Rock,Metal - HD Audio

Chicago - Chicago II [1970/2014]
Genre: Rock, Soft Rock, AM Pop, Jazz Rock, Fusion
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Full Size: 1,39gb



Tracklist:
1 Movin' In 4:06
2 The Road 3:10
3 Poem For The People 5:36
4 In The Country 6:35
5 Wake Up Sunshine 2:33

Ballet For A Girl In Buchannon
6 Make Me Smile 3:16
7 So Much To Say, So Much To Give 1:12
8 Anxiety's Moment 1:01
9 West Virgina Fantasies 1:34
10 Colour My World 3:01
11 To Be Free 1:15
12 Now More Than Ever 1:26

13 Fancy Colours 5:10
14 25 Or 6 To 4 4:58

Memories Of Love
15 Prelude 1:10
16 A.M. Mourning 2:05
17 P.M. Mourning 1:58
18 Memories Of Love 3:59

It Better End Soon
19 1st Movement 2:33
20 2nd Movement 3:41
21 3rd Movement 3:19
22 4th Movement 0:55

23 Where Do We Go From Here 2:54{CVAL_traks}


Peter Cetera - bass, lead & backing vocals
Terry Kath - electric & acoustic guitars, lead & backing vocals
Robert Lamm - piano, Hammond organ, Hohner Pianet, lead & backing vocals
Lee Loughnane - trumpet, flugelhorn, background vocals
James Pankow - trombone, brass arrangements
Walter Parazaider - saxophones, flute, clarinet, background vocals
Danny Seraphine - drums, percussion

Additional:
Peter Matz - orchestrations and co-arrangements on "Memories of Love" ("Prelude", "A.M. Mourning", "P.M. Mourning")



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Chicago - Chicago III [1971/2014]
Genre: Rock, Soft Rock, AM Pop, Jazz Rock, Fusion
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Full Size: 2,61Gb




Tracklist:
1 Sing A Mean Tune Kid 9:18
2 Loneliness Is Just A Word 2:38
3 What Else Can I Say 3:13
4 I Don't Want Your Money 4:47
Travel Suite
5 Flight 602 2:44
6 Motorboat To Mars 1:30
7 Free 2:15
8 Free Country 5:46
9 At The Sunrise 2:48
10 Happy 'Cause I'm Going Home 7:28

11 Mother 4:31
12 Lowdown 3:36
An Hour In The Shower
13 A Hard Risin' Morning Without Breakfast 1:52
14 Off To Work 0:45
15 Fallin' Out 0:53
16 Dreamin' Home 0:49
17 Morning Blues Again 1:11
Elegy
18 When All The Laughter Dies In Sorrow 1:03
19 Canon 1:05
20 Once Upon A Time... 2:34
21 Progress? 2:34
22 The Approaching Storm 6:26
23 Man vs. Man: The End 1:34{CVAL_traks}

Peter Cetera - bass guitar, steel guitar, lead & backing vocals
Terry Kath - electric & acoustic guitars, lead & backing vocals
Robert Lamm - acoustic piano, tack piano, Wurlitzer electric piano, Hammond organ, Hohner Pianet, lead & backing vocals
Lee Loughnane - trumpet
James Pankow - trombone, brass arrangements
Walter Parazaider - saxophones, flute
Danny Seraphine - drums, percussion



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Chicago - Chicago V [1972/2014]
Genre: Rock, Soft Rock, AM Pop, Jazz Rock, Fusion
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Full Size: 1,56Gb




Tracklist:
1 A Hit By Varese 04:56
2 All Is Well 03:51
3 Now That You've Gone 05:01
4 Dialogue - Part One 02:57
5 Dialogue - Part Two 04:16
6 While The City Sleeps 03:58
7 Saturday In The Park 03:57
8 State Of The Union 06:14
9 Goodbye 05:59
10 Alma Mater 03:53

