face show a pop sensibility that Pink Floyd rarely was concerned with achieving. Although the album didn't attract the attention of a Floyd release, several cuts did manage to get airplay. "Until We Sleep" is rife with shimmering synthesizers and cavernous drums, and "Blue Light" was a minor pop hit, with Gilmour's trademark delay-drenched guitar giving way to a driving, horn-laced rocker. Pete Townshend wrote two of the tracks: "Love on the Air" and the propulsive "All Lovers Are Deranged." Of course, there's more than enough of Gilmour's fluid guitar playing to satisfy, including the gorgeous "Murder," a gentle acoustic track that explodes with some fiery organ by Steve Winwood and concludes with a fierce coda. About Face is well-honed rock album that is riveting from beginning to end. © Tom Demalon /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - On An Island 2006 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...b280bb4a4.jpeg David Gilmour - On An Island 2006 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 51:40 Full Size: 1.03 GB To think that David Gilmour waited 22 years to record his third solo album is a pretty solid indicator that he's not the kind of bloke to merely cash in on his name. After all, he's the guy who sold his house for four million English pounds and gave the money to charity. Perhaps now that the Pink Floyd reunion happened and he and Roger Waters are at least civil to one another, the Floyd enigma can finally find its way into the annals of history and rock legend. This catches listeners up to On an Island. Those desiring something edgy and dramatic will have to wait. Gilmour wrote six of these ten tunes with his wife, Polly Samson, who also plays a bit of piano and sings. Musically, On An Island is mostly a laid-back, utterly elegant English record. It has the feel of taking place between twilight and dawn. There are a few rumblers to upset the overall balance of tranquility and stillness, like flashes of heat lightning across the dark skies; they add dimension and a quiet power to these proceedings. Produced by Gilmour, Phil Manzanera (who appears on keyboards), and Chris Thomas, the album features guest spots from the likes of Richard Wright, Robert Wyatt, B.J. Cole, Floyd/Sly Stone drummer Andy Newmark, Georgie Fame, David Crosby and Graham Nash, Jools Holland, Willie Wilson, and many others. The set opens with "Castellorizon," a moody showcase with Gilmour's guitars backed by the orchestral arrangements of Zbigniew Preisner as conducted by Robert Zeigler. Preisner's arrangements throughout are wonderful and not quite as dark as one might expect, given his track record. Atmospheric and dramatic, it offers a lovely if off impression of the album. The title track, which follows, is all breezy strummed chords, keyboards by Wright, and dreamy vocals with Gilmour backed by Crosby and Nash. It's a slow, textured, and spacy love song. "The Blue" follows suit; it too is so utterly full of air that one can hear the wind rustling through the palms. Wright's backing vocals lend a slight PF "Echoes" slant (as does the Hammond organ); the instrumentation just shimmers, hovers, and floats the track along. There are rockers here, though -- "Take a Breath" features chunky razor-wire chords, Leszek Mozdzer's piano, and Manzanera's synth work winding around one another, and the mood is wonderfully plodding, dramatic, and futuristically "heavy." On the gauzy wee-hours instrumental "Red Sky at Night," Gilmour plays sax as well as guitars, and it gives way to "This Heaven," a bluesy stroller that's given deluxe organ treatment by Fame. There's a delightfully nocturnal feel that makes the track feel a bit sinister, but really it's the sound of eros making itself heard, and Gilmour contributes a biting solo and fills amid the drum samples and strings. Wyatt appears on the back-porch spacehead soundtrack-like tripnotica of "Then I Close My Eyes." His and Gilmour's wordless voices slip under and around the considerable space between instruments -- which include Wyatt on cornet and percussion as well as Cole playing a Weissenborn guitar, Caroline Dale's cello, a pair of harmonicas, and of course Gilmour's high-register blues twang. The set ends on a gentle note in "Where We Start" -- so much so that it may make some scratch their heads and wonder where the cranky, diffident Gilmour has wandered off to, but others will be drawn into this seductive, romantic new place where musical subtlety, spacious textures, and quietly lyrical optimism hold sway. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dream Theater - A View From The Top Of The World (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...6e8c77f81.jpeg Dream Theater - A View From The Top Of The World (2021) 96-24 Country: USA Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:10:14 Full Size: 1.52 GB After almost four decades, two Grammy Award nominations, millions of records sold and hundreds of shows performed, Dream Theater continue to approach each new record as if it were their first. On their fifteenth studio album, the upcoming 'A View from the Top of the World', this approach continues to prove fruitful with the New York quintet producing one of their best works to date. Within seven tracks, Dream Theater's exploration of the architecture of a song is once again realized. As is their gluttony for the diverse subject matter. On 'A View from the Top of the World', no single theme or thread interlinks this collection of songs. Evident in the dichotomy between the albums leading singles. Beginning with "The Alien", a nine-minute, sci-fi-influenced examination of the world from an extra-terrestrial point of view. Intricate in its jovial melodies, gliding through various time signatures with the same ease as a swallow through the air, "The Alien" offers a perfect window into both the album and the band. