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Nico Vanez - Tiempo al Tiempo (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...8b65ac52a.jpeg Nico Vanez - Tiempo al Tiempo (2022) 48-24 Country: Spain Genre: Hard Rock,Melodic Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 33:14 Full Size: 395.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lenny Kravitz - Raise Vibration (2018) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...6517c0d18.jpeg Lenny Kravitz - Raise Vibration (2018) 44.1-24 Country: USA Genre: Pop,Funk,Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:04:33 Full Size: 700.23 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Beatles - Revolver (Super Deluxe) (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...16345e89a.jpeg The Beatles - Revolver (Super Deluxe) (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 02:41:44 Full Size: 2.98 GB Revolver: The Beatles' 1966 album that changed everything. Spinning popular music off its axis and ushering in a vibrant new era of experimental, avant-garde sonic psychedelia, Revolver brought about a cultural sea change and marked an important turn in The Beatles' own creative evolution. With Revolver, John Lennon, Paul McCartney, George Harrison, and Ringo Starr set sail together across a new musical sea. O Revolver released worldwide in a range of beautifully presented, newly mixed and expanded Special Edition packages by Apple Corps Ltd./Capitol/UMe. The Special Edition's new stereo and Dolby Atmos mixes of the album's opening track "Taxman" make their digital release debuts with today's announcement and preorder launch. The Revolver album's 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album's original mono mix is sourced from its 1966 mono master tape. Revolver's sweeping new Special Edition follows the universally acclaimed remixed and expanded Special Editions of Sgt. Pepper's Lonely Hearts Club Band (2017), The BEATLES ('White Album') (2018), Abbey Road (2019), and Let It Be (2021). All the new Revolver releases feature the album's new stereo mix, sourced directly from the original four-track master tapes. The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson's WingNut Films Productions Ltd. The physical and digital Super Deluxe collections also feature the album's original mono mix, 28 early takes from the sessions and three home demos, and a four-track EP with new stereo mixes and remastered original mono mixes for "Paperback Writer" and "Rain". The album's new Dolby Atmos mix will be released digitally. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Joe Lynn Turner - Belly Of The Beast (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...1ae4e1052.jpeg Joe Lynn Turner - Belly Of The Beast (2022) 44.1-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:05 Full Size: 629.91 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Foo Fighters - The Essential Foo Fighters (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...a2f913ccb.jpeg Foo Fighters - The Essential Foo Fighters (2022) 44.1-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:25:10 Full Size: 1.02 GB Foo Fighters on Friday release a new greatest hits collection, dubbed The Essential Foo Fighters. Marking the band's first release since drummer Taylor Hawkins' passing in March. The new record, which follows the group's Greatest Hits album from 2009, include 19 tracks on CD, with two additional songs ("Breakout" and "Waiting On A War") arriving on the LP. A toast to Foo Fighters' unequivocal stamp on music, the career-covering collection features some of the band's biggest tracks, including two iterations of "Everlong," as well as "Monkey Wrench," "All My Life" and "Best of You," among others. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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VA - Bound For Hell - On The Sunset Strip (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...a64280009.jpeg VA - Bound For Hell_On The Sunset Strip (2022) 44.1-24 Country: Varios Genre: Rock, Hard Rock, Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:19:46 Full Size: 962.02 MB In the year 2022, when most of the players and original fans of early '80s metal are nearing retirement age, Glam Rocker costumes can be found on the racks at Spirit Halloween, and there are approximately a squillion playlists of the same-old "Hair Metal Hits," what in the name of the Rainbow Bar & Grill could another collection of hard-rocking cuts from L.A.'s post-'70s rock 'n' roll renaissance have to offer? As usual, the folks at Numero Group have found an angle-what the L.A. metal scene had to offer at a very particular moment in time: 1982, the exact midpoint between 1977, when Van Halen signed with Warner Bros. and basically provided a template for slightly sleazy, guitar-forward heavy metal, and 1987's release of Guns N' Roses' Appetite for Destruction, which represented both the apex of the form as well as a reversion to rock 'n' roll-first principles. While in 1982 there were some post-Van Halen L.A. bands who were making a name for themselves, they were mostly doing so outside of Southern California (Quiet Riot's first two albums, featuring Randy Rhoads, were only released in Japan, while Dokken's first album came out on a French label), as the center of gravity in hard rock and heavy metal was still in the U.K. and Europe. Which left the L.A. club scene in kind of a wild