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Eclipse - Wired (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...b8d7d7229.jpeg Eclipse - Wired (2021) 44.1-24 Country: Sweden Genre: Melodic Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:10 Full Size: 494.49 MB Coming off their most successful album yet, "Paradigm" (which includes the massive single "Viva La Victoria" that has 15 million streams and counting), Sweden's Eclipse are coming back with their new studio album "Wired", out on on October , 2021. Preceded by the single, an anthem for the ages, "Saturday Night (Hallelujah)" the new record sees the Swedish quartet going from strength to strength and, as they have done since the beginning, taking no prisoners. Some of the best songs of their career arrive on this record and it's uplifting, and much needed, to be able to enjoy such a monster album in the aftermath of the pandemic age. Over the last few years Eclipse have performed to audiences around the globe, including the U.S, Japan, Australia and Europe and have opened for giants like Aerosmith and the Scorpions. Their albums have amassed millions of streams and charted in several European countries. With the momentum of their last studio album "Paradigm" propelling them, "Wired" promises to push them even further up the rock n' roll mountain. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Houston - IV (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...59e188791.jpeg Houston - IV (2021) 44.1-24 Country: Sweden Genre: Melodic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:10 Full Size: 623.39 MB Swedish AOR band HOUSTON has announced that their new studio album, "IV" will be released on October 2021. "IV" was produced under the direction of former member and AOR guru Ricky Delin, who also co-wrote with the band. Houston released their self-titled debut album in 2010 and landed at number one on Classic Rock Magazine's AOR chart that year, beating out some stiff competition. The band then went on to play the festival circuit with appearances at Sweden Rock, Download Festival (UK), and Rock of Ages (Germany), as well as touring the UK with Swedish sleaze rockers Crashdiet. Houston's second album, "Relaunch" featured a cover song called 'Runaway' that became the soundtrack to Red Bull's own Danny MacAskill's Extreme BMX video 'Imaginate' which has almost 100 million views on YouTube and over 1.3 million plays on Spotify and counting. Fans can look forward to another classic AOR masterpiece from these Swedish masters with the release of "Houston IV". https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Wayward Sons - Even up the Score (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...5dd8fa846.jpeg Wayward Sons - Even up the Score (2021) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:27 Full Size: 544.42 MB Anticipated by the release of two singles, the title track, 'Even Up the Score' in late 2020 and 'Big Day' in April 2021 (both of which were released while the band was still in the midst of recording the album), the brand new album is once again a full-blooded rock album, containing songs that define the band as writers and players. A record built on the passion and commitment of its members, with an eye on modernity and the human condition, and at this moment in history, have we ever been more challenged? Well, Wayward Sons intend to defy the times and bring a little hope to rock n roll! Passionate, honest music made by passionate honest musicians who have come together to create rock music that reflects their heroes from the '70s and '80s, while also touching on the present - modernity through homage, if you will. The return of former Little Angels singer Toby Jepson to the UK rock scene with Wayward Sons was a welcome event in the British hard rock music scene when it transpired some five years ago. After the overwhelming success of Little Angels, including a number one album, millions of records sold, massive sell out shows and numerous hit singles, Toby had been busy in the prior years in movie work as well as performing with Fastway, Gun, and Dio's Disciples and producing albums for numerous bands (Saxon, Fastway, The Virginmarys, Toseland, and more). His heart, however, was always in writing and performing and so the concept of Wayward Sons was born - a new band, built for playing live. A new direction with Toby's songs taking center stage was introduced on the debut album "Ghosts Of Yet To Come". The album was greeted with outstanding critical acclaim and earned Wayward Sons the title of "Best New Band" at the Planet Rock awards 2018. More and increasing success followed with the release of the sophomore album, "The Truth Ain't What It Used to Be." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Forgetting The Memories - Vemod (2021) [Hi-Res] https://i115.fastpic.org/thumb/2021/...b9b200bbe.jpeg Forgetting The Memories - Vemod (2021) [Hi-Res] FLAC Year Of Release: 2021 Genre: Metalcore Format: FLAC Quality: Lossless 24 bit / 44,1kHz Time: 46:20 Size: 569.91 MB Tracklist: Cita:
