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Nico Vanez - Tiempo al Tiempo (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...8b65ac52a.jpeg Nico Vanez - Tiempo al Tiempo (2022) 48-24 Country: Spain Genre: Hard Rock,Melodic Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 33:14 Full Size: 395.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lenny Kravitz - Raise Vibration (2018) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...6517c0d18.jpeg Lenny Kravitz - Raise Vibration (2018) 44.1-24 Country: USA Genre: Pop,Funk,Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:04:33 Full Size: 700.23 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Beatles - Revolver (Super Deluxe) (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...16345e89a.jpeg The Beatles - Revolver (Super Deluxe) (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 02:41:44 Full Size: 2.98 GB Revolver: The Beatles' 1966 album that changed everything. Spinning popular music off its axis and ushering in a vibrant new era of experimental, avant-garde sonic psychedelia, Revolver brought about a cultural sea change and marked an important turn in The Beatles' own creative evolution. With Revolver, John Lennon, Paul McCartney, George Harrison, and Ringo Starr set sail together across a new musical sea. O Revolver released worldwide in a range of beautifully presented, newly mixed and expanded Special Edition packages by Apple Corps Ltd./Capitol/UMe. The Special Edition's new stereo and Dolby Atmos mixes of the album's opening track "Taxman" make their digital release debuts with today's announcement and preorder launch. The Revolver album's 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album's original mono mix is sourced from its 1966 mono master tape. Revolver's sweeping new Special Edition follows the universally acclaimed remixed and expanded Special Editions of Sgt. Pepper's Lonely Hearts Club Band (2017), The BEATLES ('White Album') (2018), Abbey Road (2019), and Let It Be (2021). All the new Revolver releases feature the album's new stereo mix, sourced directly from the original four-track master tapes. The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson's WingNut Films Productions Ltd. The physical and digital Super Deluxe collections also feature the album's original mono mix, 28 early takes from the sessions and three home demos, and a four-track EP with new stereo mixes and remastered original mono mixes for "Paperback Writer" and "Rain". The album's new Dolby Atmos mix will be released digitally. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Joe Lynn Turner - Belly Of The Beast (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...1ae4e1052.jpeg Joe Lynn Turner - Belly Of The Beast (2022) 44.1-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:05 Full Size: 629.91 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Foo Fighters - The Essential Foo Fighters (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...a2f913ccb.jpeg Foo Fighters - The Essential Foo Fighters (2022) 44.1-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:25:10 Full Size: 1.02 GB Foo Fighters on Friday release a new greatest hits collection, dubbed The Essential Foo Fighters. Marking the band's first release since drummer Taylor Hawkins' passing in March. The new record, which follows the group's Greatest Hits album from 2009, include 19 tracks on CD, with two additional songs ("Breakout" and "Waiting On A War") arriving on the LP. A toast to Foo Fighters' unequivocal stamp on music, the career-covering collection features some of the band's biggest tracks, including two iterations of "Everlong," as well as "Monkey Wrench," "All My Life" and "Best of You," among others. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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VA - Bound For Hell - On The Sunset Strip (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...a64280009.jpeg VA - Bound For Hell_On The Sunset Strip (2022) 44.1-24 Country: Varios Genre: Rock, Hard Rock, Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:19:46 Full Size: 962.02 MB In the year 2022, when most of the players and original fans of early '80s metal are nearing retirement age, Glam Rocker costumes can be found on the racks at Spirit Halloween, and there are approximately a squillion playlists of the same-old "Hair Metal Hits," what in the name of the Rainbow Bar & Grill could another collection of hard-rocking cuts from L.A.'s post-'70s rock 'n' roll renaissance have to offer? As usual, the folks at Numero Group have found an angle-what the L.A. metal scene had to offer at a very particular moment in time: 1982, the exact midpoint between 1977, when Van Halen signed with Warner Bros. and basically provided a template for slightly sleazy, guitar-forward heavy metal, and 1987's release of Guns N' Roses' Appetite for Destruction, which represented both the apex of the