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Black Sky Giant - Orbiter (2021) 44.1-24
Country: Argentina
Genre: Space Rock,Stoner
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 36:30
Full Size: 362.22 MB




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Animal Collective - Centipede Hz (Limited edition) (2012) 96-24
Country: USA
Genre: Alternative
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 53:32
Full Size: 1.09 GB




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Animal Collective - Time Skiffs (2022) 96-24
Country: USA
Genre: Psychedelic Rock,Experimental
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 47:01
Full Size: 948.07 MB


Time Skiffs isn't a straightforward album by most artists' standards: that its patchworks of sound, lengthy instrumental interludes and slowly uncoiling song structures represent Animal Collective dialling things down says more about their past oeuvre than anything else. As it is, it feels like an act of quiet consolidation rather than a breakthrough, aimed squarely at existing fans, unbothered by grabbing anyone else's attention. "How are we doing now?" asks Car Keys, over and over again, as if checking in on an old friend, a line that sums up both Time Skiffs' limitations and its charm.

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Stoned Karma - Soul Trip Ecstacy (2017) 44.1-24
Country: France
Genre: Psychedelic/Stoner Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 44:37
Full Size: 503.14 MB




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https://youtu.be/LXuy6xvlKXI

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Dave Matthews Band - Warehouse 10 Vol. 11 (2022) 48-24
Country: USA
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [48 kHz/24 bit]
Time: 01:04:21
Full Size: 780.17 MB




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https://youtu.be/4ykg73pRXhc

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Mitski - Laurel Hell (2022) 88.2-24
Country: Japan/USA
Genre: Indie Rock
Format: FLAC (*tracks)
Quality: Lossless [88,2 kHz/24 bit]
Time: 32:25
Full Size: 647.14 MB


In 2018, singer-songwriter Mitski (Miyawaki) released the much-acclaimed Be the Cowboy. Just over a year later, she announced that she was taking a break-from touring, from social media; in other words, from the public eye. "I sense that if I don't step away soon, my self-worth/identity will start depending too much on staying in the game, in the constant churn. I don't want to make art like that," she tweeted. Now, you can hear exactly what she was wrestling with-and how-on her seventh studio album, Laurel Hell. The lyrically devastating "Working for the Knife" is an up-close self-examination of one's creative reality and dashed dreams: "I cry at the start of every movie I guess/ 'cause I wish I was making things too/ But I'm working for the knife." It would be too flip to call it the sound of a quarter-life crisis; it's more the realization that successful art is a commodity, complete with horns mocking your pain. At once strident and dreamy, it brings to mind Tori Amos. "Stay Soft" is the natural follow-up to how you deal with the vagaries of the world. "You stay soft, get beaten/ Only natural to harden up," Mitski sings against a chill dancefloor track. Like much of the record, it is delightfully '80s-inflected, vibrating with appealingly plasticky synth and crisp percussion. So are "The Only Heartbreaker," which sounds like the soundtrack for a movie nightclub scene from that era, and "Love Me More"-a slow burn that builds to a frenzy of Mitski chanting "clean me up, clean me up." "Should've Been Me" is Top 40 joyous in the vein of a Phil Collins song-all jangling melody, wild blares and finger-snap-style percussion. It could be read as an apology for checking out: "I haven't given you what you need/ You wanted me but couldn't reach me/ I'm sorry, it should've been me." Hymn-like "I Guess" is about the end of a relationship, but the song's so dreamy and malleable that it could be romantic or platonic love, about another person or a once-passionate goal. "That's Our Lamp" is more clear. As the narrator leaves home after a fight with her partner, she sees things, literally, from the outside and reaches the realization that you can love someone without liking them-a conclusion that triggers a swell of street and crowd sounds to momentarily drown out the pain. WIth the longest song clocking in at just 3:47, these are perfect little portals to remind you that singular ache and longing can be remarkably universal.

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Jeff Buckley - Grace 1994 (2022) 192-24
Country: USA
Genre: Rock
Format: FLAC (*tracks)
Quality: Lossless [192 kHz/24 bit]
Time: 57:03
Full Size: 2.25 GB


„Jeff Buckley was many things, but humble wasn't one of them. Grace is an audacious debut album, filled with sweeping choruses, bombastic arrangements, searching lyrics, and above all, the richly textured voice of Buckley himself, which resembled a cross between Robert Plant, Van Morrison, and his father Tim. And that's a fair starting point for his music: Grace sounds like a Led Zeppelin album written by an ambitious folkie with a fondness for lounge jazz. At his best -- the soaring title track, 'Last Goodbye,' and the mournful 'Lover, You Should've Come Over' -- Buckley's grasp met his reach with startling results; at its worst, Grace is merely promising." (Stephen Thomas Erlewine, AMG)

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Micki Free - Turquoise Blue (2022) 44.1-24
Country: USA
Genre: Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 59:40
Full Size: 740.73 MB




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La Renga - Alejado de la Red (2022) 96-24
Country: Argentina
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [96 kHz/24 bit]
Time: 33:20
Full Size: 747.29 MB




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Cruzados - She's Automatic (2022) 44.1-24
Country: USA
Genre: Hard Rock,Blues
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 41:02
Full Size: 502.7 MB




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