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Oasis - Be Here Now (2016 Deluxe Remastered Edition) 1997 (2016) [44.1kHz/24bit] https://i120.fastpic.org/thumb/2022/...efc2e6736.jpeg Oasis - Be Here Now (2016 Deluxe Remastered Edition) 1997 (2016) 44.1-24 Country: UK Genre: Rock,Britpop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:37:16 Full Size: 2.58 GB Arriving with the force of a hurricane, Oasis' third album, Be Here Now, is a bright, bold, colorful tour de force that simply steamrolls over any criticism. The key to Oasis' sound is its inevitability -- they are unwavering in their confidence, which means that even the hardest rockers are slow, steady, and heavy, not fast. And that self-possessed confidence, that belief in their greatness, makes Be Here Now intensely enjoyable, even though it offers no real songwriting breakthroughs. Noel Gallagher remains a remarkably talented synthesist, bringing together disparate strands -- "D'You Know What I Mean" has an N.W.A drum loop, a Zeppelin-esque wall of guitars, electronica gurgles, and lyrical allusions to the Beatles and Dylan -- to create impossibly catchy songs that sound fresh, no matter how many older songs he references. He may be working familiar territory throughout Be Here Now, but it doesn't matter because the craftsmanship is good. "The Girl in the Dirty Shirt" is irresistible pop, and epics like "Magic Pie" and "All Around the World" simply soar, while the rockers "My Big Mouth," "It's Getting Better (Man!!)," and "Be Here Now" attack with a bone-crunching force. Noel is smart enough to balance his classicist tendencies with spacious, open production, filling the album with found sounds, layers of guitars, keyboards, and strings, giving the record its humongous, immediate feel. The sprawling sound and huge melodic hooks would be enough to make Be Here Now a winner, but Liam Gallagher's vocals give the album emotional resonance. Singing better than ever, Liam injects venom into the rockers, but he also delivers the nakedly emotional lyrics of "Don't Go Away" with affecting vulnerability. That combination of violence and sensitivity gives Oasis an emotional core and makes Be Here Now a triumphant album. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Wilco - The Whole Love (Deluxe Edition) 2011 (2014) [96kHz/24bit] https://i120.fastpic.org/thumb/2022/...5be753226.jpeg Wilco - The Whole Love (Deluxe Edition) 2011 (2014) 96-24 Country: USA Genre: Alternative rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:19:27 Full Size: 1.43 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Electric Light Orchestra - The Electric Light Orchestra 1971 (2015) [192kHz/24bit] https://i117.fastpic.org/thumb/2022/...9f0157b04.jpeg Electric Light Orchestra - The Electric Light Orchestra 1971 (2015) 192-24 Country: UK Genre: Progressive rock,Symphonic rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 41:25 Full Size: 1.51 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Radiohead - A Moon Shaped Pool (2016) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...491655a41.jpeg Radiohead - A Moon Shaped Pool (2016) [48kHz/24bit] Country: UK Genre: Alternative Rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 52:31 Full Size: 611.1 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Radiohead - The King Of Limbs - Live From The Basement (2011) [48kHz/24bit] https://i117.fastpic.org/thumb/2022/...3e98936cb.jpeg Radiohead - The King Of Limbs Live From The Basement (2011) Country: UK Genre: Alternative Rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 58:35 Full Size: 549.1 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Opeth - Pale Communion (2014) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...13343c42d.jpeg Opeth - Pale Communion (2014) 96-24 Country: Sweden Genre: Progressive Metal,Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 55:47 Full Size: 1.05 GB When Opeth released Heritage in 2011 -- the wonderfully indulgent, somewhat unfocused exercise in prog rock aesthetics -- some longstanding fans were offended because the band had abandoned death metal. Truthfully, they had been exploring prog in fits and starts since 2005's Ghost Reveries. Pale Communion completes the transition, proving that Heritage was not only a next step, but a new beginning altogether. Vocalist, songwriter, and guitarist Mikael Åkerfeldt has obviously been listening to loads of prog in the interim -- ELP's debut, Deep Purple's In Rock, early King Crimson and Eloy, National Health, U.K., Bill Bruford's early solo work, Pär Lindh, and even jazz fusion. Produced by the singer and mixed by Steven Wilson, Pale Communion states its ambitions outright. Opener "Eternal Rains Will Come" explodes with knotty, labyrinthine organ (from new keyboardist Joakim