Rock,Metal - HD Audio

Pink Floyd - Relics (1996 Remastered Version) (2016) 192-24
Country: UK
Genre: Progressive rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 49:16
Full Size: 1.99 GB


Since Relics is a compilation and not a regular studio album, it tends to be overlooked when thought of as one of Pink Floyd's better releases. It might not be regarded as a classic psychedelic masterpiece in the manner of The Piper at the Gates of Dawn, and it certainly won't ever achieve the multiple platinum status of Dark Side of the Moon, but it's a pretty good place to start with the band's early catalog. Originally issued in 1971, Relics culls from the band's first five singles (two A-sides and three B-sides, including the non-album pop classics "See Emily Play" and "Arnold Layne") and picks album material that capitalizes on the band's versatility while making it a thoroughly palatable listen. From Piper, you get the goofy childishness of "Bike" and the mesmerizing "Interstellar Overdrive," one of the band's trademark instrumental freak-outs; "The Nile Song," taken from the More soundtrack, is one of the heaviest songs the band recorded. A little bit of everything that made early Pink Floyd can be found here. Without a doubt, the disc is an essential part of the band's discography, not to be disregarded due to its overlap with studio album material.
© Andy Kellman /TiVo






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Pink Floyd - A Collection Of Great Dance Songs (2001) 192-24
Country: UK
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 42:51
Full Size: 1.59 GB


Anyone who knew anything about Pink Floyd knew that a dance band they were not, so this profit-taking, holiday-season compilation, courtesy of Columbia Records, was intended ironically. Arguably the quintessential album band, Pink Floyd is not well served by compilations, especially one on which four parts of "Shine on You Crazy Diamond" are edited together and there's a re-recording of "Money." Stick to the full-length versions.
© William Ruhlmann /TiVo






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David Crosby - Lighthouse (2016) 88.2-24
Country: USA
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [88,2 kHz/24 bit]
Time: 40:41
Full Size: 715.96 MB









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Drifting Sun - Forsaken Innocence (2021) 48-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:03:57
Full Size: 792.74 MB


If you don't know Drifting Sun yet, it's time to open the door to the magic with "Forsaken Innocence", their latest masterpiece. (Rock at Night/USA)

L'album de la consécration ultime, l'avenir nous le dira? Indispensable à mes yeux et à mes oreilles. (Profil Prog/Canada)

When a new studio work by DRIFTING SUN is released, nothing more than a masterpiece can be expected... in response to the immense advance praise, DRIFTING SUN present a 70-minute mammoth work (Saitenkult/Germany)





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Be Cause - Light and Darkness (2021) 48-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:26:46
Full Size: 1001.86 MB








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Pink Floyd - More (Original Film Sountrack) (2011 Remastered Version) 1969 (2021) 192-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 44:55
Full Size: 1.83 GB


Pour illustrer la nouvelle folie cinématographique et opiacée du réalisateur Barbet Schroeder, Pink Floyd alors en pleine mutation - cette B.O. arrive après A Saucerful Of Secrets et avant Ummagumma - accouche d'un beau carambolage stylistique : ballades acoustiques, instrumentaux improvisés, escapades psychédéliques, fulgurances électriques, tout y passe ! Mais derrière cette commande, chacun pourra retrouver les graines plantées des ramifications à venir. En quelques sortes, un disque essentiel pour bien comprendre la suite. © MZ/Qobuz






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Pink Floyd - The Piper at the Gates of Dawn 1967 (2021) 192-24
Country: UK
Genre: Psychedelic rock,Progressive rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 41:51
Full Size: 1.71 GB


The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences -- "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock. But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments -- in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation -- the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.
© Steve Huey /TiVo






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Pink Floyd - Atom Heart Mother 1970 (2021) 192-24
Country: UK
Genre: Progressive rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 52:02
Full Size: 2.04 GB


Appearing after the sprawling, unfocused double-album set Ummagumma, Atom Heart Mother may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. Then, on the second side, Roger Waters, David Gilmour, and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up. Of these, Waters begins developing the voice that made him the group's lead songwriter during their classic era with "If," while Wright has an appealingly mannered, very English psychedelic fantasia on "Summer 68," and Gilmour's "Fat Old Sun" meanders quietly before ending with a guitar workout that leaves no impression. "Alan's Psychedelic Breakfast," the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving. So, there are interesting moments scattered throughout the record, and the work that initially seems so impenetrable winds up being Atom Heart Mother's strongest moment. That it lasts an entire side illustrates that Pink Floyd was getting better with the larger picture instead of the details, since the second side just winds up falling off the tracks, no matter how many good moments there are. This lack of focus means Atom Heart Mother will largely be for cultists, but its unevenness means there's also a lot to cherish here.
© Stephen Thomas Erlewine /TiVo






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Beast In Black - Berserker (2017) 44.1-24
Country: Finland
Genre: Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 51:09
Full Size: 647.91 MB









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Beast In Black - Dark Connection (2021) 44.1-24
Country: Finland
Genre: Electronic,Melodic Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 59:14
Full Size: 777.73 MB


Following his 2015 departure from Helsinki's renowned BATTLE BEAST, guitarist extraordinaire Anton Kabanen launched BEAST IN BLACK, a project that is equally if not more over the top in its forwarding of unabashed heavy metal thunder. The unit's first two albums, 2017's "Berserker" and 2019's "From Hell With Love", have been revered globally by power metal fiends, to say the least. BEAST IN BLACK is essentially a household name in Finland where the aforementioned releases both reached platinum status. In the face of high expectations, BEAST IN BLACK delivers on their third outing, "Dark Connection".

BEAST IN BLACK didn't have a sophomore slump following its impressive debut, and "Dark Connection" truly does meet the high-water mark left by the initial releases. True to the band's fundamentals, "Dark Connection" is bursting with absolutely blistering riffs and guitar work, which are combined with deeply infectious vocal work and choruses. "Blade Runner" opens things up with a brief but memorable keyboard driven intro that adequately teases, creating an element of tension before the band unleashes crisp and bold pop-laden heavy metal. The song is replete with Yannis Papadopoulos's impressive vocals, which comfortably and tastefully reach toward the heavens when it's time to unleash that glorious falsetto. But follow-up track "Bella Donna" does an even better job of representing BEAST IN BLACK's essence, a beautiful marriage of impassioned eighties-inspired heavy metal and crystalline pop music.

With "Dark Connection", BEAST IN BLACK wisely chose to employ the "if it ain't broke, don't fix it" approach. Now that they are three albums deep, the band seems comfortable in its stride. What's more, the moody and slower-tempo songs, as well as the MICHAEL JACKSON cover, collectively drag the BEAST forward as a band, ever so marginally yet noticeable enough. The album flows mellifluously in terms of sequencing and because of the thematic science fiction-inspired similarities. There's a sense that BEAST IN BLACK has the potential to reach into the American pocket of mainstream music. Whether or not that happens with "Dark Connection" doesn't matter, though. At the end of the day, in terms of art and creativity, BEAST IN BLACK has hit the ball out of the park with album number three.






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