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| [ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
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| [ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
| Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
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15-04-2022
, 13:15:38
| #3091 | |||
| Denunciante Ultra  |  Kreator - Endorama (Ultimate Edition, Remastered 2021) 1999 (2022) [44.1kHz/24bit]
 Kreator - Endorama (Ultimate Edition, Remastered 2021) 1999 (2022) 44.1-24 Country: Germany Genre: Thrash Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:43:32 Full Size: 1.25 GB Not content with his Kreator's already-established reputation as perhaps Germany's top thrash metal band of the 1980s, group mastermind Mille Petrozza spent much of the 1990s attempting to reinvent and diversify their sound, most obviously by pushing the industrial metal envelope. Alas, all to no avail, as the majority of fans were not impressed with the mostly mediocre results heard on confused albums like Renewal and Cause for Conflict. Even the welcome addition of guitar ace Tommy Vetterli (ex-Coroner) lent more consistency than actual sparks to 1997's Outcast, and 1999's similarly dependable but hardly impressive Endorama eventually followed suit. Initial highlights such as "Golden Age," the title track, and "Chosen Few" are heavy on mid-paced grooves and gothic atmospherics, but still offer little songwriting redemption. For all their studiously constructed lyrics and supposed compositional maturity, they absolutely scream for some sign, any sign, of deeper emotion to snap them out of their glazed state of performed automation. Not even the keyboards that pervade the highly unorthodox "Passage to Babylon," nor the more energetic riffing contained in "Willing Sprit" can ultimately jolt the album into a higher plane of achievement, but then, Endorama still qualifies among Kreator's most cohesive statements from this under-achieving decade. And for what it's worth, Endorama would also become the final chapter of the group's experimental phase, which was emphatically obliterated two years later by Kreator's gloriously thrashing rebirth via their magnificent tenth album, Violent Revolution. © Eduardo Rivadavia /TiVo  Cita:
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| SponSor  |  Re: Kreator - Endorama (Ultimate Edition, Remastered 2021) 1999 (2022) [44.1kHz/24bit]
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15-04-2022
, 13:21:15
| #3092 | ||
| Denunciante Ultra | David Bowie - Aladdin Sane 1973 (2015) [192kHz/24bit]  David Bowie - Aladdin Sane 1973 (2015) 192-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 41:46 Full Size: 1.61 GB Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic. © Stephen Thomas Erlewine /TiVo Cita:
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16-04-2022
, 12:08:19
| #3093 | ||
| Denunciante Ultra | Aevum - Glitch (2022) [44.1kHz/24bit]  Aevum - Glitch (2022) 44.1-24 Country: Italy Genre: Symphonic industrial metal,Electronic Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 52:57 Full Size: 702.66 MB The members of AEVUM from Italy and France have, since their foundation in 2012, developed a musical style that always was bound to their strong influences of Symphonic and Industrial Metal, yet breaking the bonds of the genre, by thinking outside of the box. The glorious new album of follows the footsteps of Bands like NIGHTWISH, WITHIN TEMPTATION, FEAR FACTORY, EPICA and more. Love and affinity towards symphonic Sounds, Industrial, lifeblood, imaginativeness and much more has to be mentioned to handle such a task. And yet, the 8 musicians from France and Italy undeterredly follow that path, while they are firing a salvo of powerful tracks consisting of guitar-riffs meeting skincrawling orchestral and electronic elements. AEVUM are integrating themselves seamlessly into the force of nature of symphonic industrial metal. So, who doesn't miss to listen to "Glitch", will surely find a lot of enrichments for his personal favourite-list. Cita:
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16-04-2022
, 12:12:59
| #3094 | ||
| Denunciante Ultra | Written in Sand - Shadowpath (2022) [96kHz/24bit]  Written in Sand - Shadowpath (2022) [Hi-Res 24Bit] Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24bit] Time: 52:45 Full Size: 961.97 MB Cita:
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16-04-2022
, 12:20:33
| #3095 | ||
| Denunciante Ultra | Beth Hart - Better Than Home (Deluxe Edition) 2015 (2022) [88.2kHz/24bit]  Beth Hart - Better Than Home (Deluxe Edition) 2015 (2022) 88.2-24 Country: USA Genre: Blues,Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 56:29 Full Size: 1.01 GB Better Than Home is the seventh solo studio album by American singer-songwriter Beth Hart. Hart's husband and her manager convinced her to work with the production team of Rob Mathes and Michael Stevens, whom she had met when she performed at the Kennedy Center Honors in 2012. Hart had worked with Kevin Shirley for her last three albums, but she was persuaded to try a different team and go a different direction. The production team challenged Hart to leave behind the darker themes and to "write more about my joy and what I believe in and what my love is." Hart was