Svalberg) and Martin Axenrot's skittering, propulsive drums. Åkerfeldt's and Fredrik Åkesson's serpentine yet raucous guitars and Martín Méndez's fat, humming bassline kick in immediately thereafter. They all stop on a dime to be replaced by flute and acoustic piano. After another few moments, they return to establish the song's vamp and melody. Åkerfeldt's multi-tracked vocals don't enter until three minutes in, then give way to a dazzling finish provided by a guitar solo and massive swathes of organ and Mellotron. Lead single "Cusp of Eternity" employs repetitive metal guitar and bass riffs, while the modal melody suggests Middle Eastern origins. "Moon Above, Sun Below" is the set's hinge piece and longest track. It contains no less than five sections in nearly 11 minutes. These are introduced variously by samples of Tibetan thigh-bone trumpet and vibraphones, as well as acoustic guitars, Rhodes piano, thundering organ, anthemic electric guitars atop cracking rim shots, kick drum, and a forceful bassline that creates dynamic textural passages illustrating the rage, loss, and acceptance in Åkerfeldt's lyrics. "Goblin" is an instrumental, a tightrope walk between hard rock and jazz fusion, and it's among the finest things here. This is countered by "River," with rich, multi-layered vocal harmonies, 12-string, piano, glistening cymbal, and snare, highlighted by a melodic electric guitar solo à la Argus-era Wishbone Ash. The metallic syncopation in "Voice of Treason" is dramatic with Eastern interludes via the primary instruments, painted by Mellotron as Åkerfeldt soars. The first half of closer "Faith in Others" is instrumentally sparse; it begins reaching for the skies about halfway through, but gets dialed back to allow the gorgeous melody prominence. Pale Communion is more focused and refined than Heritage. Though they readily display numerous musical influences here, ultimately Opeth sound like no one but themselves. This set is a massive leap forward, not only in terms of style but also in its instrumental and performance acumen; it is nearly unlimited in its creativity. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Heart - Passionworks 1983 (2013) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...a8d2ffa01.jpeg Heart - Passionworks 1983 (2013) 96-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:18 Full Size: 965.96 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Heart - Beautiful Broken (2016) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...63ef2c89b.jpeg Heart - Beautiful Broken (2016) 96-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:18 Full Size: 941.94 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Paul Simon - Paul Simon 1972 (2010) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...8ffa2bf97.jpeg Paul Simon - Paul Simon 1972 (2010) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:06 Full Size: 815.22 MB If any musical justification were needed for the breakup of Simon & Garfunkel, it could be found on this striking collection, Paul Simon's post-split debut. From the opening cut, "Mother and Child Reunion" (a Top Ten hit), Simon, who had snuck several subtle musical explorations into the generally conservative S&G sound, broke free, heralding the rise of reggae with an exuberant track recorded in Jamaica for a song about death. From there, it was off to Paris for a track in South American style and a rambling story of a fisherman's son, "Duncan" (which made the singles chart). But most of the album had a low-key feel, with Simon on acoustic guitar backed by only a few trusted associates (among them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, and Hal Blaine, along with such guests as Stefan Grossman, Airto Moreira, and Stephane Grappelli), singing a group of informal, intimate, funny, and closely observed songs (among them the lively Top 40 hit "Me and Julio Down by the Schoolyard " ). It was miles removed from the big, stately ballad style of Bridge Over Troubled Water and signaled that Simon was a versatile songwriter as well as an expressive singer with a much broader range of musical interests than he had previously demonstrated. You didn't miss Art Garfunkel on Paul Simon, not only because Simon didn't write Garfunkel- like showcases for himself, but because the songs he did write showed off his own, more varied musical strengths. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Red Hot Chili Peppers - The Getaway (2016) [48kHz/24bit] https://i116.fastpic.org/thumb/2022/...d5f5fa7ad.jpeg Red Hot Chili Peppers - The Getaway (2016) 48-24 Country: USA Genre: Pop Rock,Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 53:41 Full Size: 651.56 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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