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Royal Republic - LoveCop (2024) 96-24
Country: Sweden
Genre: Rock, Alternative Rock, Garage Rock
Format: FLAC (*tracks)
Quality: Lossless [96kHz/24 bit]
Time: 35:09
Full Size: 793.31 MB




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Paul Benjaman Band - My Bad Side Wants a Good Time (2024) 96-24
Country: USA
Genre: Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [96kHz/24 bit]
Time: 42:39
Full Size: 945.52 MB




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Loverboy - Live in 82 (2024) 48-24
Country: Canada
Genre: Rock, Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [48kHz/24 bit]
Time: 52:53
Full Size: 703.97 MB


The story of Loverboy is akin to a Hollywood movie. Overcoming rejection to eventually become one of Canada's most successful rock bands of all time and selling millions of albums in the process, is a feel-good story for the ages.

For more than 40 years, Loverboy has been "Working For The Weekend" (and on the weekend), delighting audiences around the world since forming in 1979, when vocalist Mike Reno was introduced to guitar hot shot Paul Dean - both veterans of several bands on the Canadian scene - at Calgary's Refinery Night Club. Along with Reno and Dean, Loverboy still includes original members Doug Johnson on keyboards and Matt Frenette on drums, with Ken "Spider" Sinnaeve replacing the late Scott Smith on bass.

With their trademark red leather pants, bandannas, big rock sound and high-energy live shows, Loverboy has sold more than 10 million albums, earning several multi-platinum awards. Their string of hits includes, in addition to the anthem "Working For The Weekend," such arena rock staples as "The Kid Is Hot Tonight", "Take Me To The Top", "Turn Me Loose", "Jump" and many more. In 2009, the group was inducted into the Canadian Music Hall of Fame, and more recently the Canadian Walk of Fame, in the fall of 2023.

On June 7th, 2024, one of their most incredible live performances will be released for the very first time, in high definition. "Live In '82" has been lovingly restored by Paul Dean from his personal archive of 16mm film, the joyous energy of a band who helped define the golden era of 80's music captured like lightning in a bottle: Colourful clothing, outrageous hairstyles (and headbands!), terrific movies like Ferris Bueller's Day Off, Top Gun, and great music that has stood the test of time.

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Issa - Another World (2024) 96-24
Country: Norway
Genre: Melodic Rock
Format: FLAC (*tracks)
Quality: Lossless [96kHz/24 bit]
Time: 50:54
Full Size: 1.08 GB




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Joanne Shaw Taylor - Heavy Soul (2024) 44.1-24
Country: UK
Genre: Blues Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 43:52
Full Size: 524.69 MB




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Intranced - Muerte Y Metal (2024) 96-24
Country: USA
Genre: Heavy Metal
Format: FLAC (*tracks)
Quality: Lossless [96kHz/24 bit]
Time: 43:27
Full Size: 914.61 MB




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Holy Mother - Rise (2024) 48-24
Country: USA
Genre: Heavy Metal, Power Metal
Format: FLAC (*tracks)
Quality: Lossless [48kHz/24 bit]
Time: 40:06
Full Size: 541.17 MB




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Fanny - Live on Beat-Club 71-72 (2024) 96-24
Genre: Rock, Blues
Format: FLAC (*tracks)
Quality: Lossless [96kHz/24 bit]
Time: 45:37
Full Size: 966.99 MB


Are you ready to hear the best live band of the early '70s? We at Real Gone Music have been privileged and proud to release Fanny's four classic Reprise albums, each a tuneful testament as to why they were the first all-female band signed to a major label. But there has always been a piece missing from the Fanny fable; for while the band hooked up with big-time producers and engineers like Richard Perry, Todd Rundgren, and Geoff Emerick, their studio albums never really were able to capture the sheer excitement they could generate in concert. However, buried away in a vault thousands of miles away from their Los Angeles base there long lay a recording that could make the Fanny myth a reality, one that could provide the emphatic answer as to why these four ladies were the hottest ticket on the Sunset Strip during the early '70s. Now, over 50 years later, its time-and their time-has come.

Live on Beat-Club '71-'72 presents the two sets Fanny recorded for the German TV show, mastered by Mike Milchner of Sonic Vision from hi-res mono files taken from the original videotape. Aside from the incendiary and incredibly tight performances, what immediately becomes apparent is that all four of these women were powerhouses in her own right. June Millington's stringbending Les Paul wizardry, her sister Jean's driving, melodic bass lines and Janis Joplin-esque vocals, Nickey Barclay's intricate yet somehow rocking keyboard work, and Alice de Buhr's precise, piston-like drumming punctuated by ferocious fills-put together Fanny was an overwhelming display of talent, Yet somehow, as these shows reveal, live they were greater than the sum of their parts. That's why getting these recordings released has long been a crusade for Alice, and why June tells the story in the accompanying liner notes (which feature contributions from June, Jean, and Alice) that the engineer who was assigned to do the transfers of all the Beat-Club material told her that their material was the best in the vault, better even than Hendrix.

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Grand Slam - Wheel Of Fortune (2024) 44.1-24
Country: UK
Genre: Hard Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 46:48
Full Size: 588.23 MB




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Free to Grow - Along for the Ride (2024) 44.1-24
Country: Canada
Genre: Folk, Rock, Progressive, Classic Rock
Format: FLAC (*tracks)
Quality: Lossless [44,1kHz/24 bit]
Time: 45:58
Full Size: 531.33 MB




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