Rock,Metal - HD Audio

Def Leppard - On Through The Night (1980) 48-24
Country: UK
Genre: Hard Rock,Glam Metal
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 43:59
Full Size: 577.04 MB





[quote]01. Rock Brigade (Remastered 201 (03:0
02. Hello America (Remastered 201 (03:27)
03. Sorrow Is A Woman (Remastered 201 (03:54)
04. It Could Be You (Remastered 201 (02:33)
05. Satellite (Remastered 201 (04:2
06. When The Walls Came Tumbling Down (Remastered 201 (04:44)
07. Wasted (Remastered 201 (03:45)
08. Rocks Off (Remastered 201 (03:42)
09. It Don't Matter (Remastered 201 (03:21)
10. Answer To The Master (Remastered 201 (03:13)





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AstroWeed - Smoking Planet (2022) 44.1-24
Country: France
Genre: Heavy Psychedelic Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 42:56
Full Size: 495.76 MB









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Wilco - Summerteeth 1999 (2014) 192-24
Country: USA
Genre: Alternative rock,Indie Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 01:00:17
Full Size: 2.3 GB


Wilco evolved at remarkable speed after forming in 1994, almost immediately after the breakup of Uncle Tupelo. Their debut album, 1995's A.M., was an upbeat set of alt-country that bore few, if any surprises, but 1996's Being There was a major creative departure that moved far beyond the boundaries of roots music. 1999's Summerteeth was initially controversial among fans because it marked the spot where Wilco almost entirely abandoned the country influences that had once been the core of Jeff Tweedy's music. Instead, Tweedy and Jay Bennett, who had gone from being the group's guitarist to manning a massive bank of keyboards and becoming Tweedy's primary collaborator in the studio, concocted a stunning set of off-kilter pop, suggesting a Midwestern fusion of peak-era Brian Wilson and Big Star's 3rd. ("Pieholden Suite" in particular is a lovely homage to the Beach Boys' Smile, then still circulating only in bootleg form.) At the same time, this was brilliantly constructed pop music was also pop with a dark and troubling center; the violence at the heart of "She's a Jar" and "Via Chicago" is too blunt to avoid, and even the brightest moments ("Can't Stand It," "A Shot in the Arm," and "When You Wake Up Feeling Old") sound and feel emotionally out of balance, giving this a complicated emotional push-and-pull that reinforces the resonance of the performances. (The album's most lovable pop tune, "Candyfloss," significantly comes near the end of the set, bookended after a 20-second burst of silence.) While Wilco was inarguably Jeff Tweedy's band at this point, Summerteeth was the apex of his collaboration with Jay Bennett, even more so than 2002's Yankee Hotel Foxtrot, and while John Stirratt and Ken Coomer were their strong, reliable selves as a rhythm section, it's Bennett's keyboards and production smarts that give life to a set of great, uncompromising songs. If Being There was the album where Jeff Tweedy embraced all that was possible with Wilco, Summerteeth was where he closed the door on the past and boldly stepped into a very different future.
© Mark Deming /TiVo






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Florence + the Machine - High As Hope (201 44.1-24
Country: UK
Genre: Indie Rock,Indie Pop
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 39:56
Full Size: 431 MB


The story started ten years ago for Florence + The Machine with the single Kiss with a Fist that revealed a certain feminism and a strong personality. For her fourth album High as Hope, the English singer steps into the big league with a unique pop that borrows from rock as well as baroque arrangements. She produced this latest creation herself, with the support from Emile Haynie who has produced the likes of Bruno Mars, Eminem and Kid Cudi. Needless to say, Florence Welch bet on the right horse! Her extraordinary voice reaches new heights on High As Hope. She effortlessly navigates between melancholy and reveries. She alternates between sweet lyric vocalizations and disturbing throat cries! A piano sounds the death knell on Big God, then a whole orchestra comes to life on No Choir. With the strings, keyboards and two talented guests, Sampha and The xx's Jamie xx, the intensity is at its height. Welch uses her music to create a wild and fantastic world, in which the listeners can truly lose themselves. Throughout the album's ten tracks, she deals with a general theme about her relationship to art and the voids it filled in her life. Voids created by her dyslexia, anorexia, as well as her addictive personality and disturbed sexuality. Hypersensitive, Florence manages to give birth to a tough and strong creation charged with emotions, and affirms her dual character, both vulnerable and dominant. © Anna Coluthe/Qobuz