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Madonna - Madame X - Music From The Theater Xperience (Live) (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...5ab29c9ee.jpeg Madonna - Madame X - Music From The Theater Xperience (Live) (2021) 48-24 Country: USA Genre: Pop Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:32:36 Full Size: 1.23 GB Madame X - Music from the Theater Xperience is Madonna's sixth live album. It was recorded in January 2020 during the six Lisbon dates of her eleventh and namesake tour, which promoted the record Madame X, her fourteenth studio album https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Manimal - Armageddon (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...ab303d225.jpeg Manimal - Armageddon (2021) 48-24 Country: Sweden Genre: Power Metal,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:26 Full Size: 709.38 MB High energy, in-your-face, straight forward! With "Armageddon", Manimal are set to deliver their strongest output to date. Metal anthems with lines like "Metal is our destiny" show what to expect. "We are more than power metal" The new record "Armageddon" is a high energy, in-your-face salute to the music that inspired Manimal's formation for over 20 years. Armageddon showcases Manimal as band unafraid to unleash their own brand of power metal on the world. Their songwriting has become tighter, stronger and bolder, and they have improved by leaps and bounds as musicians. "This is a really good album that delivers the goods from start to finish. The guitars are heavy, and heavenly in their sound and execution. The vocals do remind of Rob Halford and King Diamond, with a seriously kick ass rhythm section to tie it all together. Armageddon is another great example of a band that knows how to self-produce, getting the exact sound they want on the finished product. Top tracks for this reviewer include "Burn In Hell", Armageddon" and "Master of Pain". Overall, this release is by far the band's best, and a very worthy addition to your Heavy Metal collection." (Bryce Van Patten, metalexpressradio.com) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Roger Glover & The Guilty Party - Snapshot+ (Remastered) (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...661f3f8cf.jpeg Roger Glover & The Guilty Party - Snapshot+ (Remastered) (2021) 44.1-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:10:30 Full Size: 820.31 MB Roger Glover is best known as the bass player of the Hard Rock flagship Deep Purple, which he has been part of all incarnations of the band since the reunion in 1984. He joined the Lord, Paice and Blackmore, together with Ian Gillan in 1969 to form the famous MK II, Deep Purple line-up which is considered the legendary, classic line-up of the band. In the '70s he co-wrote and played on albums like "In Rock", "Machine Head" and "Fireball", not to mention "Made in Japan". His solo works have always been on a very high musical level, showing how much influence his bass lines and musical view are essential parts of the famous Purple sound. Since Deep Purple's reunion in 1984, he, together with Ian Paice, make up the best rhythm section you can listen to, rocking the world non-stop with new and old Purple classics. Initially released in 2002, Snapshot is Glover's fourth solo album. Joining forces with the Guilty Party, he teamed up with vocalist Randall Bramblett, daughter Gillian Glover and guitarist Warren Haynes among others to deliver this blues rock album that is peppered with a lot of swing, reggae and jazz influences and is a true highlight of Glover's solo career. Now, almost 20 years later the reissue Snapshot+ brings back these fourteen wonderful blues songs. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Doro - Warlock - Triumph and Agony Live (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...a96d59e05.jpeg Doro - Warlock - Triumph and Agony Live (2021) 48-24 Country: Germany Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 49:58 Full Size: 614.97 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Eagles - Eagles (Remastered) 1972 (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...155571028.jpeg Eagles - Eagles (Remastered) 1972 (2021) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 37:10 Full Size: 784.99 MB Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars. Mastered from the original analog master tapes, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference sonics that elevate an effort forever prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Porcupine Tree - Stupid Dream 1999 (2015) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...4d4f410dd.jpeg Porcupine Tree - Stupid Dream 1999 (2015) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:01:35 Full Size: 702.48 MB Porcupine Tree's first album for K-Scope/Snapper starts out with a definite bang -- "Even Less," with some of the quartet's biggest, blasting rock epic music yet, yet also shot through with the gentler, acoustic side that makes Porcupine Tree so intimate and lovely. The net result easily calls Yes to mind, but Steven Wilson's not so high-pitched as Jon Anderson and Richard Barbieri completely avoids Rick Wakeman's extreme idiocies -- prog that knows when less is more. With that as a fine signal for the album as a whole, Stupid Dream takes it from there -- Wilson as a songwriter and singer both sounds recharged and more ambitious, while the group collectively pours it on. The loud passages feel truly sky-smashing, the calmer ones perfectly