¿Paul McCartney está Muerto?

Bueno creo que es hora de hecharle tierra a este topic! Gracias MONO! Y nos veremos en otro....

Para el gran final: Ken Mansfield, productor y ejecutivo de sello disquero, fue gerente de Apple Records en Estados Unidos de América. A continuación fragmentos de su libro "The White Book":
"Desde 1965 hasta puntos en el tiempo más allá de su supuesta muerte, yo tenía la firma de Paul en varias correspondencias, documentos y artículos autografiados. Nosotros enviamos éstos por avión a un importante criminólogo y analista de grafología en Chicago; él verificó que todos los escritos y firmas eran del mismo hombre (Paul) y fuimos capaces de confirmar que las fechas de estas firmas eran antes, durante y después del rumorado evento mortal." "Creo que la Tercera Guerra Mundial pudo haber comenzado durante el período 'Paul ha muerto' y nadie menor de la edad de treinta lo hubiera notado."
En Estados Unidos de América, creció una industria de revistas "Paul is Dead" ( "Paul está Muerto" ) y discos de muerte - "Saint Paul" ( "San Paul" ), "Dear Paul" ( "Querido Paul" ), "The Ballad of Paul" ( "La Balada De Paul" ) y "Paulbearer" ( "Cargador de Paul" ). La venta de discos de THE BEATLES en ese país en octubre de 1969 (cuando comenzó el rumor que Paul había muerto) subieron a un nivel inigualado desde febrero de 1964 (tiempo de la primera llegada del grupo a América). "Abbey Road" vendería 5 millones de copias, un millón más que "Sergeant Pepper's Lonely Hearts Club Band". ["Shout! The Beatles in Their Generation"]

Lennon dijo al respecto del rumor que Paul había muerto: "Es el rumor más estúpido que he oído." [libro "The Beatles - Ten Years that Shook the World"]

"What's the point of life And what's the meaning if we all die in the end"?

Jajajaja, buenos datos, se agradecen, y pues son para mi, así como los informes de la NASA, solamente informes creados para ocultar la verdad, de que no hemos estado nunca solos y nuestro planeta está rodeado siempre de objetos que la vigilan y observan, esperando a que nuestra propia evolución nos permita ser conscientes de que hay muchas cosas mas que no hemos sido capaces de ver, porque hemos puesto en manos de otros, el control de lo que podemos o no saber, tener, o ser...

Ola soy nuevo en el foro, pero tengo una duda:

Paul y Brian no fueron raptados segun el testamento de Harrison, o Paul salio solo en su auto y choco etc... Porque son las dos versiones que mas he visto pero las dos juntas no pegan mucho...

Espero me ayuden con la confusion : )

Bueno, pues había cerrado este tema ya pero la investigación, luego de la eliminación del 60IF.com, podemos solo tener a la última grabación de Gerorge Harrison, y un documental muy completo respecto a la confesión de George Harrison.

Aquí la película, espero la disfruten y aporten. Saludos.

Solo los usarios con mas de 1000 puntos de reputacion o los usuarios con membresia Gold, pueden ver este link Que es la reputacion? - Membresias Pagas

Estimado amigo:

Respecto al Testamento que mencionas, "aparentemente" el Testamento de Harrison muestra pruebas concretas y hasta otras mas, en las que se indaga en una situación muy particular. Sin embargo, hay algunas omisiones muy importantes, como el hecho del uso de un tercer doble que fue el suplantador en las grabaciones mientras que se operaba a Faul. Hay muchas dudas de que si es o no real el testamento de George. Muchos dudan de su voz, su acento... Incluso yo mismo dudo respecto a como una persona en un Hospital, grabando solo, puede recordar con detalle tantas y tantas pistas, sin estarlas viendo, y me molesta un poco que pareciera más una narración... Porque o es muy buen trabajo de producción de como van METIENDO las imágenes y reportajes contra la narración de Harrison... O es un Fakearrison contando la historia que todos conocen.

Según el TESTAMENTO ESCRITO original, fueron Paúl y Bryan Epstain los asesinados. Son 2 involucrados en la suplantación de PAUL (te invito a descargar el archivo RAR en la portada de este post para que escuches a Klaatu, el grupo que formaron The Beatles mientras huían para contar al mundo las cosas directamente, respecto a su situación, que misteriosamente hablan muy bien respecto a hechos que menciona GEORGE en su reportaje).

