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23-10-2021 , 13:08:00 | #2381 | |||
Denunciante Ultra | David Crosby - Here If You Listen (2018) [88.2kHz/24bit] David Crosby - Here If You Listen (201 88.2-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 45:07 Full Size: 847.69 MB Cita:
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SponSor | Re: David Crosby - Here If You Listen (2018) [88.2kHz/24bit] |
23-10-2021 , 13:10:30 | #2382 | ||
Denunciante Ultra | David Crosby - Sky Trails (2017) [44.1kHz/24bit] David Crosby - Sky Trails (2017) 44.1-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:18 Full Size: 517.44 MB Cita:
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23-10-2021 , 14:17:25 | #2383 | ||
Denunciante Ultra | David Gilmour - Live At Pompeii (Live At Pompeii 2016) (2017) [96kHz/24bit] David Gilmour - Live At Pompeii (Live At Pompeii 2016) (2017) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:28:19 Full Size: 2.95 GB In 2015, David Gilmour decided to undertake a series of concerts in the world's oldest venues. A year later, the guitarist from Pink Floyd becomes the first artist since the gladiators in 79 AD to give a concert before an audience in Pompeii's amphitheater! It was a trip back to the Italian city for him, as he had already performed there in 1971 during the shooting of Adrian Maben's movie Pink Floyd: Live At Pompeii. In the shadow of the Vesuvius, David Gilmour plays in the more than legendary venue on July 7th and 8th, 2016 and revisits songs that have always been there his whole life, in solo as well as with Floyd. And let's not forget the new interpretations of The Great Gig In The Sky from the album Dark Side Of The Moon, rarely performed in solo by Gilmour. © CM/Qobuz Cita:
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23-10-2021 , 14:23:39 | #2384 | ||
Denunciante Ultra | David Gilmour - Live in Gdansk (2008) [96kHz/24bit] David Gilmour - Live in Gdansk (200 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:28:50 Full Size: 2.86 GB Cita:
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25-10-2021 , 13:12:30 | #2385 | ||
Denunciante Ultra | Norah Jones - Day Breaks (2016) [96kHz/24bit] Norah Jones - Day Breaks (2016) 96-24 Country: USA Genre: Singer Songwriter Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:47 Full Size: 1.02 GB Cita:
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25-10-2021 , 13:15:00 | #2386 | ||
Denunciante Ultra | Biffy Clyro - The Myth of The Happily Ever After (2021)[44.1kHz/24bit] Biffy Clyro - The Myth of The Happily Ever After (2021)44.1-24 Country: UK Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 49:59 Full Size: 607.86 MB Cita:
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25-10-2021 , 13:21:31 | #2387 | ||
Denunciante Ultra | Udo Lindenberg - Daumen im Wind (Remastered) 1972 (2013) [96kHz/24bit] Udo Lindenberg - Daumen im Wind (Remastered) 1972 (2013) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:07 Full Size: 803.26 MB Udo Lindenberg's second release, Daumen im Wind, was a risky venture: when it was released in 1972, mainstream opinion had it that rock music with German lyrics was impossible. On Daumen im Wind, Lindenberg proved otherwise. Although he hadn't found his unique style yet, some tracks on this album, most notably "Hoch im Norden," "Alkoholmädchen," and the title track, gave a glimpse of what was to come starting with his next release. In terms of style, Lindenberg ventured into many waters apart from rock: jazzy sounds are to be found on "Meer der Träume," "Biochemon" is very experimental with Orwellian lyrics, and there is even a spiritual dimension with the song "In den Tiefen Gängen der Vergangenheit," which deals with reincarnation -- and all in all, the album sounds more thrown together than presenting a unified approach. With Daumen im Wind, Udo Lindenberg started to redefine his role as a rock musician, so it has to be regarded as a transitional album on the way to his later groundbreaking work. It is not a masterpiece, but still an important step in the history of German rock because it has to be regarded as the first rock album making use of German lyrics. © Frank Eisenhuth /TiVo Cita:
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25-10-2021 , 13:51:12 | #2388 | ||||
Denunciante Ultra | Willie And The Red Rubber Band - Willie and the Red Rubber Band [1968] (2021) [192... Willie And The Red Rubber Band - Willie and the Red Rubber Band [1968] (2021) 192-24 Country: USA Genre: Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 26:01 Full Size: 1.02 GB Cita:
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25-10-2021 , 14:02:33 | #2389 | ||
Denunciante Ultra | The Replacements - Sorry Ma, Forgot To Take Out The Trash (Deluxe Edition) (2021) The Replacements - Sorry Ma, Forgot To Take Out The Trash (Deluxe Edition) (2021) Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:47:10 Full Size: 4.95 GB Funny thing about The Replacements; after every album, a certain percentage of their fans could be counted on to complain that they'd changed for the worse, betraying the true spirit heard on their previous album. Their debut Sorry Ma, Forgot to Take Out the Trash reissued here in a 100 track, 5-disc version that includes many unreleased demos, outtakes, alternate takes and a complete live show, is where that dynamic began. This is as close to a punk rock album as the band ever made which means those who despise the later, poppier, work, like the penultimate Don't Tell a Soul, for example, and feel the real Replacements died when Bob Stinson left the band, consider Sorry Ma to be their grail. And yet, despite the band's rhythm section of drummer Chris Mars and 14-year-old bassist Tommy Stinson being supremely tight, and Bob Stinson's schizo-guitar thunder-the band's original foundation-casting chords and notes in every direction, Sorry Ma is also where singer/guitarist Paul Westerberg's songs and evolving vocals first become the star. Cita:
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26-10-2021 , 11:35:37 | #2390 | ||
Denunciante Ultra | Pink Floyd - The Division Bell (2011 Remastered Version) 1994 (2021) [192kHz/24bit] Pink Floyd - The Division Bell (2011 Remastered Version) 1994 (2021) 192-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:06:19 Full Size: 2.43 GB Cita:
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