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The men buried in the think tanks and research institutions, whose names and faces are still not known to but a few people, made sure that the press played its part. Conversely, the media's important role in not exposing the power behind the future cultural shocks made certain that the source of the crisis was never identified. Thus was our society driven mad through psychological shocks and stress. "Driven mad" is taken from Tavistock's training manual. From its modest beginnings in 1921, Tavistock was ready in 1966 to launch a major irreversible cultural revolution in America, which has not yet ended. The Aquarian Conspiracy is part of it.
Thus softened up, our nation was now deemed ripe for the introduction of drugs, which was to rival the prohibition era in scope and the huge amounts of money to be made. This too was an integral part of the Aquarian Conspiracy. The proliferation of drug usage was one of the subjects under study at the Science Policy Research Unit (SPRU) at Tavistock's Sussex University facility. It was known as the "future shocks" center, a title given to so-called future oriented psychology designed to manipulate whole population groups to induce "future shocks." It was the first of several such institutions set up by Tavistock.
"Future shocks" is described as a series of events, which come so fast that the human brain cannot absorb the information. As I said earlier, science has shown that there are clearly marked limits to the amount of changes and the nature of them that the mind can deal with. After continuous shocks, the large targeted population group discovers that it does not want to make choices any more. Apathy takes over, often preceded by mindless violence such as is characteristic of the Los Angeles street gangs, serial killers, rapists and child kidnapers. "Future shocks," says SPRU, "is defined as physical and psychological distress arising from the excess load on the decision making mechanism of the human mind." That is Tavistock jargon lifted straight from Tavistock manuals—
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What started with the Beatles and sample packages of LSD has grown into a flood tide of drug usage, which is swamping America.
In much the same way the Committee of 300 used "The "Beatles" to popularize "social drugs" with the youth of America and The Hollywood "in-crowd." Ed Sullivan was sent to England To become acquainted with the first Tavistock Institute "rock group" to hit the shores of the United States. Sullivan then returned to the United States to draft the strategy for the electronic media on how to package and sell the group. Without the full cooperation of the electronic media and Ed Sullivan, in particular, "The Beatles" and their "music" would have died on the vine. Instead, our national life and the character of the United States was (sic) forever changed.
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Now that we know, it is all too clear how successful the "Beatles" campaign to proliferate the use of drugs became. The fact that "The Beatles" had their music and lyrics written for them by Theo Adorno was concealed from public view. The prime function to "The Beatles" was to be discovered by teenagers, who where then subjected to a non-stop barrage of "Beatle music" until they became convinced that they liked the sound and adopted it, along with all that accompanied it. The Liverpool group performed up to expectations, and with "a little help from their friends," i.e., illegal substances we call drugs created a whole new class to young Americans in the precise mold ordained by the Tavistock Institute.
Tavistock had created a highly visible "new type" to act as their drug-runners. "New type" is social-science scientist jargon; what it meant was that the Beatles created new social patterns, first and foremost being to normalize and popularize the use of drugs, new tastes in clothes and hair styles which really distinguished them from the older generation as was intended by Tavistock.
It is important to note the deliberate fragmentation inducing language used by Tavistock. The "teenagers" never once dreamed that all the "different" things they aspired to were the product of older scientists working in think tanks in England and Stanford Research. How mortified they would have been if they
had discovered that most of their "cool" habits and expressions were deliberately created for their use by a group of older social science scientists!
The role of the media was, and remains, very important in promoting the use of drugs on a nation-wide scale. When coverage of the street warfare gangs was abruptly terminated by the media, they became "burned out" as a social phenomena; the "new age" of drugs followed. The media has always served as a catalyst and has always pushed "new causes" and now media attention was focused on drug usage and its supporters, the "beat generation," yet another phrase fashioned at Tavistock, in its determined efforts to bring about social changes in The United States.
Drug usage now became an accepted part of everyday life in America. This Tavistock-designed program took in millions of American youth, and the older generation began to believe that America was undergoing a natural social revolution, failing all the while to realize that what was happening to their children was not a spontaneous movement, but a highly artificial creation designed to force changes in America's social and political life.
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The purpose of the Beatles had become abundantly clear… With the coming of "rock"… a tremendous increase in the use of social drugs, especially marijuana, was observed. The entire dope business was expanded under the control and direction of the Science Policy Research Unit (SPRU).
