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08-11-2019
, 10:47:57
| #1071 | |||
| Denunciante Ultra  |  The Rolling Stones - Bridges To Buenos Aires (Live) (2019) [48kHz/24bit]
 The Rolling Stones - Bridges To Buenos Aires (Live) (2019) [48kHz/24bit] Label: Eagle Rock Entertainment Ltd Country: UK Genre: Rock Quality: FLAC (*tracks) Bitrate: Lossless [48kHz/24bit] Time: 2:05:47 Full Size: 1,60 Gb  Cita:
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Twittear Seguir a @denunciando
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| SponSor  |  Re: The Rolling Stones - Bridges To Buenos Aires (Live) (2019) [48kHz/24bit]
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08-11-2019
, 10:55:48
| #1072 | ||
| Denunciante Ultra | Pretty Maids - Undress Your Madness (2019) [44.1kHz/24bit]  Pretty Maids - Undress Your Madness (2019) [44.1kHz/24bit] Label: Frontiers Records s.r.l. Country: Denmark Genre: Heavy metal,Hard rock Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 0:43:18 Full Size: 515.2 MB "Undress Your Madness" is Pretty Maids' highly anticipated follow up to 2016's critically and commercially successful release "Kingmaker", a record that continued the "revitalized" path that the band set out upon with the now stone cold classic albums "Pandemonium" and "Motherland." It's always difficult to follow a successful and inspired record, but "Undress Your Madness" shows Pretty Maids are still in the freshest and most vital phase of their career since the early 90's. Cita:
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08-11-2019
, 11:07:47
| #1073 | ||
| Denunciante Ultra | The Allman Brothers Band - Brothers And Sisters (Super Deluxe) (2019) [96kHz/24bit]  The Allman Brothers Band - Brothers And Sisters (Super Deluxe Edition - Remastered) (2019) [96kHz/24bit] Label: Island Def Jam Music Group Country: USA Genre: Rock Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 04:07:27 Full Size: 5,66 Gb Cita:
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09-11-2019
, 09:39:41
| #1074 | |||
| Denunciante Ultra | King Crimson - In The Court Of The Crimson King [50th Anniversary] (2019) [3CD] FLAC  King Crimson - In The Court Of The Crimson King [50th Anniversary] (2019) [3CD] FLAC Label: DGM Country: UK Genre: Progressive,Art Rock Quality: FLAC (image+.cue) Bitrate: Lossless Time: 3:26:55 Full Size: 1.23 GB King Crimson's 1969 debut album In The Court of the Crimson King reissued as a Blu-ray+3CD edition and a double vinyl set, for its 50th anniversary. The three CDs in the box set feature the new 2019 Steven Wilson stereo mix, an exapanded edition of the alternate album in the blu-ray and the original master edition of the 1969 mix plus additional tracks. Cita:
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09-11-2019
, 10:23:24
| #1075 | ||
| Denunciante Ultra | Stone Sour - House Of Gold & Bones Part 1 (2012) [96kHz/24bit]  Stone Sour - House Of Gold & Bones Part 1 (2012) [96kHz/24bit] Label: Roadrunner Records | Warner Music Country: USA Genre: Alternative Metal, Nu Metal Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 0:43:21 Full Size: 946.2 MB House of Gold & Bones Parts 1 & 2 is a collection of 23 tracks that follow an immersive, linear storyline. Part 1 - the first 11 songs - released on October 23, 2012. Part 2 released next year, completing the story. Stone Sour have provided the story of a character's personal voyage and their inner dialogue that works as one album-length idea, and in that aspect they have definitely succeeded and left us anxious to see where the story continues in 'House of Gold & Bones Part 2. Cita:
 
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09-11-2019
, 10:31:20
| #1076 | ||
| Denunciante Ultra | Stone Sour - House of Gold and Bones: Part 2 (2013) [96kHz/24bit]  Stone Sour - House of Gold and Bones: Part 2 (2013) [96kHz/24bit] Label: Roadrunner Records | Warner Music Country: USA Genre: Alternative Metal, Nu Metal Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 50:47 Full Size: 1.09 GB House of Gold and Bones Part 2 is a more menacing and aggressive beast than last year's grandiose Part 1. The pounding riffs and metallic oomph that underpin the likes of Black John, Peckinpah and Gravesend are offset by sumptuous strings and plaintive keys on The Conflagration and the eerie Blue Smoke, while Taylor's rich baritone imbues even his most prosaic lyrics with a great emotional intensity. While there is no denying that it's their charismatic frontman that sets them apart from most of their mainstream rock peers, Stone Sour are on blistering form here.' Cita:
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09-11-2019
, 10:45:27
| #1077 | ||
| Denunciante Ultra | Stone Sour - Meanwhile in Burbank... (2015) 44.1kHz/24bit  Stone Sour - Meanwhile in Burbank... (2015) 44.1kHz/24bit Label: Roadrunner Records Country: USA Genre: Alternative Metal, Nu Metal Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 0:21:18 Full Size: 274.7 MB Cita:
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09-11-2019
, 13:08:28
| #1078 | ||
| Denunciante Ultra | Stone Sour - Straight Outta Burbank (2015) [88,2kHz/24bit]  Stone Sour - Straight Outta Burbank (2015) [88,2kHz/24bit] Label: Roadrunner Records Country: USA Genre: Alternative Metal, Nu Metal Quality: FLAC (*tracks,) Bitrate: Lossless [88,2kHz/24bit] Time: 0:19:28 Full Size: 472.7 MB Cita:
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09-11-2019
, 13:24:50
| #1079 | ||
| Denunciante Ultra | Stone Sour - Come What (ever) May [10 Anniversary Edition] (2016) [44.1kHz/24bit]  Stone Sour - Come What (ever) May [10 Anniversary Edition] (2016) [44.1kHz/24bit] Label: Roadrunner Records Country: USA Genre: Alternative Metal, Nu Metal Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 1:30:43 Full Size: 1.06 GB What sets Stone Sour apart from others of their breed is the band's ability to create smooth, radio-friendly alternative metal songs while simultaneously not boring the people who have heard way too much from post-grunge groups. The secret to this lies in guitarist James Root's unique style and drummer Roy Mayorga's unyielding intensity. Root and singer Corey Taylor re-created Stone Sour after the success of Slipknot in the late '90s; the band was meant to serve as a more introspective, melodic, and creative outlet for them, while not disenfranchising the fans of Slipknot. Stone Sour are more fierce than most alternative metal groups, incorporating brash heavy metal into many of their songs. The band's aggressive self-titled debut was far more reminiscent of Slipknot, but Come What(ever) May is moving further and further away from the shock rock, rap-rock aspect that originally brought Slipknot into the mainstream. Taylor lets loose his nearly metal growl (which is nearly untouchable compared to most of his contemporaries) on occasion, but maybe not as often as he should. The album's better moments are felt when his relentless, vicious pipes -- coupled with distortion-heavy riffs and double bass drum -- forge their way through the immaculately produced sound. Come What(ever) May starts out strong with the bass drum-heavy "30/30-150." The song explodes out of the speakers; it's a solid metal start for an album that dips between alternative rock, heavy metal, and post-grunge. Unfortunately, the album isn't always interesting. Songs like "Through Glass" are your average run-of-the-mill alternative metal tunes, and after a certain point the album seems to have little new to offer. "sillyworld" follows along the same lines, but still has more in common with Alice Cooper's "Only Women Bleed" than a Godsmack song. Still, Come What(ever) May has plenty of shining moments and it rocks hard, channeling heavy metal and blending it with alternative melodies. It's an unyielding effort from a promising talent -- one that might just help save alternative metal from becoming deeply generic. ~ Megan Frye Cita:
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10-11-2019
, 08:59:18
| #1080 | ||
| Denunciante Ultra | Anthony Phillips - Wise After the Event (2016) [48kHz/24bit]  Anthony Phillips - Wise After the Event (2016) [48kHz/24bit] Label: Esoteric Recordings Country: UK Genre: Progressive Rock Quality: FLAC (*tracks) Bitrate: Lossless [48kHz/24bit] Time: 1:00:05 Full Size: 671.5 MB Cita:
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92Me Gusta