Peter Cetera - bass, wah-wah bass, lead & backing vocals
Terry Kath - electric & acoustic guitars, lead & backing vocals
Robert Lamm - piano, Hammond organ, Fender Rhodes, Hohner Pianet, lead & backing vocals
Lee Loughnane - trumpet, flugelhorn, percussion, background vocals
James Pankow - trombone, percussion, background vocals, brass arrangements
Walter Parazaider - saxophones, flute, percussion, background vocals
Danny Seraphine - drums, congas, antique bells, percussion



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Chicago - Chicago VI [1973/2014]
Genre: Rock, Soft Rock, AM Pop, Jazz Rock, Fusion
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Full Size: 1,38gb



Tracklist:
1 Critics' Choice 02:49
2 Just You 'N' Me 03:46
3 Darlin' Dear 03:01
4 Jenny 03:33
5 What's This World Comin' To 05:02
6 Something In This City Changes People 03:42
7 Hollywood 03:55
8 In Terms Of Two 03:32
9 Rediscovery 04:50
10 Feelin' Stronger Every Day 04:16{CVAL_traks}

Peter Cetera - bass, lead & background vocals, harmonica on "In Terms of Two"
Terry Kath - electric & acoustic guitars, slide guitar, lead & background vocals
Robert Lamm - piano, Hammond organ, clavinet, Wurlitzer electric piano, Fender Rhodes, synthesizer, Hohner Pianet, lead & background vocals
Lee Loughnane - trumpet, background vocals, percussion
James Pankow - trombone, brass arrangements
Walter Parazaider - saxophones, flute
Danny Seraphine - drums, percussion

Additional:
Laudir de Oliveira - congas
Joe Lala - congas
J. G. O'Rafferty - pedal steel



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Red Hot Chili Peppers - By the Way (2002) [2015 Remastered]
Genre: Alternative Rock,Funk Metal,Funk Rock
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Full Size: 1,59gb


The Red Hot Chili Peppers' eighth studio album finds the California foursome exploring the more melodic freeways of harmony and texture, contrasting the gritty, funky side streets of their early days. Luckily, with this more sophisticated sound, the Peppers have not sacrificed any of their trademark energy or passions for life, universal love, and (of course) lust. Although they recorded the spiky Abbey Road EP in 1988, this album actually sounds a lot closer to the Beatles' Abbey Road, with a little of Pet Sounds and elements of Phil Spector's lushest arrangements all distilled through the band's well-traveled funk-pop stylings. Harmony vocals and string arrangements have replaced some of the aggressive slap bass that the group was initially recognized for, but fans of both the gentle and the fierce Chili Peppers styles will embrace the title track and first single, "By the Way." In fact, this song on its own could almost be a brief history of everything The Red Hot Chili Peppers have recorded: fiery Hollywood funk, gentle harmonies, a little bit of singing about girls, a little bit of hanging out in the streets in the summertime, some rapid-fire raps from Anthony Kiedis, some aggro basslines from Flea -- the song plays like a three-and-a-half-minute audio version of Behind the Music. Overall, the album leans more toward the melodic end of their oeuvre, but they have grown into this kinder, gentler mode organically, progressively working toward this groove little by little, album by album. What once were snapshots of a spastic punk-funk lifestyle have grown into fully realized short stories of introspection and Californication. Though the pace of the album falters at times (particularly in the verses; the choruses are all pretty spectacular), it is refreshing to see that as the four Chili Peppers continue to grow older and more sure of themselves, their composition and performing skills are maturing along with them.

Tracklist:
1 By The Way 3:37
2 Universally Speaking 4:19
3 This Is The Place 4:17
4 Dosed 5:12
5 Don't Forget Me 4:37
6 The Zephyr Song 3:52
7 Can't Stop 4:29
8 I Could Die For You 3:13
9 Midnight 4:55
10 Throw Away Your Television 3:44
11 Cabron 3:38
12 Tear 5:17
13 On Mercury 3:28
14 Minor Thing 3:37
15 Warm Tape 4:16
16 Venice Queen 6:07

Michael "Flea" Balzary - bass, trumpet and backing vocals
John Frusciante - guitar, backing vocals, piano, keyboards and modular synthesizer
Anthony Kiedis - lead vocals
Chad Smith - drums, percussion

