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[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
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28-05-2022 , 12:22:48 | #3301 | |||
Denunciante Ultra | Hampton Grease Band - Music to Eat 1971 (2022) [192kHz/24bit] Hampton Grease Band - Music to Eat 1971 (2022) 192-24 Country: USA Genre: Psychedelic,Prog Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:28:39 Full Size: 3.01 GB Cita:
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No Calculado | #1.5 |
SponSor | Re: Hampton Grease Band - Music to Eat 1971 (2022) [192kHz/24bit] |
28-05-2022 , 12:29:44 | #3302 | ||
Denunciante Ultra | Arabs In Aspic - Progeria 2003 (2022) [44.1kHz/24bit] Arabs In Aspic - Progeria 2003 (2022) 44.1-24 Country: Norway Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 27:19 Full Size: 284.11 MB Cita:
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28-05-2022 , 12:39:52 | #3303 | ||
Denunciante Ultra | Wilco - Cruel Country (2022) [96kHz/24bit] Wilco - Cruel Country (2022) 96-24 Country: USA Genre: Alternative rock,Indie Rock,Country Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:17:04 Full Size: 1.78 GB Much will be made of Wilco recording a "country" album. Frontman Jeff Tweedy has said that "country music is simply designed to aim squarely at the low-hanging fruit of the truth"-but that's an idealistic vision that isn't always true any more. It's more that the genre understands universality, creating a fantasy of what love should be, of revenge, of a simpler life and time to enjoy it (even if it's just long enough for a cold beer). Or, too often, the "truth" is little more than a furrowed eyebrow sighing for three minutes over something truly horrible in the world. Thank goodness Wilco doesn't seem to know this. This record is brutally, beautifully honest. "I don't mind/ When certain people die/ I can't cry/ I wonder why," Tweedy sings on the lazily dreamy "Hearts Hard to Find," confessing something no one is supposed to say out loud. "It's worse than neglected when you need the one who loves no more," he describes Southern border migration on "I Am My Mother." "There is no middle/ When the other side would rather kill than compromise," goes "Hints," an easy connect-the-dots to Mermaid Avenue, the band's Woody Guthrie project with Billy Bragg-and it doesn't get more authentically American or country than Guthrie (even if the genre remains sheepish about Guthrie's socialism). Wilco's music has always had trace elements of the Grateful Dead-which is, as Margo Price brilliantly put it, "country music for people who also like LSD." (In the case of Wilco, it's probably more like Dad Grass.) You can hear it on the title track with its loose and jangling beat, or the sweet and easy skiffle of "All Across the World." "Many Worlds," meanwhile, is a seven-minute-long countrified trip that deserves its own laser show. ("When I look at the sky/ I think of all the stars that've died," Tweedy sings, securing his place as the alt-rock Eeyore.) And when the band doubles down on country sounds, it's a delight. "A Lifetime to Find" is great, an upbeat honky-tonk exchange between a mortal and the grim reaper: "Oh Death, oh Death/ I was just getting dressed/ The place is a mess/ I was hoping you'd forget" is answered with "Oh yes, oh yes/ Death never rests!" "Falling Apart (Right Now)" is extra twangy, delving deep into the canyons; "Ambulance" flirts with delicate fingerpicking; "Please Be Wrong" has an early '60s standard feel akin to Willie Nelson's "Hello Walls." There are lovely surprises, like the somber horns of "Darkness Is Cheap" (cribbing from Dickens' A Christmas Carol: "Darkness is cheap, and so Scrooge liked it.") And the lightly racing "Bird Without a Tail / Base of My Skull" features word-play lyrics like the lullaby "Hush, Little Baby," each line riffing off the previous: "When the sky began to roar like a lion at my door/ When my door began to crack it's like a stick across my back/ When my back began to smart, was a pen knife in my heart." © Shelly Ridenour/Qobuz Cita:
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28-05-2022 , 12:47:46 | #3304 | ||
Denunciante Ultra | Steve Earle & The Dukes - Jerry Jeff (2022) [96kHz/24bit] Steve Earle & The Dukes - Jerry Jeff (2022) 96-24 Country: USA Genre: Country,Country rock,folk Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 37:06 Full Size: 793.35 MB Cita:
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28-05-2022 , 12:54:50 | #3305 | ||
Denunciante Ultra | Liam Gallagher - Down By The River Thames (Live) (2022) [44.1kHz/24bit] Liam Gallagher - Down By The River Thames (Live) (2022) 44.1-24 Country: UK Genre: Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:03:14 Full Size: 850.68 MB Cita:
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28-05-2022 , 13:02:54 | #3306 | ||
Denunciante Ultra | Bruce Hornsby - 'Flicted (2022) [48kHz/24bit] Bruce Hornsby - 'Flicted (2022) 48-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 46:09 Full Size: 574.02 MB "This record being the third in a trilogy of song collections mostly based on film music I wrote for Spike Lee over the past few years, I wanted to move to some new stylistic places and maybe make a more upbeat record overall. We don't get a ballad until #7, the pandemic shut-down era piece "Days Ahead" ( a duet with Danielle Haim). Lyrically the record is dotted with three Covid-related songs; the aforementioned, "Tag" and the album opener "Sidelines" (a duet with Ezra Koenig of Vampire Weekend), and otherwise ranges far afield with the world of science again a recurring influence ("Lidar" and "Point Omega"). The record also includes the first cover song I've ever put on a studio release, a total re-imagining of Chuck Berry's "Too Much Monkey Business." The album title 'Flicted relates to this strange time in which we live, when the world is basically, well, 'flicted!" Cita:
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28-05-2022 , 13:08:10 | #3307 | ||
Denunciante Ultra | Archive - Super8 (2022) [44.1kHz/24bit] Archive - Super8 (2022) 44.1-24 Country: UK Genre: New Prog,Rock,Electronica,shoegaze Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:20 Full Size: 438.56 MB Cita:
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28-05-2022 , 13:11:39 | #3308 | ||
Denunciante Ultra | Rammstein - Rammstein (2019) [88.2kHz/24bit] Rammstein - Rammstein (2019) 88.2-24 Country: Germany Genre: Neue Deutsche Harte,Industrial metal Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 46:20 Full Size: 1009 MB 10 years after their last album, Rammstein is back in business with a new album, making this quite an event; in 25 years of being active, they sold 20 million records, managing to get Americans to listen to German-language metal. The first single Deutschland is rather ironic with this supposed mise en abîme of the history of their country, but is above all triumphant, dark and extremely powerful. Unstoppable, even, thanks to this chorus that forces us to sing with them. Despite metal guitars in the intro, the following track Radio is almost pop, and there is even an acoustic interlude at the end of Diamant. Auslander sounds like a last dance, with some words in French, Italian and English. It's a very hypnotic album, and one that would be difficult to not listen on loop. Above all, beware of Puppe's seductive oriental kiss, he lets us imagine the worst abuses imposed on this doll. Rammstein handles the art of fire of ice with their talent and brilliance, which is exactly what we love about them. © Christian Eudeline/Qobuz Cita:
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28-05-2022 , 13:14:30 | #3309 | ||
Denunciante Ultra | Black Oak Arkansas - High On The Hog 1973 (2018) [96kHz/24bit] Black Oak Arkansas - High On The Hog 1973 (201 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 34:17 Full Size: 748.08 MB Cita:
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01-06-2022 , 12:37:37 | #3310 | ||
Denunciante Ultra | Harry Styles - Harry's House (2022) [48kHz/24bit] Harry Styles - Harry's House (2022) 48-24 Country: UK Genre: Pop Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 41:52 Full Size: 510.29 MB Cita:
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