Conocer la verdad a profundidad es dificil, pero de que Paúl murió, no hay dudas. Yo apenas fui a ver a Faul en Concierto, y no me trago todas las mentiras que dice en sus presentaciones... Cambia la historia de The Beatles a su antojo... Cuando él publicamente ha explicado que para formar The Wings se le complicó, toda vez que cuando llegó a The Beatles, todo el asunto ya era preparado, y el grupo estaba formado... Y que nunca había participado en la creación de un proyecto... Cosa que es verdad, pues fue el verdadero Paúl y Lennon quienes buscaron músicos y fue Paúl quien recomiendo a George para la banda, tal y como se menciona en el documental.

Dale una buena leída a mis fuentes, porque como todo, hay dos versiones, la LEYENDA URBANA, y la que creemos, es la real...

ya dejenlo en paz, igual sea quien sea ya se va a morir,... no ven lo decrepito y anciano que esta???

Jajajajajjajajaja, super aporte. Yo voto por eso... Bueno ya ahi les va toditititita la verdad, a ver si lo digieren...

Conspirator’s Hierarchy:
The Story of the Committee of 300
By Dr. John Coleman
1992_4th ed. Electronic.
P 84:
“An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the BEATLES. The Beatles were brought to the United States as part of a social experiment, which would subject large population groups to brainwashing of which they were not even aware. When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of "THE AQUARIAN CONSPIRACY," a living organism which sprang From "THE CHANGING IMAGES OF MAN," URH (489) 2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the study of Social Policy, Director, and Professor Willis Harmon.
The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body, which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will. New words and new phrases—prepared by Tavistock were introduced to America along with the Beatles. Words such as "rock" in relation to music sounds, "teenager," "cool," "discovered" and "pop music" were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be "discovered" by "teenagers." Incidentally, the word "teenagers" was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations…
P 85:
Tavistock and its Stanford Research Center created trigger words, which then came into general usage around "rock music" and its fans. Trigger words created a distinct new breakaway largely young population group, which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of "rock music" were designed for mass control of the new targeted group, the youth of America…
P 86:
The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles merely reacting like trained robots "with a little help from their friends"—code words for using drugs and making it "cool." The Beatles became a highly visible "new type"—more Tavistock jargon—and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage), which upset the older generation, as was intended. This was part of the "fragmentation-maladaptation" process worked out by Willis Harmon and his team of social scientists and genetic engineering tinkerers and put into action.
…Following the Beatles, who incidentally were put together by the Tavistock Institute, came other "Made in England" rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the "music."… Tavistock and Stanford Research then embarked on the second phase of the work commissioned by the Committee of 300. This new phase turned up the heat for social change in America. As quickly as the Beatles had appeared on the American scene, so too did the "beat generation," trigger words designed to separate and fragment society. The media now focused its attention on the "beat generation." Other Tavistock-coined words came seemingly out of nowhere: "beatniks," "hippies," "flower children" became part of the vocabulary of America. It became popular to "drop out" and wear dirty jeans, go about with long unwashed hair. The "beat generation" cut itself off from mainstream America. They became just as infamous as the cleaner Beatles before them.
P 87:
The newly created group and its "lifestyle" swept millions of young Americans into the cult. American youth underwent a radical revolution without ever being aware of it, while the older generation stood by helplessly, unable to identify the source of the crisis, and thus reacting in a maladaptive manner against its manifestation, which were drugs of all types, marijuana, and later
Lysergic acid, "LSD," so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergot amine, a powerful mind-altering drug. The Committee of 300 financed the project through one of their banks, S. C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley.
The new "wonder drug" was promptly distributed in "sample" size packages, handed out free of charge on college campuses across the United States and at "rock" concerts, which became the leading vehicle for proliferating the use of drugs. The question that cries out for an answer is, what was the Drug Enforcement Agency (DEA) doing at the time? There is compelling circumstantial evidence that would appear to indicate that the DEA knew what was going on but was ordered not to take any action.
With very substantial numbers of new British "rock" bands arriving in the U.S., rock concerts began to become a fixture on the social calendar of American youth. In tandem with these "concerts," the use of drugs among the youth rose in proportion. The devilish bedlam of *******ant heavy beat sounds numbed the minds of listeners so that they were easily persuaded to try the new drug on the basis that "everybody is doing it”. Peer pressure is a very strong weapon. The "new culture" received maximum coverage from the jackal media, which cost the conspirators not one single thin dime.
P 90:
…Without massive media hype, and without almost around the clock coverage, the hippy-beatnik rock, drug cult would never have gotten off the ground; it would have remained a localized oddity. The Beatles, with their twanging guitars, silly expressions, drug language and weird clothes, would not have amounted to a hill of beans. Instead, because the Beatles were given saturation coverage by the media, the United States has suffered one cultural shock after another.