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Red Hot Chili Peppers - Stadium Arcadium (2006) [2015 Remastered]
Genre: Alternative Rock,Funk Metal,Funk Rock
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Full Size: 2,74Gb


Indulgence has long been a way of life for the Red Hot Chili Peppers, yet they resisted the siren's call of the double album until 2006's Stadium Arcadium. Sure, 1991's breakthrough Blood Sugar Sex Magik was as long as a classic double LP, but such distinctions mattered little in the era when vinyl gave way to CD, and they matter less now, as the CD gradually gives way to digital-only releases. In fact, like how Blood Sugar was the tipping point when the LPs ceded ground to CDs, Stadium Arcadium could be seen as the point when albums were seen as a collection of digital playlists. Yes, it's pressed up as a two-disc set -- including an extravagant but pointless special edition housed in a clunky box that includes a make-yer-own-spinning-top -- but this is an album that's designed for you to mix and match, create your own playlist, rip and burn on your own. It's designed for you to sequence its 28 songs in some kind of cohesive manner, since the band sure didn't take the time to do that here; it's the first major album by a major band that makes as much sense on random as it does in its proper sequencing. Well, that's not entirely true: the official 28-song album does begin with "Dani California," the clearest single here, the one thing that truly grabs attention upon first listen and worms its way into your subconscious, where it just won't let go, as so much of Anthony Kiedis' catchiest melodies do. After that, it's a long, winding path of alternately spacey and sunny pop, ballads, and the occasional funk workout that used to be the Chili Peppers' signature but now functions as a way to break up the monotony. And there needs to be something to break up the monotony, not because the music is bad but because it all exists at the same level and is given a flat, colorless production that has become the signature of Rick Rubin as of late.

Rubin may be able to create the right atmosphere for Flea and John Frusciante to run wild creatively -- an opportunity that they seize here, which is indeed a pleasure to hear -- but he does nothing to encourage them to brighten the finished recording up with some different textures, or even a greater variety of guitar tones. As such, the bare-bone production combined with the relentless march of songs gives Stadium Arcadium the undeniable feel of wading through the demos for a promising project instead of a sprawling statement of purpose; there's not enough purpose here for it to be a statement. That fault is down to the band not forming the raw material into something palatable for the listener, but there's also the problem that as a lyricist Anthony Kiedis just isn't that deep or clever enough to provide cohesive themes for an album of this length; he tackles no new themes here, nor does he provide new insight to familiar topics. To his credit, he does display a greater versatility as a vocalist, cutting back on the hambone rapping that used to be his signature and crooning throughout the bulk of this album, usually on key. That said, he still has enough goofy tics to undercut his attempts at sincerity, and he tends to be a bit of a liability to the band as a whole; with a different singer, who could help shape and deliver these songs, this album might not seem as formless and gormless. But there is a fair amount of pleasures here, all down to the interplay between Flea and Frusciante. While drummer Chad Smith does prove himself quite versatile here, gracefully following the eccentric turns and meanderings of the bassist and guitarist, the string instruments are the reason to listen to Stadium Arcadium. That's always been the case to a certain extent with the Chili Peppers, but here it's especially true, as they push and pull, rave and rumble, lie back and rock out -- pretty much spit out anything they can do on their instruments over the course of 28 songs. As good as much of this is, there is a little bit of monotony here, since they're working variations on their signature themes, and they haven't found a way to make these variations either transcendent or new; they're just very good renditions on familiar themes. These tracks rarely betray their origins as studio jams -- more than ever, it's possible to hear that the track came first, then the song -- and while that can result in some good listening, it all does kind of drift together. That said, there are no bad tracks here -- it's all of a relatively high quality -- but there are no standouts either, so it takes a very dedicated fan to start sorting out the subtleties between the tracks (not the wheat from the chaff, since it's all wheat). And while those hardcore fans may certainly enjoy the make-your-own-adventure spirit of Stadium Arcadium, it's hard not to feel that it's the band's responsibility to take this very good repetitive album and mold it into something sharper and more effective. So call it the rock version of Peter Jackson's King Kong: there's something pretty great and lean buried beneath the excess, but it's so indulgent, it's a work that only a fanboy could truly love.