close, and the overall sense of build and drama -- "A Smart Kid" is a fine example -- spot-on. Strings from the East of England Orchestra and guest work on Wilson's sometime Bass Communion partner Theo Travis add even lusher atmospheres without swamping the tunes. As always, the group isn't afraid to experiment where others merely re-create -- check out the funky breaks Colin Edwin and Chris Maitland lay down on "Slave Called Shiver," not to mention Wilson's catchy piano figure and Barbieri's Hammond organ fills. Lyrically, Wilson comes up with some of his best work yet. "Piano Lessons" looks back on past musical learning and a doubtful teacher as a spur to trying harder, while "Pure Narcotic" offers up a romantic scenario and tip of the hat to Radiohead all at once: "You keep me hating/You keep me listening to The Bends." There's actually a musical hint or two of the Oxford quintet as well -- the acoustic guitar/drum intro to "This Is No Rehearsal" is a good example -- but leave it to Porcupine Tree to drop in some fully plugged in thrash metal, as well. © Ned Raggett /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steely Dan - Gaucho 1980 (2014) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...7f04250e8.jpeg Steely Dan - Gaucho 1980 (2014) 96-24 Country: Genre: Rock,Jazz-Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:10 Full Size: 874 MB Aja was cool, relaxed, and controlled; it sounded deceptively easy. Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance. Furthermore, Walter Becker and Donald Fagen's songs are generally labored, only occasionally reaching their past heights, like on the suave "Babylon Sisters," "Time Out of Mind," and "Hey Nineteen." Still, those three songs are barely enough to make the remainder of the album's glossy, meandering fusion worthwhile. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Eddie Jobson - Four Decades Special Concert (2015) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...9238e474b.jpeg Eddie Jobson - Four Decades Special Concert (2015) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24bit] Time: 02:16:48 Full Size: 1.71 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dr. John - The Night Tripper 1977 (2020) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...db303ab20.jpeg Dr. John - The Night Tripper 1977 (2020) 44.1-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 35:55 Full Size: 350.19 MB }Newly remastered! Dr. John - who, for over sixties years until his death at the age of seventy-seven on June 6th, 2019 pursued a career in music that was, at its core, all about bringing the music of New Orleans to the world at large. This collection (first released in 1977) brings together a number of recordings from the mid-'60s which find Dr. John honing the New Orleans style that he would perfect in the '70s on classics including 'Such A Night' and 'Right Place, Wrong Time'. From the Liner Notes: Malcolm Rebenneck as Dr. John, the Night Tripper has demonstrated an amazingly high degree of funkmanship as the third generation son of the Second Line, the light New Orleans rhumba rhythm that defined in popular music initially by Roy 'Professor Longhair' Byrd, Huey 'Piano' Smith, and later refined for even greater mass acceptance by Antoine 'Fats' Domino. Dr. John no longer resides in New Orleans and currently devotes most of his energies to behind the scene projects in California, such as producing Van Morrison. The selections here, however, are down home NOLA as red beans and rice. And they are all original from Malcolm Rebenneck. Hot as fiyo on the bayou from the Man with the Plan from the Gitgo. (Joe Nick Patoski) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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UK - Ultimate Collector's Edition (14CD Box) (2016) FLAC https://i115.fastpic.org/big/2021/10...6a5941c935.jpg UK - Ultimate Collector's Edition (14CD Box) (2016) FLAC Country: UK Genre: Rock,Progressive Rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 11:47:04 Full Size: 5.36 GB British prog rock group UK, who issued two albums at the tail end of the 1970s, are celebrated in Ultimate Collectors' Edition, a forthcoming 16-disc box set compiled and curated by original band member Eddie Jobson. Formed in England in 1977, the acclaimed supergroup was made up of keyboardist and electric-violinist Jobson (Roxy Music, Frank Zappa); vocalist and bassist John Wetton (King Crimson); guitarist Allan Holdsworth (Soft Machine); and drummer Bill Bruford (Yes, King Crimson, Genesis). This new box set boasts a wealth of material, the cornerstone of which is the two studio long-players, 1978's UK and Danger Money from 1979 (the latter recorded as a trio with drummer Terry Bozzio) which are newly remastered at Abbey Road and presented on CD and 24/96 hi-res blu-ray audio. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Big Big Train - The Underfall Yard 2009 (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...d5321560f.jpeg Big Big Train - The Underfall Yard 2009 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:31 Full Size: 2.26 GB The Underfall Yard was a turning point for BBT. It was the first album to feature David Longdon on vocals, the first to feature Nick D'Virgilio as the band's drummer (Nick played on a couple of tracks on 2007's The Difference Machine album but only as a guest) and the first to feature the distinctive sound of Dave Desmond's brass band, creating a unique identity for BBT which the band went on to explore further on subsequent albums, English Electric, Folklore and Grand Tour, and in live performance. