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Temas Similares | ||||
| Tema | Autor | Foro | Respuestas | Último mensaje |
| [ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
| [ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
| [ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
| [ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
| Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
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14-05-2022
, 13:29:42
| #3241 | |||
| Denunciante Ultra  |  Blackfield - Blackfield IV (2013) [48kHz/24bit]
 Blackfield - Blackfield IV (2013) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 31:23 Full Size: 373.41 MB  Cita:
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Twittear Seguir a @denunciando
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| SponSor  |  Re: Blackfield - Blackfield IV (2013) [48kHz/24bit]
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14-05-2022
, 13:41:22
| #3242 | ||
| Denunciante Ultra | Bonnie Raitt - Slipstream (2012) 88.2-24  Bonnie Raitt - Slipstream (2012) 88.2-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 57:15 Full Size: 1.14 GB Cita:
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14-05-2022
, 13:50:52
| #3243 | ||
| Denunciante Ultra | Paul Simon - Graceland [25th Anniversary Edition] 1986 (2012) [96kHz/24bit]  Paul Simon - Graceland [25th Anniversary Edition] 1986 (2012) 96-24 Country: USA Genre: Pop Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:07:51 Full Size: 1.39 GB Cita:
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14-05-2022
, 13:53:57
| #3244 | ||
| Denunciante Ultra | The Sweet - The Polydor Albums (4 CD Box Set) (2017) [FLAC]  Sweet - The Polydor Albums (4CD Box Set Caroline Records) (2017) FLAC Country: UK Genre: Glam rock,Hard rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 03:12:34 Full Size: 1.62 GB Cita:
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17-05-2022
, 12:50:44
| #3245 | ||
| Denunciante Ultra | Black Oak Arkansas - Black Oak Arkansas 1971 (2018) [96kHz/24bit]  Black Oak Arkansas - Black Oak Arkansas 1971 (201  96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:31 Full Size: 726.98 MB Cita:
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17-05-2022
, 12:54:08
| #3246 | ||
| Denunciante Ultra | Graham Bonnet Band - Live... Here Comes the Night (2017) [44.1kHz/24bit]  Graham Bonnet Band - Live... Here Comes the Night (2017) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:11:51 Full Size: 863.99 MB Legendary rock vocalist Graham Bonnet is back with a new live album and home video captured during his acclaimed performance at Frontiers Rock Festival III in Trezzo (Milan, Italy) on April 24, 2016. Accompanied by a stellar band featuring founding member Beth-Ami Heavenstone on bass, South American guitar sensation Conrado Pesinato on lead guitar, and Mark Zonder (known for his work with Warlord and Fates Warning) on drums, Bonnet masterfully delivered a thrilling "Best of" set which included songs from his stints with bands such as Rainbow, McAuley Schenker Group, Alcatrazz, Impellitteri, and of course his solo material too. Cita:
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17-05-2022
, 13:02:00
| #3247 | ||
| Denunciante Ultra | Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) [96kHz/24bit]  Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:14:53 Full Size: 1.55 GB Capturing some of their chart-topping smashes and other key tracks, Tears for Fears marks a monumental career with their collection Tears Roll Down: Greatest Hits 82-92. Toward the end of the praise surrounding their third album, 1991's Seeds of Love, Curt Smith left the band. Roland Orzabal was left to sail the ship alone, and the strong success dwindled years later. However, this dozen-track compilation showcases some of the band's early tracks heavily dominated by pulsating bass drops and heavy synth beats. "Pale Shelter" and "Mad World" from their 1982 debut The Hurting moved toward the soul-defining musical maturation found on 1985's groundbreaking staple Songs From the Big Chair. The Top Ten hits are undoubtedly featured: "Everybody Wants to Rule the World," "Shout," and the more obscure "Mothers Talk." The luscious "Head Over Heels" cuts short of its closing guitar work, a disappointment in the grand scheme of Tears for Fears' synth-dominated sound. Such layered riffs separated the rawness from the fluffy new wave aspect. "Sowing the Seeds of Love" marked the band's own branded progressive rock & roll, but "Woman in Chains," the gospel-tinged cut featuring guest vocals from Oleta Adams, was their most spiritual effort. Essentially, the dozen-track collection is a perfect look at what Tears for Fears did for music during the '80s until the mid-'90s. They made new wave sound cool and melodically beautiful. Cita:
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17-05-2022
, 13:13:53
| #3248 | ||
| Denunciante Ultra | Alphaville - Forever Young (Super Deluxe) (2019) [44.1kHz/24bit]  Alphaville - Forever Young (Super Deluxe) (2019) 44.1-24 Country: Germany Genre: Synthpop,New Wave Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:07:29 Full Size: 2.11 GB Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish. © Tim DiGravina /TiVo Cita:
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17-05-2022
, 13:25:28
| #3249 | ||
| Denunciante Ultra | Opeth - Sorceress (2016) [44.1kHz/24bit]  Opeth - Sorceress (2016) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:16 Full Size: 985.02 MB When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity. Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales. Sorceress is a madly assorted mixed bag. Åkerfeldt's inspirations this time out may still recall prog sources, but there are heavier ones, too: Black Sabbath and the Ritchie Blackmore/Jon Lord-era of Deep Purple. Opener "Persephone" has a brief nylon-string guitar sketch in waltz time that could have come from folk music antiquity. It gives way to the title track and first single. Joakim Svalberg's knotty organ riff dominates the opening moment before a crushing syncopated guitar riff joins in. This track somewhat recalls the Pale Communion sessions but is far more unhinged. The Geezer Butler-esque bassline and explosive kick drums make it the most accessible thing here -- its instrumental section keeps it firmly in prog terrain, however. "The Wilde Flowers" is a truly wild melange of musical styles. It's simultaneously heavy, hard, and spacy, with B-3, bluesy and squalling metal guitar breaks, and chorale vocals that drift in the center, weighting it as a solidly prog track. The bludgeoning guitar riff, up-mixed, swinging drums, and punishing bassline in "Chrysalis" make it a highlight; it shines with Åkerfeldt's finest vocal performance on the album (he can be notoriously lazy). There are lovely acoustic tracks here, too, such as "Will O' the Wisp," which exists in the space between Pentangle's Basket of Light and Led Zeppelin III. "The Seventh Sojourn" melds East Indian drone with North African modalism and exotic hand percussion; strings and keyboards eclipse an oud-like guitar line. It eventually dissembles, wedding near classical polyphony to subdued pop. "Strange Brew" winds through Peter Gabriel-era Genesis-esque ponderousness before a bluesy guitar line ushers it into thundering King Crimson-esque prog adorned with proto-metal riffs and vamps. "A Fleeting Glance" is a dynamic, multifaceted jam showcasing Åkerfeldt's sophisticated melodic sensibilities while touching on musical terrain from Pink Floyd and Gentle Giant to post-Village Green-era Kinks! "Era" opens with a delicate piano intro but Opeth erupts a minute later in melodic aggression. Åkerfeldt's more confident and individualized songwriting on Sorceress takes it in some dizzying directions. While it goes further musically than their two previous outings, it contains enough of the past to exist in a space that carves out terrain somewhere between Watershed and Heritage. Brilliant. © Thom Jurek /TiVo Cita:
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18-05-2022
, 13:13:38
| #3250 | ||
| Denunciante Ultra | Mylene Farmer - Interstellaires (Instrumental Version) (2022) [48kHz/24bit]  Mylene Farmer - Interstellaires (Instrumental Version) (2022) 48-24 Country: France Genre: Pop, Synth-pop, Instrumental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:03 Full Size: 487.09 MB Cita:
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