Tracklist:
Jupiter
1 Dani California 4:43
2 Snow ((Hey Oh)) 5:34
3 Charlie 4:37
4 Stadium Arcadium 5:15
5 Hump De Bump 3:33
6 She's Only 18 3:25
7 Slow Cheetah 5:20
8 Torture Me 3:44
9 Strip My Mind 4:19
10 Especially In Michigan 4:01
11 Warlocks 3:25
12 C'mon Girl 3:48
13 Wet Sand 5:09
14 Hey 5:39

Mars
15 Desecration Smile 5:02
16 Tell Me Baby 4:07
17 Hard To Concentrate 4:02
18 21st Century 4:22
19 She Looks To Me 4:06
20 Readymade 4:30
21 If 2:52
22 Make You Feel Better 3:52
23 Animal Bar 5:25
24 So Much I 3:44
25 Storm In A Teacup 3:45
26 We Believe 3:36
27 Turn It Again 6:06
28 Death Of A Martian 4:24

Flea - bass, backing vocals, trumpet
John Frusciante - guitars, backing vocals, keyboards
Anthony Kiedis - lead vocals
Chad Smith - drums, percussion

Additional musicians:
Natalie Baber,Mylissa Hoffman,Alexis Izenstark,Spencer Izenstark,Dylan Lerner,Kyle Lerner,Gabrielle Mosbe,Monique Mosbe,Sophia Mosbe,Isabella Shmelev,Landen Starman,Wyatt Starkman - background vocals on "We Believe"
Michael Bulger - trombone on "Turn It Again"
Lenny Castro - percussion
Paulinho da Costa - percussion
Richard Dodd - cello on "She Looks to Me"
Emily Kokal - chorus vocals on "Desecration Smile"
Billy Preston - clavinet on "Warlocks"
Omar Rodriguez-Lopez - guitar solo on "Especially in Michigan"
Brad Warnaar - French horn on "Stadium Arcadium"

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Red Hot Chili Peppers - I'm with You (2011) [2015 Remastered]
Genre: Alternative Rock,Funk Metal,Funk Rock
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Full Size: 1,32Gb


Losing John Frusciante for a second time doesn't send the Red Hot Chili Peppers into a tailspin. By now, the Chili Peppers shed guitarists like a second skin, changing their outer layer but retaining their inner core. Such is the case with I'm with You, the band's first album since 2006's Stadium Arcadium. If that double-disc was defined by its unwieldy sprawl, its songs spewed not sequenced, I'm with You is characterized by its focus, both within individual tunes and the songs as a whole. New guitarist Josh Klinghoffer -- veteran sideman and longtime pal of Frusciante who provided secondary guitar on the closing stretch of the Stadium Arcadium tour -- doesn't compete for center stage the way previous Peppers did. He doesn't strut, he weaves, disappearing so completely into the arrangements he doesn't seem to leave his signature despite the heavy layers of guitars on each cut. This makes I'm with You the flipside of One Hot Minute, where the Chili Peppers bent over backward to accommodate Dave Navarro: the Peppers don't miss a step, they almost seem relieved to be carrying on without Frusciante. Part of that could be due to a newfound musical elasticity, a reflection of Flea taking music theory classes at USC during the group's half-decade gap between albums. Certainly a song like "Happiness Loves Company" -- half Beach Boys, half Kinks -- shows a compositional dexterity unthinkable for previous incarnations of the Peppers, but there's no showiness here, the album is all about precision. This extends to Anthony Kiedis, who neither hams it up on the ballads nor goofs around on his raps, he merely serves the purposes of the song like the old pro he now is. Ultimately, the Red Hot Chili Peppers are served well by that professionalism; they're long past the point of proving themselves, they're no longer here for a party, they're rock & roll lifers, and I'm with You illustrates they can settle into maturity convincingly.