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Max Hunt (Fragile) - Hope (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...69d57b84e.jpeg Max Hunt (Fragile) - Hope (2021) 44.1-24 Country: Germany Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:00 Full Size: 761.69 MB This is Max Hunt's first official solo release of song based material. 'Hope' was created during the hardest part of the Covid19 Lockdown of 2020/21. With all live shows with well known German rock guitarist Siggi Schwarz, The Thrill, solo and duos having been cancelled and all social interaction having been prohibited for a protracted period in Germany, Max worked on his own in the Studio for many months on this release, pulling together music from the past and present into this new original album. This album was produced with financial support in the form of a Stipendium (Grant) from the Hessische Kulturstiftung. For Max 'Hope' represents the personal hope of a renaissance in musical culture and is inspired in part by the despair, anger and depression of this time and conversely the hope, enthusiasm and excitement for a better future. Other inspirations for 'Hope' include: Vicar's talking to Toads, the Bavarian 'Alte Kath Zwiefache' dance, reoccurring childhood dreams, Dark Age European history, Space flight, Scifi, fantasy, natural sounds, west African Baka polyphonic Yodelling and Languages. Max continues to work with Siggi Schwarz, Fragile and The Thrill and has also worked with Jon Anderson, Steve Howe & Alan White of Yes, ex-Marillion singer Fish, Chris Jagger, Pete York (The Spencer Davis Group), Chris Thompson (Manfred Mann's Earthband), Frank Diez (Peter Maffay), Nicky James (Denny Laine, The Jamesons, Johnny Walker, The Moody Blues 5), late 60s Pre Yes band Mabel Greer's Toyshop, Tantalus and UK TV presenter Johnny Ball. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Alice - Alice 1970 (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...62ac99ec0.jpeg Alice - Alice 1970 (2021) 96-24 Country: France Genre: Psychedelic/Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:01:52 Full Size: 1016.28 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Georgia Thunderbolts - Can We Get A*Witness (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...5f7454975.jpeg The Georgia Thunderbolts - Can We Get A*Witness (2021) 96-24 Country: USA Genre: Hard Rock,Blues Rock,Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:12 Full Size: 1.18 GB Ushering in a new generation of classic southern rock steeped in soul and the blues, The Georgia Thunderbolts have already been called "timeless" by American Songwriter, "your new favorite southern rock band" by Classic Rock, and proof that "southern rock continues to thrive in the 21st century" by Rolling Stone. Now, fresh off a performance at Paste and in the wake of a hometown feature in Atlanta Journal-Constitution, the Georgia Thunderbolts released their debut full-length album, 'Can We Get A Witness,' out October via Mascot Records. A vinyl edition of the album, with bonus track "Better Run From The Beast," will be out November 26th. "We're going for that timeless and classic sound with a modern twist and newer attitude," exclaims TJ Lyle, the lead vocalist for the group that also features Riley Couzzourt [guitar], Logan Tolbert [guitar], Zach Everett [bass, harmony vocals, keys], and Bristol Perry [drums]. "We all grew up on rock music," Riley adds. "If I could think of three words to describe us, they would be 'Hardworking, Determined, and Humble'." Bristol grins, "If I could think of three words, they would be 'Rock And Roll'." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...00fa8abe2.jpeg The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:44:22 Full Size: 3.24 GB The five volumes are yet another tantalizing glimpse into the band's storied creative process. Although the reception for the album was largely mixed on release-some reviewers savaged it-the songs in retrospect are nothing short of amazing; this is by no means bottom-of-the-barrel Beatles. Tunes like "Get Back," "Let It Be," and "The Long and Winding Road" are as good as anything the band ever wrote or recorded. The first volume here contains the original album in a fresh 96 kHz/24-bit remix that like the other Giles Martin-directed mixes is sharper and brighter than the original but not fundamentally different. The biggest aural change has Ringo Starr's drums brought up and forward in the mix, like in the previous reissues in the series. Perhaps most important about this edition of Let It Be is that after years of being bootlegged, Glyn Johns' 1969 Get Back mix has finally been officially released in improved sound and can now be fairly compared to the 1970 version. Deliberately jumbled, with lots of studio patter left in, and meant to be a window into the band's loose, humorous way of making music (or what they hoped to project as such), it still feels sloppy and unfinished, which may be why The Beatles-who waffled throughout the process and initially wanted that ambiance-rejected it in en masse. Johns' mix opens with "One After 909" (written by Paul and John as teenagers) and then proceeds through looser versions of "Don't Let Me Down" (with fabulous accompaniment from keyboardist Billy Preston) "Dig A Pony," and "I've Got a Feeling" with Lennon adding his usual silly, sardonic asides throughout. George Harrison's "For You Blue" opens with the sound of ice cubes swirling in a drink. McCartney's much maligned "Teddy Boy," which didn't make the final cut of Let It Be but became part of McCartney's first solo album, is heard here with Lennon's famous mocking "Do-Si-Do" background comment left intact. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Santana - Blessings and Miracles (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...b202b2350.jpeg Santana - Blessings and Miracles (2021) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 56:45 Full Size: 1.23 GB On Blessings And Miracles, music legend and guitar master Carlos Santana delivers one of the most ambitious, inspired and flat-out magical records of his storied career. There's thrilling feats of bravura musicianship that pair the guitar master with fellow icons like Chick Corea and Steve Winwood, knockout rockers with Metallica's Kirk Hammett and Living Colour's Corey Glover, and genre-bending, hook-filled celebrations featuring Rob Thomas, Chris Stapleton, G-Eazy, American Authors and Ally Brooke, among others. Santana immersed himself in the creation of Blessings And Miracles over a two-year period, serving as producer and collaborating with record makers and writers such as Diane Warren, Narada Michael Walden, Chris Stapleton, Peter Stengaard and Gregg Wattenberg. It's an album full of revelations and epiphanies - through songs guaranteed to light up both radio playlists and concert stages. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Perpetual Etude - Now is the Time (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...fae39c4ce.jpeg Perpetual Etude - Now is the Time (2021) 44.1-24 Country: Sweden Genre: Melodic Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 31:11 Full Size: 400.98 MB Perpetual Etude was formed in 2019 by Magnus Mild with the sole goal of bringing back the best heavy metal of the '80s. Influenced by the genre when growing up, Magnus teamed up with members from NorthTale, ex-members from Dionysys, Nation, and Shadowquest, as well as Goran Edman on "Sail Away" to complete the vision. The result is the best of a whole decade in the forthcoming debut, Now Is The Time, an album filled with catchy choruses. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Alcatrazz - V (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...5dfe5f0db.jpeg Alcatrazz - V (2021) 48-24 Country: USA Genre: Hard Rock,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:02:17 Full Size: 877.65 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tom Morello - The Atlas Underground Fire (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...519ae49ac.jpeg Tom Morello - The Atlas Underground Fire (2021) 44.1-24 Country: USA Genre: Hard Rock, Alternative Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:23 Full Size: 577.21 MB Rage Against the Machine guitarist Tom Morello is releasing his latest album The Atlas Underground Fire, sequel to his previous album The Atlas Underground, and it will indeed be getting hot. Being released under the record label Mom + Pop, Morello wrote the majority of the album during lockdown, overcoming the logistical challenges of recording the guitar at home, and collaborating with big names such as Chris Stapleton, Mike Posner and Damian Marley to name a few. Kicking his newest release off with a classic, Tom Morello is joined by Bruce Springsteen and Eddie Vedder in a cover of AC/DC's "Highway to Hell." Bringing on a darker tone compared to the original, Morello, Springsteen and Vedder's version of this AC/DC hit brings on all the reverb and echo you didn't know you needed. Not to mention Morello's guitar solo, which gives a new taste to the song, giving it the urgency of an ambulance on the verge of feedback. Coming out October 2021, you'll be able to listen to some more of Morello's amazing solos on The Atlas Underground Fire, featuring artists Bring Me the Horizon, Refused's Dennis Lyxzén, Phantogram, and the previously mentioned. Whether you're jamming along on your headphones, blasting it in the car, or working out to it, this album combines the best of guitar with the best of rock, and you won't be able to stop listening. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lords of Black - Alchemy of Souls, Pt. II (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...49f5c7f89.jpeg Lords of Black - Alchemy of Souls, Pt. II (2021) 48-24 Country: Genre: Progressive power metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:06:07 Full Size: 842.19 MB Progressive power metal masters Lords Of Black are set to return in 2021 with the follow-up volume to their well received 2020 album 'Alchemy Of Souls, part I'. Utilising the downtime created by the global pandemic, the band have strived to create music that pushes past their previous endeavours, displaying musical maturity and incorporating new elements into their style. Vocalist Ronnie Romero (Rainbow, Sunstorm, The Ferrymen) has provided another vocal masterclass, guitarist Tony Hernando delivers some of the best melodies he has ever written, while bassist Dani Ciado and drummer Jo Nunez show themselves to be a powerful rhythm section who nevertheless perform with absolute finesse. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Pineapple Thief - Nothing But The Truth (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...cfa3e7929.jpeg The Pineapple Thief - Nothing But The Truth (2021) 48-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:30:48 Full Size: 1.06 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Crosby - If I Could Only Remember My Name (50th Anniversary) (2021) [96kHz/2... https://i115.fastpic.org/thumb/2021/...4b6f1d9fa.jpeg David Crosby - If I Could Only Remember My Name (50th Anniversary Edition) 1971 (2021) 96-24 Country: USA Genre: Rock,Folk rock Format: FLAC (*tracks) Quality: Lossless [96-192kHz/24bit] Time: 01:42:39 Full Size: 3.03 GB Singer-songwriter David Crosby's solo debut, If I Could Only Remember My Name, was dismissed by critics when it came out in 1971. Over the years, however, appreciation has grown for the album's adventurous aesthetic, stacked harmonies and haunting lyrics about loss and confusion. Billed as Crosby's solo debut, the album was anything but a one-man project. Instead, it was one of his most collaborative efforts, featuring an all-star cast of players that included members of the Grateful Dead, Jefferson Airplane, and Santana, along with Graham Nash, Joni Mitchell, Neil Young, and others. If I Could Only Remember My Name turned 50 earlier this year and Rhino is celebrating with a 2-CD set that includes the album lovingly remastered from the original analog tapes, accompanied by a bonus disc that features a dozen unreleased demos, outtakes, and alternative versions. The new remaster was overseen by original album engineer Stephen Barncard with restoration and speed correction using Plangent Processes. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Lucid - The Lucid (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...042f55099.jpeg The Lucid - The Lucid (2021) 48-24 Country: USA Genre: Hard Rock/Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:45 Full Size: 495.84 MB The Lucid's debut self-titled album features 9 heavy hitting and emotionally charged tracks showcasing this eclectic quartet's unique sonic approach. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Coldplay - Music Of The Spheres (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...c0d6d2b19.jpeg Coldplay - Music Of The Spheres (2021) 44.1-24 Country: UK Genre: Alternative rock,Pop rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24bit] Time: 41:53 Full Size: 498.84 MB During pandemic lockdown, some people baked bread, others took up fostering kittens. Chris Martin, apparently, watched Star Wars. The Coldplay frontman has said that the band's ninth album was partly inspired by the Mos Eisley cantina band and "wonder[ing] what musicians are like across the universe." And honestly, thank god we have a band big enough to be able to afford to take chances like Music of the Spheres, because the results are thrilling. After the spacy intro "Music of the Spheres," opener "Higher Power" is a flat-out dance track, powered by a punchy electro beat, and joyously uplifting. Martin has said "the song is about trying to find the astronaut in all of us, the person that can do amazing things." (Although, at one point, he sings "Drocer nekorb a ekil mi"-"I'm like a broken record" in reverse.) It's the first example of the album being a family affair, too, as Martin's daughter Apple delivers the opening lilt. She also has a co-write on "Let Somebody Go," a lovely piano ballad that finds Martin duetting with Selena Gomez; it takes a surprising turn on the bridge, slipping into smooth jazz. Apple's brother Moses joins in on the chorus of "Humankind" (with an altered Stephen Fry on the intro), a supercatchy and energetic collection of bleeps and bloops and "alien" voices, '80s synth and strident acoustic guitar that is going to be awesome to work out to. It's a bit of a throwback to the dance-pop sounds of bands like MGMT circa 2008. It won't surprise you here to find out the record is produced by Max Martin, the man behind slick hits from Britney Spears, Katy Perry, Taylor Swift and others. His polished style is a surprising complement to Martin's unpolished rasp and a major asset on songs like "My Universe," a collaboration with BTS performed in English and Korean that cruises a funky groove of '80s FM pop; it's an earworm we'll all be stuck with for months. "People of the Pride" pushes Coldplay in a new, edgier direction-complete with ominous garage-rock guitar and an emo-pop stomp. Curiosity "Biutyful" warps the vocals to sound like a cutesy ET crooning a space-lounge melody. Twinkly "Infinity Sign" incorporates the soccer chant "Ole Ole Ole." The record closes out with one of the most wonderfully grandiose, swing-for-the-stars songs of Coldplay's career. Clocking in at 10 minutes, "Coloratura" is the band's The Dark Side of the Moon moment, weaving in a music box melody, fluttering strings, McCartney piano and spacey Gilmour guitars. It