limbo. The scores of bands in the region worked in different shades of hard rock and metal, but there was no real distinction between "real" metal and "hair" metal, since all were trying to be as loud and menacingly spectacular as possible: sometimes that meant lots of hairspray; other times that meant whips and chains on stage; often it meant both. This collection documents this period via tracks that are formative themselves-demos, small-run singles, compilation tracks, and other oddities. To casual fans of the genre, only a few names here will ring any bells-Armored Saint is the most well-known, but others, like Steeler, Rough Cutt, and Lizzy Borden, will also be familiar-but, given that this scene is known almost as much for its bands' ever-shifting revolving-door lineups as it is for its Aqua Net bills, there are innumerable connections and intertwined histories. And since most of these players were natives of the L.A. suburbs (the rest were recent transplants from points east and north), with roots in bands that stretch back to the mid-'70s, they maintained a sense of rooted interconnectedness that the mid-'80s transplants were completely lacking. That also meant that "the scene" wasn't just based in the legendary Sunset Strip clubs like the Troubadour, Gazzarri's, and the Whisky a Go Go, but also suburban venues in Anaheim, Pasadena, and the Valley. By focusing in on a clutch of groups who were making waves (of various sizes) during a single year, Bound for Hell does a remarkable job of demonstrating just how exciting and risky it all sounded at the time. And since no one band had yet to completely break through to widespread acclaim (Quiet Riot, Dokken, and Motley Crue would all do so in 1983; Ratt would bust open the floodgates in 1984), the sound is much less homogenous than one would imagine. From the weirdo rockism of Reddi Killowatt and the thundering metal of Armored Saint to the crackling snarl of Bitch's "Damnation Alley" and the punchy grind of Odin's "Judgement Day" (yes, the same Odin that embarrassed itself a few years later in a hot tub in Penelope Spheeris' Decline of Western Civilization, Part II), there's a range of stylistic approaches to "metal'' here that may surprise modern listeners, but won't be much of a shock to those who remember just how unpredictable and thrilling this scene was at its peak. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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King Gizzard & The Lizard Wizard - Changes (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...d95dbab85.jpeg King Gizzard & The Lizard Wizard - Changes (2022) 48-24 Country: Australia Genre: Psychedelic rock,Progressive rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 40:00 Full Size: 477.39 MB The Aussie psych polymaths King Gizzard are back with their fifth album of 2022 and they are still inventive as ever as Wayne AF Carey continues on their journey of prolific output of amazing stuff that's all thriller and no filler. But for half a decade, the sextet has been haunted by one elusive conceptual project that had bested their every attempt (of which there had been several). They first conceived the album back in 2017, a busy year for the group. Within a mere twelve months, they recorded and released five albums of new material, starting with Flying Microtonal Banana, followed by Murder Of The Universe, Sketches Of Brunswick East (their collaboration with Mild High Club) and Polygondwanaland. A fifth album, Gumboot Soup - a collection of songs recorded that year that didn't fit the other albums' concepts - arrived in December, but the band had intended to see out the year with a different album. That album was called Changes, and it's finally arriving now. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Fear Factory - Recoded (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...25349a316.jpeg Fear Factory - Recoded (2022) 48-24 Country: USA Genre: Electronic,Industrial Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 52:57 Full Size: 734.59 MB FEAR FACTORY release "Recoded", a collection of remixes of the songs from the band's latest album, "Aggression Continuum", via Nuclear Blast. "Recoded" b FEAR FACTORY's first remix album since 1997's "Remanufacture" and it will coincide with the band's 32nd anniversary (FEAR FACTORY officially formed on October 30, 1990). The artwork for "Recoded" was created by Anthony Clarkson, who previously worked on 2010's "Mechanize", 2012's "The Industrialist" and 2015's "Genexus". The final mixing and mastering for "Recoded" was handled by Damien Rainaud. The effort was produced by FEAR FACTORY guitarist Dino Cazares. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Therion - Leviathan II (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...9556f0dc4.jpeg Therion - Leviathan II (2022) 44.1-24 Country: Sweden Genre: Symphonic Metal,Symphonic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:43 Full Size: 657.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Jean Mare - Ambient Lounge Flight (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...ad454f8a6.jpeg Jean Mare - Ambient Lounge Flight (2022) 44.1-24 Genre: Electronic, Chillout, Lounge, Downtempo, Balearic,Ambient Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:14:24 Full Size: 762.92 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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