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Black Oak Arkansas - Raunch N' Roll (Live) 1973 (201 96-24
Country: USA
Genre: Southern Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 38:03
Full Size: 858.3 MB









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Electric Light Orchestra - Eldorado (1974) (2021) 96-24
Country: UK
Genre: Progressive rock,Symphonic rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 39:09
Full Size: 849.17 MB









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The Flower Kings - Retropolis 1996 (2022 Remaster) (2022) 48-24
Country: Sweden
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:08:48
Full Size: 850.31 MB


After their critically acclaimed debut Back In The World Of Adventures Sweden´s best loved progressive rock band returned in 1996 with the suitably retro sounding Retropolis. As the title suggested the music was a nostalgic nod to the 70´s, paying tribute to the bands that originally influenced them. The band was clearly beginning to build their own identity on this release with a mixture of bombastic epics and melancholic ballads. A feast for lovers of Hammond and Mellotron.

"Retropolis is the album that brought the Flower Kings from an interesting underground progressive rock band to an act that simply couldn't be ignored by anyone interested in the genre's 1990s revival. Roine Stolt and consorts' aim for Retropolis was to dive a little more into vintage progressive forms (retro) and, indeed, this album is the most nostalgic and closer-to-the-roots-sounding of the band's catalog. From the Pink Floyd-shaped "Rhythm of the Sea" to the poignant Yes-like hymn "There Is More to This World," the Flower Kings sound like they are paying tribute to the groups that brought them to do what they are doing, without ever falling into plagiarism or sacrificing the band's own identity. "Melting Pot," "The Judas Kiss," and the powerful instrumental "Retropolis" are the album's other highlights. Very strong composition-wise, Retropolis lacked some cohesion. It is one of the band's most song-oriented albums (with The Flower King). In comparison, the following effort Stardust We Are will have a stronger identity but at times weaker material." (François Couture, AMG)






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Tedeschi Trucks Band - I Am The Moon- I. Crescent (2022) 192-24
Country: USA
Genre: Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 35:07
Full Size: 1.28 GB


The fifth and most ambitious studio project of TTB's storied career: I Am The Moon, an epic undertaking in four albums and 24 original songs. Inspired by a mythic Persian tale of star-crossed lovers and emotionally driven by the isolation and disconnection of the pandemic era, I Am The Moon totals more than two hours of new music and will be released in successive months beginning with I Am The Moon - I. Crescent, available on CD and digital, Friday, June 3rd






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The Flower Kings - Back In The World Of Adventures 1995 (2022 Remaster) (2022) 48-24
Country: Sweden
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:11:28
Full Size: 908.5 MB


Formed by the ever prolific Roine Stolt (Kaipa, The Tangent, Transatlantic), The Flower Kings were actually born after the release of Stolt´s solo album The Flower King in 1994. Back In The World Of Adventures was the band´s first proper album together and was released in 1995 to wide critical acclaim in the progressive rock community.

The line up on the band´s debut featured keyboardist Tomas Bodin, who was the perfect match for the adventurous Stolt. Saxophonist Ulf Wallander contributes his own special brand of magic to the mix while drummer Jaime Salazar keeps the rhythm together with consummate cool.

"Roine Stolt's voice is strong, full, passionate, and delightfully accented. The Flower Kings' lyrics are heady, compelling, and hook city. The guitar work is extremely melodic and rates right up there with anything Brian May or David Gilmour has offered. Stolt is expertly meshed in this band with brother Michael on bass and voice. Tomas Bodin excels on Hammond organ, Mellotron, piano, and flute. Hans Bruniusson plays percussion alongside Jaime Salazar on drum kit, while Ulf Wallander guests on sax. The ten songs here are split between five instrumentals and five featuring great vocals mingled with extended instrumental bridges and a variety of sonic excursions. Each piece is a rocking, swirling matrix of multifaceted sound, with the opening "World of Adventures" a particular highlight. Take the best of Crack the Sky, Pink Floyd, early Genesis, and the slick cool pop/rock of Queen and Prince's 1999, mix everything together in the cauldron of Stolt's vision of world peace, and out comes a fresh batch of magic." (John W. Patterson, AMG)






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The Kills - No Wow (The Tchad Blake Mix ) 2005 (2022) 48-24
Country: UK/USA
Genre: Indie Rock, Garage Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 39:48
Full Size: 467.05 MB









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