name-checks Galileo's discovery of the Callisto moon and declares,"It's the end of death and doubt and loneliness is out ... Coloratura, the place we dreamed about." (It will be great for planetarium laser shows.) Martin's voice cracks in all the right places, and the idea-"In the end it's all about the love you're sending out-is so elemental but expressed with such a sense of wonder about and gratitude for the universe, you can't help but feel a sense of hope. © Shelly Ridenour/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...04507fe9b.jpeg Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:21:46 Full Size: 3.76 GB Them were one of the very best R&B acts to come out of the U.K. during the British Invasion era, as tight, wiry, and potent as their contemporaries the Rolling Stones, the Animals, and the Pretty Things. But as good as they were, their greatest strength was always their lead singer and main songwriter, Van Morrison, who even in his earliest days boasted a style that was raw and unapologetic but full of street smarts and imagination. Morrison's run with Them lasted a bit more than two and a half years, but it laid the groundwork for his wildly idiosyncratic solo career as well as setting a standard that the band would never equal after he left to strike out on his own. There have been plenty of collections devoted to Morrison's tenure with Them, but The Complete Them: 1964-1967 is not only comprehensive but has Van's seal of approval, as it was assembled by Morrison's own team and features liner notes from the man himself. Sequenced chronologically, The Complete Them devotes its first two discs to the group's two albums of the period, Them (aka The Angry Young Them) and Them Again, as well as non-LP single and EP tracks. Disc two is devoted to demos, alternate takes, and some live tracks cut for BBC Radio, nearly all of them previously unreleased. According to Morrison's notes, Them's lineup was never consistent, especially in the studio, as the group's producers often brought in studio musicians (including Jimmy Page) to beef up the performances, but the product was both consistent and strong, with razor-sharp guitars and swirling organs dominating the arrangements and Morrison's vocals sounding nearly possessed. Having essentially all of Them's studio recordings in one place is great, but the bonus material offers a glimpse of their power as a live act, and the outtakes and alternate versions reveal the growing sophistication of Morrison's approach over the course of 24 tracks. Morrison's essay offers as much opinion as it does fact, but given his well-documented reticence, the fact he wrote the notes at all is impressive, and when he sums up his notes with "I think of Them as good records...there's a lot of good stuff here," he's absolutely right. As a history of an underappreciated band's greatest era or the first steps of one of rock's most individual artists, The Complete Them: 1964-1967 is essential listening. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Rick Wakeman - The Red Planet (2020) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...c8d252a98.jpeg Rick Wakeman - The Red Planet (2020) 96-24 Country: Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:48 Full Size: 3.84 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dire Straits - Alchemy Live (2010) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...313286228.jpeg Dire Straits - Alchemy Live (2010) 96-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24bit] Time: 02:55:28 Full Size: 6.65 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dr. John - Ske-Dat-De-Dat.The Spirit Of Satch (2014) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...a5fdbd7e2.jpeg Dr. John - Ske-Dat-De-Dat.The Spirit Of Satch (2014) 96-24 Country: USA Genre: Jazz,Blues,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 58:24 Full Size: 1.32 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Final Cut 1983 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...7cc17fa44.jpeg Pink Floyd - The Final Cut 1983 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 46:12 Full Size: 1.77 GB Quatre ans separent cet album de son predecesseur The Wall qui placa Pink Floyd au sommet de son succes. Un bien nomme Final Cut (a requiem for the post war dream), avec comme sous-titre "un requiem pour le reve d'apres-guerre", qui sera le dernier disque avec Roger Waters, auteur solitaire de ce concept-album qu'il interprete dans sa quasi-totalite - et le seul ou n'apparait pas le clavieriste Richard Wright. Comme un premier opus solo ? Sans doute. Sa grandiloquence mise au service d'un antimilitarisme forcene (l'Angleterre et l'Argentine s'affrontent alors aux Malouines) n'est pas sans evoquer The Wall dont il retravaille d'ailleurs certaines compositions ecartees a l'epoque. A l'arrivee, un essai, lyrique a souhait. © MD/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - A Momentary Lapse Of Reason (2019 Remix) 1987 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...d1dea6b28.jpeg Pink Floyd - A Momentary Lapse Of Reason (2019 Remix)1987 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 51:04 Full Size: 1.12 GB Exit Roger Waters, le guitariste David Gilmour est seul (ou presque) au volant de la Rolls floydienne. En compagnie de Nick