form as well as a reversion to rock 'n' roll-first principles. While in 1982 there were some post-Van Halen L.A. bands who were making a name for themselves, they were mostly doing so outside of Southern California (Quiet Riot's first two albums, featuring Randy Rhoads, were only released in Japan, while Dokken's first album came out on a French label), as the center of gravity in hard rock and heavy metal was still in the U.K. and Europe. Which left the L.A. club scene in kind of a wild limbo. The scores of bands in the region worked in different shades of hard rock and metal, but there was no real distinction between "real" metal and "hair" metal, since all were trying to be as loud and menacingly spectacular as possible: sometimes that meant lots of hairspray; other times that meant whips and chains on stage; often it meant both. This collection documents this period via tracks that are formative themselves-demos, small-run singles, compilation tracks, and other oddities. To casual fans of the genre, only a few names here will ring any bells-Armored Saint is the most well-known, but others, like Steeler, Rough Cutt, and Lizzy Borden, will also be familiar-but, given that this scene is known almost as much for its bands' ever-shifting revolving-door lineups as it is for its Aqua Net bills, there are innumerable connections and intertwined histories. And since most of these players were natives of the L.A. suburbs (the rest were recent transplants from points east and north), with roots in bands that stretch back to the mid-'70s, they maintained a sense of rooted interconnectedness that the mid-'80s transplants were completely lacking. That also meant that "the scene" wasn't just based in the legendary Sunset Strip clubs like the Troubadour, Gazzarri's, and the Whisky a Go Go, but also suburban venues in Anaheim, Pasadena, and the Valley. By focusing in on a clutch of groups who were making waves (of various sizes) during a single year, Bound for Hell does a remarkable job of demonstrating just how exciting and risky it all sounded at the time. And since no one band had yet to completely break through to widespread acclaim (Quiet Riot, Dokken, and Motley Crue would all do so in 1983; Ratt would bust open the floodgates in 1984), the sound is much less homogenous than one would imagine. From the weirdo rockism of Reddi Killowatt and the thundering metal of Armored Saint to the crackling snarl of Bitch's "Damnation Alley" and the punchy grind of Odin's "Judgement Day" (yes, the same Odin that embarrassed itself a few years later in a hot tub in Penelope Spheeris' Decline of Western Civilization, Part II), there's a range of stylistic approaches to "metal'' here that may surprise modern listeners, but won't be much of a shock to those who remember just how unpredictable and thrilling this scene was at its peak. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Gizzard & The Lizard Wizard - Changes (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...d95dbab85.jpeg King Gizzard & The Lizard Wizard - Changes (2022) 48-24 Country: Australia Genre: Psychedelic rock,Progressive rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 40:00 Full Size: 477.39 MB The Aussie psych polymaths King Gizzard are back with their fifth album of 2022 and they are still inventive as ever as Wayne AF Carey continues on their journey of prolific output of amazing stuff that's all thriller and no filler. But for half a decade, the sextet has been haunted by one elusive conceptual project that had bested their every attempt (of which there had been several). They first conceived the album back in 2017, a busy year for the group. Within a mere twelve months, they recorded and released five albums of new material, starting with Flying Microtonal Banana, followed by Murder Of The Universe, Sketches Of Brunswick East (their collaboration with Mild High Club) and Polygondwanaland. A fifth album, Gumboot Soup - a collection of songs recorded that year that didn't fit the other albums' concepts - arrived in December, but the band had intended to see out the year with a different album. That album was called Changes, and it's finally arriving now. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Fear Factory - Recoded (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...25349a316.jpeg Fear Factory - Recoded (2022) 48-24 Country: USA Genre: Electronic,Industrial Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 52:57 Full Size: 734.59 MB FEAR FACTORY release "Recoded", a collection of remixes of the songs from the band's latest album, "Aggression Continuum", via Nuclear Blast. "Recoded" b FEAR FACTORY's first remix album since 1997's "Remanufacture" and it will coincide with the band's 32nd anniversary (FEAR FACTORY officially formed on October 30, 1990). The artwork for "Recoded" was created by Anthony Clarkson, who previously worked on 2010's "Mechanize", 2012's "The Industrialist" and 2015's "Genexus". The final mixing and mastering for "Recoded" was handled by Damien Rainaud. The effort was produced by FEAR FACTORY guitarist Dino Cazares. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Therion - Leviathan II (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...9556f0dc4.jpeg Therion - Leviathan II (2022) 44.1-24 Country: Sweden Genre: Symphonic Metal,Symphonic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:43 Full Size: 657.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Jean Mare - Ambient Lounge Flight (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...ad454f8a6.jpeg Jean Mare - Ambient Lounge Flight (2022) 44.1-24 Genre: Electronic, Chillout, Lounge, Downtempo, Balearic,Ambient Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:14:24 Full Size: 762.92 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dawn After Dark - New Dawn Rising (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...e3af2c951.jpeg Dawn After Dark - New Dawn Rising (2022) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 47:40 Full Size: 585.41 MB Birmingham UK based rockers who got started in the late '80s releasing three 12" singles, shortly after breaking up in 1991, reforming for a one off show in 2019. New Dawn Rising was produced by Andy Taylor (Duran Duran), and includes new songs as well as ones that were performed live but never recorded like "Maximum Overdrive", "Crystal High", and "The Groove". And speaking of, "Overdrive" opener is for all those fans of The Cult, both the music and voice. Combo of a metal riff chug with the melodic rock chorus for "Dead On Time". "The Groove", well keeps with the rock groove, picks up the pace briefly too mid way. "When Will You Come Home To Me?" has a lighter vibe in contrast to the lyrics, picks up the pace towards the end. An AC/DC romp in "Nothing Can Fulfill Me (Without Your Love)" is catchy and up beat single/video choice. Guitar leads follow the vocal lines during "The Shifting Sands Of Time", back to The Cult vibes on the bouncy "Crystal High". "Her Sleep" the most reserved of the eleven tracks with quiet clean guitars for the verses. Someone is searching for their "Truth And Her Freedom" before the album closes. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dimmu Borgir - Puritanical Euphoric Misanthropia (Remixed & Remastered) (2001) [20... https://i120.fastpic.org/thumb/2022/...90b4e1a23.jpeg Dimmu Borgir - Puritanical Euphoric Misanthropia (Remixed & Remastered) (2001) [2022] 48-24 Country: Sweden Genre: Symphonic Black Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:09:49 Full Size: 997.39 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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PG Roxette - Pop-Up Dynamo! (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...175d21ab4.jpeg PG Roxette - Pop-Up Dynamo! (2022) 44.1-24 Country: Sweden Genre: Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:17:01 Full Size: 709.6 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Them - Fear City (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...511562dde.jpeg Them - Fear City (2022) 48-24 Country: Germany Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 47:02 Full Size: 633.47 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Obsidious - Iconic (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...ab0324efe.jpeg Obsidious - Iconic (2022) 44.1-24 Country: Germany Genre: Modern Metal,Progressive Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:08 Full Size: 650.27 MB Modern metallers Obsidious launch their wonderfully intricate and musically-accomplished new album, Iconic, via Season of Mist. The group-featuring Linus Klausenitzer (bass), Rafael Trujillo (guitars), Sebastian Lanser (drums), and vocalist Javi Perera (vocals)-come from distinguished and lettered origins in Obscura, Alkaloid, Eternity's End, and Juggernaut. Obsidious, however, are a different creature entirely. Iconic is technical but not officious. The album breathes intensity but expands upon it with mellifluent dexterity. With Obsidious, there's always a hook. Obsidious crystallized after Klausenitzer, Trujillo, and Lanser departed amicably from fellow German tech-metallers Obscura in 2020. Named after black volcanic glass, the group's moniker exudes something dark, of fiery origin, in a state of final transformation. Metaphorically, the name Obsidious offers a nearly limitless platform for expression and advancement. However, it was only when the trio brought on newcomer Perera-whose growls and full-toned voice are first-rate-were the multi-national outfit officially codified. Interestingly enough, the newly-joined frontman couldn't even meet his bandmates while writing, recording, and filming videos for Iconic due to the pandemic. Yet, the technologically-apt foursome made it work. Lyrically, Perera tackles human-relatable topics throughout Iconic. While his modern metal peers