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[ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
[ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
14-10-2021 , 12:14:06 | #2341 | |||
Denunciante Ultra | Perpetual Etude - Now is the Time (2021) [44.1kHz/24bit] Perpetual Etude - Now is the Time (2021) 44.1-24 Country: Sweden Genre: Melodic Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 31:11 Full Size: 400.98 MB Perpetual Etude was formed in 2019 by Magnus Mild with the sole goal of bringing back the best heavy metal of the '80s. Influenced by the genre when growing up, Magnus teamed up with members from NorthTale, ex-members from Dionysys, Nation, and Shadowquest, as well as Goran Edman on "Sail Away" to complete the vision. The result is the best of a whole decade in the forthcoming debut, Now Is The Time, an album filled with catchy choruses. Cita:
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No Calculado | #1.5 |
SponSor | Re: Perpetual Etude - Now is the Time (2021) [44.1kHz/24bit] |
14-10-2021 , 12:23:44 | #2342 | ||
Denunciante Ultra | Alcatrazz - V (2021) [48kHz/24bit] Alcatrazz - V (2021) 48-24 Country: USA Genre: Hard Rock,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:02:17 Full Size: 877.65 MB Cita:
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14-10-2021 , 12:39:44 | #2343 | ||
Denunciante Ultra | Tom Morello - The Atlas Underground Fire (2021) [44.1kHz/24bit] Tom Morello - The Atlas Underground Fire (2021) 44.1-24 Country: USA Genre: Hard Rock, Alternative Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:23 Full Size: 577.21 MB Rage Against the Machine guitarist Tom Morello is releasing his latest album The Atlas Underground Fire, sequel to his previous album The Atlas Underground, and it will indeed be getting hot. Being released under the record label Mom + Pop, Morello wrote the majority of the album during lockdown, overcoming the logistical challenges of recording the guitar at home, and collaborating with big names such as Chris Stapleton, Mike Posner and Damian Marley to name a few. Kicking his newest release off with a classic, Tom Morello is joined by Bruce Springsteen and Eddie Vedder in a cover of AC/DC's "Highway to Hell." Bringing on a darker tone compared to the original, Morello, Springsteen and Vedder's version of this AC/DC hit brings on all the reverb and echo you didn't know you needed. Not to mention Morello's guitar solo, which gives a new taste to the song, giving it the urgency of an ambulance on the verge of feedback. Coming out October 2021, you'll be able to listen to some more of Morello's amazing solos on The Atlas Underground Fire, featuring artists Bring Me the Horizon, Refused's Dennis Lyxzén, Phantogram, and the previously mentioned. Whether you're jamming along on your headphones, blasting it in the car, or working out to it, this album combines the best of guitar with the best of rock, and you won't be able to stop listening. Cita:
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14-10-2021 , 12:42:04 | #2344 | ||
Denunciante Ultra | Lords of Black - Alchemy of Souls, Pt. II (2021) [48kHz/24bit] Lords of Black - Alchemy of Souls, Pt. II (2021) 48-24 Country: Genre: Progressive power metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:06:07 Full Size: 842.19 MB Progressive power metal masters Lords Of Black are set to return in 2021 with the follow-up volume to their well received 2020 album 'Alchemy Of Souls, part I'. Utilising the downtime created by the global pandemic, the band have strived to create music that pushes past their previous endeavours, displaying musical maturity and incorporating new elements into their style. Vocalist Ronnie Romero (Rainbow, Sunstorm, The Ferrymen) has provided another vocal masterclass, guitarist Tony Hernando delivers some of the best melodies he has ever written, while bassist Dani Ciado and drummer Jo Nunez show themselves to be a powerful rhythm section who nevertheless perform with absolute finesse. Cita:
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15-10-2021 , 13:16:45 | #2345 | ||
Denunciante Ultra | The Pineapple Thief - Nothing But The Truth (2021) [48kHz/24bit] The Pineapple Thief - Nothing But The Truth (2021) 48-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:30:48 Full Size: 1.06 GB Cita:
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15-10-2021 , 13:26:59 | #2346 | ||
Denunciante Ultra | David Crosby - If I Could Only Remember My Name (50th Anniversary) (2021) [96kHz/2... David Crosby - If I Could Only Remember My Name (50th Anniversary Edition) 1971 (2021) 96-24 Country: USA Genre: Rock,Folk rock Format: FLAC (*tracks) Quality: Lossless [96-192kHz/24bit] Time: 01:42:39 Full Size: 3.03 GB Singer-songwriter David Crosby's solo debut, If I Could Only Remember My Name, was dismissed by critics when it came out in 1971. Over the years, however, appreciation has grown for the album's adventurous aesthetic, stacked harmonies and haunting lyrics about loss and confusion. Billed as Crosby's solo debut, the album was anything but a one-man project. Instead, it was one of his most collaborative efforts, featuring an all-star cast of players that included members of the Grateful Dead, Jefferson Airplane, and Santana, along with Graham Nash, Joni Mitchell, Neil Young, and others. If I Could Only Remember My Name turned 50 earlier this year and Rhino is celebrating with a 2-CD set that includes the album lovingly remastered from the original analog tapes, accompanied by a bonus disc that features a dozen unreleased demos, outtakes, and alternative versions. The new remaster was overseen by original album engineer Stephen Barncard with restoration and speed correction using Plangent Processes. Cita:
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15-10-2021 , 13:32:36 | #2347 | ||
Denunciante Ultra | The Lucid - The Lucid (2021) [48kHz/24bit] The Lucid - The Lucid (2021) 48-24 Country: USA Genre: Hard Rock/Heavy Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:45 Full Size: 495.84 MB The Lucid's debut self-titled album features 9 heavy hitting and emotionally charged tracks showcasing this eclectic quartet's unique sonic approach. Cita:
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15-10-2021 , 15:16:23 | #2348 | ||
Denunciante Ultra | Coldplay - Music Of The Spheres (2021) [44.1kHz/24bit] Coldplay - Music Of The Spheres (2021) 44.1-24 Country: UK Genre: Alternative rock,Pop rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24bit] Time: 41:53 Full Size: 498.84 MB During pandemic lockdown, some people baked bread, others took up fostering kittens. Chris Martin, apparently, watched Star Wars. The Coldplay frontman has said that the band's ninth album was partly inspired by the Mos Eisley cantina band and "wonder[ing] what musicians are like across the universe." And honestly, thank god we have a band big enough to be able to afford to take chances like Music of the Spheres, because the results are thrilling. After the spacy intro "Music of the Spheres," opener "Higher Power" is a flat-out dance track, powered by a punchy electro beat, and joyously uplifting. Martin has said "the song is about trying to find the astronaut in all of us, the person that can do amazing things." (Although, at one point, he sings "Drocer nekorb a ekil mi"-"I'm like a broken record" in reverse.) It's the first example of the album being a family affair, too, as Martin's daughter Apple delivers the opening lilt. She also has a co-write on "Let Somebody Go," a lovely piano ballad that finds Martin duetting with Selena Gomez; it takes a surprising turn on the bridge, slipping into smooth jazz. Apple's brother Moses joins in on the chorus of "Humankind" (with an altered Stephen Fry on the intro), a supercatchy and energetic collection of bleeps and bloops and "alien" voices, '80s synth and strident acoustic guitar that is going to be awesome to work out to. It's a bit of a throwback to the dance-pop sounds of bands like MGMT circa 2008. It won't surprise you here to find out the record is produced by Max Martin, the man behind slick hits from Britney Spears, Katy Perry, Taylor Swift and others. His polished style is a surprising complement to Martin's unpolished rasp and a major asset on songs like "My Universe," a collaboration with BTS performed in English and Korean that cruises a funky groove of '80s FM pop; it's an earworm we'll all be stuck with for months. "People of the Pride" pushes Coldplay in a new, edgier direction-complete with ominous garage-rock guitar and an emo-pop stomp. Curiosity "Biutyful" warps the vocals to sound like a cutesy ET crooning a space-lounge melody. Twinkly "Infinity Sign" incorporates the soccer chant "Ole Ole Ole." The record closes out with one of the most wonderfully grandiose, swing-for-the-stars songs of Coldplay's career. Clocking in at 10 minutes, "Coloratura" is the band's The Dark Side of the Moon moment, weaving in a music box melody, fluttering strings, McCartney piano and spacey Gilmour guitars. It name-checks Galileo's discovery of the Callisto moon and declares,"It's the end of death and doubt and loneliness is out ... Coloratura, the place we dreamed about." (It will be great for planetarium laser shows.) Martin's voice cracks in all the right places, and the idea-"In the end it's all about the love you're sending out-is so elemental but expressed with such a sense of wonder about and gratitude for the universe, you can't help but feel a sense of hope. © Shelly Ridenour/Qobuz Cita:
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16-10-2021 , 12:24:15 | #2349 | ||
Denunciante Ultra | Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) [96kHz/24bit] Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:21:46 Full Size: 3.76 GB Them were one of the very best R&B acts to come out of the U.K. during the British Invasion era, as tight, wiry, and potent as their contemporaries the Rolling Stones, the Animals, and the Pretty Things. But as good as they were, their greatest strength was always their lead singer and main songwriter, Van Morrison, who even in his earliest days boasted a style that was raw and unapologetic but full of street smarts and imagination. Morrison's run with Them lasted a bit more than two and a half years, but it laid the groundwork for his wildly idiosyncratic solo career as well as setting a standard that the band would never equal after he left to strike out on his own. There have been plenty of collections devoted to Morrison's tenure with Them, but The Complete Them: 1964-1967 is not only comprehensive but has Van's seal of approval, as it was assembled by Morrison's own team and features liner notes from the man himself. Sequenced chronologically, The Complete Them devotes its first two discs to the group's two albums of the period, Them (aka The Angry Young Them) and Them Again, as well as non-LP single and EP tracks. Disc two is devoted to demos, alternate takes, and some live tracks cut for BBC Radio, nearly all of them previously unreleased. According to Morrison's notes, Them's lineup was never consistent, especially in the studio, as the group's producers often brought in studio musicians (including Jimmy Page) to beef up the performances, but the product was both consistent and strong, with razor-sharp guitars and swirling organs dominating the arrangements and Morrison's vocals sounding nearly possessed. Having essentially all of Them's studio recordings in one place is great, but the bonus material offers a glimpse of their power as a live act, and the outtakes and alternate versions reveal the growing sophistication of Morrison's approach over the course of 24 tracks. Morrison's essay offers as much opinion as it does fact, but given his well-documented reticence, the fact he wrote the notes at all is impressive, and when he sums up his notes with "I think of Them as good records...there's a lot of good stuff here," he's absolutely right. As a history of an underappreciated band's greatest era or the first steps of one of rock's most individual artists, The Complete Them: 1964-1967 is essential listening. Cita:
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16-10-2021 , 12:32:20 | #2350 | ||
Denunciante Ultra | Rick Wakeman - The Red Planet (2020) [96kHz/24bit] Rick Wakeman - The Red Planet (2020) 96-24 Country: Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:48 Full Size: 3.84 GB Cita:
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