P 91:
The men buried in the think tanks and research institutions, whose names and faces are still not known to but a few people, made sure that the press played its part. Conversely, the media's important role in not exposing the power behind the future cultural shocks made certain that the source of the crisis was never identified. Thus was our society driven mad through psychological shocks and stress. "Driven mad" is taken from Tavistock's training manual. From its modest beginnings in 1921, Tavistock was ready in 1966 to launch a major irreversible cultural revolution in America, which has not yet ended. The Aquarian Conspiracy is part of it.
Thus softened up, our nation was now deemed ripe for the introduction of drugs, which was to rival the prohibition era in scope and the huge amounts of money to be made. This too was an integral part of the Aquarian Conspiracy. The proliferation of drug usage was one of the subjects under study at the Science Policy Research Unit (SPRU) at Tavistock's Sussex University facility. It was known as the "future shocks" center, a title given to so-called future oriented psychology designed to manipulate whole population groups to induce "future shocks." It was the first of several such institutions set up by Tavistock.
"Future shocks" is described as a series of events, which come so fast that the human brain cannot absorb the information. As I said earlier, science has shown that there are clearly marked limits to the amount of changes and the nature of them that the mind can deal with. After continuous shocks, the large targeted population group discovers that it does not want to make choices any more. Apathy takes over, often preceded by mindless violence such as is characteristic of the Los Angeles street gangs, serial killers, rapists and child kidnapers. "Future shocks," says SPRU, "is defined as physical and psychological distress arising from the excess load on the decision making mechanism of the human mind." That is Tavistock jargon lifted straight from Tavistock manuals—
P 92:
What started with the Beatles and sample packages of LSD has grown into a flood tide of drug usage, which is swamping America.
In much the same way the Committee of 300 used "The "Beatles" to popularize "social drugs" with the youth of America and The Hollywood "in-crowd." Ed Sullivan was sent to England To become acquainted with the first Tavistock Institute "rock group" to hit the shores of the United States. Sullivan then returned to the United States to draft the strategy for the electronic media on how to package and sell the group. Without the full cooperation of the electronic media and Ed Sullivan, in particular, "The Beatles" and their "music" would have died on the vine. Instead, our national life and the character of the United States was (sic) forever changed.
P 93:
Now that we know, it is all too clear how successful the "Beatles" campaign to proliferate the use of drugs became. The fact that "The Beatles" had their music and lyrics written for them by Theo Adorno was concealed from public view. The prime function to "The Beatles" was to be discovered by teenagers, who where then subjected to a non-stop barrage of "Beatle music" until they became convinced that they liked the sound and adopted it, along with all that accompanied it. The Liverpool group performed up to expectations, and with "a little help from their friends," i.e., illegal substances we call drugs created a whole new class to young Americans in the precise mold ordained by the Tavistock Institute.
Tavistock had created a highly visible "new type" to act as their drug-runners. "New type" is social-science scientist jargon; what it meant was that the Beatles created new social patterns, first and foremost being to normalize and popularize the use of drugs, new tastes in clothes and hair styles which really distinguished them from the older generation as was intended by Tavistock.
It is important to note the deliberate fragmentation inducing language used by Tavistock. The "teenagers" never once dreamed that all the "different" things they aspired to were the product of older scientists working in think tanks in England and Stanford Research. How mortified they would have been if they
had discovered that most of their "cool" habits and expressions were deliberately created for their use by a group of older social science scientists!
The role of the media was, and remains, very important in promoting the use of drugs on a nation-wide scale. When coverage of the street warfare gangs was abruptly terminated by the media, they became "burned out" as a social phenomena; the "new age" of drugs followed. The media has always served as a catalyst and has always pushed "new causes" and now media attention was focused on drug usage and its supporters, the "beat generation," yet another phrase fashioned at Tavistock, in its determined efforts to bring about social changes in The United States.
Drug usage now became an accepted part of everyday life in America. This Tavistock-designed program took in millions of American youth, and the older generation began to believe that America was undergoing a natural social revolution, failing all the while to realize that what was happening to their children was not a spontaneous movement, but a highly artificial creation designed to force changes in America's social and political life.
P 94:
The purpose of the Beatles had become abundantly clear… With the coming of "rock"… a tremendous increase in the use of social drugs, especially marijuana, was observed. The entire dope business was expanded under the control and direction of the Science Policy Research Unit (SPRU).
P 105:
"The Beatles" could not have done a better job. (In both cases the trade was
sanctioned by the British royal family, who openly supported the Beatles.)
P 243:
BIBLIOGRAPHY, SUMMARIES AND NOTES
INTRODUCTION TO THE SOCIOLOGY OF MUSIC, Adorno, Theo. Adorno was kicked out of Germany by Hitler because of his Cult of Dionysus music experiments. He was moved to England by the Oppenheimers where the British royal family gave him facilities at Gordonstoun School and their support. It was here that Adorno perfected “Beatlemusic Rock,” “Punk Rock” “Heavy Metal Rock” and all of the decadent clamor that passes for music today. It is worthy of note that the name “The Beatles” was chosen to show a connection between modern rock, the Isis cult and the Scarab Beatle, a religious symbol of ancient Egypt.

