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Bobby Weir & Wolf Bros - Live in Colorado, Vol. 2 (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...434227116.jpeg Bobby Weir & Wolf Bros - Live in Colorado, Vol. 2 (2022) 44.1-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:15:43 Full Size: 862 MB How fast should a Grateful Dead song be played? There is perhaps no question that has occupied Deadheads' time and consumed more emotion over the last 20 or so years, ever since bassist Phil Lesh and guitarist Bob Weir reunited the band after Jerry Garcia's 1995 death. The tempo wars have claimed several versions of the post-Garcia Dead, and if the question seems banal, it nevertheless conceals irreconcilable philosophical differences. For Lesh, these songs are meant to pump with energy, swirling up the audience in a psychedelic dervish. For Weir, they should be played slowly, with purpose and focus, "an audio playlet that needed to sink into the audience's mind," as writer Joel Selvin puts it. The music of the Grateful Dead, in Weir's formulation, is bigger, vaster, and contains sweeping views; why speed through it? On Weir's second official release with his Wolf Bros project, Live in Colorado, Vol. 2, he stages some of the most beloved material in the Grateful Dead's catalog with the passion and reverence of a couple spending their 50th anniversary looking back on their wedding day. It's a striking set, one that does justice to Weir's vision without ever succumbing to the sense of drag that can occasionally topple Dead & Company, the stadium-touring band he fronts with John Mayer. As is typically the case with Weir's solo work, there is no lead guitarist, and thus no attempt to dig around in the DNA of these songs to discover what else they might contain. Leaning instead on bassist Don Was, keyboardist Jeff Chimenti, and especially drummer Jay Lane, Weir's arrangements expand these songs outward, their scope and sense of majesty evoked by the horns, strings, and pedal steel of the accompanying Wolfpack ensemble. There's never a question as to where we might be going, only an offhanded awe at how stately this music turns out to be. Much of the album's grace is owing to the pleasant contrast between Weir's late style as a rhythm guitarist and the slickness of the band. His instrument is constantly buzzing, and he doesn't strum it so much as brush at it in a way that makes it sound like a live wire being batted with a feather. He can be halting, sometimes a touch behind the beat, frequently rough as he roots around the edges of the songs in search of new rhythmic pathways. It's a winningly hardheaded mode of playing, one that comes from having abandoned the concept of perfection or completion decades ago, and the romantic swirl of the band mimics the emotion of his playing if not the tone. It's strangely comforting to hear them polish Merle Haggard's "Mama Tried" as if Weir's blocky soloing is a totally normal way for a guitar to sound in a country song. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bigfoot Meter - Bigfoot Meter (2022) [88.2kHz/24bit] https://i120.fastpic.org/thumb/2022/...71d6837c6.jpeg Bigfoot Meter - Bigfoot Meter (2022) 88.2-24 Country: USA Genre: Progressive RockJazz Rock Format: FLAC (*tracks) Quality: Lossless [88,2kHz/24 bit] Time: 46:52 Full Size: 937.19 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackbird Hill - Embers In The Dark (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...1f2ca6e28.jpeg Blackbird Hill - Embers In The Dark (2022) 44.1-24 Country: France Genre: Heavy Blues Rock,Stoner Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 38:49 Full Size: 429.24 MB Following up on their 2020 debut 'Razzle Dazzle', French duo Blackbird Hill have spent the pandemic bringing their baritone guitar down a notch. When you are a duo making rock, it means your guitar (or bass) has to channel both sides of the spectrum - weight and melody. For 'Embers in the Dark' this meant lower tuning and bigger amps. The duo wanted a bigger, sludgier and a more gravelly sound. That's exactly what the listeners get. Songs like 'Flatline' evoke the very best of that era. Big riffs. Crunchy guitars. An in-studio echo to the drums and vocals as if they've been lifted from a live session. There is an element of old-school chugging rock to the riffs but they are anthemic and loud. For instance 'Beat the Retreat' reminds of Soundgarden's 'The Day I Tried to Live' as it has the same off-kilter mid-riff slide. Blackbird Hill gives it a T-Rex/Thin Lizzy high octave solo edge though so it sounds very different and like grunge does 70's rock. What Blackbird Hill does so well with this album is merge different periods of rock together. