Rock,Metal - HD Audio

Dio - Dream Evil (Remastered) ( 2014) 24-96
Country: UK
Genre: Hard'n'Heavy
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 43:29
Full Size: 1.01 GB









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Mastodon - Stairway to Nick John (2019) 44-24
Country: USA
Genre: Progressive/Sludge Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 16:58
Full Size: 178.78 MB







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King Gizzard & The Lizard Wizard - Live in Asheville '19 (2020) 44.1-24
Country: Australia
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 01:30:04
Full Size: 1.05 GB







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King Gizzard & The Lizard Wizard - Demos Vol. 1 + Vol. 2 (2020) 44.1-24
Country: Australia
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 01:31:35
Full Size: 1.02 GB







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King Crimson - USA (Live) (2021) 48-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:07:10
Full Size: 833.6 MB


USA was recorded towards the end of King Crimson's final US tour of the 70s in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album - at a time when doubles or even triple live albums were more considered the norm for live releases. Deleted towards the end of the vinyl era in the mid-80s, it remained unreleased in the album era until the expanded edition was finally issued in October 2002. In common with much of Crimson's output, it was not well received at the time by critics, though its critical reputation grew immeasurably in the intervening years to the point where a review of the '21st Century Guide to King Crimson' boxed set in 2004 identified the album as the point ".where Fripp maps out the guitar blueprint for the entire post-punk movement."





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Deep Purple - The Book of Taliesyn 1968 (2015) 96-24
Country: UK
Genre: Prog Rock, Psychedelic Rock,Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 43:56
Full Size: 985.09 MB


Several months after the innovative remake of 'You Keep Me Hanging On,' England's answer to Vanilla Fudge, was this early version of Deep Purple, which featured vocalist Rod Evans, and bassist Nick Simper, along with mainstays Ritchie Blackmore, Jon Lord, and Ian Paice. This, their second album, followed on the heels of 'Hush,' a dynamic arrangement of a Joe South tune, far removed from the flavor of one of his own hits, 'Walk a Mile in My Shoes.' Four months later, this album's cover of Neil Diamond's Top 25, 1967 gem 'Kentucky Woman,' went Top 40 for Deep Purple. Also like Vanilla Fudge, the group's own originals were creative, thought-provoking, but not nearly as interesting as their take on cover tunes. Vanilla Fudge did 'Eleanor Rigby,' and Deep Purple respond by going inside 'We Can Work It Out' -- it falls out of nowhere after the progressive rock jam 'Exposition,' Ritchie Blackmore's leads zipping in between Rod Evans smooth and precise vocals. As Vanilla Fudge was progressively leaning more towards psychedelia, here Deep Purple are the opposite. The boys claim to be inspired by the Bard of King Arthur's court in Camelot, Taliesyn. John Vernon Lord, under the art direction of Les Weisbrich, paints a superb wonderland on the album jacket, equal to the madness of Hieronymous Bosch's cover painting used for the third album. Originals 'The Shield' and 'Anthem' make early Syd Barrett Pink Floyd appear punk in comparison. Novel sounds are aided by Lord's dominating keyboards, a signature of this group.

„Though 'The Anthem' is more intriguing than the heavy metal thunder of Machine Head, it is overwhelmed by the majesty of their 'River Deep, Mountain High' cover, definitely not the inspiration for the Supremes and Four Tops 1971 hit version. By the time 1972 came around, Deep Purple immersed themselves in dumb lyrics, unforgettable riffs, and a huge presence, much like Black Sabbath. The evolution from progressive to hard rock was complete, but a combination of what they did here -- words that mattered matched by innovative musical passages -- would have been a more pleasing combination. Vanilla Fudge would cut Donovan's 'Season of the Witch,' Deep Purple followed this album by covering his 'Lalena'; both bands abandoned the rewrites their fans found so fascinating. Rod Evans voice was subtle enough to take 'River Deep, Mountain High' to places Ian Gillam might have demolished." (Joe Viglione, AMG)




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Roxette - Joyride (30th Anniversary Edition) (2021) 44.1-24
Country: Sweden
Genre: Pop,Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 03:21:10
Full Size: 2.58 GB