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"The Beatles" could not have done a better job. (In both cases the trade was
sanctioned by the British royal family, who openly supported the Beatles.)
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BIBLIOGRAPHY, SUMMARIES AND NOTES
INTRODUCTION TO THE SOCIOLOGY OF MUSIC, Adorno, Theo. Adorno was kicked out of Germany by Hitler because of his Cult of Dionysus music experiments. He was moved to England by the Oppenheimers where the British royal family gave him facilities at Gordonstoun School and their support. It was here that Adorno perfected “Beatlemusic Rock,” “Punk Rock” “Heavy Metal Rock” and all of the decadent clamor that passes for music today. It is worthy of note that the name “The Beatles” was chosen to show a connection between modern rock, the Isis cult and the Scarab Beatle, a religious symbol of ancient Egypt.
The Tavistock Institute Of Human Relations:
Shaping The Moral, Spiritual, Cultural, Political & Economic Decline Of The United States of America. Electronic Edition.
By John Coleman
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Tavistock's new science scientists were confident that we would not apply the principle "for every effect there must be a cause"— and they were right. For instance we meekly accepted the "Beatles" and their "novel music" and lyrics-if one dare call it music and lyrics, having been told, that the group wrote it all themselves. Actually Tavistock graduate Theo Adorno, whose 12-atonal *******s were scientifically pitched to create mass "environmental social turbulences" all across America, wrote the music. None of the Beatles could read music. Nevertheless, they were "puffed" day and night without ceasing until everything about them, - lies and all, was accepted as truth.
P.192
Because of Tavistock-created and supported programs, we in the United States have suffered a terrible degradation of our moral life, our religious life; debasement of music through the aberration of rock and roll "music," which became progressively worse following a relatively tame introduction by The Beatles followed by Rap and Hip-Hop; destruction of art, as we see pushed by PBS in the Mapplethorpe degenerate objects of derision. We have seen a proliferation of the drug culture and an intensified worship of the Golden Calf. The lust for money has never been higher in any civilization than the current one.
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Turning now to another area of expertise in which Tavistock initiates its graduates, we refer to the assassination of politicians of importance who cannot be bought, and who has to be silenced. The murders of U.S. Presidents Lincoln, Garfield, McKinley, and Kennedy are all linked to British Intelligence MI6, and since 1923, associated with the Tavistock Institute.
Pres. Kennedy proved to be impervious to mind control by Tavistock, so was chosen for public execution as a warning to those who would aspire to power, that none was higher than the Committee of 300. The grisly spectacle of the public execution of Kennedy was a message to the American people, one which they may not, even now, be aware of. Perhaps the Tavistock Institute provided the blueprint for Kennedy's execution. Perhaps it also carefully selected each and every participant, starting with the obviously mind-controlled Lee Harvey Oswald, and to the not so obvious Lyndon Johnson. Those who would not comply, or who sought to bring out the truth, suffered a variety of punishment, from disgrace, hounding from public life, and even death.
We leave Tavistock's control of U.S. Presidents, past, and future, and turn our attention to the music and entertainment industry. Nowhere is mind control "brainwashing" of huge segments of the American public so noticeable, as it is in the music and entertainment industry. Decades later, misguided, uninitiated people still get angry with me over my exposure of the "Beatles" as a Tavistock project. Now, I fully expect the same people who tell me that they know all about the history of the "Beatles"; that they are musicians and I am not, to question the following:
Did you know that so-called "Rap" music is another Tavistock program? So is "Hip-Hop."…these words have been crafted by the technician in mind control and behavior modification, so that they would fit in and became an integral part of Tavistock's gang wars program for America's major cities. The chief purveyors of this "music" and indeed all so-called "Rock" and "Pop" music… are:
TimeWarner/Sony/Bertelsman/EMI/TheCapitalGroup/Seagram/Canada/PhilipsElectronic/TheIndies.
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SONY.
Sony's revenues in 1999 were estimated at $48.7 billion. It is the largest electronics company in the world. Its music division control Rock/Rap/Pop;
Sony owns all of Michael Jackson's "songs" and nearly the entire range of the
"Beatles."