Rock,Metal - HD Audio

David Gilmour - About Face (2006 Remaster) 1984 (2021) 96-24
Country: UK
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 45:45
Full Size: 943.2 MB


David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face show a pop sensibility that Pink Floyd rarely was concerned with achieving. Although the album didn't attract the attention of a Floyd release, several cuts did manage to get airplay. "Until We Sleep" is rife with shimmering synthesizers and cavernous drums, and "Blue Light" was a minor pop hit, with Gilmour's trademark delay-drenched guitar giving way to a driving, horn-laced rocker. Pete Townshend wrote two of the tracks: "Love on the Air" and the propulsive "All Lovers Are Deranged." Of course, there's more than enough of Gilmour's fluid guitar playing to satisfy, including the gorgeous "Murder," a gentle acoustic track that explodes with some fiery organ by Steve Winwood and concludes with a fierce coda. About Face is well-honed rock album that is riveting from beginning to end.
© Tom Demalon /TiVo






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David Gilmour - On An Island 2006 (2021) 96-24
Country: UK
Genre: Progressive Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 51:40
Full Size: 1.03 GB


To think that David Gilmour waited 22 years to record his third solo album is a pretty solid indicator that he's not the kind of bloke to merely cash in on his name. After all, he's the guy who sold his house for four million English pounds and gave the money to charity. Perhaps now that the Pink Floyd reunion happened and he and Roger Waters are at least civil to one another, the Floyd enigma can finally find its way into the annals of history and rock legend. This catches listeners up to On an Island. Those desiring something edgy and dramatic will have to wait. Gilmour wrote six of these ten tunes with his wife, Polly Samson, who also plays a bit of piano and sings. Musically, On An Island is mostly a laid-back, utterly elegant English record. It has the feel of taking place between twilight and dawn. There are a few rumblers to upset the overall balance of tranquility and stillness, like flashes of heat lightning across the dark skies; they add dimension and a quiet power to these proceedings. Produced by Gilmour, Phil Manzanera (who appears on keyboards), and Chris Thomas, the album features guest spots from the likes of Richard Wright, Robert Wyatt, B.J. Cole, Floyd/Sly Stone drummer Andy Newmark, Georgie Fame, David Crosby and Graham Nash, Jools Holland, Willie Wilson, and many others. The set opens with "Castellorizon," a moody showcase with Gilmour's guitars backed by the orchestral arrangements of Zbigniew Preisner as conducted by Robert Zeigler. Preisner's arrangements throughout are wonderful and not quite as dark as one might expect, given his track record. Atmospheric and dramatic, it offers a lovely if off impression of the album. The title track, which follows, is all breezy strummed chords, keyboards by Wright, and dreamy vocals with Gilmour backed by Crosby and Nash. It's a slow, textured, and spacy love song. "The Blue" follows suit; it too is so utterly full of air that one can hear the wind rustling through the palms. Wright's backing vocals lend a slight PF "Echoes" slant (as does the Hammond organ); the instrumentation just shimmers, hovers, and floats the track along. There are rockers here, though -- "Take a Breath" features chunky razor-wire chords, Leszek Mozdzer's piano, and Manzanera's synth work winding around one another, and the mood is wonderfully plodding, dramatic, and futuristically "heavy." On the gauzy wee-hours instrumental "Red Sky at Night," Gilmour plays sax as well as guitars, and it gives way to "This Heaven," a bluesy stroller that's given deluxe organ treatment by Fame. There's a delightfully nocturnal feel that makes the track feel a bit sinister, but really it's the sound of eros making itself heard, and Gilmour contributes a biting solo and fills amid the drum samples and strings. Wyatt appears on the back-porch spacehead soundtrack-like tripnotica of "Then I Close My Eyes." His and Gilmour's wordless voices slip under and around the considerable space between instruments -- which include Wyatt on cornet and percussion as well as Cole playing a Weissenborn guitar, Caroline Dale's cello, a pair of harmonicas, and of course Gilmour's high-register blues twang. The set ends on a gentle note in "Where We Start" -- so much so that it may make some scratch their heads and wonder where the cranky, diffident Gilmour has wandered off to, but others will be drawn into this seductive, romantic new place where musical subtlety, spacious textures, and quietly lyrical optimism hold sway.
© Thom Jurek /TiVo






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Dream Theater - A View From The Top Of The World (2021) 96-24
Country: USA
Genre: Progressive Metal
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 01:10:14
Full Size: 1.52 GB


After almost four decades, two Grammy Award nominations, millions of records sold and hundreds of shows performed, Dream Theater continue to approach each new record as if it were their first. On their fifteenth studio album, the upcoming 'A View from the Top of the World', this approach continues to prove fruitful with the New York quintet producing one of their best works to date.

Within seven tracks, Dream Theater's exploration of the architecture of a song is once again realized. As is their gluttony for the diverse subject matter. On 'A View from the Top of the World', no single theme or thread interlinks this collection of songs. Evident in the dichotomy between the albums leading singles. Beginning with "The Alien", a nine-minute, sci-fi-influenced examination of the world from an extra-terrestrial point of view. Intricate in its jovial melodies, gliding through various time signatures with the same ease as a swallow through the air, "The Alien" offers a perfect window into both the album and the band.






