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Cyndi Lauper - She's So Unusual (1983) [176.4kHz/24bit] https://i124.fastpic.org/big/2025/01...c12ef2010a.jpg Cyndi Lauper - Shes So Unusual (1983) 176.4-24 Country: USA Genre: Pop Format: FLAC (*tracks) Quality: Lossless [176 Khz/24 bit] Time: 38:31 Full Size: 1.66 GB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Roni Lee - Feels Good 2 Be Bad (2025) [48kHz/24bit] https://i124.fastpic.org/big/2025/01...8751bcefe8.jpg Roni Lee - Feels Good 2 Be Bad (2025) 48-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 23:32 Full Size: 257.78 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Judas Priest - Rocka Rolla (50th Anniversary) [2024 Mixed and Remastered] (2025) [... https://i124.fastpic.org/big/2025/01...8cef35022c.jpg Judas Priest - Rocka Rolla (50th Anniversary) [2024 Mixed and Remastered] (2025) 96-24 Country: UK Genre: Hard Rock, Bblues Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 39:24 Full Size: 798.88 MB The year 1976 was crucial for the evolution of heavy metal, as landmark albums like Rainbow's Rising and Scorpions' Virgin Killer began to reshape the genre. Perhaps none was quite as important as Judas Priest's sophomore effort, Sad Wings of Destiny, which simultaneously took heavy metal to new depths of darkness and new heights of technical precision. Building on the hard prog of bands like Queen and Wishbone Ash, plus the twin-guitar innovations of the latter and Thin Lizzy, Sad Wings fused these new influences with the gothic doom of Black Sabbath, the classical precision of Deep Purple, and the tight riffery of the more compact Led Zeppelin tunes. Priest's prog roots are still readily apparent here, particularly on the spacy ballad "Dreamer Deceiver," the multi-sectioned "Victim of Changes," and the softer sonic textures that appear from time to time. But if Priest's style was still evolving, the band's trademarks are firmly in place -- the piercing, operatic vocals of Rob Halford and the tightly controlled power riffing of guitarists K.K. Downing and Glenn Tipton. This foundation sounded like little else on the metal scene at the time, and gave Sad Wings of Destiny much of its dramatic impact. Its mystique, though, was something else. No metal band had been this convincingly dark since Black Sabbath, and that band's hallucinatory haze was gone, replaced by a chillingly real cast of serial killers ("The Ripper"), murderous dictators ("Tyrant"), and military atrocities that far outweighed "War Pigs" ("Genocide"). Even the light piano ballad "Epitaph" sounds like a morbidly depressed Queen rewriting Sabbath's "Changes." Three songs rank as all-time metal classics, starting with the epic "Victim of Changes," which is blessed with an indelible main riff, a star-making vocal turn from Halford, explosive guitar work, and a tight focus that belies its nearly eight-minute length. "The Ripper" and "Tyrant," with their driving guitar riffs and concise construction, are the first seeds of what would flower into the New Wave of British Heavy Metal movement. More than any other heavy metal album of its time, Sad Wings of Destiny offered the blueprint for the way forward. What's striking is how deeply this blueprint resonated through the years, from the prog ambitions of Iron Maiden to the thematic echoes in a pair of '80s thrash masterpieces. The horrors of Sad Wings are largely drawn from real life, much like Slayer's Seasons in the Abyss, and its all-consuming anxiety is over powerlessness, just like Metallica's magnum opus, Master of Puppets. (Though this latter preoccupation doubtlessly had more psychosexual roots in Rob Halford's case -- witness the peculiar torture fantasy of "Island of Domination.") Unfortunately, Sad Wings of Destiny didn't have as much impact upon release as it should have, mostly owing to the limitations of the small Gull label. It did, however, earn Judas Priest a shot with Columbia, where they would quickly become the most influential band in heavy metal not named Black Sabbath. © Steve Huey /TiVo https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Leprous - Melodies Of Atonement (Deluxe Edition) (2024) [Blu-ray Audio] https://i124.fastpic.org/big/2025/01...9996f649ff.jpg Leprous - Melodies Of Atonement (Deluxe Edition) (2024) [Blu-ray Audio] Label: Inside Out Music Country: Norway Genre: Progressive Rock, Progressive Metal Quality: Blu-ray Audio Audio: English / Dolby TrueHD/Atmos Audio / 7.1 / 48 kHz / 7103 kbps / 24-bit (AC3 Embedded: 5.1-EX / 48 kHz / 640 kbps / DN -31dB) Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6027 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit) Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit Time: 00:51:39 Full Size: 14.36 GB https://i124.fastpic.org/big/2025/01...cbacc7ab5b.png Setlist: Cita:
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Cyndi Lauper - Detour (2016) [96kHz/24bit] https://i124.fastpic.org/big/2025/01...d9c06c036a.jpg Cyndi Lauper - Detour (2016) 96-24 Country: USA Genre: Pop Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 38:18 Full Size: 812.04 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Taylor Swift - Midnights (The Til Dawn Edition) (2023) [48kHz/24bit] https://i123.fastpic.org/big/2024/04...d77cd104b8.jpg Taylor Swift - Midnights (The Til Dawn Edition) (2023) 48-24 Country: USA Genre: Pop Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 01:20:24 Full Size: 949.95 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Madonna - MDNA (Deluxe Edition) (Ver. 2) (2012) [FLAC] https://s20.directupload.net/images/240331/ouaq8bpo.jpg Madonna - MDNA (Deluxe Edition) (Ver. 2) (2012) [FLAC] Country: USA Genre: Pop Format: FLAC (*tracks) Quality: Lossless Time: 01:10:07 Full Size: 475.53 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Scooter - The Big Mash Up (20 Years Of Hardcore Expanded Edition) (2013) [FLAC] https://s20.directupload.net/images/240328/f9kgz9j5.jpg Scooter - The Big Mash Up (20 Years Of Hardcore Expanded Edition) (2013) [FLAC] (Sheffield Tunes, 4250117634186) Country: Germany Genre: Eurodance, Techno Format: FLAC (*tracks) Quality: Lossless Time: 01:30:29 Full Size: 703.97 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Jan Akkerman - My Focus (2018) [FLAC] https://i124.fastpic.org/big/2025/01...d9881f200c.jpg Jan Akkerman - My Focus (2018) [FLAC] Country: Netherlands Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless Time: 01:12:51 Full Size: 467.95 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Judas Priest - Unleashed In The East (Live) (1979) [FLAC] https://i124.fastpic.org/big/2025/01...fa551679ef.jpg Judas Priest - Unleashed In The East (Live) (1979) [FLAC] Country: UK Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless Time: 01:00:49 Full Size: 446.87 MB Judas Priest's first official live recording has always been met with equal amounts of acclaim and controversy: acclaim from those who consider it an excellent summation of the metal legend's 1970s output, and controversy from the critics and industry insiders who criticized what they believed to be a heavily overdubbed and studio-enhanced performance, mockingly naming it Unleashed in the Studio at times. Before delving deeper into this issue, let it be said that except for a few unfortunate omissions ("Hell Bent for Leather," "Better by You, Better Than Me") the track listing here is quite impressive. Along with powerful versions of such storming anthems as "Exciter" and "Running Wild," the band delivers the definitive version of the prog metallic "Sinner," and competent versions of their popular covers tunes, "Diamonds and Rust" and "The Green Manalishi (With the Two-Pronged Crown)." Interestingly, most of the tracks from the classic Sad Wings of Destiny fall short of their mark, however, perhaps because they forfeit heaviness at the expense of speed. As for the "live" dilemma, in the late '90s estranged singer Rob Halford would claim in interviews that, while the band's playing was indeed recorded entirely live, his vocals had been ruined in the original mix, forcing him to re-record them in one take in a concert-like setting. If this was the case, it would hardly be the first or most severe case of studio interference on a live recording, and fans seeking a concise, nearly flawless collection of Priest's 1970s hits will not be disappointed. © Eduardo Rivadavia /TiVo https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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