Tracklist:
1 Monarchy Of Roses 4:11
2 Factory Of Faith 4:19
3 Brendan's Death Song 5:38
4 Ethiopia 3:50
5 Annie Wants A Baby 3:40
6 Look Around 3:28
7 The Adventures Of Rain Dance Maggie 4:42
8 Did I Let You Know 4:21
9 Goodbye Hooray 3:52
10 Happiness Loves Company 3:33
11 Police Station 5:35
12 Even You Brutus? 4:01
13 Meet Me At The Corner 4:21
14 Dance, Dance, Dance 3:45

Flea - bass guitar, piano, backing vocals
Anthony Kiedis - lead vocals
Chad Smith - drums
Josh Klinghoffer - guitars, backing vocals, keyboards, synthesizer, six-string bass on "Happiness Loves Company"

Additional musicians:
Mike Bulger - trumpet on "Did I Let You Know"
Greg Kurstin - piano (9, 11, 12)
Money Mark - Hammond B3 organ (6)
Mauro Refosco - percussion (all except 3, 9, 13)
Lenny Castro - percussion (3, 9, 13), additional percussion (1, 2, 4, 12, 14)

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Metallica - Load (1996) [2016 Remastered]
Genre: Thrash metal
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Full Size: 1,54GB


Tracklist:
1 Ain't My Bitch 5:04
2 2 X 4 5:28
3 The House Jack Built 6:39
4 Until It Sleeps 4:30
5 King Nothing 5:28
6 Hero Of The Day 4:22
7 Bleeding Me 8:18
8 Cure 4:54
9 Poor Twisted Me 4:00
10 Wasting My Hate 3:57
11 Mama Said 5:19
12 Thorn Within 5:51
13 Ronnie 5:17
14 The Outlaw Torn 9:53

James Hetfield - lead vocals, rhythm guitar (1981-present)
Kirk Hammett - lead guitar, backing vocals (1983-present)
Robert Trujillo - bass, backing vocals (2003-present)
Lars Ulrich - drums, percussion (1981-present)
Dave Mustaine - lead guitar, backing vocals (1982-83)
Ron McGovney - bass, backing vocals (1982)
Cliff Burton - bass, backing vocals (1982-86; died 1986)
Jason Newsted - bass, backing vocals (1986-2001)
Bob Rock - bass, backing vocals (2001-03)

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Chicago - Chicago VII [1974/2014]
Genre: Rock, Soft Rock, AM Pop, Jazz Rock, Fusion
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Full Size: 2,69Gb



Tracklist:
1 Prelude To Aire 2:47
2 Aire 6:32
3 Devil's Sweet 10:07
4 Italian From New York 4:14
5 Hanky Panky 1:53
6 Life Saver 5:20
7 Happy Man 3:18
8 (I've Been) Searchin' So Long 4:29
9 Mongonucleosis 3:29
10 Song of the Evergreens 5:23
11 Byblos 6:21
12 Wishing You Were Here 4:38
13 Call On Me 4:04
14 Women Don't Want To Love me 4:38
15 Skinny Boy 5:17

Peter Cetera - bass, lead vocals, guitar (12), backing vocals (6,8,9,12,13)
Terry Kath - guitars, lead vocals, bass (7,11,12,15), bells (10), backing vocals (6,8,10)
Robert Lamm - acoustic piano (8,9,12,14), keyboards (2), Fender Rhodes (3-8,13,15), clavinet (6,14), Mellotron (1), ARP synthesizer (4), Mini Moog (, lead vocals, backing vocals (6,8,9,13)
Danny Seraphine - drums, percussion (07,12), hi-hat (11), bass drum (11)
Lee Loughnane - trumpet, flugelhorn (3,5), lead vocals (10), backing vocals (8,10,13)
James Pankow - trombone, percussion (, timbales (9), backing vocals (8,9)
Walter Parazaider - flute (1,2), soprano saxophone (3), alto saxophone (9), tenor saxophone
Brass arrangements : (4) by James Pankow & Robert Lamm ; (2,5,6,8,9,12-15) by James Pankow

