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Rock » Rock,Metal - HD AudioParticipa en el tema Rock,Metal - HD Audio en el foro Rock. |
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| Tema | Autor | Foro | Respuestas | Último mensaje |
| [ Album ] - Katatonia - Dead End Kings (2012) (Depressive Rock / Doom Metal / Progressive Metal) | ThE FaLLeN | Rock | 3 | 27-01-2015 17:20:56 |
| [ Modelos Internacionales ] - ¡La camiseta, se le tiene la camiseta de la banda de rock, metal, etc... (mix. de rock, metal,...) | Misos | Fotos y Modelos | 4 | 13-09-2014 13:36:19 |
| [ Album ] - In the Silence - A Fair Dream Gone Mad (2012) (Atmospheric Rock/Melancholic Metal/Progressive Rock) | ThE FaLLeN | Rock | 3 | 12-09-2012 13:35:25 |
| [ Album ] - Linkin Park - 2011 North American Tour (EP) (2010) (Alternative rock - nu metal - rap rock) | ThE FaLLeN | Rock | 1 | 29-01-2011 08:44:11 |
| Audio de los de ROck y MEtal borrachos | bioron | Rock | 90 | 07-07-2008 12:54:42 |
| | #7021 | |||
| Denunciante Bronce |
![]() Sleater-Kinney - No Cities To Love (2015) 96-24 Country: USA Genre: Alternative, Indie Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 32:17 Full Size: 717.44 MB ![]() Cita:
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Twittear Seguir a @denunciando
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| SponSor ![]() | |
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| | #7022 | ||
| Denunciante Bronce | ![]() Bruce Springsteen - Tracks [1988] (2015) 44.1-24 Country: USA Genre: Heartland Rock, Contry Rock, Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 04:12:52 Full Size: 2.81 GB ![]() Cita:
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| | #7023 | ||
| Denunciante Bronce | U.D.O. - Live - Back To The Roots - Accepted! (2017) [FLAC] Country: Germany Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 02:20:18 Full Size: 1019.35 MB ![]() Cita:
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| | #7024 | ||
| Denunciante Bronce | Scorpions - Hot & Heavy (1982) [FLAC] Country: Germany Genre: Haed Rock Format: FLAC (*tracks) Quality: Lossless Full Size: 282.97 MB ![]() Cita:
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| | #7025 | ||
| Denunciante Bronce | ![]() The Beatles - Live at the Hollywood Bowl (2016 Apple Records LP 96-24) Label: Apple Records - 5705499, Universal Music Group International - 0602557054996 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 43:27 Full Size: 1.17 GB The Beatles at the Hollywood Bowl is a live album by the Beatles released on 5 May 1977 featuring songs compiled from two performances at the Hollywood Bowl in August 1964 and August 1965. The album was released by Capitol Records in the United States and Canada and by Parlophone in the United Kingdom. A remixed, remastered and expanded version of the album, retitled Live at the Hollywood Bowl, was released on 9 September 2016 to coincide with the release of the documentary film The Beatles: Eight Days a Week directed by Ron Howard. ![]() Cita:
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| | #7026 | ||
| Denunciante Bronce | ![]() Kula Shaker - K2.0 (2016) 44.1-24 Country: UK Genre: Psychedelic Rock, Britpop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:48 Full Size: 530.21 MB ![]() Cita:
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| | #7027 | ||
| Denunciante Bronce | ![]() Tyrants - Warlord (2024) 44.1-24 Country: Country: Genre: Speed Metal, Thrash Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 34:29 Full Size: 409.52 MB ![]() Cita:
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| | #7028 | ||
| Denunciante Bronce | ![]() ИБАR - Prevrnu Se Vedro Nebo (2023) 96-24 Country: Serbia Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 39:25 Full Size: 780.03 MB ![]() Cita:
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| | #7029 | ||
| Denunciante Bronce | ![]() UFO - Lights Out (2024 Remaster) (1977) [FLAC] Country: UK Genre: Hard Rock, Classic Rock Format: FLAC (*tracks) Quality: Lossless Time: 01:58:19 Full Size: 831.27 MB ![]() Cita:
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| | #7030 | ||
| Denunciante Bronce | ![]() The Last Dinner Party - Prelude to Ecstasy (2024) 48-24 Country: UK Genre: Indie Rock, Indie Pop Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 41:08 Full Size: 507.12 MB The Last Dinner Party is a love-them-or-hate-them band: Either you are charmed by the theatricality-the high-fashion take on barmaid/wench costumery, singer Abigail Morris' over-the-top delivery, the musical girl-power of it all-or you are likely to roll your eyes. Lush, louche, lusty and fun, the band's songs and style draw from a history of Siouxsie Sioux, Bryan Ferry, Florence Welch and early '80s New Romantics. It's the kind of grand-scale zeitgeist shift, kick-started by Wet Leg, that was inevitable after the humble trend of lo-fi bedroom pop. "Nothing Matters," the alternative-radio hit, is truly excellent, with an alchemic formula of clicky New Wave drums, hair-metal guitar riffs, vivid trumpets and a cathartic chorus meant to be shouted at shows: "And you can hold me like he held her/ And I will fuck you like nothing matters." "Caesar on a TV Screen" is wonderfully weird, encompassing swoony verses, a mischievous Roxy Music-style pre-chorus and a majestic chorus. Morris (who sounds like her arched eyebrow never drops) chews up all the scenery-over-enunciating, milking her English accent, and having the time of her life-with lines like "And just for a second, I could be one of the greats/ I am Caesar on a TV screen, champion of my fate!" Earworm "My Lady of Mercy" is about having a crush on Joan of Arc and sounds like crusaders rushing into battle, complete with cheerleader handclaps, rumble-strip rhythm, a snarling guitar line from Emily Robert and a monster chorus. The Infectious "Sinner" offers tempestuous Morris the sweetened foil of guitarist Lizzie Mayland, as the two trade verses and harmonize over Aurora Nishevci's baroque piano; it feels like a delightful game of cat-and-mouse. Appropriately, Prelude to Ecstasy is mixed by A-list producer Alan Moulder, who has a long history of working with high-drama bands like My Bloody Valentine, Nine Inch Nails and Interpol, and he helps The Last Dinner Party go up to 11: Spinal Tap meets Velvet Goldmine. (Visually, it's hard to recall a rock band having this much fun with fashion-referencing everything from Picnic At Hanging Rock to Sofia Coppola's Marie Antoinette-since early Duran Duran and Culture Club.) Even the less-bombastic moments, like ballerina-sweet piano ballad "On Your Side" or the chamber pop of "Portrait of a Dead Girl," play cinematically. © Shelly Ridenour/Qobuz ![]() Cita:
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