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[ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
[ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
[ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
[ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
09-10-2021 , 13:26:20 | #2331 | |||
Denunciante Ultra | Steely Dan - Gaucho 1980 (2014) [96kHz/24bit] Steely Dan - Gaucho 1980 (2014) 96-24 Country: Genre: Rock,Jazz-Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:10 Full Size: 874 MB Aja was cool, relaxed, and controlled; it sounded deceptively easy. Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance. Furthermore, Walter Becker and Donald Fagen's songs are generally labored, only occasionally reaching their past heights, like on the suave "Babylon Sisters," "Time Out of Mind," and "Hey Nineteen." Still, those three songs are barely enough to make the remainder of the album's glossy, meandering fusion worthwhile. © Stephen Thomas Erlewine /TiVo Cita:
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No Calculado | #1.5 |
SponSor | Re: Steely Dan - Gaucho 1980 (2014) [96kHz/24bit] |
09-10-2021 , 13:33:00 | #2332 | ||
Denunciante Ultra | Eddie Jobson - Four Decades Special Concert (2015) [48kHz/24bit] Eddie Jobson - Four Decades Special Concert (2015) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24bit] Time: 02:16:48 Full Size: 1.71 GB Cita:
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09-10-2021 , 13:37:17 | #2333 | ||
Denunciante Ultra | Dr. John - The Night Tripper 1977 (2020) [44.1kHz/24bit] Dr. John - The Night Tripper 1977 (2020) 44.1-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 35:55 Full Size: 350.19 MB }Newly remastered! Dr. John - who, for over sixties years until his death at the age of seventy-seven on June 6th, 2019 pursued a career in music that was, at its core, all about bringing the music of New Orleans to the world at large. This collection (first released in 1977) brings together a number of recordings from the mid-'60s which find Dr. John honing the New Orleans style that he would perfect in the '70s on classics including 'Such A Night' and 'Right Place, Wrong Time'. From the Liner Notes: Malcolm Rebenneck as Dr. John, the Night Tripper has demonstrated an amazingly high degree of funkmanship as the third generation son of the Second Line, the light New Orleans rhumba rhythm that defined in popular music initially by Roy 'Professor Longhair' Byrd, Huey 'Piano' Smith, and later refined for even greater mass acceptance by Antoine 'Fats' Domino. Dr. John no longer resides in New Orleans and currently devotes most of his energies to behind the scene projects in California, such as producing Van Morrison. The selections here, however, are down home NOLA as red beans and rice. And they are all original from Malcolm Rebenneck. Hot as fiyo on the bayou from the Man with the Plan from the Gitgo. (Joe Nick Patoski) Cita:
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09-10-2021 , 13:43:54 | #2334 | ||
Denunciante Ultra | UK - Ultimate Collector's Edition (14CD Box) (2016) FLAC UK - Ultimate Collector's Edition (14CD Box) (2016) FLAC Country: UK Genre: Rock,Progressive Rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 11:47:04 Full Size: 5.36 GB British prog rock group UK, who issued two albums at the tail end of the 1970s, are celebrated in Ultimate Collectors' Edition, a forthcoming 16-disc box set compiled and curated by original band member Eddie Jobson. Formed in England in 1977, the acclaimed supergroup was made up of keyboardist and electric-violinist Jobson (Roxy Music, Frank Zappa); vocalist and bassist John Wetton (King Crimson); guitarist Allan Holdsworth (Soft Machine); and drummer Bill Bruford (Yes, King Crimson, Genesis). This new box set boasts a wealth of material, the cornerstone of which is the two studio long-players, 1978's UK and Danger Money from 1979 (the latter recorded as a trio with drummer Terry Bozzio) which are newly remastered at Abbey Road and presented on CD and 24/96 hi-res blu-ray audio. Cita:
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13-10-2021 , 12:40:07 | #2335 | ||
Denunciante Ultra | Big Big Train - The Underfall Yard 2009 (2021) [96kHz/24bit] Big Big Train - The Underfall Yard 2009 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:31 Full Size: 2.26 GB The Underfall Yard was a turning point for BBT. It was the first album to feature David Longdon on vocals, the first to feature Nick D'Virgilio as the band's drummer (Nick played on a couple of tracks on 2007's The Difference Machine album but only as a guest) and the first to feature the distinctive sound of Dave Desmond's brass band, creating a unique identity for BBT which the band went on to explore further on subsequent albums, English Electric, Folklore and Grand Tour, and in live performance. Cita:
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13-10-2021 , 12:47:29 | #2336 | ||
Denunciante Ultra | Max Hunt (Fragile) - Hope (2021) [44.1kHz/24bit] Max Hunt (Fragile) - Hope (2021) 44.1-24 Country: Germany Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:00 Full Size: 761.69 MB This is Max Hunt's first official solo release of song based material. 'Hope' was created during the hardest part of the Covid19 Lockdown of 2020/21. With all live shows with well known German rock guitarist Siggi Schwarz, The Thrill, solo and duos having been cancelled and all social interaction having been prohibited for a protracted period in Germany, Max worked on his own in the Studio for many months on this release, pulling together music from the past and present into this new original album. This album was produced with financial support in the form of a Stipendium (Grant) from the Hessische Kulturstiftung. For Max 'Hope' represents the personal hope of a renaissance in musical culture and is inspired in part by the despair, anger and depression of this time and conversely the hope, enthusiasm and excitement for a better future. Other inspirations for 'Hope' include: Vicar's talking to Toads, the Bavarian 'Alte Kath Zwiefache' dance, reoccurring childhood dreams, Dark Age European history, Space flight, Scifi, fantasy, natural sounds, west African Baka polyphonic Yodelling and Languages. Max continues to work with Siggi Schwarz, Fragile and The Thrill and has also worked with Jon Anderson, Steve Howe & Alan White of Yes, ex-Marillion singer Fish, Chris Jagger, Pete York (The Spencer Davis Group), Chris Thompson (Manfred Mann's Earthband), Frank Diez (Peter Maffay), Nicky James (Denny Laine, The Jamesons, Johnny Walker, The Moody Blues 5), late 60s Pre Yes band Mabel Greer's Toyshop, Tantalus and UK TV presenter Johnny Ball. Cita:
