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Mastodon - Medium Rarities (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...6448bf889.jpeg Mastodon - Medium Rarities (2020) 44.1-24 Country: USA Genre: Progressive/Sludge Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:10:46 Full Size: 858.52 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Gizzard & The Lizard Wizard - Live In London '19 (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...f300a1e17.jpeg King Gizzard & The Lizard Wizard - Live In London '19 (2020) 44.1-24 Country: Australia Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:29:52 Full Size: 1.05 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Gizzard & The Lizard Wizard - Teenage Gizzard (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...8f2596737.jpeg King Gizzard & The Lizard Wizard - Teenage Gizzard (2020) 44.1-24 Country: Australia Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 29:27 Full Size: 261.81 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Gizzard & The Lizard Wizard - Butterfly 3000 (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...37baee30a.jpeg King Gizzard & The Lizard Wizard - Butterfly 3000 (2021) 44.1-24 Country: Australia Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:49 Full Size: 510.7 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Metallica - Ride The Lightning (1984) [2016 Remastered] [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...d09c62d7b.jpeg Metallica - Ride The Lightning (1984) [2016 Remastered] [96kHz/24bit] Country: USA Genre: Thrash metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 47:21 Full Size: 1.02 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Clash - Live at Shea Stadium 1982 (2013) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...b27a9b584.jpeg The Clash - Live at Shea Stadium 1982 (2013) 96-24 Country: UK Genre: Punk Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 49:04 Full Size: 1.18 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Can - Live In Stuttgart 1975 (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...572a0ae84.jpeg Can - Live In Stuttgart 1975 (2021) 96-24 Country: Germany Genre: Krautrock,Prog Rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:30:02 Full Size: 1.8 GB Can's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity. Live in Stuttgart 1975 captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps, Can swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from Tago Mago -- but these hints of structure never fully materialize. Throughout the set, Can is determined to go new places. The band had just recorded their sixth LP, Landed, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on Stuttgart 1975. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the Grateful Dead during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric Miles Davis and Hendrix's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like Can and Can alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified Can's reputation as one of the most important and groundbreaking bands of their time, but Stuttgart 1975 exemplifies how that creative spirit translated to the stage, highlighting yet another side of Can's limitless ability. © Fred Thomas /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Crimson - Larks' Tongues in Aspic (2014) [44,1kHz/24 bit] https://i116.fastpic.org/thumb/2021/...0587c92e1.jpeg King Crimson - Larks' Tongues in Aspic (2014) [44,1kHz/24 bit] Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:48 Full Size: 718.99 MB King Crimson reborn yet again -- the then-newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time -- though some of it actually dated (in embryonic form) back to the tail-end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit, working in a more purely experimental, less jazz-oriented vein than its immediate predecessor. "Outer Limits music" was how one reviewer referred to it, mixing Cross' demonic fiddling with shrieking electronics, Bill Bruford's astounding dexterity at the drum kit, Jamie Muir's melodic and usually understated percussion, Wetton's thundering yet melodic bass, and Fripp's guitar, which generated sounds ranging from traditional classical and soft pop-jazz licks to hair-curling electric flourishes. ~ Bruce Eder https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Roxette - Bag Of Trix Vol. 4 (Music From The Roxette Vaults) (2020) [FLAC] https://i116.fastpic.org/thumb/2021/...26f5a0dc7.jpeg Roxette - Bag Of Trix Vol. 4 (Music From The Roxette Vaults) (2020) [FLAC]) Country: Sweden Genre: Pop Format: FLAC (*tracks) Quality: Lossless Time: 43:56 Full Size: 288.65 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Michael Schinkel's Eternal Flame - Gravitation (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...7dd712d4b.jpeg Michael Schinkel's Eternal Flame - Gravitation (2021) 44.1-24 Country: Germany Genre: Hard Rock,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:55 Full Size: 615.42 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Clash - Hits Back (2013) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...46e6b8937.jpeg The Clash - Hits Back (2013) 96-24 Country: UK Genre: Punk rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:56:36 Full Size: 2.6 GB A tie-in to the exhaustive 2013 box set Sound System, the 2013 compilation The Clash Hits Back is a novel approach to a career retrospective: it mirrors the 24-song set list for the band's July 19, 1982 concert at Brixton Fairdeal, then adds eight bonus hits at the end. The Clash Hits Back slightly tweaks the running order of the original set -- "Bankrobber" arrived five songs into the concert but appears eighth here -- but that doesn't matter much, as this swap doesn't alter the impact of the original set. The Clash were plugging Combat Rock so songs from that LP -- the singles "Rock the Casbah," "Should I Stay or Should I Go?" and "Straight to Hell," plus "Ghetto Defendant" and "Know Your Rights," adding up to just under half the album -- sit alongside a heavy chunk of London Calling and early hits, plus a few stabs at Sandinista!. What's added at the end is a mix of their high-octane early material ("White Riot," "Complete Control," "Clash City Rockers," Tommy Gun," "English Civil War") and their more adventurous studio recordings ("The Call Up," "Hitsville UK," "This Is Radio Clash"), adding up to a strong overview of all the band could do. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Nashville Pussy - Pleased to Eat You {2018} [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...fd38022ea.jpeg Nashville Pussy - Pleased to Eat You {2018} 96-24 Country: USA Genre: Hard Rock, Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:12 Full Size: 1012.69 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Darkness - Streaming of a White Christmas (Live) (2021) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...bb5da1d24.jpeg The Darkness - Streaming of a White Christmas (Live) (2021) 48-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:26:18 Full Size: 1.08 GB The Darkness just released a brand new live album called 'Streaming Of A White Christmas'. The recording was taken from the band's streaming Christmas show on the 18th of December 2020. The concert starts with the "new" and beautifully weird Rock And Roll Deserves To Die and from there it will be a good mix of old classics and more recent songs. Of course, lots of classics from Permission to land like Black Shuck, Growing on me, Get Your Hands Off My Woman. Justin and Dan Hawkins on "electronic guitars", Frankie Poullain on "electronic bass" and not new anymore Rufus Taylor on drums are a reality in the Hard Rock world and one of the best live bands around, combining great music and irony but without being a parody. Streaming Of A White Christmas is a very enjoyable live album, very well played, with some impromptu, with a very communicative frontman despite the fact the concert was with no audience. If you like the band, you will like it for sure. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Sorcerer - Reverence (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...cd8ab3b60.jpeg Sorcerer - Reverence (2021) 44.1-24 Country: Sweden Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 24:48 Full Size: 295.06 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Primalfrost - Lost Elegies (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...9331aa3f7.jpeg Primalfrost - Lost Elegies (2021) 44.1-24 Country: Canada Genre: Melodic Death/Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:42 Full Size: 582.53 MB Primalfrost has lay dormant for seven years. They've not lost their edge, however, the singles reveal a band returning with renewed strength and melodic death prowess that Jari Maenpaa abandoned in his luxury sauna all those years ago. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smashing Pumpkins - Oceania (2012) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...ed95dc55d.jpeg The Smashing Pumpkins - Oceania (2012) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:00:03 Full Size: 1.28 GB Following up on, and in many ways amending, much of the bombastic overcompensation of 2007's Zeitgeist, Smashing Pumpkins 2012 release Oceania is an exuberant, gloriously melodic, fluid return to form for Billy Corgan. While Zeitgeist certainly contained many of the elements that make for a classic Smashing Pumpkins release -- including slabs of distorted guitars, passionate vocals, and poetic lyrics, not to mention drummer Jimmy Chamberlin, who was the sole remaining original member besides Corgan and who subsequently left the band -- there was something cold and perhaps a bit too calculated about the production. Ultimately, Zeitgeist didn't do much to dissuade audiences that Corgan, undeniably the mastermind behind the best Pumpkins work, was now overvaluing his abilities in an attempt to recapture fans disillusioned by his various side projects. Thankfully, none of these concerns are applicable to Oceania. Ostensibly an "album within an album" of the greater 44-track Teargarden by Kaleidyscope concept project, Oceania works as a stand-alone album. Conceptual conceits aside, these are some of the most memorable and rousing songs Corgan has delivered since 1993's Siamese Dream, the album that Oceania most closely mirrors in tone and aesthetic. Which isn't to say that Corgan is treading old ground; on the contrary, there is something fresh and inspired about the songs on Oceania. Admittedly, kicking the album off with the heavy psychedelic acid rock groove of "Quasar" -- in which Corgan croons several EST-era-style affirmations including, "God right on! Krishna right on! Mark right on!" -- is a move that almost begs comparisons to Smashing Pumpkins' euphoria-inducing 1991 single "Siva." A similar sentiment comes to mind with the latter album rocker "The Chimera," a classic rock-sounding groover that sparkles with crisscross laser-beam guitar lines recalling the jewel-toned guitar heroics of Queen's Brian May. But these are welcome comparisons, born out of Corgan finally delivering a gorgeous and cohesive set of songs that balance some his more arch, cerebral inclinations with his generously romantic and sweepingly cinematic gift for revelatory guitar rock. Elsewhere, we get the soaring "Panopticon" and the minor-key, prog rock-inflected drama of "Violet Rays." However, Oceania is perhaps best represented by the euphoric mid-album ballad "Pinwheels." Starting with a repeated keyboard line and building to swells of acoustic and electric guitar before settling into one of the most swoon-worthy melodic anthems Corgan has ever written, "Pinwheels," much like the rest of Oceania, is a masterpiece of pop songcraft and rock production. As Corgan croons on the song's chorus, "Sister soul, lovers of the tune, sing!/I got you/I got you." On Oceania, the Smashing Pumpkins definitely have us. © Matt Collar /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dio - Holy Diver 1983 (2015) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...d4aa0385f.jpeg Dio - Holy Diver (2015) [96 kHz/24bit] Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:36 Full Size: 957.02 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Feuerschwanz - Memento Mori (Deluxe Version) (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...f737340a8.jpeg Feuerschwanz - Memento Mori (Deluxe Version) (2021) 44.1-24 Country: Germany Genre: Folk Metal/Rock/Folk Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:44:49 Full Size: 1.29 GB "Memento Mori heißt das neue Album der Mittelalter-Folk-Rocker FEUERSCHWANZ, welches inhaltlich und musikalisch direkt an Das Elfte Gebot anknüpft. Der Albumtitel ruft zur Selbstreflexion über die eigene Existenz auf und konfrontiert mit menschlicher Vergänglichkeit. Auf Memento Mori vollbringen FEUERSCHWANZ endgültig den Schritt weg vom simpleren Humor früherer Tage, hin zu einer der bedeutendsten Bands im Deutschen Folk-Rock. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Feuerschwanz - Das Elfte Gebot (Deluxe Version) (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...5a29c36b7.jpeg Feuerschwanz - Das Elfte Gebot (Deluxe Version) (2020) 44.1-24 Country: Germany Genre: Folk Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:09:47 Full Size: 876.47 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Metallica - Luzhniki Stadium, Moscow, Russia - 21 July 2019 (2019) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...75453ca60.jpeg Metallica - Luzhniki Stadium, Moscow, Russia - 21 July 2019 (2019) 48-24 Country: USA Genre: Thrash metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 02:27:23 Full Size: 1.82 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...2dde7173b.jpeg King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:35:50 Full Size: 3.22 