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Queen - On Air (2016) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...93b1a38a0.jpeg Queen - On Air (2016) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:40:53 Full Size: 2.1 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Queen + Adam Lambert - Live Around The World (Deluxe Edition) (2020) [48kHz/24bit] https://i120.fastpic.org/thumb/2022/...c04bdb419.jpeg Queen + Adam Lambert - Live Around The World (Deluxe Edition) (2020) 48-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:19:45 Full Size: 1017.16 MB Live Around the World, Queen's first live album with Adam Lambert on vocals, was recorded over the course of the group's many world tours between 2014 and 2020. It presents the perfect opportunity to discover - or rediscover - the "Lambert phenomenon" live. At just 29 years old, he dared to walk in the footsteps of one of the greatest singers and showmen we've ever seen: Freddie Mercury. It can't have been easy trying to choose the tracks for this album but the skilful mix of unavoidable hits and rarer tracks means that it avoids falling into the trap of simply being a best of live album. Better yet, Roger Taylor, Brian May and Adam Lambert go so far as to pay tribute to Mercury by including two tracks from his solo repertoire (the moving song Love Kills - The Ballad and I Was Born to Love You). Probably stemming from the fact that Mercury's voice is completely individual, Lambert stays faithful to the Queen sound but never tries to copy him. It soon becomes clear judging from the songs here (Somebody To Love is a good example) that few people could have risen to the challenge - and done it so well. Among the record's many highlights, the brilliant version of cult favourite Under Pressure stands out, with the original Mercury/Bowie duo being replaced by Lambert and Taylor. There's also a heavy version of Now I'm Here - a track that proves that 70-year-olds still know how to bring out the big guns (check out the severely underestimated drummer Roger Taylor!). It's a given that Queen and Lambert won't write any new material. They're focusing on bringing their huge musical heritage to the stage, so we should appreciate these songs without expecting anything else. Live Around the World is a wonderful album - and a great counter-argument to people who didn't expect the band to survive without its leader. © Charlélie Arnaud/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Dear Hunter - Antimai (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...c604052d0.jpeg The Dear Hunter - Antimai (2022) 44.1-24 Country: USA Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:44 Full Size: 629.81 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Queen - A Night At The Odeon - Live (2015) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...9073c3d02.jpeg Queen - A Night At The Odeon - Live (2015) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:02:35 Full Size: 1.26 GB The first official release of Queen's 1975 Christmas Eve concert at London's Hammersmith Odeon, A Night at the Odeon finds the legendary British rock outfit performing less than a month after the release of its landmark fourth album, A Night at the Opera. One of the major classic rock recordings of the '70s, A Night at the Opera is perhaps best remembered for being the Queen album with "Bohemian Rhapsody," a fact that helped the record debut at number one in the U.K. and number four in the States. When Queen took the stage at the Hammersmith on Christmas Eve 1975, they were already over 20 dates deep into their tour in support of the album. In fact, they had played the Hammersmith a few weeks previously and just returned from a four-night stint in Scotland. Audibly limber and primed for the show, Queen open the concert by ripping into a swaggering version of "Now I'm Here," and proceed to deliver a relentlessly exuberant set of songs culled fairly evenly from their discography to that point. Included are such Queen concert favorites as "Brighton Rock," "Keep Yourself Alive," and "In the Lap of the Gods." What is most illuminating here is the aggressiveness with which Queen play live. In contrast to their meticulously intricate and sometimes delicate multi-layered studio arrangements on Queen, Queen II, Sheer Heart Attack, and A Night at the Opera, Queen are raw, loose, and propulsive here. It's invigorating to hear them kick out "The March of the Black Queen," smartly inserted into a medley bookended by "Bohemian Rhapsody" and played with an aggressive, punk-like intensity. Vocally, Freddie Mercury -- the consummate live performer -- seems to pivot with the energy of the moment, choosing to avoid a few of the higher, more crystalline melody notes when it doesn't serve a given song's more bluesy live arrangement, such as on their rendition of "Killer Queen," coloring the song instead with a gritty but warm resonance that better fits the band's in-the-moment physicality. Together with Brian May's sizzling, ornamented guitar operatics, they transform cuts like "Seven Seas of Rhye" and "White Queen" into showstopping tidal waves of glitter-laden pomp. As live Queen albums go, A Night at the Odeon matches the archival 2014 release Live at the Rainbow '74 for raw rock intensity and charismatic stage derring-do from both May and Mercury. The concert has an epic flow and works as a thumbnail sketch of the band from its inception onward. This is classic '70s Queen, four slim longhaired gents in white pearlized satin bell-bottomed jumpsuits, performing with brute energy and swanlike grace; a band in complete control of its sound, able to bend any song or audience to its will. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kim Wilde - Here Come The Aliens (2018) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...cc295ff85.jpeg Kim Wilde - Here Come The Aliens (2018) 44.1-24 Country: UK Genre: Pop Rock,Synth-pop, New Wave Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:10 Full Size: 611.05 MB Here Come the Aliens takes its title from a possible close encounter Kim Wilde had in her garden in 2009, but the campy cover art -- designed by her niece Scarlet -- suggest that the singer doesn't take herself too seriously, at least as far as extra-terrestrials go. Music is a different matter. Working once again with her brother Ricky -- he produced the whole thing and co-wrote the songs -- Wilde is cool and confident, creating a nice hybrid of arena rock and Euro-pop filtered through just a slight prism of New Wave nostalgia. She provides enough callbacks to her pulsating neon salad days to pull in punters, but she and her brother fight against retro signifiers, choosing to operate thoroughly in the present. Some of her lyrics may be a bit stridently modern -- the titles of "Kandy Krush" and "Cyber Nation War" say it all -- but Wilde kicks up some very appealing glam ("A Different Story") and heartfelt bubblegum ("Pop Don't Stop") that makes this record a welcome surprise: It not only holds true to Wilde's roots, it deepens them. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blind Channel - Lifestyles of the Sick & Dangerous (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...ecf1ddd92.jpeg Blind Channel - Lifestyles of the Sick & Dangerous (2022) 44.1-24 Country: Finland Genre: Post-hardcore,Nu metal,Alternative rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 35:18 Full Size: 438.28 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Crossing Rubicon - Perfect Storm (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...d43c9d1d6.jpeg Crossing Rubicon - Perfect Storm (2022) 44.1-24 Country: USA Genre: Melodic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 54:19 Full Size: 657.03 MB "Perfect Storm", the debut album from Crossing Rubicon, a new collaboration featuring multi-instrumentalist/producer Cenk Eroglu (ex-Winger, Xcarnation) and singer John Bisaha (The Babys) Eroglu was introduced to Bisaha through Frontiers and they started Crossing Rubicon, their new musical partnership which is going to deliver pure and unadulterated melodic rock with a freshness and feel of 'today'. Eroglu's oldest son Efe (guitars, keyboards), his youngest son Reis Ali (drums), and special guest musicians Pat Mastelotto (King Crimson, ex-Mr. Mister), Ray Coburn (Honeymoon Suite), Holly Bisaha, and McKenna Bisaha also contribute. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Altaria - Wisdom (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...8c7cee416.jpeg Altaria - Wisdom (2022) 44.1-24 Country: Finland Genre: Power Metal,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:09 Full Size: 648.76 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Cleanbreak - Coming Home (2022) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...4119afb5b.jpeg Cleanbreak - Coming Home (2022) 44.1-24 Country: USA Genre: Heavy metal,Melodic Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:22 Full Size: 574.83 MB Frontiers Music Srl is pleased to continue their partnership with James Durbin as he continues on his path to wave the flag for almighty heavy metal with his new band Cleanbreak! Mike Flyntz of Riot V, Perry Richardson of Stryper and Robert Sweet, also of Stryper round out the line-up. After Durbin's well received debut album (under the moniker "Durbin"), "The Beast Awakens", James was eager to explore more opportunities to create heavy metal music within the Frontiers family and the label was more than happy to oblige. After some discussion about his inspirations and the musical path he wanted to pursue, Cleanbreak was born. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Neil Young with Crazy Horse - Toast (2022) [192kHz/24bit] https://i120.fastpic.org/thumb/2022/...3e94c5398.jpeg Neil Young with Crazy Horse - Toast (2022) 192-24 Country: Canada Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 51:59 Full Size: 1.95 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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