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Red Hot Chili Peppers - The Uplift Mofo Party Plan 1987 (2013) [192kHz/24bit] https://i116.fastpic.org/thumb/2022/...99c66c45c.jpeg Red Hot Chili Peppers - The Uplift Mofo Party Plan 1987 (2013) 192-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 37:59 Full Size: 1.54 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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FM - Tough It Out Live (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...8f7098516.jpeg FM - Tough It Out Live (2021) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:53:07 Full Size: 1.37 GB FM are celebrating the 30th Anniversary of their second album "Tough It Out" with the releaseg of a new double live album, "Tough It Out Live" . "What a splendid tour this was. We recorded every show, so it was very difficult to pick which recordings to use as the audiences were amazing night after night. We are really, really pleased with the results. It was also great fun putting the second half of the album together as there are some great songs on there that are rarely played live," says bassist and original member Merv Goldsworthy. Originally released by Epic Records in 1989, "Tough It Out" broke into the UK Top 40 and saw contributions from songwriting luminaries such as Desmond Child (Aerosmith, Bon Jovi, etc.), Jesse Harms, Robin and Judithe Randall (Mark Free). The record is understandably regarded as a Melodic Rock / AOR classic and the band played it in its entirety on their last shows of 2019 in the UK and Germany to celebrate the 30th anniversary of the release. In addition to the tracks from the "Tough It Out" album, this live release is complemented by a number of tracks which FM have rarely performed live, cherry picked to offer a setlist that gives the discerning fan a great insight into the band's deeper repertoire. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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No-Man (Tim Bowness&Steven Wilson) - Love You To Bits (2019) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...4d4ac89bf.jpeg No-Man (Tim Bowness&Steven Wilson) - Love You To Bits (2019) 44.1-24 Country: UK Genre: Art rock,ambient,dream pop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 35:52 Full Size: 391.44 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Roxy Music - Siren 1975 (2015) [96kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...7e96cc29a0.jpg Roxy Music - Siren 1975 (2015) 96-24 Country: UK Genre: Rock,Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:40 Full Size: 838.59 MB Abandoning the intoxicating blend of art rock and glam-pop that distinguished Stranded and Country Life, Roxy Music concentrate on Bryan Ferry's suave, charming crooner persona for the elegantly modern Siren. As the disco-fied opener "Love Is the Drug" makes clear, Roxy embrace dance and unabashed pop on Siren, weaving them into their sleek, arty sound. It does come at the expense of their artier inclinations, which is part of what distinguished Roxy, but the end result is captivating. Lacking the consistently amazing songs of its predecessor, Siren has a thematic consistency that works in its favor, and helps elevate its best songs -- "Sentimental Fool," "Both Ends Burning," "Just Another High" -- as well as the album itself into the realm of classics. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Halsey - Manic (Digital Expanded Edition) (2020) [44.1kHz/24bit] https://static.qobuz.com/images/cove...cegt9a_600.jpg Halsey - Manic (Digital Expanded Edition) (2020) 44.1-24 Country: USA Genre: Alternative,Indie Pop,Electropop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:23:02 Full Size: 971.1 MB As they were in the throes of completing their third studio album in 2019, Halsey told Rolling Stone the record would contain "hip-hop, rock, country, f***ing everything because it's so manic. It's soooooo manic." It was so manic, Halsey decided Manic was the right title for this high-profile album, the first they've released since 2017's Hopeless Fountain Kingdom helped turn them into a regular presence at the top of the charts. As it turns out, Manic is indeed an appropriate name for an album so filled with twists and turns it feels like a double-LP crammed into the course of a 47-minute record. Such a description is slightly misleading, though, suggesting that the album contains a series of distinct shifts in mood when it is very much a record of its moment, thrumming along to the tasteful shape-shifting hybrids that populate playlists of all genres. Listen closely, certain stylistic aspects assert themselves -- a fingerpicked guitar line rolls along here, there's a reggae bounce there -- and their choice of guest stars is telling. Alanis Morissette -- who is by some measures a clear precursor to Halsey -- vies with rapper Dominic Fike and Suga of K-pop sensations BTS for the splashiest cameo, with each of their appearances labeled as an "interlude." The lack of concrete song titles winds up emphasizing the presence of artists who cross genres, a clear sign of how Manic's seemingly scattershot appearance disguises that Halsey designed the album to appeal to as broad an audience as possible, streamlining all these sounds so they slide onto every conceivable playlist. It's a shrewd ploy that winds up not seeming crass thanks to Halsey's affectless emo bloodletting -- she never resists an opportunity to hit their target squarely on the nose, such as the "I'm so glad I never ever had a baby with you" refrain on "You Should Be Sad" -- and the clever way Manic is sequenced. The artiest, wobbliest songs start the record, followed by their saddest and starkest ballads, so it takes a while before it settles into its comfortable groove of adolescent angst doubling as AAA crossover pop. Such distinctions would be lost on the playlists individual tracks may later call home, but assembled in this fashion as a proper album, Manic showcases Halsey at their nerviest and at their best. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Weeknd - Starboy (2016) [44.1kHz/24bit] https://i117.fastpic.org/big/2022/04...c8a767be32.jpg The Weeknd - Starboy (2016) 44.1-24 Country: Canada Genre: R&B Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:08:28 Full Size: 794.09 MB Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Marillion - An Hour Before It's Dark [Japanese Edition] (2022) [FLAC] https://i117.fastpic.org/big/2022/04...28db654151.jpg Marillion - An Hour Before It's Dark [Japanese Edition] (2022) [FLAC] Country: UK Genre: Progressive Rock Format: FLAC (*image + .cue,log,front.back.cd) Quality: Lossless Time: 01:04:26 Full Size: 380.02 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Nazareth - Surviving The Law [Japanese Edition] (2022) [FLAC] https://i117.fastpic.org/big/2022/04...cf7299e010.jpg Nazareth - Surviving The Law [Japanese Edition] (2022) [FLAC] Country: UK Genre: Hard Rock Format: FLAC (*image + .cue,log) Quality: Lossless Time: 51:17 Full Size: 388.42 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kenny Wayne Shepherd - Lay It On Down (2017) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...06cfaaacb.jpeg Kenny Wayne Shepherd- Lay It On Down (2017) 48-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 41:02 Full Size: 542.38 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Bowie - Scary Monsters (And Super Creeps) (1980) [2017] [192kHz/24bit] https://i117.fastpic.org/thumb/2022/...9614696d2.jpeg David Bowie - Scary Monsters (And Super Creeps) (1980) [2017] 192-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 45:43 Full Size: 1.84 GB David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s. [Rykodisc's 1992 reissue includes re-recorded versions of "Space Oddity" and "Panic in Detroit," the Japanese single "Crystal Japan," and the British single "Alabama Song."] © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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