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - David Gilmour In Concert (2002) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...032638e96.jpeg David Gilmour - David Gilmour In Concert (2002) [48kHz/24bit] Country: UK Genre: Acoustic, Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:43:09 Full Size: 1.07 GB In Concert of Pink Floyd guitarist David Gilmour's solo concert at the Royal Festival Hall, London in June 2001, as part of the Robert Wyatt-curated Meltdown festival. It also features additional tracks recorded during three concerts at the same venue in January 2002. The track selection includes several Pink Floyd compositions in addition to Gilmour's solo works. Guest appearances are made by Floyd colleague Richard Wright, as well as Robert Wyatt and Bob Geldof. It includes the first ever performance of "Smile" a track which would appear almost five years later on Gilmour's third solo album - On an Island, and Gilmour even plays a few Syd Barrett compositions. Also included is "Je crois entendre encore" ("I still believe I hear"), an aria from Georges Bizet's opera Les pêcheurs de perles (The Pearl Fishers), with a libretto by Eugène Cormon and Michel Carré, and sung by Gilmour in the original French. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steely Dan - Pretzel Logic 1974 (2014) [96kHz/24bit] https://i116.fastpic.org/big/2021/12...d65c5157ff.jpg Steely Dan - Pretzel Logic 1974 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:47 Full Size: 720.36 MB }Countdown to Ecstasy wasn't half the hit that Can't Buy a Thrill was, and Steely Dan responded by trimming the lengthy instrumental jams that were scattered across Countdown and concentrating on concise songs for Pretzel Logic. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with Pretzel Logic. Instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay. Listen to how the album's hit single, "Rikki Don't Lose That Number," opens with a syncopated piano line that evolves into a graceful pop melody, or how the title track winds from a blues to a jazzy chorus -- Becker and Fagen's craft has become seamless while remaining idiosyncratic and thrillingly accessible. Since the songs are now paramount, it makes sense that Pretzel Logic is less of a band-oriented album than Countdown to Ecstasy, yet it is the richest album in their catalog, one where the backhanded Dylan tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steely Dan - Countdown to Ecstasy 1973 (2014) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...07cb172d5.jpeg Steely Dan - Countdown to Ecstasy 1973 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:08 Full Size: 895.58 MB Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group's second album, Countdown to Ecstasy. The loud guitars and pronounced backbeat of "Bodhisattva," "Show Biz Kids," and "My Old School" camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Each of its eight songs have sophisticated, jazz-inflected interludes, and apart from the bluesy vamps "Bodhisattva" and "Show Biz Kids," which sound like they were written for the stage, the songs are subtly textured. "Razor Boy," with its murmuring vibes, and the hard bop tribute "Your Gold Teeth" reveal Becker and Fagen's jazz roots, while the country-flavored "Pearl of the Quarter" and the ominous, skittering "King of the World" are both overlooked gems. Countdown to Ecstasy is the only time Steely Dan played it relatively straight, and its eight songs are rich with either musical or lyrical detail that their album rock or art rock contemporaries couldn't hope to match. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Saga - Detours (Live) [Remastered 2021] (1998) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...0420425bc.jpeg Saga - Detours (Live) [Remastered 2021] (1998) 48-24 Country: Canada Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:53:13 Full Size: 1.44 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smashing Pumpkins - Cyr (2020) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...1ad67b7cf.jpeg The Smashing Pumpkins - Cyr (2020) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:06 Full Size: 1.48 GB The new Smashing Pumpkins album "CYR" consists of 20-tracks. A full-length double album that was produced by front-man Billy Corgan and recorded in Chicago, and features founding members Billy Corgan, James Iha, Jimmy Chamberlin and guitarist Jeff Schroeder. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smashing Pumpkins - Monuments to an Elegy (2014) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...04c4319c2.jpeg The Smashing Pumpkins - Monuments to an Elegy (2014) 96-24 Country: USA Genre: Alt. Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 32:35 Full Size: 770.37 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...201d8821e.jpeg Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:00 Full Size: 1018.61 MB Udo Lindenberg veröffentlicht seit 1971 Platten, hat über vier Jahrzehnte immer wieder den Nerv der Zeit getroffen und wie kaum ein anderer die Menschen emotional erreicht. Sein Werk ist Zeitgeschichte − unterhaltsam, politisch, romantisch und tiefgründig zugleich. So etwas schaffen nur sehr wenige Künstler. Seine Arbeit umfasst mehr als 40 Platten (Live- und Studioalben, sowie DVDs), und ein Großteil seines Werkes wurde nun für die Programm-Initiative "HighResAudio" neu in 24-Bit gemastert. "Udo Lindenberg Mastered for HighResAudio" ist bis dato das umfangreichste Projekt, welches in Deutschland in dieses neue Format gebracht wurde. Das Ganze geschah in Düsseldorf, in der Skyline Tonfabrik, wo uns Peter "Jem" Seifert und Kai Blankenberg Einblicke in den Prozess und die Hintergründe des Projekts geben. Die meisten Master waren auf 1/4″-Analogbändern. Warner Music und Universal haben uns ihr komplettes Archiv zugänglich gemacht. Alle Bänder liefen auf 38 cm/Sekunde, teilweise mit Dolby A aufgenommen. Das war schon ein irrer Moment, als wir das erste 1/4″-Band aufgelegt haben: Ball Pompös von 1974, in dem Jahr bin ich geboren! Es lief einwandfrei ohne Abrieb und klang tierisch: Gänsehaut! Nach wie vor eine meiner Lieblings-Udo-Platten. Für jedes Band hat Oliver Gregor (Rockruepel) die Bandmaschine optimal neu eingemessen. Beim Aussteuern der Wandler haben wir auf ca. 6 dB Headroom geachtet und haben ganz leise oder laute Bänder mit einem analogen Verstärker etwas angehoben oder abgesenkt. So haben wir einerseits sichergestellt, immer so nah wie möglich am Originalsound zu bleiben, und hatten andererseits immer einen vergleichbaren Pegel bei den Audiofiles, was für ein schnelles und strukturiertes Arbeiten wichtig war. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Judas (Deluxe Version) (2021) 44,1-24 https://i116.fastpic.org/thumb/2022/...255c7cd83.jpeg Lord Of The Lost - Judas (Deluxe Version) (2021) 44,1-24 Country: Germany Genre: Dark metal, Gothic metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:42:34 Full Size: 2.6 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Sweathog - Sweathog 1971 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2022/...6409acf9a.jpeg Sweathog - Sweathog 1971 (2021) 192-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 33:39 Full Size: 1.4 GB Sweathog was an American rock band. Group members Lenny Goldsmith and David Leonard Johnson first met in 1967 while Johnson was playing in a group called The Persuaders at the Wayne Manor nightclub in Sunnyvale, California. After Johnson did a stint with the Beach Boys and Dr. John, he reconvened with Lenny and formed Sweathog along with Barry "Frosty" Smith, also known as Bartholomew Eugene Smith-Frost, who at that time was playing with Lee Michaels and had been in Lenny's band in San Jose. Robert Morris "B.J." Jones (November 9, 1942 - June 15, 2013) played with Johnson in Blue Mountain Eagle and was invited to join Sweathog. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Opus X - Live in Hamburg 2019 (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...e4bdc6ffd.jpeg Lord Of The Lost - Opus X - Live in Hamburg 2019 (2020) 44.1-24 Country: Germany Genre: Gothic Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:31:16 Full Size: 1.05 Gb https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Swan Symphonies III (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...b980b11d2.jpeg Lord Of The Lost - Swan Symphonies III (2020) 44.1-24 Country: Germany Genre: Instrumental Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:47 Full Size: 982.79 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Swan Songs III (2020) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...929ebb9e3.jpeg Lord Of The Lost - Swan Songs III (2020) 44.1-24 Country: Germany Genre: Gothic Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:43:34 Full Size: 1.12 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Swan Songs II (2017) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...c9748fc64.jpeg Lord Of The Lost - Swan Songs II (2017) 44.1-24 Country: Germany Genre: Dark industrial,Gothic Metal,Neo-Classical Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:29 Full Size: 495.73 MB Employing a sinister blend of goth-metal and dark industrial rock, Germany's Lord of the Lost was founded in 2007 by