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13-10-2021 , 12:58:32 | #2337 | ||
Denunciante Ultra | Alice - Alice 1970 (2021) [96kHz/24bit] Alice - Alice 1970 (2021) 96-24 Country: France Genre: Psychedelic/Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:01:52 Full Size: 1016.28 MB Cita:
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14-10-2021 , 12:00:18 | #2338 | ||
Denunciante Ultra | The Georgia Thunderbolts - Can We Get A*Witness (2021) [96kHz/24bit] The Georgia Thunderbolts - Can We Get A*Witness (2021) 96-24 Country: USA Genre: Hard Rock,Blues Rock,Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:12 Full Size: 1.18 GB Ushering in a new generation of classic southern rock steeped in soul and the blues, The Georgia Thunderbolts have already been called "timeless" by American Songwriter, "your new favorite southern rock band" by Classic Rock, and proof that "southern rock continues to thrive in the 21st century" by Rolling Stone. Now, fresh off a performance at Paste and in the wake of a hometown feature in Atlanta Journal-Constitution, the Georgia Thunderbolts released their debut full-length album, 'Can We Get A Witness,' out October via Mascot Records. A vinyl edition of the album, with bonus track "Better Run From The Beast," will be out November 26th. "We're going for that timeless and classic sound with a modern twist and newer attitude," exclaims TJ Lyle, the lead vocalist for the group that also features Riley Couzzourt [guitar], Logan Tolbert [guitar], Zach Everett [bass, harmony vocals, keys], and Bristol Perry [drums]. "We all grew up on rock music," Riley adds. "If I could think of three words to describe us, they would be 'Hardworking, Determined, and Humble'." Bristol grins, "If I could think of three words, they would be 'Rock And Roll'." Cita:
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14-10-2021 , 12:03:15 | #2339 | ||
Denunciante Ultra | The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) [96kHz/24bit] The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:44:22 Full Size: 3.24 GB The five volumes are yet another tantalizing glimpse into the band's storied creative process. Although the reception for the album was largely mixed on release-some reviewers savaged it-the songs in retrospect are nothing short of amazing; this is by no means bottom-of-the-barrel Beatles. Tunes like "Get Back," "Let It Be," and "The Long and Winding Road" are as good as anything the band ever wrote or recorded. The first volume here contains the original album in a fresh 96 kHz/24-bit remix that like the other Giles Martin-directed mixes is sharper and brighter than the original but not fundamentally different. The biggest aural change has Ringo Starr's drums brought up and forward in the mix, like in the previous reissues in the series. Perhaps most important about this edition of Let It Be is that after years of being bootlegged, Glyn Johns' 1969 Get Back mix has finally been officially released in improved sound and can now be fairly compared to the 1970 version. Deliberately jumbled, with lots of studio patter left in, and meant to be a window into the band's loose, humorous way of making music (or what they hoped to project as such), it still feels sloppy and unfinished, which may be why The Beatles-who waffled throughout the process and initially wanted that ambiance-rejected it in en masse. Johns' mix opens with "One After 909" (written by Paul and John as teenagers) and then proceeds through looser versions of "Don't Let Me Down" (with fabulous accompaniment from keyboardist Billy Preston) "Dig A Pony," and "I've Got a Feeling" with Lennon adding his usual silly, sardonic asides throughout. George Harrison's "For You Blue" opens with the sound of ice cubes swirling in a drink. McCartney's much maligned "Teddy Boy," which didn't make the final cut of Let It Be but became part of McCartney's first solo album, is heard here with Lennon's famous mocking "Do-Si-Do" background comment left intact. Cita:
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14-10-2021 , 12:06:48 | #2340 | ||
Denunciante Ultra | Santana - Blessings and Miracles (2021) [96kHz/24bit] Santana - Blessings and Miracles (2021) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 56:45 Full Size: 1.23 GB On Blessings And Miracles, music legend and guitar master Carlos Santana delivers one of the most ambitious, inspired and flat-out magical records of his storied career. There's thrilling feats of bravura musicianship that pair the guitar master with fellow icons like Chick Corea and Steve Winwood, knockout rockers with Metallica's Kirk Hammett and Living Colour's Corey Glover, and genre-bending, hook-filled celebrations featuring Rob Thomas, Chris Stapleton, G-Eazy, American Authors and Ally Brooke, among others. Santana immersed himself in the creation of Blessings And Miracles over a two-year period, serving as producer and collaborating with record makers and writers such as Diane Warren, Narada Michael Walden, Chris Stapleton, Peter Stengaard and Gregg Wattenberg. It's an album full of revelations and epiphanies - through songs guaranteed to light up both radio playlists and concert stages. Cita:
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