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Demon Hunter - War (2019) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...d89a72826.jpeg Demon Hunter - War (2019) 48-24 Country: USA Genre: Modern Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 42:07 Full Size: 568.01 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Alter Bridge - Walk The Sky 2.0 (Deluxe) (2020) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...261c2b8ce.jpeg Alter Bridge - Walk The Sky 2.0 (Deluxe) (2020) 44.1-24 Country: USA Genre: Alternative metal,Progressive metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:31:53 Full Size: 1.1 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Status Quo - Down Down & Dignified At The Royal Albert Hall (Live) (2018) [44.1kHz... https://i120.fastpic.org/thumb/2022/...4512c6cc9.jpeg Status Quo - Down Down & Dignified At The Royal Albert Hall (Live) (2018) 44.1-24 Country: UK Genre: Classic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:21:22 Full Size: 966.09 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Zeke Sky - Intergalactic Demon King (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...6c5b44b23.jpeg Zeke Sky - Intergalactic Demon King (2022) 44.1-24 Country: USA Genre: Heavy Metal,Progressive Metal,Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:17 Full Size: 603.2 MB Zeke Sky is an American guitarist, pianist, vocalist and composer who has made continuous impact since videos of his playing and songs emerged on the internet in 2018. Combining influences of psychedelic rock, progressive metal, heavy metal and world music, Zeke goes against the grain in writing and performing bold and visionary songs without limitation, dealing with complex lyric issues ranging from toxic love to kingly conquests. In the same year, Zeke played his first live event opening for KING'S X as part of a home recorded album effort. Despite the total infancy of his name, an impressive number of copies were sold of this obscure album on the web. Zeke followed up with a pair of singles in 2019 and 2020 with updated production ethics and of course more aggressive playing, and those saw favorable reviews all over the world, including in Rolling Stone Magazine ("ZEKE SKY is an incendiary of heavy metal."). In 2021, Zeke completed a debut label effort, »Intergalactic Demon King,« released in 2022. For this young composer, the future is as bold as it is long, for only the brave who accept the challenge will taste the fruits of the golden mountain. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Larkin Poe - Blood Harmony (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...2042137d1.jpeg Larkin Poe - Blood Harmony (2022) 96-24 Country: USA Genre: Blues rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 42:22 Full Size: 843.37 MB Since pivoting from bluegrass and renaming themselves after their four-times-great-grandfather-a cousin of Edgar Allen Poe-Rebecca and Megan Lovell have turned up the electric guitars and found their place in the blues rock/jam band world. What keeps them from being another Allman Brothers knockoff is talent. Both are accomplished multi-instrumentalists who have the added magic of sibling harmonies. Rebecca's songwriting continues to improve, and Megan's mastery of lap steel and resonator guitar gives their music an authenticity uncommon in the jam universe. Add to all that a quiet worship of the Black Keys whose infamous crash and bash theory of the blues has obviously rubbed off on the sisters. Here on their sixth full-length album, Larkin Poe work the blues rock groove hard, most impressively on the quiet and evocative closer, "Lips as Cold as Diamond." Recorded at Bell Tone Recording and The Lily Pad by Roger Alan Nichols and Tyler Bryant (who is married to Rebecca), the duo's loud-soft dynamics are fleshed out by, among others, bassist Tarka Layman, drummers Kevin McGowan and Caleb Crosby, and Bryant on programming and keyboards. Blood Harmony's opening track, "Deep Stays Down," begins with just lap steel, drums, and vocals before eventually bursting into what the Lovells are now: a full-blown rock act complete with roaring guitars and Rebecca in full wail. Her passion and grit fit alongside Grace Potter or Susan Tedeschi, and she's become expert at singing her lyrics' increasingly clever moments, as in the lead track, "The cat's in the bag/ The bag's in the river/ And the river runs deep/ And the deep stays down." In "Georgia Off My Mind," these Georgia natives eat a peach, drink a Coca-Cola and spin Ray Charles records before mournfully leaving for their new home in Nashville where, "I'm trading my sweet and lonesome pines/ For a rhinestone studded sky." They up the tempo for a rocked up "Kick the Blues" where Rebecca convincingly cries, "Gimme a shout, gimme a scream/ You gotta shovel the coal if you wanna make steam." Talented, focused, and serious about their future, these