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Temas Similares | ||||
| Tema | Autor | Foro | Respuestas | Último mensaje |
| [ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
| [ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
| [ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
| [ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
| Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
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02-02-2022
, 13:26:13
| #2791 | |||
| Denunciante Ultra  |  Evergrey - The Atlantic (2019) [44.1kHz/24bit]
 Evergrey - The Atlantic (2019) 44.1-24 Country: Sweden Genre: Progressive Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 54:02 Full Size: 637.01 MB  Cita:
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Twittear Seguir a @denunciando
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| SponSor  |  Re: Evergrey - The Atlantic (2019) [44.1kHz/24bit]
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02-02-2022
, 13:35:03
| #2792 | ||
| Denunciante Ultra | Meat Loaf - Braver Than We Are (2018) [44.1kHz/24bit]  Meat Loaf - Braver Than We Are (201  44.1-24 Country: USA Genre: Rock, Hard rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 55:17 Full Size: 619.53 MB Jim Steinman parted ways with Meat Loaf sometime after their improbable 1993 blockbuster Bat Out of Hell II: Back Into Hell. He contributed a couple of songs to its 1995 sequel, Welcome to the Neighborhood, but by the time Meat Loaf was ready to do a third installment of Bat Out of Hell, Steinman opted out for unspecified reasons, leaving the singer to use five previously released Steinman songs as produced by Desmond Child -- a satisfactory compromise that at the very least illustrated how Celine Dion's "It's All Coming Back to Me Now" should've been on a Bat Out of Hell album. Through a series of circumstances, Meat Loaf and Steinman wound up reuniting for 2016's Braver Than We Are, which was produced by Paul Crook, just like its 2012 predecessor Hell in a Handbasket. While the record bears some slick modern hallmarks, it is very much a throwback, evoking memories of Todd Rundgren's overblown Springsteen parody of 1977 as well as the earnest re-creation of 1993. Steinman's songs are suitably theatrical -- the opening "Who Needs the Young" feels like it's a Broadway reject -- and while he slyly winks at his past with "Going All the Way Is Just the Start (A Song in 6 Movements)," a song that features a cameo from "Paradise by the Dashboard Light" singer Ellen Foley, he also seems unaware that Ratt also got to the title "Loving You Is a Dirty Job" in 1990 (albiet after Steinman whose composition first appeared as a Bonnie Tyler single in 1985). That isolation is ultimately a benefit because Braver Than We Are feels caught between nostalgia and indifference, an album so old-fashioned it seems happily ignorant of modernity even when it threads EDM rhythms and metallic guitars into "More." The other way it's possible to tell this album was released in 2016 is Meat Loaf's performance. Thin and sometimes breathless, he's no longer the colossus of the '70s, but the diminishment of his range humanizes him and adds a bittersweet tinge to this reunion. Through Meat Loaf's voice alone, mortality becomes evident and it makes this third reunion with Steinman all the sweeter. Braver Than We Are may have its flaws -- it's too staid and self-conscious, for one -- but Steinman never found a better interpreter for his songs than Meat Loaf, and Meat Loaf never sounds more like himself than he does when singing Steinman, and that's why the album works. © Stephen Thomas Erlewine /TiVo Cita:
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02-02-2022
, 13:39:08
| #2793 | ||
| Denunciante Ultra | Pink Floyd - Home (2021) [96kHz/24bit]  Pink Floyd - Home (2021) 96-24 Country: UK Genre: Art Rock, Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:28 Full Size: 849.48 MB Cita:
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02-02-2022
, 13:50:54
| #2794 | ||
| Denunciante Ultra | Earthless - From the Ages (2022) [48kHz/24bit]  Earthless - From the Ages 2013 (2022) 48-24 Country: USA Genre: Psychedelic Rock, Experimental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:05:45 Full Size: 864.61 MB Cita:
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02-02-2022
, 13:55:00
| #2795 | ||
| Denunciante Ultra | Praying Mantis - Keep It Alive (2019) [44.1kHz/24bit]  Praying Mantis - Keep It Alive (2019) 44.1-24 Country: UK Genre: Heavy Metal,Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:00:21 Full Size: 719.34 MB Cita:
