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04-07-2021 , 12:07:28 | #2071 | ||||
Denunciante Ultra | Jon Lord - Gemini Suite (2016) [96kHz/24bit] Jon Lord - Gemini Suite (2016) 96-24 Country: UK Genre: Symphonic Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 47:39 Full Size: 1.01 GB Cita:
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SponSor | Re: Jon Lord - Gemini Suite (2016) [96kHz/24bit] |
07-07-2021 , 12:27:11 | #2072 | |||
Denunciante Ultra | Alan Simon - Excalibur II - The Celtic Ring 2007 (2021) [44.1kHz/24bit] Alan Simon - Excalibur II - The Celtic Ring 2007 (2021) 44.1-24 Country: France Genre: Progressive Rock,Folk Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 57:20 Full Size: 643.53 MB Cita:
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07-07-2021 , 12:32:43 | #2073 | |||
Denunciante Ultra | Iamthemorning - Ocean Sounds (2018) [48kHz/24bit] Iamthemorning - Ocean Sounds (201 48-24 Country: Russia Genre: Progressive Rock,Acoustic rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 44:14 Full Size: 495.75 MB Cita:
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07-07-2021 , 12:35:17 | #2074 | |||
Denunciante Ultra | Iamthemorning - The Bell (2019) [48kHz/24bit] Iamthemorning - The Bell (2019) 48-24 Country: Russia Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 46:10 Full Size: 500.26 MB Cita:
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08-07-2021 , 12:35:35 | #2075 | |||
Denunciante Ultra | The Rolling Stones - A Bigger Bang - Live on Copacabana Beach (2021) [48kHz/24bit] The Rolling Stones - A Bigger Bang - Live on Copacabana Beach (2021) 48-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:53:42 Full Size: 1.38 GB Cita:
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08-07-2021 , 12:44:23 | #2076 | |||
Denunciante Ultra | Jethro Tull - A (Steven Wilson Remix) 1980 (2021) [96kHz/24bit] Jethro Tull - A (Steven Wilson Remix) 1980 (2021) 96-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:02:59 Full Size: 1.21 GB I Cita:
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08-07-2021 , 12:47:59 | #2077 | |||
Denunciante Ultra | Sting - Sacred Love 2003 (2021) [96kHz/24bit] Sting - Sacred Love 2003 (2021) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 55:45 Full Size: 1.19 GB Sacred Love is the seventh studio album by Sting. Sacred Love arrives over four years on from Brand New Day and demonstrates that Sting--an artist often criticised for serving up slick yet soulless coffee-table precision--is now positively galvanised by soul. Symptomatic of an uncharacteristically intimate co-production job (courtesy of the man himself and Kipper), there's a degree of inclusive warmth here that's occasionally been lacking in his post-Police work. From the busy, insistent verbosity of spiralling opener "Inside", through "Whenever I Say Your Name"--a gospel-tinged, call-and-response collaboration with class-drenched Mary J Blige--and on to the sweeping Iberian soundscapes of "Send Your Love", Sacred Love compounds Sting's reputation as an authoritative singer-songwriter of incredibly broad stylistic scope. "Sting scored a moderate comeback success greater than most had imagined possible with 1999's Brand New Day, reestablishing himself as a viable commercial artist instead of merely settling for "living legend" status. Part of this success was due to "Desert Rose," featuring vocalist Farhat Bouallagui's careening cadences that garnered attention, particularly when they were showcased in a car commercial that kicked the album into high commercial gear. Sting picks up on this, adding three guest vocalists to the ten-track Sacred Love album (the 11th track is a remix of the lead single, "Send Your Love" -- which happens to be better, since it eliminates the rather annoying Indian-styled hook) -- Vicente Amigo and Anoushka Shankar are paired with Mary J. Blige, who in this context is presented as a world music artist. None of the guests makes much of an impression here, but neither does Sting, since this is an album that puts sound over song or performance. Sacred Love is to Brand New Day what Mercury Falling was to Ten Summoner's Tales -- a fussy, overworked stab at maturity, one that has impeccable craft but is obscured by its own meticulousness. It is professional to a fault, using its maturity and preciseness to obscure the fact that the songs don't really work. Sting isn't always hemmed-in, even ending "Inside" with a hysterical rant that makes him seem like a madman, but it has the effect of making the rest of the album seeming too deliberate and far from adventurous. It's far from a bad listen, nor is it embarrassing, but it's entirely too predictable, coming across as nothing more than well-tailored, expensive mood music, which is certainly far less than what Sacred Love could have been." (Stephen Thomas Erlewine, AMG) Cita:
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08-07-2021 , 12:52:31 | #2078 | |||
Denunciante Ultra | Alan Simon - Excalibur III - The Origins 2012 (2021) [48kHz/24bit] Alan Simon - Excalibur III- The Origins 2012 (2021) 48-24 Country: France Genre: Progressive Rock,Folk Rock, Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:07:35 Full Size: 841.67 MB Newly remastered: Excalibur III is the CRITICALLY ACCLAIMED third album of the quadrilogy based on the legendary Arthurian saga. This definitive album re-release is based on the legendary story of CELTS features guest appearances from: Moya Brennan (Clannad)/Martin Barre (Jethro Tull)/Les Holroyd (Barclay James Harvest)/Mick Fleetwood & Jeremy Spencer (Fleetwood Mac)/John Helliwell (Supertramp)/Billy Preston/Fairport Convention/Didier Lockwood/Jacqui McShee (Pentangle)/Bruce Guthro (Runrig)/Moya Brennan (Clannad)/John Wetton (King Crimson / Asia)/Geoff Downes (Asia). Cita:
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08-07-2021 , 14:18:19 | #2079 | |||
Denunciante Ultra | The Wallflowers - Exit Wounds (2021) [48kHz/24bit] The Wallflowers - Exit Wounds (2021) 48-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 39:56 Full Size: 530.51 MB Cita:
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08-07-2021 , 14:29:56 | #2080 | |||
Denunciante Ultra | Jon Anderson (Yes) - Olias Of Sunhillow 1976 (2021) [96kHz/24bit] Jon Anderson (Yes) - Olias Of Sunhillow 1976 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:28:30 Full Size: 2.79 GB Inspired by the artwork of Roger Dean and the writings of Ver Stanley Alder, Jon Anderson developed an entire story around the idea of an interstellar exodus from Sunhillow, writing this album around the narrative (named for the spaceship's architect, Olias). The idea may seem overly ambitious, but Anderson fills the record with enough magical moments to delight fans of Yes' mystic side. The music is written and performed almost entirely by Anderson, who dubs vocals, plays guitar and harp, and adds percussion and the occasional synthesizer to flesh out his ideas so that at no point does the music lose its spellbinding effect for lack of sonic detail. Olias of Sunhillow is faithful to the spirit of Yes, though decidedly more airy than that band's visceral style -- its closest comparison would be Fragile's "We Have Heaven" or Going for the One's "Wonderous Stories" (which was clearly influenced by this record) on the vocal tracks, and Greek progressive electronic composer (and future Anderson collaborator) Vangelis on the instrumental tracks. Although the album is effective in its entirety, "Sound Out the Galleon," "Olias (To Build the Moorglade)," and "Solid Space" are some of the more memorable excerpts. The arrangements incorporate elements of the four tribes of Sunhillow, the most noticeable being Oriental elements that prefigure Vangelis' own China (especially on the opening "Ocean Song"). While there are several songs that could have easily fit in Yes' own catalog, and the lyrics continue to mine the mystical musings that Yes fans had come to enjoy, Olias of Sunhillow is not the missing Yes album some might hope it to be, though it does prefigure the later Jon & Vangelis collaborations of the '80s. If possible, pick up the LP version of this release, since the packaging is stunning and features terrific artwork by Dave Roe. © Dave Connolly /TiVo Cita:
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