Mason, il entraine la semantique du groupe phare du rock progressif vers d'amples nappes a connotation new age et meditatives, mettant en exergue son jeu personnel. Malgre tout, les thematiques abordees ne sont pas si eloignees des ?uvres precedentes et A Momentary Lapse Of Reason est bien une planete de la galaxie Pink Floyd. © MD/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Wall (2011 Remastered Version) 1979 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...4b7578f28.jpeg Pink Floyd - The Wall (2011 Remastered Version) 1979 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:20:19 Full Size: 1.94 GB Corealise par Roger Waters et David Gilmour, The Wall, onzieme album studio des Pink Floyd, sort au Royaume-Uni le 30 novembre 1979 chez Harvest et aux Etats-Unis le 8 decembre 1979 chez Columbia. C'est le dernier album studio du groupe forme de David Gilmour (guitare), Roger Waters (guitare basse et parolier), Richard Wright (claviers) et Nick Mason (batterie). En 1977, Waters - chanteur, bassiste, parolier, compositeur et arrangeur de Pink Floyd -, esquisse sur une feuille de papier le croquis d'un mur separant public et musiciens. Partant de cette projection, il fait appel a Bob Ezrin (producteur de Lou Reed, Alice Cooper, Kiss, etc) pour l'aider a concretiser son projet. C'est un double album au concept fort qui verra le jour et qui connaitra un succes massif - plus de trente millions de copies vendues. Reelle introspection de la vie de Waters, l'album mele fiction et realite a travers l'histoire de Pink, jeune rock star (qui symbolise en fait Waters lui-meme) en proie a ses demons et qui, petit a petit, construit un mur chimerique autour de lui pour se couper du monde. Cet opera-rock particulierement ambitieux porte essentiellement la marque emotionnelle de Roger Waters (evocation de son pere absent, de sa mere abusive et de la rigidite d'un systeme scolaire qui l'a traumatise a vie). The Wall a d'abord ete remasterise en 1994 au Royaume Uni par EMI. Puis en 1997 la firme Columbia remasterise a son tour l'album, avec une qualite de son superieure a celui d'EMI, pour le publier aux Etats-Unis, au Canada, en Australie, en Amerique du Sud et au Japon. Un peu apres le vingtieme anniversaire de l'album, Capitol relance en 2000 aux Etats-Unis l'edition de 1997 en reprenant le remastering europeen, et EMI en fait de meme au Canada, en Australie, en Amerique du Sud et au Japon. En 2011, l'album est soigneusement remasterise par James Guthrie (l'ingenieur du son et co-producteur de la version originale) et Joel Plante, au studio das boot recording situe a Lake Tahoe en Californie. © GG/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Animals (2011 Remastered Version) 1977 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...0b1d30a89.jpeg Pink Floyd - Animals (2011 Remastered Version) 1977 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 41:39 Full Size: 1.5 GB Socialement engages comme jamais sur Animals, Roger Waters et ses hommes semblent musicalement peu concernes par le tsunami punk qui secoue alors l'Angleterre en cette annee 1977. En convoquant notamment George Orwell, ces vieux babas du Floyd rappellent que derriere leurs longues plages planantes, plus en retrait qu'a l'accoutumee, sommeille une certaine energie brute traduite dans une poesie anthracite et parfois violente. Une fois encore, le genie melodique du groupe britannique impressionne. Comme sur l'agite Dogs. Un disque moins anecdotique que certains le disent. © MD/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Wish You Were Here (2011 Remaster) 1975 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...677556869.jpeg Pink Floyd - Wish You Were Here (2011 Remaster) 1975 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 44:11 Full Size: 1.68 GB Pour faire suite au succes planetaire de Dark Side Of The Moon, Pink Floyd rend hommage a son premier leader charismatique mais fou, Syd Barrett, le temps d'un concept-album en forme de voyage spatio-temporel. Wish You Were Here combine ainsi instruments classiques et synthes dans une communion impressionnante. Planant et reveur, l'alliage est impressionnant et ose la duree, a l'image de la symphonie Shine On You Crazy Diamond en deux parties de 13 minutes chacune, un hommage a Syd Barrett qui avait quitte le Floyd sept ans plus tot... © MZ/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - The Dark Side of the Moon 1973 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...9dbb2d1cb.jpeg Pink Floyd - The Dark Side of the Moon 1973 (2021) 96-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:48 Full Size: 858.55 MB By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Pink Floyd - Pulse (Live) 1995 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2021/...0bea55efa.jpeg Pink Floyd - Pulse (Live) 1995 (2021) 192-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 02:34:52 Full Size: 5.98 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - David Gilmour (2006 Remaster) 1978 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...58e691b93.jpeg David Gilmour - David Gilmour (2006 Remaster) 1978 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:41 Full Size: 1.01 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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