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The New Roses - Sweet Poison (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...40b224145.jpeg The New Roses - Sweet Poison (2022) 44.1-24 Country: Germany Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:02 Full Size: 475.79 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Arctic Monkeys - The Car (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...e02daa8f1.jpeg Arctic Monkeys - The Car (2022) 44.1-24 Country: UK Genre: Alternative Rock, Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:18 Full Size: 427.41 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Simple Minds - Direction of the Heart (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...8a2d3ee17.jpeg Simple Minds - Direction of the Heart (2022) 44.1-24 Country: UK Genre: Pop Rock,Alternative rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 47:59 Full Size: 604.63 MB Simple Minds have been musical pioneers for 40 glittering years. Catching the mood of the post-punk era, when the angry sounds of 1977 were splintering into a thousand different shapes, they emerged with a style rooted in the art-rock of David Bowie and the electronic dance of Donna Summer. They went on to become one of the great bands of their generation, deploying rousing choruses and booming atmospherics to provide a soundtrack that has endured. They topped the American chart with Don't You (Forget About Me) and followed suit in the UK with the Ballad Of The Streets EP (featuring Belfast Child). In selling over 60 million records, they have seen three of their 20 studio albums reach number one in the UK - Sparkle In The Rain, Once Upon A Time and Street Fighting Years - a chart-topping feat equalled by their live album Live In The City Of Light and the compilation Glittering Prize. A spellbinding touring band, they have graced the world's biggest stadiums. They starred at Live Aid and played three momentous London shows in honour of Nelson Mandela. The past decade has also seen a remarkable resurgence, their world-class credentials acknowledged by a Q magazine Inspiration award in 2014 and an Ivor Novello in 2016. They are now marking their 40th anniversary with a world tour, live album and career-spanning compilation. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Can - Live In Cuxhaven 1976 (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...eabac1056.jpeg Can - Live In Cuxhaven 1976 (2022) 96-24 Country: Germany Genre: Experimental,Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 29:43 Full Size: 619.25 MB "Live In Cuxhaven 1976 is the third album of the curated Can live concert series that also includes Live In Brighton 1975 and Live In Stuttgart 1975. Originally recorded on tape, this carefully restored live album comprises the 1976 show in the format of a story with a beginning, middle and end, bringing Can's performance to life. The series is overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. These albums have been released alongside a succession of interviews discussing the band's live shows. The YouTube series features interviews with journalist/author Pascal Bussy, Mute Records' Daniel Miller, music critic Nick Kent, Primal Scream's Bobby Gillespie, along with Andy Hall and Tinner, who were both involved with recording Can's live shows." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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A-Ha - True North (2022) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...9facb0117.jpeg A-Ha - True North (2022) 96-24 Country: Norway Genre: Pop Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 52:20 Full Size: 1.08 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Avantasia - A Paranormal Evening with the Moonflower Society (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...cef862275.jpeg Avantasia - A Paranormal Evening with the Moonflower Society (2022) 44.1-24 Country: Germany Genre: Power Metal,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:53 Full Size: 684.06 MB Tobias Sammet, mastermind of AVANTASIA, presents the eagerly awaited follow-up to his number one charting album "Moonglow", which was supported by a sold-out world tour in 2019! The new studio opus "A Paranormal Evening with the Moonflower Society" features eleven enchanting anthems with guest stars like Floor Jansen (Nightwish), Michael Kiske (Helloween), Eric Martin (Mr. Big), Geoff Tate (ex-Queensryche), Bob Catley (Magnum) and many more. Combining fast-paced heavy metal, powerful ballads and bombastic rock, "A Paranormal Evening with the Moonflower Society" is a glorious masterpiece destined to become one of 2022's most celebrated rock and metal Albums! https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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O.R.k. - Screamnasium (2022) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...e9b9f1264.jpeg O.R.k. - Screamnasium (2022) 48-24 Country: UK/Italy Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 41:33 Full Size: 560.54 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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