sisters bring a welcome new energy to jamming blues rock. © Robert Baird/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Monster Magnet - Test Patterns - Vol. 1 (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...5f97af85d.jpeg Monster Magnet - Test Patterns - Vol. 1 (2022) 48-24 Country: USA Genre: Stoner rock,Hard rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 49:26 Full Size: 568.78 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Guns N' Roses - Use Your Illusion I & II (Super Deluxe) (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...a9f059205.jpeg Guns N' Roses - Use Your Illusion I & II (Super Deluxe, 2022 Remaster) [1991] (2022) 48-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 07:19:57 Full Size: 5.46 GB The twin polarities upon which Use Your Illusion has always derived its unique energy from are its absolute bigness and its unparallelled sense of vindictive martyrdom. This deluxe set-which doubles the length of the combined two original albums by including two full live sets-is definitely big, but without the inclusion of additional studio tracks (no demos, b-sides or outtakes) doesn't expand on the original in any meaningful way. Which means that Illusion is still trapped in its own unique 1991 amber. From its odd sequencing-which alternates between melodramatic grandiosity, midtempo sleaze, and energetic rockers built solely on bitterness and spite-to the stultifying airlessness of the recording (all of the band members cut their parts separately), Illusion still feels like an overdetermined mess that somehow manages to consistently deliver the goods though sadly, goods steeped in an aimless rage that these days reads less like anti-authoritarianism and more like toxic narcissism. This is an album that gets out a "fuck you" in its first two minutes, and devolves from there into a master class on petty beefing: Whether it's "Right Next Door To Hell," "Get In the Ring," "My World" (ugh), "Back Off Bitch" (ugggghh), or any of the other tracks where poor Axl Rose blames all of his problems on everyone else in the world, the constant airing of tiny grievances is far more deadening than the set's length. All of this made Use Your Illusion a deeply cynical yet completely sincere work. Although it's incredibly indulgent and self-centered, it's almost certainly an accurate representation of the band's perception of the world at the time. Its deep currents of misogyny were both casual and aggressive, but also completely unapologetic, which is both alarming and pathetic. Sounds like a terrible album, right? It most definitely is not. Weirdly conceived and recorded? For sure. Problematic? Yup. Highly individual and completely non-reproducible by any other band on Earth? Absolutely. Even now, some 30 years later, it still manages to yield treasures. Tracks that were overlooked in the overwhelming onslaught of the original release are well worth revisiting; the druggy blues-rock of "Bad Obsession, "Locomotive" with its sideways reworking of "Welcome to the Jungle," "The Garden" (which sounds like a leftover from the first Masters of Reality album with an Alice Cooper rap shoved in the bridge), or the Duff McKagan-penned Johnny Thunders tribute "So Fine" all hold up remarkably well. The live shows are revelatory: The Use Your Illusion tour was as extravagant and overblown as the album(s) it was promoting, running for nine legs over 30 months with nearly 200 dates played. It was truly one of the last of its kind from an on-the-charts rock 'n' roll band, represented here by a warmup theater gig at the Ritz in New York in May, 1991, and an arena show on the UNLV campus as the tour was running at full speed eight months later. Remarkably, both sets exhibit a warm and generous band giving their absolute all to the fans in attendance, turning the somewhat clinical performances of Illusion's album versions into explosive renditions on stage. © Jason Ferguson/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Enuff Z'Nuff - Finer Than Sin (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...8440cba74.jpeg Enuff Z'Nuff - Finer Than Sin (2022) 44.1-24 Country: USA Genre: Hard Rock,Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:10 Full Size: 515.71 MB Frontiers Music Srl release of the latest album from Enuff Z'Nuff, "Finer Than Sin". Now fronted by bass player and vocalist Chip Z'Nuff for the last three studio albums, including The Beatles' covers album "Enuff Z'Nuff's Hardrock Nite", the band is still delivering its patented power pop melded with hard rock tunes. Founding member Chip Z'Nuff is once again joined by long running members Tory Stoffregen (guitars), Tony Fennell (guitars) and Daniel Benjamin Hill (drums). "Finer Than Sin" showcases the musical stylings that have kept the band's loyal fanbase since the 80s, staying true to the rock 'n' roll roots. "Finer Than Sin'' is the band's 17th studio album overall. Originally formed in 1984 in Chicago, IL, the band received its big break in 1989 when they signed to Atco/Atlantic Records. Founding members, Chip Z'Nuff and Donnie Vie were joined by guitarist Derek Frigo and drummer Vikki Foxx and they commenced work on their major label debut. The self-titled album was a monster hit and spawned two evergreen singles, "New Thing" and "Fly High Michelle". Both received constant airplay on radio and heavy rotation on MTV, spending over 60 weeks in the Top 10. 