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[ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
[ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
10-09-2022 , 12:34:02 | #3771 | |||
Denunciante Ultra | Colosseum - Live '71 (2020) [44.1kHz/24bit] Colosseum - Live '71 (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:27:44 Full Size: 1.68 GB Cita:
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No Calculado | #1.5 |
SponSor | Re: Colosseum - Live '71 (2020) [44.1kHz/24bit] |
10-09-2022 , 13:19:24 | #3772 | ||
Denunciante Ultra | Psychlona - Venus Skytrip (2020) [44.1kHz/24bit] Psychlona - Venus Skytrip (2020) 44.1-24 Country: UK Genre: Stoner rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:28 Full Size: 597.02 MB Venus Skytrip is the 2nd full length album from UK Psychedelic Stoner Rockers Psychlona and this sees the band perhaps more aligned to the sounds of legendary Stoner Metallers Monster Magnet. Psychlona have aimed BIG for this album and they've delivered an album that is BIGGER, BOLDER and BETTER than their acclaimed debut album. The band have the mighty power of Cursed Tongue Records and Ripple Music helping to release their album and that's a thrilling combination to help the band move onto the next level of their musical careers. This album is explosive entertainment and will appeal to all fans of the Stoner spectrum. Cita:
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10-09-2022 , 13:23:08 | #3773 | ||
Denunciante Ultra | Accept - Breaker (1981) Vinyl Rip [192kHz/24bit] Accept - Breaker (1981) Vinyl Rip 192-24 Country: Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 43:56 Full Size: 1.96 GB Cita:
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10-09-2022 , 13:33:50 | #3774 | ||
Denunciante Ultra | Vanden Plas - The Ghost Xperiment - Illumination (2020) [44.1kHz/24bit] Vanden Plas - The Ghost Xperiment - Illumination (2020) 44.1-24 Country: Germany Genre: Progressive metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:01:05 Full Size: 734.57 MB Cita:
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10-09-2022 , 13:45:14 | #3775 | ||
Denunciante Ultra | Thin Lizzy - Chinatown 1980 (2005) [192kHz/24bit] Thin Lizzy - Chinatown 1980 (2005) 192-24 Country: Ireland Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 40:41 Full Size: 1.53 GB Cita:
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10-09-2022 , 13:47:52 | #3776 | ||
Denunciante Ultra | Coheed and Cambria - The Unheavenly Creatures (2018) [88,2kHz/24bit] Coheed and Cambria - The Unheavenly Creatures (201 88-24 Country: USA Genre: Progressive Rock, Alternative Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 01:19:18 Full Size: 1.56 GB Cita:
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10-09-2022 , 13:54:40 | #3777 | ||
Denunciante Ultra | Ozzy Osbourne - The Essential Ozzy Osbourne (Remastered) (2019) [96kHz/24bit] Ozzy Osbourne - The Essential Ozzy Osbourne (Remastered) (2019) 96-24 Country: UK Genre: Heavy Metal,Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:27:42 Full Size: 3.26 GB 29 highlights from Ozzy's solo career, stretching from the albums Blizzard of Ozz to Down to Earth , and featuring Bark at the Moon; No More Tears; Perry Mason; Mama, I'm Coming Home ; the live favorite I Don't Want to Change the World; Over the Mountain; Flying High; Crazy Train; Paranoid (live); Mr. Crowley, and more. "Sony Music's "Essential" series of limited-edition two-disc compilations of major artists has been well-assembled generally, and Ozzy Osbourne's increased celebrity following the success of the "reality" TV series The Osbournes justifies his inclusion, as does his string of multi-platinum albums dating back to 1980. The 29-track collection presents most of the highlights of his solo career, from Blizzard of Ozz to Down to Earth, including such U.K. and/or U.S. hits as "Bark at the Moon," "No More Tears," "Perry Mason," and "Mama, I'm Coming Home," as well as the Grammy-winning live version of "I Don't Want to Change the World." Cita:
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10-09-2022 , 14:05:26 | #3778 | ||
Denunciante Ultra | Cloven Hoof - Resist Or Serve (2014) [FLAC] Cloven Hoof - Resist Or Serve (2014) [FLAC] Country: UK Genre: Heavy Metal,NWOBHM Format: FLAC (*.flac,image+.cue) Quality: Lossless Time: 48:20 Full Size: 398.24 MB Cita:
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10-09-2022 , 14:17:18 | #3779 | ||