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dear Silence - Midnight Sky (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...b88a50381.jpeg Dear Silence - Midnight Sky (2021) 44.1-24 Country: Australia Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:15 Full Size: 481.34 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Them feat. Van Morrison - The "Angry" Young Them! (Remastered) (2020) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...c2eee1858.jpeg Them feat. Van Morrison - The "Angry" Young Them! (Remastered) (2020) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:56 Full Size: 727.42 MB The debut album by the group, also known as The Angry Young Them, and half its tracks make it a dead-on rival to the Stones' debut album, writes Bruce Eder for AllMusic. This reissue features the album's original British configuration ("Just a Little Bit," "I Gave My Love a Diamond," "Bright Lights, Big City," and "My Little Baby" are here; "One Two Brown Eyes" and "Here Comes the Night" are absent). Them were a Northern Irish band formed in Belfast in April 1964, known for the garage rock standard "Gloria" and launching singer Van Morrison's musical career. The original five member band consisted of Morrison, Alan Henderson, Ronnie Millings, Billy Harrison and Eric Wrixon. The group was marketed in the United States as part of the British Invasion. "Decca's willingness to release a full-length Them album was conditioned upon the breakthrough success of the band's third single, "Here Comes the Night." It was not, however, the practice in Britain at the time to put hit singles on albums, so this 14-track LP does not include that song. It does, however, contain six songs written by lead vocalist Van Morrison, including the immortal "Gloria" and "Mystic Eyes," which became a chart single in the U.S., plus some well-played R&B covers. Because of an annotation on the back of the LP, this album is sometimes referred to as The Angry Young Them, although its official title is Them." (William Ruhlmann, AMG) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Them feat. Van Morrison - Them Again (Remastered) (2020) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...f371fc1f2.jpeg Them feat. Van Morrison - Them Again (Remastered) (2020) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:54 Full Size: 813.43 MB Them Again is the second album by the Northern Irish band, Them, whose lead singer and songwriter was Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts. "The group's second and, for all intents and purposes, last full album was recorded while Them was in a state of imminent collapse. To this day, nobody knows who played on the album, other than Van Morrison and bassist Alan Henderson, though it is probable that Jimmy Page was seldom very far away when Them was recording. The 16 songs here are a little less focused than the first LP. The material was cut under siege conditions, with a constantly shifting lineup and a grueling tour schedule; essentially, there was no "group" to provide focus to the sound, only Morrison's voice, so the material bounces from a surprisingly restrained "I Put a Spell on You" to the garage-punkoid "I Can Only Give You Everything." Folk-rock rears its head not only on the moody cover of Dylan's "It's All Over Now, Baby Blue" but also the Morrison-authored "My Lonely Sad Eyes," but the main thrust is soul, which Morrison oozes everywhere -- while there's some filler, his is a voice that could easily have knocked Mick Jagger or Eric Burdon off their respective perches." (Bruce Eder, AMG) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Elton John - The Lockdown Sessions (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...87609102f.jpeg Elton John - The Lockdown Sessions (2021) 44.1-24 Country: UK Genre: Pop, Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:05:15 Full Size: 811.3 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Rolling Stones - Tattoo You (40th Anniversary Super Deluxe Edition) 1981 (2021... https://i116.fastpic.org/thumb/2021/...9ad7cd043.jpeg The Rolling Stones - Tattoo You (40th Anniversary Super Deluxe Edition) 1981 (2021 44.1-24) Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:27:22 Full Size: 2.42 GB The Rolling Stones announced a series of 40th anniversary, expanded editions of Tattoo You, the group's multi-platinum 1981 release from Polydor/Interscope/UMe. The remastered set will include "no fewer' than nine previously unreleased tracks from that era. The rocker "Living In The Heart Of Love" is available now on all digital services. The 11 tune