vocalist/guitarist Chris Harms, who had previously fronted Hamburg-based gloom-rockers Philiae. The group released its first studio LP, Fears, in 2010, with Antagony arriving the following year. 2012's Die Tomorrow saw the band crack the German charts for the first time, paving the way for subsequent successes like From the Flame Into the Fire (2014), Swan Songs (2015), Empyrean (2016), and Swan Songs, Vol. 2 (2017). https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Robert Plant & Alison Krauss - Raising Sand (Remastered) (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...1a71844fb.jpeg Robert Plant & Alison Krauss - Raising Sand (Remastered) (2021) 96-24 Country: UK Genre: Folk,Country Blues Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 57:17 Full Size: 1.2 GB The musical collaboration of the decade, "Raising Sand" is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. this spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious west Texas country, and the untapped potential of the folk-rock revolution. supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Wiley Baugus, Plant and Krauss - as both solo and harmony vocalists - tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes van Zandt, the Everly Brothers, and Mel Tillis. "Raising Sand" finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary. "What seems to be an unlikely pairing of former Led Zeppelin vocalist Robert Plant and bluegrass superstar Alison Krauss is actually one of the most effortless-sounding duos in modern popular music. The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose (who seems to be the session drummer in demand these days), upright bassist Dennis Crouch, guitarists Marc Ribot and Burnett, with Greg Leisz playing steel here and there, and a number of other guest appearances. Krauss, a monster fiddle player, only does so on two songs here. The proceedings are, predictably, very laid-back. Burnett has only known one speed these last ten years, and so the material chosen by the three is mostly very subdued. This doesn't make it boring, despite Burnett's production, which has become utterly predictable since he started working with Gillian Welch. He has a "sound" in the same way Daniel Lanois does: it's edges are all rounded, everything is very warm, and it all sounds artificially dated. Sam Phillips' "Sister Rosetta Goes Before Us" is a centerpiece on this set. It has her fingerprints all over it. This tune, with its forlorn, percussion-heavy tarantella backdrop, might have come from a Tom Waits record were it not so intricately melodic -- and Krauss' gypsy swing fiddle is a gorgeous touch. There is an emptiness at the heart of longing particularly suited to Krauss' woodsy voice, and Plant's harmony vocal is perfect, understated yet ever-present. It's the most organically atmospheric tune on the set -- not in terms of production, but for lyric and compositional content. Stellar." (Thom Jurek, AMG) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dio - Sacred Heart (Remastered) 1985 (2014) 24-96 https://i116.fastpic.org/thumb/2021/...f668582e7.jpeg Dio - Sacred Heart (Remastered) 1985(2014) 24-96 Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:24 Full Size: 875.56 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Beatallica - Abbey Load (2013) [FLAC] https://i116.fastpic.org/thumb/2021/...08b943a7b.jpeg Beatallica - Abbey Load (2013) [FLAC] Country: USA Genre: Thrash Metal, Alternative Rock, Parody,Heavy Metal Format: FLAC (*tracks) Quality: Lossless Time: 38:04 Full Size: 272.82 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Deep Purple - Deep Purple 1969 (2015) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...e4b3b1a49.jpeg Deep Purple - Deep Purple 1969 (2015) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:20 Full Size: 1000.09 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Wilderun - Epigone (Bonus Tracks Edition) (2022) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...24a56319f.jpeg Wilderun - Epigone (Bonus Tracks Edition) (2022) 44.1-24 Country: USA Genre: Symphonic Progressive,Folk Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:11:07 Full Size: 809.17 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Green Planet Project - Prognosis - A Tribute (2022) [48kHz/24bit] https://i116.fastpic.org/thumb/2022/...54ca6029f.jpeg The Green Planet Project - Prognosis - A Tribute to the Music of Styx, Kansas, and Rush (2022) 48-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:21:13 Full Size: 1.01 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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