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12-07-2021 , 13:30:31 | #2091 | ||||
Denunciante Ultra | Flower Travellin' Band - Made In Japan (Remastered) 1972 (2017) [96kHz/24bit] Flower Travellin' Band - Made In Japan (Remastered) 1972 (2017) 96-24 Country: Japan Genre: Psychedelic Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 35:11 Full Size: 787.42 MB Cita:
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No Calculado | #1.5 |
SponSor | Re: Flower Travellin' Band - Made In Japan (Remastered) 1972 (2017) [96kHz/24bit] |
12-07-2021 , 13:33:47 | #2092 | |||
Denunciante Ultra | Big Hogg - Pageant of Beasts (2021) [44.1kHz/24bit] Big Hogg - Pageant of Beasts (2021) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:07 Full Size: 451.12 MB Cita:
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12-07-2021 , 13:45:21 | #2093 | |||
Denunciante Ultra | Colosseum - At Ruisrock Festival, Turku, Finland (2020) [44.1kHz/24bit] Colosseum - At Ruisrock Festival, Turku, Finland (2020) 44.1-24 Country: UK Genre: Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:11 Full Size: 625.09 MB Cita:
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13-07-2021 , 13:08:29 | #2094 | |||
Denunciante Ultra | Colosseum - Live At the Piper Club, Rome (2020) [44.1kHz/24bit] Colosseum - Live At the Piper Club, Rome (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:41 Full Size: 719.61 MB Cita:
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13-07-2021 , 13:20:03 | #2095 | |||
Denunciante Ultra | The Rolling Stones - The Rolling Stones 1964 (2002) [176kHz/24bit] The Rolling Stones - The Rolling Stones 1964 (2002) 176.4-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [176 Khz/24 bit] Time: 32:59 Full Size: 992.41 MB Cita:
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15-07-2021 , 12:38:16 | #2096 | |||
Denunciante Ultra | The Rolling Stones - 12 X 5 [1964] (2002) [88,2 kHz/24bit] The Rolling Stones - 12 X 5 1964 (2002) 88.2-24 Country: UK Genre: Classic Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 32:16 Full Size: 627.62 MB Cita:
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15-07-2021 , 12:40:51 | #2097 | |||
Denunciante Ultra | Flower Travellin' Band - Make Up (Remastered) 1973 (2017) [96kHz/24bit] Flower Travellin' Band- Make Up (Remastered) 1973 (2017) 96-24 Country: Japan Genre: Psychedelic Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:28:17 Full Size: 1.96 GB Cita:
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15-07-2021 , 12:45:11 | #2098 | |||
Denunciante Ultra | Colosseum - Live 05 (2020) [44.1kHz/24bit] Colosseum - Live 05 (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:38:56 Full Size: 1.14 GB Cita:
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15-07-2021 , 13:00:57 | #2099 | |||
Denunciante Ultra | Mr. Big - Lean Into It (30th Anniversary Edition) 1991 (2021) [192kHz/24bit] Mr. Big - Lean Into It (30th Anniversary Edition) 1991 (2021) 192-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 57:30 Full Size: 2.18 GB 30th Anniversary of the American Rock Superband's most popular album Lean Into It. First released in 1991, Lean into It, is the second studio album by the American rock supergroup, consisting of Paul Gilbert, Eric Martin, Billy Sheehan and Pat Torpey, Mr. Big. This is the band's breakthrough album - Lean into It peaked at number 15 on the Billboard 200 charts, while the single 'To Be with You' became the band's first and only song to hit number 1 on the Billboard Hot 100. The follow-up single, 'Just Take My Heart', was a Top-20 hit, peaking at number 16 on the Billboard Hot 100.The million-selling album also contains the popular tracks 'Daddy, Brother, Lover, Little Boy','Alive and Kickin' and 'Green Tinted Sixties Man'. Lean Into It shows that Mr. Big could also strip away all the flash and 7-minute solos and simply create well-written songs with rhythm, groove and good melodies, making the band one of the iconic new wave of progressive 'musician's bands' who could play mind-blowing complicated riffs on their instruments at lightning speeds. This is one of the ever-green albums of 80's style hair band rock that transcends the years and 2021 is the 30th anniversary of the release. evoXS is remastering the album using hi-resolution digital transfers from the original analogue master tapes. On this 30th Anniversary Edition, we get three extra tracks - early versions of "Alive And Kickin'" and "Green Tinted Sixties Mind," which are sure to please fans plus, of all things, an enjoyable reggae version of "To Be With You," which works far better than you might think. All in all, Lean Into It is well worth revisiting or discovering for the first time. It sounds like early 90s rock, certainly; the album's sound pins it down squarely to a particular place and time. In the long run, however, that can only be a strong point, and the quality and depth of the music is nothing if not considerable. Cita:
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15-07-2021 , 13:28:43 | #2100 | ||
Denunciante Ultra | Bobby Gillespie & Jehnny Beth - Utopian Ashes (2021) [44.1kHz/24bit] Bobby Gillespie (Primal Scream) & Jehnny Beth (Savages) - Utopian Ashes (2021) 44.1-24 Country: UK Genre: Alternative rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:39 Full Size: 459.68 MB What do you get when the man behind Primal Scream's "Kill All Hippies" and the woman responsible for the careening wail of brutal Savages tracks like "No Face" make a record together A genteel, sophisticated, and emotionally resonant album about the devastation of a broken romance, of course. While a soft rock album may not be the first thing one would expect from Bobby GIllespie and Jehnny Beth, it's actually quite easy to find a throughline to this material from both the classic-rock slow jams in Primal Scream's catalog and the balladry found on Jehnny Beth's 2016 solo release. Still, when one discovers the Utopian Ashes aren't that of a civilization destroyed by consumerism and conservatism, but instead of a once-blissful relationship now on its last legs, it is something of a pleasant surprise. With a band lineup that's basically Primal Scream plus Jehnny Beth and her longtime collaborator Johnny Hostile, Utopian Ashes feels both connected to and entirely apart from any of their previous output, with strings and brass and lush guitar work providing the construction materials for songs that are as moody as they are heartfelt. The first verse on the album has the line "I don't even love you anymore," and the refrain repeats throughout the song; amazingly, the ache and despondency devolves even further from there, with lyrics that are conceptually strong and character-driven but not confessional. Both artists paint a picture of this dissolute relationship from a unique perspective-the man's is self-pitying, entitled, and woeful, while the woman's is that of long-suffering optimism. Politics are largely avoided here; "English Town" uses small-minded provincialism as a stand-in for the doldrums of late-stage relationships, and that's about it. Instead, most of the lyrics are straightforward depictions of betrayal, sadness, and thwarted redemption. Gillespie takes the lead on almost all of the songs, but when Jehnny Beth steps up, it's with a surprising plaintiveness that's deftly complementary to the mid tempo achiness that defines the album, most notably on the out-and-out mopey "Your Heart Will Always Be Broken." The album peaks with the country-tinged back-and-forth duet of "You Can Trust Me Now" and the sweeping, melodramatic "Living a Lie," a one-two punch that sounds like everything is gonna be alright between our distraught couple, only to reveal that, no, it's still a disaster. As it closes with the louche desperation of "Sunk In Reverie," the inherent nihilism of our couple's romance becomes unmistakable, and it's clear that this is a tale that could only have been told by these two artists. © Jason Ferguson/Qobuz Cita:
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