album, originally mastered on vinyl by Bob Ludwig and still sounding great inlcudes "Waiting on a Friend" (with Sonny Rolling on sax), "Hang Fire" and of course "Start Me Up". Meanwhile The Stones hit the road September 26th on a 13 date No Filter tour starting in St. Louis and running into November with Charlie Watts sitting it out this time due to post-op recovery from unspecified surgery. The deluxe format editions wil include Lost & Found: Rarities and Still Life: Wembley Stadium 1982 that the press release describes as featuring 26 tracks including "newly completed and enhanced..." tracks with "additional vocals and guitar by the band" https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Catalyst Crime - Catalyst Crime (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...7bf8759ed.jpeg Catalyst Crime - Catalyst Crime (2021) 44.1-24 Country: International Genre: Symphonic Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:24 Full Size: 617.09 MB CATALYST CRIME release an excellent debut album. It includes the best elements of symphonic Metal and the cinematic elements add an extra dimension to their sound. "Catalyst Crime" is a perfect symbiosis of modern Metal, Power Metal, Death Metal and orchestral arrangements with the overarching vocals of Zoe Marie Federoff who puts the album onto a higher level. The sound of the album is diverse and distinctive which is evidence for excellent songwriting. The album is very well produced. CATALYST CRIME set the bar very high with their debut album and the band is on a good way to become one of the very best in symphonic Metal. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Procol Harum - Shine On Brightly 1968 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...666a92ca2.jpeg Procol Harum - Shine On Brightly 1968 (2021) 96-24 Country: UK Genre: Progressive Rock,Psychedelic Rock,Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 39:13 Full Size: 842.72 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Emerson, Lake & Palmer - Brain Salad Surgery [1973] (2016) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...885e0d7ec.jpeg Emerson, Lake & Palmer - Brain Salad Surgery 1973 (2016) 96-24 Country: UK Genre: Progressive rock,art rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:44 Full Size: 959.72 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Crosby & Graham Nash - Wind On The Water 1975 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...f4cc2314d.jpeg David Crosby & Graham Nash - Wind On The Water 1975 (2021) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:55 Full Size: 887.77 MB As two of the most distinctive artists from the '60s and '70s given their work in CSNY, Crosby & Nash also did great work as a duo act. Wind on the Water was released in 1975 after the previous year's CSNY reunion tour and the dissolution of their contract at Atlantic. In many respects, this alliance made perfect sense. When it was just the two of them, they were often more likable. Crosby wasn't as much of a blowhard and Nash became more pragmatic. Wind on the Water's virtues are apparent with the first song, the warm and pensive single "Carry Me." "Homeward Through the Haze," "Low Down Payment," and "Naked in the Rain" are gems that all but sum up their complicated harmonic and melodic style. Besides Crosby & Nash being on their game, the studio players here are impeccable. Lovers of '70s pop/rock will love to hear players like Danny Kortchmar and David Lindley effortlessly doing their identifiable riffs. James Taylor, Carole King, and Jackson Browne also showed up for these sessions, but do not intrude or overshadow Crosby & Nash. Without a doubt, despite the strong production, the stars of the show here are Crosby & Nash. The album concludes with "To the Last Whale...: Critical Mass/Wind on the Water." The song is not only a testament to the album's skill at making the complex seem effortless, but it also gets its point across without being mushy. Wind on the Water has an instant classic, lived-in sound and is a definite must-have. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Elton John - Goodbye Yellow Brick Road 1973 (1995) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...80010e931.jpeg Elton John - Goodbye Yellow Brick Road1973 (1995) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:16:26 Full Size: 1.65 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Procol Harum - A Salty Dog 1969 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...ba3d5b218.jpeg Procol Harum - A Salty Dog 1969 (2021) 96-24 Country: UK Genre: Progressive Rock,Psychedelic Rock,Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:39 Full Size: 908.74 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Obscured by Clouds 1972 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...4af584603.jpeg Pink Floyd - Obscured by Clouds 1972 (2021) 192-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 40:26 Full Size: 1.48 GB Obscured by Clouds is the soundtrack to the Barbet Schroeder film La Vallée, and it plays that way. Of course, it's possible to make the argument that Pink Floyd's music of the early '70s usually played as mood music, similar to film music, but it had structure and a progression. Here, the