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20-12-2021 , 13:38:13 | #2621 | ||||
Denunciante Ultra | The Smashing Pumpkins - Mellon Collie And ..(Deluxe Edition) (2012) [96kHz/24bit] The Smashing Pumpkins - Mellon Collie and the Infinite Sadness (Deluxe Edition) (2012) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 05:51:48 Full Size: 7.28 GB Cita:
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SponSor | Re: The Smashing Pumpkins - Mellon Collie And ..(Deluxe Edition) (2012) [96kHz/24bit] |
20-12-2021 , 13:46:31 | #2622 | ||
Denunciante Ultra | Udo Lindenberg - Udopia (Remastered) (2021) [96kHz/24bit] Udo Lindenberg - Udopia (Remastered Version) 2013 (2021) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:48 Full Size: 955.81 MB Udo Lindenberg veröffentlicht seit 1971 Platten, hat über vier Jahrzehnte immer wieder den Nerv der Zeit getroffen und wie kaum ein anderer die Menschen emotional erreicht. Sein Werk ist Zeitgeschichte − unterhaltsam, politisch, romantisch und tiefgründig zugleich. So etwas schaffen nur sehr wenige Künstler. Seine Arbeit umfasst mehr als 40 Platten (Live- und Studioalben, sowie DVDs), und ein Großteil seines Werkes wurde nun für die Programm-Initiative "HighResAudio" neu in 24-Bit gemastert. "Udo Lindenberg Mastered for HighResAudio" ist bis dato das umfangreichste Projekt, welches in Deutschland in dieses neue Format gebracht wurde. Das Ganze geschah in Düsseldorf, in der Skyline Tonfabrik, wo uns Peter "Jem" Seifert und Kai Blankenberg Einblicke in den Prozess und die Hintergründe des Projekts geben. Die meisten Master waren auf 1/4″-Analogbändern. Warner Music und Universal haben uns ihr komplettes Archiv zugänglich gemacht. Alle Bänder liefen auf 38 cm/Sekunde, teilweise mit Dolby A aufgenommen. Das war schon ein irrer Moment, als wir das erste 1/4″-Band aufgelegt haben: Ball Pompös von 1974, in dem Jahr bin ich geboren! Es lief einwandfrei ohne Abrieb und klang tierisch: Gänsehaut! Nach wie vor eine meiner Lieblings-Udo-Platten. Für jedes Band hat Oliver Gregor (Rockruepel) die Bandmaschine optimal neu eingemessen. Beim Aussteuern der Wandler haben wir auf ca. 6 dB Headroom geachtet und haben ganz leise oder laute Bänder mit einem analogen Verstärker etwas angehoben oder abgesenkt. So haben wir einerseits sichergestellt, immer so nah wie möglich am Originalsound zu bleiben, und hatten andererseits immer einen vergleichbaren Pegel bei den Audiofiles, was für ein schnelles und strukturiertes Arbeiten wichtig war. Udo Lindenberg Cita:
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20-12-2021 , 13:52:54 | #2623 | ||
Denunciante Ultra | Deep Purple - Made In Japan (Deluxe Edition) (2014) [96kHz/24bit] Deep Purple - Made In Japan (Deluxe Edition) (2014) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:32:16 Full Size: 3.19 GB Cita:
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21-12-2021 , 13:56:53 | #2624 | ||
Denunciante Ultra | Mastodon - Leviathan (2017) [44,1kHz/24 bit] Mastodon - Leviathan (2017) [44,1kHz/24 bit] Country: USA Genre: Sludge Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:43 Full Size: 577.31 MB Cita:
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21-12-2021 , 14:05:57 | #2625 | ||
Denunciante Ultra | Dio - Live In London - Hammersmith Apollo 1993 (2014) [96kHz/24bit] Dio - Live In London - Hammersmith Apollo 1993 (2014) 96-24 Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:30:57 Full Size: 1.81 GB Cita:
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21-12-2021 , 14:12:29 | #2626 | ||
Denunciante Ultra | Behemoth - And The Forests Dream Eternally (2020) [44.1kHz/24bit] Behemoth - And The Forests Dream Eternally (2020) 44.1-24 Country: Poland Genre: Death Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:12:28 Full Size: 833.83 MB Cita:
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21-12-2021 , 14:17:48 | #2627 | ||
Denunciante Ultra | King Gizzard & The Lizard Wizard - K.G (2020) [44.1kHz/24bit] King Gizzard & The Lizard Wizard - K.G (2020) 44.1-24 Country: Australia Genre: Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:43 Full Size: 490.68 MB Cita:
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21-12-2021 , 14:22:32 | #2628 | ||
Denunciante Ultra | King Gizzard & The Lizard Wizard - Chunky Shrapnel (2020) [48kHz/24bit] King Gizzard & The Lizard Wizard - Chunky Shrapnel (2020) 48-24 Country: Australia Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:16:13 Full Size: 989.04 MB Cita:
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21-12-2021 , 14:32:05 | #2629 | ||
Denunciante Ultra | Can - Live in Brighton 1975 (2021) [96kHz/24bit] Can - Live in Brighton 1975 (2021) 96-24 Country: Germany Genre: Krautrock,Prog Rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24bit] Time: 01:31:11 Full Size: 1.8 GB Live in Brighton 1975 is the second in an ongoing series of officially released concert recordings by Can, which had previously only seen the light of day as bootlegs. Originating from the same year as the Stuttgart gig, issued earlier in 2021, the Brighton show is much in the same vein, containing 90 minutes' worth of numerically titled improvisations by the band's core lineup of Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay. While the group's albums were edited down from endless recording sessions, highlighting moments of sublime chemistry that might've sounded like they were planned ahead of time even though they weren't, this is an unfiltered document of the band's free-form live powers, demonstrating their creative process in real time. There's a fair number of meandering moments, but the parts that actually go places are something to behold. "Drei" takes a few minutes to hit on an agile rhythm that effortlessly sprints forward, capturing a lighter-than-air sensation. "Vier" erupts with explosive drumming, shredding guitar noise, and uncontrolled synth flashes before launching into a ragged, volatile rhythm that feels like it could topple over and combust at any second. The synths throughout the opening minutes of "Sechs" emit silvery light, and after the musicians probe alien territory with several minutes of minimalist scraping and buzzing, a beat forms, making the music sound like it's finally standing upright. "Sieben" happens upon traces of the shimmering organ and funky backbeat of "Vitamin C," arguably the group's signature tune, suggesting that the band had something resembling a live repertoire, but of course it's taken in a much different direction here, starting out slow and smoothed out before revving up and gradually expanding and taking flight. Perhaps even more intriguing are the moments during the set that seem to echo songs that hadn't been written yet, like the brief presence of a chord sequence in "Zwei" that resembles that of the Fall's own Can tribute, "I Am Damo Suzuki." These prescient flashes serve as a reminder that Can were nothing if not ahead of their time, and that there's still much to be gained from uncovering previously obscure corners of their body of work. © Paul Simpson /TiVo Cita:
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21-12-2021 , 14:36:24 | #2630 | ||
Denunciante Ultra | King Crimson - Radio City Music Hall New York NY 2019-09-21 (2019) [44,1kHz/24 bit] King Crimson - Radio City Music Hall New York NY 2019-09-21 (2019) [Bootleg] 44-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:27:54 Full Size: 1.51 GB Unreleased / Bootleg Cita:
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