abstractly traverse the vagaries of the universe, the singer hits home where and when it matters. Disaster in any form is trauma-inducing, and this is at the heart of "Under Black Skies," where a tremendous yet preventable calamity descends on a petty yet desperate populace. BDSM, an uncommon topic in metaldom, carries through "Sense of Lust." Here, sex and the power of and subsequent joy by the submissive are explored. The title track, "Iconic," discusses dementia. Perera's profession outside of Obsidious is in healthcare, and he's seen firsthand how the mental disorder traps and torments. Iconic is a showcase in multiplicity. Obsidious are ready to deploy their unique brand of hooky neoteric metal on Iconic. From Trujillo's wickedly clever riffs and Lanser's artful drumming to Klausenitzer's superb counterpoint and Perera's soaring vocals/venomous spits, the songs brim with cool calculation and aggressive spontaneity. They storm normality not only musically and lyrically, but the monolithic cover piece by French graphic artist Adrien Bousson (Rotting Christ, Khonsu) also transcends convention. Obsidious are poised for a breakthrough on Iconic. Prepare for metal's modern metamorphosis! https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Devin Townsend - Lightwork (Deluxe Edition) (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...a842b29e0.jpeg Devin Townsend - Lightwork (Deluxe Edition) (2022) 48-24 Country: Canada Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:43:38 Full Size: 1.28 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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John Norum - Gone to Stay (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...5d311f433.jpeg John Norum - Gone to Stay (2022) 44.1-24 Country: Sweden Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:17 Full Size: 514.7 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Brant Bjork - Bougainvillea Suite (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...187641825.jpeg Brant Bjork - Bougainvillea Suite (2022) 48-24 Country: USA Genre: Psychedelic,Stoner Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 41:08 Full Size: 492.9 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dimmu Borgir - Dust of Cold Memories (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...54bd923a6.jpeg Dimmu Borgir - Dust of Cold Memories (2022) 44.1-24 Country: Norway Genre: Symphonic Black Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 55:50 Full Size: 693.7 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Serj Tankian & The F.C.C. - Live At Leeds - Live At Leeds (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...fa6ac6cee.jpeg Serj Tankian & The F.C.C. - Live At Leeds - Live At Leeds (2022) 48-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 44:15 Full Size: 610.2 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Beatles - Revolver (2022 Mix) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...161eac49c.jpeg The Beatles - Revolver 1966 (2022 Mix) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 34:36 Full Size: 762.11 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Palaye Royale - Fever Dream (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...18c5dcf4c.jpeg Palaye Royale - Fever Dream (2022) 44.1-24 Country: USA-Canada Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:26 Full Size: 681.32 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Demon Hunter - Exile (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...9f4bc33c4.jpeg Demon Hunter - Exile (2022) 48-24 Country: USA Genre: Alternative Metal,Modern Metal,Groove Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:02:02 Full Size: 459.14 MB DEMON HUNTER released a new studio album, "Exile", "Exile" is the first-ever concept album by the 20-year metal veterans. Set in the aftermath of civilized society's collapse, the 12 songs examine modern life through the lens of a nonconformist, contemplating a life untethered. A four-issue comic book series, written by singer Ryan Clark, dramatizes the album's themes. "Exile" is an immersive interrogation of cultural norms and a call to true rebellion. Guitarist Jeremiah Scott produced and mixed "Exile", which boasts guest appearances from Max Cavalera (SOULFLY),Tom S. Englund (EVERGREY) and Richie Faulkner (JUDAS PRIEST). https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Stomu Yamashta - Seasons - The Island Albums 1972-1976 (2022) [FLAC] https://i120.fastpic.org/thumb/2022/...ad4ebc693.jpeg Stomu Yamashta - Seasons - The Island Albums 1972-1976 [7CD] (2022) [FLAC] Country: Japan Genre: Prog Rock, Jazz Rock, Fusion Format: FLAC (*tracks + cue,log) Quality: Lossless [44,1kHz/16 bit] Time: 05:20:27 Full Size: 1.88 GB A cult name in prog rock, jazz fusion and modern classical circles in the 1970s, Japanese percussionist and composer Stomu Yamashta is probably best known for featuring on the soundtrack to the