instrumentals float pleasantly, filled with interesting textures, yet they never seem to have much of a purpose. Often, they seem quite tied to their time, either in their spaciness or in the pastoral folkiness, two qualities that are better brought out on the full-fledged songs interspersed throughout the record. Typified by "Burning Bridges" and "Wot's...uh the Deal," these songs explore some of the same musical ground as those on Atom Heart Mother and Meddle, yet they are more concise and have a stronger structure. But the real noteworthy numbers are the surprisingly heavy blues-rocker "The Gold It's in The...," which, as good as it is, is trumped by the stately, ominous "Childhood's End" and the jaunty pop tune "Free Four," two songs whose obsessions with life, death, and the past clearly point toward Dark Side of the Moon. ("Childhood's End" also suggests Dark Side in its tone and arrangement.) As startlingly advanced as these last two songs are, they're not enough to push the rest of Obscured by Clouds past seeming just like a soundtrack, yet these tunes, blended with the sensibility of Meddle, suggest what Pink Floyd was about to develop into. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Meddle 1971 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...6b85f9d5f.jpeg Pink Floyd - Meddle 1971 (2021) 192-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 46:44 Full Size: 1.68 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Wall 1979 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...334db2988.jpeg Pink Floyd - The Wall 1979 (2021) 96-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:20:46 Full Size: 1.65 GB Corealise par Roger Waters et David Gilmour, The Wall, onzieme album studio des Pink Floyd, sort au Royaume-Uni le 30 novembre 1979 chez Harvest et aux Etats-Unis le 8 decembre 1979 chez Columbia. C'est le dernier album studio du groupe forme de David Gilmour (guitare), Roger Waters (guitare basse et parolier), Richard Wright (claviers) et Nick Mason (batterie). En 1977, Waters - chanteur, bassiste, parolier, compositeur et arrangeur de Pink Floyd -, esquisse sur une feuille de papier le croquis d'un mur separant public et musiciens. Partant de cette projection, il fait appel a Bob Ezrin (producteur de Lou Reed, Alice Cooper, Kiss, etc) pour l'aider a concretiser son projet. C'est un double album au concept fort qui verra le jour et qui connaitra un succes massif - plus de trente millions de copies vendues. Reelle introspection de la vie de Waters, l'album mele fiction et realite a travers l'histoire de Pink, jeune rock star (qui symbolise en fait Waters lui-meme) en proie a ses demons et qui, petit a petit, construit un mur chimerique autour de lui pour se couper du monde. Cet opera-rock particulierement ambitieux porte essentiellement la marque emotionnelle de Roger Waters (evocation de son pere absent, de sa mere abusive et de la rigidite d'un systeme scolaire qui l'a traumatise a vie). The Wall a d'abord ete remasterise en 1994 au Royaume Uni par EMI. Puis en 1997 la firme Columbia remasterise a son tour l'album, avec une qualite de son superieure a celui d'EMI, pour le publier aux Etats-Unis, au Canada, en Australie, en Amerique du Sud et au Japon. Un peu apres le vingtieme anniversaire de l'album, Capitol relance en 2000 aux Etats-Unis l'edition de 1997 en reprenant le remastering europeen, et EMI en fait de meme au Canada, en Australie, en Amerique du Sud et au Japon. En 2011, l'album est soigneusement remasterise par James Guthrie (l'ingenieur du son et co-producteur de la version originale) et Joel Plante, au studio das boot recording situe a Lake Tahoe en Californie. © GG/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Dark Side Of The Moon (2011 Remastered Version) 1973 (2021) [192k... https://i116.fastpic.org/thumb/2021/...f6bae8875.jpeg Pink Floyd - The Dark Side Of The Moon (2011 Remastered Version) 1973 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 42:44 Full Size: 1.1 GB By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Graham Nash & David Crosby - Graham Nash & David Crosby 1972 (2014) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...371864d00.jpeg Graham Nash & David Crosby - Graham Nash & David Crosby 1972 (2014) 96-24 Country: USA/UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 35:21 Full Size: 747.79 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - A Saucerful of Secrets 1968 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...a8e321af3.jpeg Pink Floyd - A Saucerful of Secrets 1968 (2021) 192-24 Country: UK Genre: Progressive rock,Psychedelic rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 39:21 Full Size: 1.58 GB A transitional album on which the band moved from Syd Barrett's relatively concise and vivid songs to spacy, ethereal material with lengthy instrumental passages. Barrett's influence is still felt (he actually did manage to contribute one track, the jovial "Jugband Blues"), and much of the material retains a gentle, fairy-tale ambience. "Remember a Day" and "See Saw" are highlights; on "Set the Controls for the Heart of the Sun," "Let There Be More Light," and the lengthy instrumental title track, the band begin to map out the dark and repetitive pulses