The beauty of Roxette is that the duo of Per Gessle and Marie Fredriksson can do practically anything in terms of Top 40 music. From the quiet desperation of "Spending My Time" to the chanting carnival of "Joyride" to the folky "Church of Your Heart," they bring a worldliness to their lyrics and melodies that most pop A-listers don't even have the imagination to dream of. This, the follow-up to their breakthrough disc, Look Sharp!, sees through on what that collection hinted at, meaning most of the songs sound like they were designed to be hit singles, not just filler between two or three good cuts. "The Big L," "Soul Deep," and "Hotblooded" all follow in the successful vein Gessle and Fredriksson mined with "The Look," while "Fading Like a Flower (Every Time You Leave)," an insistent rock ballad, and the accordion-driven "Perfect Day" take things down a notch. The low-key "Watercolours in the Rain" and the whining "(Do You Get) Excited?" are the only cuts that keep the album from being a total success. For the most part, though, this is two pop artists at the top of their game.
© Bryan Buss /TiVo






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Nashville Pussy - Eaten Alive (2021) 48-24
Country: USA
Genre: Hard rock,Southern rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:13:18
Full Size: 1018.74 MB


Nashville Pussy now release their new live album, Eaten Alive, via Slinging Pig Records / MVD Entertainment Group on December 10 on CD/digital, and on January 14th on vinyl.

The mesmerizing leads of legendary guitarist Ruyter Suys leap off the grooves and grab the listener by the throat. Ruyter has been hailed with accolades since the band's inception including being named "one of the top female performers of all time" by That Metal Show. And that's just one example. Combine that with the irresistible thunderous rhythm section of bassist Bonnie Buitrago and hard hitting drummer Ben Thomas, and it makes for one of the most satisfying rock experiences ever recorded.

Eaten Alive not only serves as a perfect souvenir for hundreds of thousands of lucky rock n' rollers that have seen Nashville Pussy in the 40 plus countries over past 25 years, it's also an excellent starting point for all those unfortunately yet to have been exposed to the fiery baptism of hard rock that the band delivers on a nightly basis.






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Depeche Mode - 101 (Deluxe Edition) (2021) 192-24
Country: UK
Genre: Synthpop
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 01:35:19
Full Size: 4.95 GB


As an event, Depeche Mode's huge (attendance around 60,000) Los Angeles Rose Bowl concert in 1988 remains legendary; no single artist show had totally sold out the venue since eight years beforehand, while the film documentary done by Dylan-filmer D.A. Pennebaker based around the show clearly demonstrated fans' intense commitment to a near-decade-old band most mainstream critics continued to stupidly portray as a flash-in-the-pan synth pop effort. This start-to-final-encore record of the concert showcases a band perfectly able to carry its music from studio to stage as well as any other combo worth its salt should be able to do. Understandably focused on Music for the Masses material, the album shows Depeche experimenting with alternate arrangements at various points for live performance; big numbers like "Never Let Me Down Again," "Stripped," and "Blasphemous Rumors" pack even more of a wallop here. Slower numbers and more than a couple of ballads help to vary the hit-packed set, including a fine "Somebody" and "The Things You Said" combination sung by Martin Gore. "Pleasure Little Treasure," on record an okay B-side, becomes a monster rocker live, the type of unexpected surprise one could expect from a solid band no matter what the music. With a triumphant set of closing numbers, including magnificent takes on "Never Let Me Down Again," "Master and Servant," and the set-ending "Everything Counts," with what sounds like the entire audience singing the chorus well after the song has finally ended, 101 does far better at its task than most might have guessed.
© Ned Raggett /TiVo






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Kiss - Lick It Up (Remastered) 1983 (2021) 96-24
Country: USA
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 41:26
Full Size: 980.51 MB


Due to the underachievement of their exceptional 1982 comeback album, Creatures of the Night, Kiss knew the time was right to drop the makeup, so in September 1983 the band shocked their fans by unmasking on MTV. Their first non-makeup album, Lick It Up, followed soon after and successfully re-established the band among the heavy metal masses worldwide. Kiss also reconnected with their stateside fans -- Lick It Up was the band's first record to achieve gold status since 1980's Kiss Unmasked. The album's success was spurred by MTV's repeated airing of the imaginative video for the album's strong title track, and songs such as "Exciter," "Not for the Innocent," "A Million to One," and the rap-rocker "All Hell's Breaking Loose" confirmed that the band was back on the right track. Vinnie Vincent again proved to be a worthy replacement to original guitarist Ace Frehley but would unfortunately leave the band after the completion of the Lick It Up worldwide tour (eventually resurfacing with the Vinnie Vincent Invasion in the late '80s). Lick It Up is undoubtedly Kiss' best non-makeup album.
© Greg Prato /TiVo






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