Denunciante Ultra | Lou Reed - I'm So Free- The 1971 RCA Demos (2022) [192kHz/24bit] Lou Reed - I'm So Free- The 1971 RCA Demos (2022) 192-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 56:04 Full Size: 1.19 GB On October 27th, 1971, Lou Reed walked into the first recording session of his solo career. I'm So Free: The 1971 RCA Demos is a collection of those rare recordings.This is Reed as few have ever heard him: the songwriter at work, pure and alone, before the noise, swagger and legend. Released on vinyl for the first time, the 13 tracks on this LP are an unprecedented addition to Reed's rock and roll life on record. His next four decades - more than 30 studio and concert albums of lyric challenge, incendiary guitar and iron-willed vision until his death in October, 2013 - start here. The final iteration of these demos can be found across Reed's discography including S/T, Transformer, Berlin, and Sally Can't Dance. Cita:
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10-09-2022 , 14:27:10 | #3780 | ||
Denunciante Ultra | The Kinks - Everybody's in Show-Biz (Deluxe,Remaster) [1972] (2022) [96kHz/24bit] The Kinks - Everybody's in Show-Biz (Deluxe,Remaster) 1972 (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:17:43 Full Size: 1.62 GB The 1970s were not kind to the Kinks. While the band had already transitioned gracefully from their mod-ish British Invasion origins (and the heavy production thumb of Shel Talmy) into something more adventurous and artful with 1968's The Kinks Are the Village Green Preservation Society, that masterpiece's two iconic follow-ups (Arthur and Lola) found Ray Davies' weird twin penchants for acidic lyricism and music hall song structures becoming more and more dominant in the group's sound. By the time the 1971 soundtrack to Percy rolled around, U.S. audiences had all but forgotten about the band, who soon found themselves facing the same fate in their native England. And although Davies would delve further and further into high-concept theatricality (and deeper commercial irrelevance) with a series of four albums in the mid-70s, there was a brief interregnum in 1971 and 1972 when it looked as if the Kinks had seized upon a creatively successful way to synthesize all of their influences. While 1971's Muswell Hillbillies is more often notched into various "Best Of..." lists, there's a strong case to be made that its follow-up, Everybody's In Show-Biz, does a much better job at showing off the band's strengths at the time. To be sure, like nearly every Kinks album, this one has a couple of bafflingly dumb songs; "Maximum Consumption" is another list-of-foods song that is the mirror image of the equally stupid "Skin and Bone" (originally on Muswell, but also here in a live version), and "Motorway" is a song about . driving (with its own short list of foods one may eat while driving). While these dumb-but-lovely tunes are par for the course for a Kinks album, the more typical Kinks tunes here-"Supersonic Rocket Ship," "Hot Potatoes" (someone please feed Ray Davies!)-are deceptively breezy, as their easy-rocking structures are played as wryly as their lyrics. A cut like "You Don't Know My Name" shouldn't be as good as it is, and it definitely shouldn't be kicked into an even higher gear by an unexpectedly perfect flute solo in the bridge. Given the relatively higher level that most of the material here is working at, it shouldn't be surprising that Show-Biz's high points are some of the best songs the Kinks ever put to vinyl. And while the emotionally note-perfect sentimentality of "Celluloid Heroes" justifiably gets the lion's share of attention, the sly and subtle "Sitting In My Hotel" is nearly as effective. Two reissues mark the album's 50th anniversary. The Deluxe 2022 Remaster version is relatively spare when it comes to extras; of course the live set from the Muswell Hillbillies tour that was included in the original vinyl version appears intact, but beyond that, the bonus material is limited to just a couple of new mixes of "Celluloid Heroes." The Legacy Edition features previously unreleased studio outtakes and more live cuts from their two-night stand at Carnegie Hall in March 1972. Still, this is an album that deserves to stand on its own, and does so remarkably well, even half a century later. © Jason Ferguson/Qobuz Cita:
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