that would characterize their next few records. © Richie Unterberger /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Crosby - Here If You Listen (2018) [88.2kHz/24bit] https://i115.fastpic.org/thumb/2021/...ecfb4a934.jpeg David Crosby - Here If You Listen (2018) 88.2-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 45:07 Full Size: 847.69 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Crosby - Sky Trails (2017) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...7253fba91.jpeg David Crosby - Sky Trails (2017) 44.1-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:18 Full Size: 517.44 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - Live At Pompeii (Live At Pompeii 2016) (2017) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...b9c74d083.jpeg David Gilmour - Live At Pompeii (Live At Pompeii 2016) (2017) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:28:19 Full Size: 2.95 GB In 2015, David Gilmour decided to undertake a series of concerts in the world's oldest venues. A year later, the guitarist from Pink Floyd becomes the first artist since the gladiators in 79 AD to give a concert before an audience in Pompeii's amphitheater! It was a trip back to the Italian city for him, as he had already performed there in 1971 during the shooting of Adrian Maben's movie Pink Floyd: Live At Pompeii. In the shadow of the Vesuvius, David Gilmour plays in the more than legendary venue on July 7th and 8th, 2016 and revisits songs that have always been there his whole life, in solo as well as with Floyd. And let's not forget the new interpretations of The Great Gig In The Sky from the album Dark Side Of The Moon, rarely performed in solo by Gilmour. © CM/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - Live in Gdansk (2008) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...bca858a4a.jpeg David Gilmour - Live in Gdansk (2008) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:28:50 Full Size: 2.86 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Norah Jones - Day Breaks (2016) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...d7896faa5.jpeg Norah Jones - Day Breaks (2016) 96-24 Country: USA Genre: Singer Songwriter Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:47 Full Size: 1.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Biffy Clyro - The Myth of The Happily Ever After (2021)[44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...beac18290.jpeg Biffy Clyro - The Myth of The Happily Ever After (2021)44.1-24 Country: UK Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 49:59 Full Size: 607.86 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Udo Lindenberg - Daumen im Wind (Remastered) 1972 (2013) [96kHz/24bit] https://i115.fastpic.ru/thumb/2021/0...6c8eac12d.jpeg Udo Lindenberg - Daumen im Wind (Remastered) 1972 (2013) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:07 Full Size: 803.26 MB Udo Lindenberg's second release, Daumen im Wind, was a risky venture: when it was released in 1972, mainstream opinion had it that rock music with German lyrics was impossible. On Daumen im Wind, Lindenberg proved otherwise. Although he hadn't found his unique style yet, some tracks on this album, most notably "Hoch im Norden," "Alkoholmädchen," and the title track, gave a glimpse of what was to come starting with his next release. In terms of style, Lindenberg ventured into many waters apart from rock: jazzy sounds are to be found on "Meer der Träume," "Biochemon" is very experimental with Orwellian lyrics, and there is even a spiritual dimension with the song "In den Tiefen Gängen der Vergangenheit," which deals with reincarnation -- and all in all, the album sounds more thrown together than presenting a unified approach. With Daumen im Wind, Udo Lindenberg started to redefine his role as a rock musician, so it has to be regarded as a transitional album on the way to his later groundbreaking work. It is not a masterpiece, but still an important step in the history of German rock because it has to be regarded as the first rock album making use of German lyrics. © Frank Eisenhuth /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Willie And The Red Rubber Band - Willie and the Red Rubber Band [1968] (2021) [192... https://i116.fastpic.org/thumb/2021/...72f9826df.jpeg Willie And The Red Rubber Band - Willie and the Red Rubber Band [1968] (2021) 192-24 Country: USA Genre: Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 26:01 Full Size: 1.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Replacements - Sorry Ma, Forgot To Take Out The Trash (Deluxe Edition) (2021) https://i116.fastpic.org/thumb/2021/...f62018718.jpeg The Replacements - Sorry Ma, Forgot To Take Out The Trash (Deluxe Edition) (2021) Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:47:10 Full Size: 4.95 GB Funny thing about The Replacements; after every album, a certain percentage of their fans could be counted on to complain that they'd changed for the worse, betraying the true spirit heard on their previous album. Their debut Sorry Ma, Forgot to Take Out the Trash reissued here in a 100 track, 5-disc version that includes many unreleased demos, outtakes, alternate takes and a complete live show, is where that dynamic began. This is as close to a punk rock album as the band ever made which means those who despise the later, poppier, work, like the penultimate Don't Tell a Soul, for example, and feel the real Replacements died when Bob Stinson left the band, consider Sorry Ma to be their grail. And yet, despite the band's rhythm section of drummer Chris Mars and 14-year-old bassist Tommy Stinson being supremely tight, and Bob Stinson's schizo-guitar thunder-the band's original foundation-casting chords and notes in every direction, Sorry Ma is also where singer/guitarist Paul Westerberg's songs and evolving vocals first become the star. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Division Bell (2011 Remastered Version) 1994 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...b7017f55e.jpeg Pink Floyd - The Division Bell (2011 Remastered Version) 1994 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:06:19 Full Size: 2.43 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Relics (1996 Remastered Version) (2016) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...16d91e732.jpeg Pink Floyd - Relics (1996 Remastered Version) (2016) 192-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 49:16 Full Size: 1.99 GB Since Relics is a compilation and not a regular studio album, it tends to be overlooked when thought of as one of Pink Floyd's better releases. It might not be regarded as a classic psychedelic masterpiece in the manner of The Piper at the Gates of Dawn, and it certainly won't ever achieve the multiple platinum status of Dark Side of the Moon, but it's a pretty good place to start with the band's early catalog. Originally issued in 1971, Relics culls from the band's first five singles (two A-sides and three B-sides, including the non-album pop classics "See Emily Play" and "Arnold Layne") and picks album material that capitalizes on the band's versatility while making it a thoroughly palatable listen. From Piper, you get the goofy childishness of "Bike" and the mesmerizing "Interstellar Overdrive," one of the band's trademark instrumental freak-outs; "The Nile Song," taken from the More soundtrack, is one of the heaviest songs the band recorded. A little bit of everything that made early Pink Floyd can be found here. Without a doubt, the disc is an essential part of the band's discography, not to be disregarded due to its overlap with studio album material. © Andy Kellman /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - A Collection Of Great Dance Songs [2001] (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...824c81f83.jpeg Pink Floyd - A Collection Of Great Dance Songs (2001) 192-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 42:51 Full Size: 1.59 GB Anyone who knew anything about Pink Floyd knew that a dance band they were not, so this profit-taking, holiday-season compilation, courtesy of Columbia Records, was intended ironically. Arguably the quintessential album band, Pink Floyd is not well served by compilations, especially one on which four parts of "Shine on You Crazy Diamond" are edited together and there's a re-recording of "Money." Stick to the full-length versions. © William Ruhlmann /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Crosby - Lighthouse (2016) [88.2kHz/24bit] https://i115.fastpic.org/thumb/2021/...918dc16ea.jpeg David Crosby - Lighthouse (2016) 88.2-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 40:41 Full Size: 715.96 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Drifting Sun - Forsaken Innocence (2021) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...a3b09c04a.jpeg Drifting Sun - Forsaken Innocence (2021) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:03:57 Full Size: 792.74 MB If you don't know Drifting Sun yet, it's time to open the door to the magic with "Forsaken Innocence", their latest masterpiece. (Rock at Night/USA) L'album de la consécration ultime, l'avenir nous le dira? Indispensable à mes yeux et à mes oreilles. (Profil Prog/Canada) When a new studio work by DRIFTING SUN is released, nothing more than a masterpiece can be expected... in response to the immense advance praise, DRIFTING SUN present a 70-minute mammoth work (Saitenkult/Germany) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Be Cause - Light and Darkness (2021) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...5400ccf82.jpeg Be Cause - Light and Darkness (2021) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:26:46 Full Size: 1001.86 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - More (Original Film Sountrack) (2011 Remastered Version) 1969 (2021) ... https://i116.fastpic.org/thumb/2021/...86546fce4.jpeg Pink Floyd - More (Original Film Sountrack) (2011 Remastered Version) 1969 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 44:55 Full Size: 1.83 GB Pour illustrer la nouvelle folie cinématographique et opiacée du réalisateur Barbet Schroeder, Pink Floyd alors en pleine mutation - cette B.O. arrive après A Saucerful Of Secrets et avant Ummagumma - accouche d'un beau carambolage stylistique : ballades acoustiques, instrumentaux improvisés, escapades psychédéliques, fulgurances électriques, tout y passe ! Mais derrière cette commande, chacun pourra retrouver les graines plantées des ramifications