pushed to write songs that came from a different source, from when she was happy or having a good time. One song on the album, "Tell Her You Belong to Me", took her a year and a half to write. "Hart explores new realms on Better Than Home, both creatively and production-wise. In addition to balancing sensitive songwriting topics with moments of hope and reflection, Hart also found new producers in Michael Stevens and Rob Mathes, both of whom Hart met after performing at the Kennedy Center Honors in 2012. Better Than Home shows Hart moving forward as a musician and songwriter." (Meghan Roos, bluesrockreview.com) "Separating from producer Kevin Shirley for the first time in three records, Beth Hart chose to work with Rob Mathes and Michael Stevens for 2015's Better Than Home. A change in producers helped Hart change direction, letting her depart from the down-and-dirty blues belting she specialized in throughout her time with Shirley, reconnecting slightly to her singer/songwriter beginning while emphasizing deep soul roots. Despite opening with the tight Memphis groove of "Might as Well Smile," most of the album is grandly introspective -- majestic brooding ballads with a clear debt to early Elton John. This cinematic landscape provides a nice contrast to Hart's raw, nervy vocals, accentuating the aching in her delivery. This emotional immediacy compensates for the sometimes elliptical songs, songs that take a little while to settle, but the risks Hart's taken on Better Than Home pay off: this is a distinctive, ambitious record that takes advantage of her natural talents in surprising ways." (Stephen Thomas Erlewine, AMG) Cita:
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16-04-2022
, 12:24:27
| #3096 | ||
| Denunciante Ultra | Don Airey (Deep Purple) - Live in Hamburg (2021) [48kHz/24bit]  Don Airey - Live in Hamburg (2021) 48-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:40:08 Full Size: 1.25 GB Don Airey is the keyboard player of Deep Purple. With the iconic British band, he succeeded in doing what would have been impossible for any other keyboard player, substituting the legendary founding member Jon Lord, accidentally one of his idols. Don's career has been incredible. His contribution has marked the history of hard rock. From his works with Ozzy Osbourne on the first albums, through Michael Schenker Group, three great album with Rainbow (together with Roger Glover and of course Ritchie Blackmore), until playing all keyboards on Whitesnake's smash album "1987", Judas Priest's Painkiller and many albums from Gary Moore, including the hit "Still Got The Blues" for which Airey wrote and arranged all the orchestral parts. This concert has been recorded in Hamburg, during the club tour of his solo album "One Of A Kind", the first released on earMUSIC. The show is a selection of Don's favourite songs from his unique career. A "Hard Rock songbook", played live in a superb way by a band including Carl Sentance (the current singer from Nazareth) and the guitar rising star Simon McBride who will release his new solo album on earMUSIC in 2021. Cita:
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16-04-2022
, 12:28:39
| #3097 | ||
| Denunciante Ultra | Kreator - Gods Of Violence (2017) [48kHz/24bit]  Kreator - Gods Of Violence (2017) 48-24 Country: Germany Genre: Thrash metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 02:02:39 Full Size: 1.63 GB Cita:
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16-04-2022
, 12:37:16
| #3098 | ||
| Denunciante Ultra | VA - Prog Rocks! Vol. 1-4 (8CD) (2011-2014) [FLAC]  VA - Prog Rocks! Vol. 1-4 (8CD) (2011-2014) [FLAC] Country: Varios Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 10:01:14 Full Size: 3.75 GB Cita:
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16-04-2022
, 12:42:39
| #3099 | ||
| Denunciante Ultra | The Flower Kings - A Kingdom Of Colours II: 2004 to 2013 (9CD Box) (2018) [Flac]  The Flower Kings - A Kingdom Of Colours II-The Complete Collection From 2004 to 2013 (9CD Box) (201  Flac Country: Sweden Genre: Progressive Rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless [44,1kHz/16 bit] Time: 09:35:35 Full Size: 5.03 GB Veteran Swedish progressive rockers The Flower Kings released the first part of a career spanning boxset titled A Kingdom of Colours (1995-2002) late last year, covering the period starting with 'Back in the World of Adventures' to 'Unfold the Future' over the course of 10 discs. Now they are pleased to announce the release of A Kingdom of Colours 2 (2004 - 2013) which covers the albums from 'Adam & Eve' to 'Desolation Rose' and also includes 3 discs of bonus material dating back from 1995. As with the first part of the boxset, there is a brand new interview with band leader Roine Stolt conducted by journalist Dom Lawson (The Guardian, Prog Magazine), giving a history of this period of the band's existence. Cita:
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18-04-2022
, 01:39:42
| #3100 | ||
| Denunciante Ultra | Tim Bowness - Lost in the Ghost Light - Stupid Things That Mean the World (Special...  Tim Bowness - Lost in the Ghost Light - Stupid Things That Mean the World (Special edition) (2017) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:25:42 Full Size: 1.5 GB Cita:
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