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02-02-2022
, 14:01:56
| #2796 | ||
| Denunciante Ultra | Serious Black - Suite 226 (2020) 44-24  Serious Black - Suite 226 (2020) 44-24 Country: International Genre: Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:44 Full Size: 576.39 MB Cita:
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03-02-2022
, 13:46:34
| #2797 | ||
| Denunciante Ultra | Bevar Sea - The Timeless Zone (2022) [48kHz/24bit]  Bevar Sea - The Timeless Zone (2022) 48-24 Country: India Genre: Stoner,Doom,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 47:39 Full Size: 588.92 MB Bangalore's Bevar Sea are back with the of their third album titled 'The Timeless Zone. R"Five years after releasing their sophomore album 'Invoke the Bizarre', Bangalore's Bevar Sea used the Covid-19 imposed lockdown as an opportunity to regroup and start working on the third album titled 'The Timeless Zone'. With the backdrop of the lyrics portraying a tryst with the consciousness of man, storying into travels and visions within the self, the music on over the course of the album, pays homage to the glory years of the 70s and 80s hard rock and metal with the typical rifftastic stoner/doom sound the band has embraced on the two albums prior to this." Bevar Sea add, "The Timeless Zone, the song and the album, continues our approach of playing stoner doom music while being even more loyal to our hard rock and metal roots than before. Every band member had to step up and learn how to record themselves and work via email for arrangements, demos, and finally turn up one by one to record. This album is us embracing the 2021 way of making music while also being busy working from home, taking care of our families, and just dying to be able to play this new music to our fans live some day." Cita:
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03-02-2022
, 13:50:42
| #2798 | ||
| Denunciante Ultra | Metallica - San Francisco, CA 2021/12/17 (2021) [48kHz/24bit]  Metallica - San Francisco, CA 2021.12.17 (2021) 48-24 Country: USA Genre: Thrash Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:58:51 Full Size: 1.5 GB Cita:
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03-02-2022
, 13:53:06
| #2799 | ||
| Denunciante Ultra | The Zappa Band - Holmdel (2021) [48kHz/24bit]  The Zappa Band - Holmdel (2021) 48-24 Country: USA Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 49:30 Full Size: 577.96 MB Cita:
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03-02-2022
, 13:57:49
| #2800 | ||
| Denunciante Ultra | Korn - Requiem (2022) [96kHz/24bit]  Korn - Requiem (2022) 96-24 Country: USA Genre: Alternative Metal, Nu Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 32:36 Full Size: 795.94 MB If 2019's 'The Nothing' marked a reinvention of Korn's age-old sound, then 'Requiem' is their evolution. Doubling down on their expansive electronic influence and pop sensibilities while remaining faithful to their nu-metal past has paid off, creating a far-reaching and fertile landscape in which 'Requiem' occupies and blossoms within. The record pulses with sonic drop-outs, sharp screeches, lumbering riffs and a buzzcut delivery. Korn are anew, and 'Requiem' sees them fearless, no longer managing a balancing act with imprudent collaborators and instead embracing what made them famous to begin with. Impressively, their 14th studio album is teeming with riveting hooks: "I should've been good, I should've been down, I couldn't let go, what could I do?" in lead single 'Start The Healing', comes reinforced with coarse vocal layering and a thunderous sense of purpose. Unbound by time restraints and the typical intensity of recording, the band let the tracks develop naturally over a number of months, creating space for each to breathe and take on their own identity. 'Let The Dark Do The Rest' conjures up the pace and theatrics of a vivid slasher soundtrack, where Jonathan Davis' gravelly words fade inside each other among a bounding trawler of down-tuned groove filling the negative space. The outfit channel scratchy metalcore tropes on 'Lost In The Grandeur'; stark evidence that Korn have their finger firmly on the pulse. Following the lead of Limp Bizkit's late 2021 release 'STILL SUCKS' and coupling with the hype from a wave of newer, female-forward artists (Wargasm, Nova Twins, even Rina Sawayama), 'Requiem' appears in the midst of a transportive wave of nu-metal revivalism. 'Requiem' has the potential to introduce Korn's comprehensive mythology to new ears as they continue to pioneer experimentation in a sometimes stagnant scene. Cita:
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