à venir. En quelques sortes, un disque essentiel pour bien comprendre la suite. © MZ/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Piper at the Gates of Dawn 1967 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...cfd5774b4.jpeg Pink Floyd - The Piper at the Gates of Dawn 1967 (2021) 192-24 Country: UK Genre: Psychedelic rock,Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 41:51 Full Size: 1.71 GB The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences -- "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock. But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments -- in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation -- the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time. © Steve Huey /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Atom Heart Mother 1970 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...6f42225ae.jpeg Pink Floyd - Atom Heart Mother 1970 (2021) 192-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 52:02 Full Size: 2.04 GB Appearing after the sprawling, unfocused double-album set Ummagumma, Atom Heart Mother may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. Then, on the second side, Roger Waters, David Gilmour, and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up. Of these, Waters begins developing the voice that made him the group's lead songwriter during their classic era with "If," while Wright has an appealingly mannered, very English psychedelic fantasia on "Summer 68," and Gilmour's "Fat Old Sun" meanders quietly before ending with a guitar workout that leaves no impression. "Alan's Psychedelic Breakfast," the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving. So, there are interesting moments scattered throughout the record, and the work that initially seems so impenetrable winds up being Atom Heart Mother's strongest moment. That it lasts an entire side illustrates that Pink Floyd was getting better with the larger picture instead of the details, since the second side just winds up falling off the tracks, no matter how many good moments there are. This lack of focus means Atom Heart Mother will largely be for cultists, but its unevenness means there's also a lot to cherish here. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Beast In Black - Berserker (2017) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...1a3e0df54.jpeg Beast In Black - Berserker (2017) 44.1-24 Country: Finland Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:09 Full Size: 647.91 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Beast In Black - Dark Connection (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...c650ceabd.jpeg Beast In Black - Dark Connection (2021) 44.1-24 Country: Finland Genre: Electronic,Melodic Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 59:14 Full Size: 777.73 MB Following his 2015 departure from Helsinki's renowned BATTLE BEAST, guitarist extraordinaire Anton Kabanen launched BEAST IN BLACK, a project that is equally if not more over the top in its forwarding of unabashed heavy metal thunder. The unit's first two albums, 2017's "Berserker" and 2019's "From Hell With Love", have been revered globally by power metal fiends, to say the least. BEAST IN BLACK is essentially a household name in Finland where the aforementioned releases both reached platinum status. In the face of high expectations, BEAST IN BLACK delivers on their third outing, "Dark Connection". BEAST IN BLACK didn't have a sophomore slump following its impressive debut, and "Dark Connection" truly does meet the high-water mark left by the initial releases. True to the band's fundamentals, "Dark Connection" is bursting with absolutely blistering riffs and guitar work, which are combined with deeply infectious vocal work and choruses. "Blade Runner" opens things up with a brief but memorable keyboard driven intro that adequately teases, creating an element of tension before the band unleashes crisp and bold pop-laden heavy metal. The song is replete with Yannis Papadopoulos's impressive vocals, which comfortably and tastefully reach toward the heavens when it's time to unleash that glorious falsetto. But follow-up track "Bella Donna" does an even better job of representing BEAST IN BLACK's essence, a beautiful marriage of impassioned eighties-inspired heavy metal and crystalline pop music. With "Dark Connection", BEAST IN BLACK wisely chose to employ the "if it ain't broke, don't fix it" approach. Now that they are three albums deep, the band seems comfortable in its stride. What's more, the moody and slower-tempo songs, as well as the MICHAEL JACKSON cover, collectively drag the BEAST forward as a band, ever so marginally yet noticeable enough. The album flows mellifluously in terms of sequencing and because of the thematic science fiction-inspired similarities. There's a sense that BEAST IN BLACK has the potential to reach into the American pocket of mainstream music. Whether or not that happens with "Dark Connection" doesn't matter, though. At the end of the day, in terms of art and creativity, BEAST IN BLACK has hit the ball out of the park with album number three. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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