Additional:
Laudir de Oliveira - percussion on 1,3,4,6,7,9,11,12,13,16, congas on 2,4,6,8
David Wolinski - ARP synthesizer on 8,12; acoustic piano on 10, Mellotron and Fender Rhodes on 11
James William Guercio - acoustic guitar on 7, bass on 10, guitar on 12
Jimmie Haskell - strings on 8
Wayne Tarnowski - acoustic piano on 11
Guille Garcia - congas on 9,11,13,15, percussion on 7
Bobbi Roen, Camelia Ortiz, Diane Nini, Hank Steiger and Julie Nini - background party noises on 9
Al Jardine, Carl Wilson, & Dennis Wilson - backing vocals on 12
The Pointer Sisters - backing vocals on 15
Ross Salomone - drums on 15



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Nosound - Scintilla (2016)
Genre: Psychedelic Rock,Art rock,Progressive rock,Space rock
Quality: LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Full Size: 2,52Gb


Nosound's new studio album, their fifth, entitled Scintilla marks a major departure and includes guest appearances from Anathema's Vincent Cavanagh and acclaimed Italian singer Andrea Chimenti.
After a decade of crafting a very particular type of widescreen melancholia and wistful imagery, Nosound's fifth studio album Scintilla introduces a wholly new musical and visual approach for Giancarlo Erra's ever-evolving band.

Inspired by personal upheaval and a desire for change, Scintilla is an emotionally complex and musically direct work presenting a stripped-down set of compositions that mark a major departure from Nosound's trademark symphonic lushness and production precision. Giancarlo Erra says "The intention with Scintilla was to do something a bit more different than previously and illustrating more vigorously what Nosound is today. During a decade of activity, my listening tastes have shifted gradually towards a simpler, more direct music with an intimate character that still retains a certain richness and detail in sound. Northern folk and alt singer-songwriter music are possibly the stronger influences, but generally speaking, everything that is simple, direct and minimal but with rich sound is what I like, and what I hope this album is."
Taking in influences from Post Rock, Shoegaze and Alt-Singer-Songwriters, the album imaginatively utilises a mostly organic and acoustic sound palette. Musically looser and more sonically intimate than the band's previous releases, Scintilla's emphasis is placed firmly on feeling rather than technique. Anathema's Vincent Cavanagh lends his distinctive vocals to two of the album's tracks - 'In Celebration of Life' and 'The Perfect Wife', and cellist Marianne De Chastelaine returns once more to the Nosound fold (this time in a more free-flowing and improvisational capacity). Acclaimed Italian singer Andrea Chimenti co-writes and sings on the serene 'Sogno E Incendio'. Shifting from the uncharacteristic sarcasm of 'Love is Forever' and potent anger of 'The Perfect Wife' to the dreamy sensitivity of 'Emily' and the unusually uplifting 'Celebration of Life', Scintilla represents the boldest statement of Nosound's career so far. A cathartic album of emotional extremes, Scintilla marks the brave beginning of the second phase of Nosound's fascinating career.
Scintilla is now available to order in the following formats, available to pre-order below; A deluxe CD/Blu-Ray in Mediabook with a 24 page booklet. The Blu-Ray contains HD stereo and 5.1 surround sound mixes, plus additional video content.

Tracklist:
1. Short Story (2:24)
2. Last Lunch (7:00)
3. Little Man (4:3
4. In Celebration Of Life (5:34)
5. Sogno e Incendio (4:44)
6. Emily (3:19)
7. The Perfect Wife (7:27)
8. Love Is Forever (2:51)
9. Evil Smile (4:33)
10. Scintilla (6:27)

Giancarlo Erra - vocals, guitars, keyboards
Marco Berni - keyboards, vocals
Alessandro Luci - bass, upright bass, keyboards
Paolo Vigliarolo - acoustic & electric guitars
Giulio Caneponi - drums, percussion, vocals

Guest musicians:
Marianne De Chastelaine - cello
Vincent Cavanagh - vocals (#4,7)
Andrea Chimenti - vocals (#5)

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