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Dear Silence - Midnight Sky (2021) 44.1-24
Country: Australia
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 43:15
Full Size: 481.34 MB









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Them feat. Van Morrison - The "Angry" Young Them! (Remastered) (2020) 96-24
Country: UK
Genre: Blues Rock,Garage
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 38:56
Full Size: 727.42 MB


The debut album by the group, also known as The Angry Young Them, and half its tracks make it a dead-on rival to the Stones' debut album, writes Bruce Eder for AllMusic. This reissue features the album's original British configuration ("Just a Little Bit," "I Gave My Love a Diamond," "Bright Lights, Big City," and "My Little Baby" are here; "One Two Brown Eyes" and "Here Comes the Night" are absent).

Them were a Northern Irish band formed in Belfast in April 1964, known for the garage rock standard "Gloria" and launching singer Van Morrison's musical career. The original five member band consisted of Morrison, Alan Henderson, Ronnie Millings, Billy Harrison and Eric Wrixon. The group was marketed in the United States as part of the British Invasion.

"Decca's willingness to release a full-length Them album was conditioned upon the breakthrough success of the band's third single, "Here Comes the Night." It was not, however, the practice in Britain at the time to put hit singles on albums, so this 14-track LP does not include that song. It does, however, contain six songs written by lead vocalist Van Morrison, including the immortal "Gloria" and "Mystic Eyes," which became a chart single in the U.S., plus some well-played R&B covers. Because of an annotation on the back of the LP, this album is sometimes referred to as The Angry Young Them, although its official title is Them." (William Ruhlmann, AMG)






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Them feat. Van Morrison - Them Again (Remastered) (2020) 96-24
Country: UK
Genre: Blues Rock,Garage
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 44:54
Full Size: 813.43 MB


Them Again is the second album by the Northern Irish band, Them, whose lead singer and songwriter was Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts.

"The group's second and, for all intents and purposes, last full album was recorded while Them was in a state of imminent collapse. To this day, nobody knows who played on the album, other than Van Morrison and bassist Alan Henderson, though it is probable that Jimmy Page was seldom very far away when Them was recording. The 16 songs here are a little less focused than the first LP. The material was cut under siege conditions, with a constantly shifting lineup and a grueling tour schedule; essentially, there was no "group" to provide focus to the sound, only Morrison's voice, so the material bounces from a surprisingly restrained "I Put a Spell on You" to the garage-punkoid "I Can Only Give You Everything." Folk-rock rears its head not only on the moody cover of Dylan's "It's All Over Now, Baby Blue" but also the Morrison-authored "My Lonely Sad Eyes," but the main thrust is soul, which Morrison oozes everywhere -- while there's some filler, his is a voice that could easily have knocked Mick Jagger or Eric Burdon off their respective perches." (Bruce Eder, AMG)





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Elton John - The Lockdown Sessions (2021) 44.1-24
Country: UK
Genre: Pop, Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 01:05:15
Full Size: 811.3 MB









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The Rolling Stones - Tattoo You (40th Anniversary Super Deluxe Edition) 1981 (2021 44.1-24)
Country: UK
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 03:27:22
Full Size: 2.42 GB


The Rolling Stones announced a series of 40th anniversary, expanded editions of Tattoo You, the group's multi-platinum 1981 release from Polydor/Interscope/UMe.
The remastered set will include "no fewer' than nine previously unreleased tracks from that era. The rocker "Living In The Heart Of Love" is available now on all digital services.

The 11 tune album, originally mastered on vinyl by Bob Ludwig and still sounding great inlcudes "Waiting on a Friend" (with Sonny Rolling on sax), "Hang Fire" and of course "Start Me Up". Meanwhile The Stones hit the road September 26th on a 13 date No Filter tour starting in St. Louis and running into November with Charlie Watts sitting it out this time due to post-op recovery from unspecified surgery.

The deluxe format editions wil include Lost & Found: Rarities and Still Life: Wembley Stadium 1982 that the press release describes as featuring 26 tracks including "newly completed and enhanced..." tracks with "additional vocals and guitar by the band"






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Catalyst Crime - Catalyst Crime (2021) 44.1-24
Country: International
Genre: Symphonic Metal
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 50:24
Full Size: 617.09 MB


CATALYST CRIME release an excellent debut album. It includes the best elements of symphonic Metal and the cinematic elements add an extra dimension to their sound. "Catalyst Crime" is a perfect symbiosis of modern Metal, Power Metal, Death Metal and orchestral arrangements with the overarching vocals of Zoe Marie Federoff who puts the album onto a higher level. The sound of the album is diverse and distinctive which is evidence for excellent songwriting. The album is very well produced. CATALYST CRIME set the bar very high with their debut album and the band is on a good way to become one of the very best in symphonic Metal.






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Procol Harum - Shine On Brightly 1968 (2021) 96-24
Country: UK
Genre: Progressive Rock,Psychedelic Rock,Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 39:13
Full Size: 842.72 MB









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