The Tavistock Institute Of Human Relations:
Shaping The Moral, Spiritual, Cultural, Political & Economic Decline Of The United States of America. Electronic Edition.
By John Coleman


P.158
Tavistock's new science scientists were confident that we would not apply the principle "for every effect there must be a cause"— and they were right. For instance we meekly accepted the "Beatles" and their "novel music" and lyrics-if one dare call it music and lyrics, having been told, that the group wrote it all themselves. Actually Tavistock graduate Theo Adorno, whose 12-atonal *******s were scientifically pitched to create mass "environmental social turbulences" all across America, wrote the music. None of the Beatles could read music. Nevertheless, they were "puffed" day and night without ceasing until everything about them, - lies and all, was accepted as truth.

P.192
Because of Tavistock-created and supported programs, we in the United States have suffered a terrible degradation of our moral life, our religious life; debasement of music through the aberration of rock and roll "music," which became progressively worse following a relatively tame introduction by The Beatles followed by Rap and Hip-Hop; destruction of art, as we see pushed by PBS in the Mapplethorpe degenerate objects of derision. We have seen a proliferation of the drug culture and an intensified worship of the Golden Calf. The lust for money has never been higher in any civilization than the current one.


P. 244
Turning now to another area of expertise in which Tavistock initiates its graduates, we refer to the assassination of politicians of importance who cannot be bought, and who has to be silenced. The murders of U.S. Presidents Lincoln, Garfield, McKinley, and Kennedy are all linked to British Intelligence MI6, and since 1923, associated with the Tavistock Institute.
Pres. Kennedy proved to be impervious to mind control by Tavistock, so was chosen for public execution as a warning to those who would aspire to power, that none was higher than the Committee of 300. The grisly spectacle of the public execution of Kennedy was a message to the American people, one which they may not, even now, be aware of. Perhaps the Tavistock Institute provided the blueprint for Kennedy's execution. Perhaps it also carefully selected each and every participant, starting with the obviously mind-controlled Lee Harvey Oswald, and to the not so obvious Lyndon Johnson. Those who would not comply, or who sought to bring out the truth, suffered a variety of punishment, from disgrace, hounding from public life, and even death.
We leave Tavistock's control of U.S. Presidents, past, and future, and turn our attention to the music and entertainment industry. Nowhere is mind control "brainwashing" of huge segments of the American public so noticeable, as it is in the music and entertainment industry. Decades later, misguided, uninitiated people still get angry with me over my exposure of the "Beatles" as a Tavistock project. Now, I fully expect the same people who tell me that they know all about the history of the "Beatles"; that they are musicians and I am not, to question the following:
Did you know that so-called "Rap" music is another Tavistock program? So is "Hip-Hop."…these words have been crafted by the technician in mind control and behavior modification, so that they would fit in and became an integral part of Tavistock's gang wars program for America's major cities. The chief purveyors of this "music" and indeed all so-called "Rock" and "Pop" music… are:
TimeWarner/Sony/Bertelsman/EMI/TheCapitalGroup/Seagram/Canada/PhilipsElectronic/TheIndies.

P.248
SONY.
Sony's revenues in 1999 were estimated at $48.7 billion. It is the largest electronics company in the world. Its music division control Rock/Rap/Pop;
Sony owns all of Michael Jackson's "songs" and nearly the entire range of the
"Beatles."

Monodrack,

baje el archivo, bueno, de torrent baje el primer disco en FLAC y es bastante "nuevo" es algo extraño, me deja algunas sensaciones parecidas a los discos oficiales de los bealtes...

Lo otro, has escuhcado glass onion?, me imagino que se refiere a una "lupa" o algo parecido a una tela de cebolla xD... una lupa.. pensaba que quizas la cancion señalara un lugar, como dice la letra.. "fixing a hole inthe ocean" una isla? , bueno despues describe la forma de la isla o lo que haya en el oceano, y despues dice "looking trough a glass onion" significara buscar?? xD...

tantas cosas que se pueden deducir.. a mi me parecio lo mas logico... segun lo que antes se dice en la cancion..

Ya baje el RAR, de a poco escucho las letras, gracias por tu respuesta.. Saludos.

Un buen trabajo de investigación, felicitaciones......