1991 saw the band release their sophomore album, "Strength". The album had more of a hard rock overtone and sustained the success achieved on the first album. The band made high profile television and radio appearances on the likes of David Letterman and Howard Stern and were featured in Rolling Stone's Hot Issue as 'The Next Big Thing'. The band soldiered on during the new musical climates of the 90s and 00s and went on to release over a dozen more studio records. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Aynsley Lister - Along for the Ride (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...6b27e0353.jpeg Aynsley Lister - Along for the Ride (2022) 44.1-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 57:56 Full Size: 688.82 MB Along For The Ride released on November 11th 2022, three days before Aynsley's 46th birthday. The album is released under Lister's own label Straight Talkin' Records Ltd which he co-founded with his wife, Stephanie. The project sees Lister reach deep into his gutsy blues influences to bring a true storyteller's perspective to unforgettable anthemic rock tracks. Fuelled equally by the everyday and an 'amp to 11' music philosophy, Along For The Ride soundtracks its listeners' lives with a face-melting score. Along For The Ride takes listeners on a round trip though swelling choruses, tender moments, and everything in between. The artist himself takes a musical journey, branching out from the 60s and 70s blues influences that soundtracked his childhood, to contemporary songwriting and production that's destined for stadiums. Lister has built his reputation as an incredible live performer, opening for such legendary acts as Jools Holland, John Mayall, Robert Cray, Buddy Guy, and ZZ Top, before becoming one in his own right. Aynsley's performance at the Jools Holland's shows were so electrifying it sparked the sound engineer to scream at him to turn it down. Some 25 years later and the moment has become legend in the fan favourite track Soundman that audiences still rave for! Having adorned fans the world over with his signature gutsy blues-rock stylings to anthemic songs, Lister has earned a reputation as one of the globe's top guitarist in his style. With over 100,000 albums sold, rave reviews from the likes of The Times and MOJO, a hotly anticipated nationwide tour, and the release of Along For The Ride just around the corner, there has never been a better time to be an Aynsley Lister fan. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Oak - The Quiet Rebellion of Compromise (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...77db9d033.jpeg Oak - The Quiet Rebellion of Compromise (2022) 48-24 Country: Norway Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 49:30 Full Size: 638.81 MB Oak is a Norwegian progressive pop/rock band that originally emerged from a folk-rock duo. The four members have a diverse background spanning from classical piano to electronica, prog- and hard-rock, with references to the alternative scene as well as progressive rock - something that has combined to make a distinguished and unique sound. OAK originated as a folk-rock duo, which expanded into today's lineup of Simen Valldal Johannessen on vocals, piano and keys, Řystein Sootholtet on bass, acoustic and electric guitars, Sigbjřrn Reiakvam on drums, percussion, programming, keys and guitars, and Stephan Hvinden on lead, rhythm and slide guitars. Musically, 'The Quiet Rebellion of Compromise' is the most dynamic Oak album so far, with a wide range of influences showing through. We're still in very familiar Oak territory, but with some sharper edges and some surprising twists and turns. After their previous album 'False Memory Archive', the band set out to write some shorter songs for a change - and ended up with their longest songs yet. As on their other albums, there are subtle hints to both past and future songs in the Oak universe. For this album, the band decided to write about an important and touchy subject - Suicide and psychic health in general. Music as an art form can be very open for interpretation, so to be sure that the message comes across, they've asked for advice from experienced scholars on the subject. The font used on the album cover is partially made of handwriting from two real suicide notes, to underline the concept. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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