Bowie-starring film The Man Who Fell To Earth, and on the non-rock front he has also collaborated with Peter Maxwell Davies, Robert Altman, the Royal Ballet and many more. Spanning Yamashta's fertile early years in Europe, this first ever box set of his work maps a kaleidoscopic musical cosmos, from Miles Davis-style electric squelch to primitive proto-techno-beat collages, trippy avant-lounge jams and even a burst of Vivaldi given the full Wendy Carlos synth treatment. Among the tracks familiar from Bowie's mind-bending sci-fi classic are the churning Krautish mantra Mandala, the mournfully chiming Memory Of Hiroshima and the lovely, spare, twinkling tone poem Wind Words. The last two sister albums in this seven-disc set showcase Yamashta's supergroup project Go, featuring Steve Winwood and Klaus Schulze, which moved him into more commercial prog-lite terrain, with bluesy soft-rock songs nestled alongside stately orchestral arrangements by another notable Bowie collaborator, Paul Buckmaster. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lorna Shore - ...And I Return To Nothingness [EP] (2021) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...288b94d52.jpeg Lorna Shore - ...And I Return To Nothingness [EP] (2021) 44.1-24 Country: USA Genre: Deathcore Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 18:02 Full Size: 224.14 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Spell - Tragic Magic (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...c6eba6c3a.jpeg Spell - Tragic Magic (2022) 48-24 Country: Canada Genre: Hypnotic Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 38:22 Full Size: 503.56 MB Fantastical heavy metal band Spell released its new LP, 'Tragic Magic', on October 28 via Bad Omen Records. Featuring ten tracks of prime, progressive heavy music flooded with mesmerizing atmospheres, 'Tragic Magic' sees Spell take a decidedly grittier lyrical approach, leaning less into escapism, while confronting real life challenges of modern times. Striking cover art by Polish master painter and illustrator Władysław Podkowiński portends the palpable potency that the record promises. 'Tragic Magic' is the highly-anticipated follow up to Spell's critically-acclaimed 2020 LP, 'Opulent Decay', a record hailed as "fantasy rock" by Blabbermouth, "enchanting" by Heavy Blog is Heavy, and "a captivating mix of Rush- and Blue Öyster Cult" by Revolver. 'Tragic Magic' was written and recorded entirely as a collaboration between brothers Cam and Al (Lester); the record's songcraft is steeped in the atmosphere of the arcane, yet the hooks are more razor-sharp than ever. While influences like the esoteric charge of the aforementioned Blue Öyster Cult and the elemental expansions of Camel and King Crimson drift through these crepuscular melodies, Spell are as likely to be influenced by the life-affirming energy of '60s Motown, the ethereal dimensions of Cocteau Twins, the strident woe of Candlemass, and the classic songwriting chops of Russ Ballard. "The themes on this album are more concrete, guided by personal experience," offers Mesmer. "Tragic Magic' has to do with mental illness, ageing, the death of a loved one, the decay of time. this is what 'tragic magic' means to us - loss and tragedy outside of our control, which fundamentally alters our perceived reality. This album is our response to the world as it currently is: music for an ascetic age." "And we couldn't be happier about the result," Mesmer continues. "The identity of Spell came into sharp focus as it was always intended to be. Music is magic, and Spell is a spell. Fundamentally, it is a forum to make our dreams come true." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Allman Brothers Band - Syria Mosque Pittsburgh, Pa January 17, 1971 (2022) [48kHz/... https://i120.fastpic.org/thumb/2022/...4cebbd18f.jpeg Allman Brothers Band - Syria Mosque Pittsburgh, Pa January 17, 1971 (Live Concert Performance Recording) (2022) 48-24 Country: USA Genre: Blues,Blues Rock,Southern Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:04:30 Full Size: 794.39 MB "By January 1971, The Allman Brothers Band had established a sound and a reputation that belied the brief, 22-month existence of its founding lineup. After 300 shows in 1970, the band kicked off '71 with a run through Georgia, North Carolina and Tennessee, before heading north to play Pittsburgh for the first time. The venue was the venerable Syria Mosque, a 3,700 seat theatre constructed in 1916 which served as the home for the Pittsburgh Symphony Orchestra. Syria Mosque saw rock acts like The Who, Pink Floyd, The Band, Deep Purple and Yes grace its stage, with the Allmans making the first of two 1971 appearances on Jan. 17. This marks the first official release for this recording which has been circulating among fans as a cassette for years, and occasionally a bootleg CD or vinyl disc. Although there's an interesting story there as well. The group returned to Syria Mosque nine months later, on Oct. 15, playing what would be Duane Allman's third-to-last show before his untimely death on Oct. 29, 1971. Copies of both the Jan. 17 and Oct. 15 shows would circulate among the ABB tape-trading community during the 1990s, with the October tape often misidentified as Duane's final show, and, in some cases, with the dates of the Syria Mosque shows swapped. Here the confusion has been straightened out; this band-approved official release is from Jan. 17, and you can listen to Duane's last show from Oct. 17, 1971 at Painters Mill Music Fair near Baltimore by picking up The Final Note, which came in 2020. Recorded direct from the band's soundboard and then restored and remastered, this recording captures the arc of the band's sound as they were ramping up to the classic At Fillmore East album, recorded just eight weeks later in March 1971. When you listen, it's apparent how tight and in the pocket the original ABB line-up of Duane, Gregg Allman, Dickey Betts, Berry Oakley, Butch Trucks and Jaimoe were on this recording." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Rory Gallagher - Deuce (50th Anniversary) (2022) [96kHz/24bit] https://i120.fastpic.org/big/2022/10...4fb1a2b943.jpg Rory Gallagher - Deuce (50th Anniversary) 1971 (2022) 96-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 03:56:37 Full Size: 4.23 GB To celebrate the 50th anniversary of Rory Gallagher's "Deuce" sophomore solo album from 1971, a deluxe CD boxset release by UMC. The extensive celebratory release digs deep into the Rory Gallagher Archives and include a new mix of the original album, twenty-eight previously unreleased alternate takes, a six-song 1972 BBC Radio 'In Concert', and seven Radio Bremen radio session tracks. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dimmu Borgir - Forces Of The Northern Night (2017) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...dd93194c8.jpeg Dimmu Borgir - Forces Of The Northern Night (2017) 48-24 Country: Sweden Genre: Symphonic Black Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:23:18 Full Size: 1.03 GB Symphonic black metal at its most lavish: this double digibook does not only contain the entire show of Oslo that the band performed together with Kringkastingsorkestret (the Norwegian Radio Orchestra and Choir), but also their bombastic performance at Wacken Open Air with the National ***** Symphonic Orchestra and an in-depth documentary with behind-the-scenes footage of the massive stage production in Norway. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Avantasia - Moonglow (2019) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...69440855e.jpeg Avantasia - Moonglow (2019) 44.1-24 Country: Germany Genre: Symphonic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:10:30 Full Size: 857.13 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Papa Roach - Emo Trip (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...1e3dfd8aa.jpeg Papa Roach - Emo Trip (2022) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 22:12 Full Size: 379.05 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Dimmu Borgir - For All Tid (1995) [FLAC] https://i120.fastpic.org/big/2022/11...2981df4a23.jpg Dimmu Borgir - For All Tid (1995) [FLAC] Country: Norway Genre: Black Metal Format: FLAC (*tracks) Quality: Lossless Time: 50:30 Full Size: 359.23 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Little River Band - Sleeper Catcher (Remastered) [1978] (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...53613a3e1.jpeg Little River Band - Sleeper Catcher (Remastered) 1978 (2022) 48-24 Country: Australia Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 47:45 Full Size: 594.86 MB "Sleeper Catcher" is the fourth studio album by the Little River Band, released in April 1978. The album included two top 10 Billboard Hot 100 hits in 'Lonesome Loser' and 'Cool Change'. "Little River Band scored their highest-charting single with 1978's Sleeper Catcher release, thanks to the gallant sway of "Reminiscing," which went all the way to number three and stayed in the Top 40 for 14 weeks. Vocalist Glenn Shorrock gives Sleeper Catcher the perfect MOR sound, draping the tracks with his cool, breezy style that is much more apparent and effectual here than on the band's earlier efforts. The album itself gained platinum status, reaching the number 16 spot while scoring another Top Ten hit with the romantic, middle-aged allure of "Lady," one of the group's finest ballads. "Sanity's Side," "Light of Day," and "So Many Paths" have the group fitting in nicely with the late-'70s pop/rock sound, and the opening "Shut Down Turn Off" is the best of the non-released tracks with its appealing yet conventional flow. The album was the last for bass player George McArdle before he left the band to fulfill his religious beliefs. Sleeper Catcher and 1979's First Under the Wire became Little River Band's most successful releases, both with Shorrock as lead singer, who was replaced later by John Farnham in 1983, only to return to the band in the late '80s. Like Sleeper Catcher, First Under the Wire put out two Top Ten singles of the same variety, scoring with "Lonesome Loser" and "Cool Change." (Mike DeGagne, AMG) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lamb of God - Lamb of God (Deluxe Version) 2020 (2021) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...5b545f3e6.jpeg Lamb of God - Lamb of God (Deluxe Version) 2020 (2021) 44.1-24 Country: USA Genre: Groove Metal,Thrash metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:56:10 Full Size: 1.39 GB Cita:
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Blur - Blur [1997] (2014) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...3951d0036.jpeg Blur - Blur [1997] (2014) [96kHz/24bit] Country: UK Genre: Indie Rock, Alt. Rock, Britpop Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 56:53 Full Size: 1.22 GB The Great Escape, for all of its many virtues, painted Blur into a corner and there was only one way out -- to abandon the Britpop that they had instigated by bringing the weird strands that always floated through their music to the surface. Blur may superficially appear to be a break from tradition, but it is a logical progression, highlighting the band's rich eclecticism and sense of songcraft. Certainly, they are trying for new sonic territory, bringing in shards of white noise, gurgling electronics, raw guitars, and druggy psychedelia, but these are just extensions of previously hidden elements of Blur's music. What makes it exceptional is how hard the band tries to reinvent itself within its own framework, and the level of which it succeeds. "Beetlebum" runs through the White Album in the space of five minutes; "M.O.R." reinterprets Berlin-era Bowie; "You're So Great," despite the corny title, is affecting lo-fi from Graham Coxon; "Country Sad Ballad Man" is bizarrely affecting, strangled lo-fi psychedelia; "Death of a Party" is an affecting resignation; "On Your Own" is an incredible slice of singalong pop spiked with winding, fluid guitar and synth eruptions; while "Look Inside America" cleverly subverts the traditional Blur song, complete with strings. And "Essex Dogs" is a six-minute slab of free verse and rattling guitar noise. Blur might be self-consciously eclectic, but Blur are at their best when they are trying to live up to their own pretensions, because of Damon Albarn's exceptional sense of songcraft and the band's knack for detailed arrangements that flesh out the songs to their fullest. There might be dark overtones to the record, but the band sounds positively joyous, not only in making noise but wreaking havoc with the expectations of its audience and critics. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kong - Live 89-99 (2001) [FLAC] https://i120.fastpic.org/thumb/2022/...3e426c5d7.jpeg Kong - Live 89-99 (2001) [FLAC] Country: Netherlands Genre: Instrumental Progressive Metal Format: FLAC (*tracks) Quality: Lossless Time: 01:03:57 Full Size: 451.32 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Spirit Adrift - Enlightened in Eternity (2020) [FLAC] https://i120.fastpic.org/thumb/2022/...bba83e1e3.jpeg Spirit Adrift - Enlightened in Eternity (2020) [FLAC] Country: USA Genre: Heavy Metal,Hard Rock Format: FLAC Quality: Lossless [44,1kHz/16 bit] Time: 45:49 Full Size: 369.73 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Paul Simon - The Essential Paul Simon [2007] (2015) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...864287556.jpeg Paul Simon - The Essential Paul Simon 2007 (2015) 96-24 Country: USA Genre: Folk Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:30:55 Full Size: 2.79 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Orianthi - Rock Candy [Japanese Edition] (2022) [FLAC] https://i120.fastpic.org/big/2022/11...5819f67cef.jpg Orianthi - Rock Candy [Japanese Edition] (2022) [FLAC] Country: Australia Genre: Hard Rock Format: FLAC (*tracks + .cue,log,scans) Quality: Lossless Time: 33:52 Full Size: 254.95 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Big Big Train - Summer Shall Not Fade [2CD] (2022) [FLAC] https://i120.fastpic.org/thumb/2022/...f6101a672.jpeg Big Big Train - Summer Shall Not Fade [2CD] (2022) [FLAC] Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless Time: 01:58:14 Full Size: 1.63 GB The thirteen song set runs to over two hours. It includes classic material from English Electric, Folklore and Grimspound studio albums, and fan favourite deep cuts Kingmaker and Summer's Lease. The performance features the full Big Big Train live band, including the late David Longdon, plus a five-piece brass section and is made even more remarkable by the fact that it was only the band's eighth live show in this incarnation. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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