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Visions of Atlantis - The Deep & the Dark (2018) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...4a96de133.jpeg Visions of Atlantis - The Deep & the Dark (2018) 44.1-24 Country: Austria Genre: Symphonic Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 40:56 Full Size: 488.15 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Blackfield - Blackfield IV (2013) [5.1] [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...15ebe7b18.jpeg Blackfield - Blackfield IV (2013) [5.1] 96-24 Country: UK Genre: Progressive Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 31:23 Full Size: 1.41 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bonnie Raitt - Dig In Deep (2016) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...5ce0268c3.jpeg Bonnie Raitt - Dig In Deep (2016) 96-24 Country: USA Genre: Blues, Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 52:23 Full Size: 1.13 GB Listening through Dig in Deep, Bonnie Raitt's 20th album, the entire arc of her career becomes clear. In the early '70s she insisted on recording live in the studio with her road band. Later, various producers -- from Jerry Ragovoy to Peter Asher, from Don Was to T-Bone Burnett -- assisted in shaping her sound, often with great commercial success: she's sold nearly 20 million records. She's learned from them all. There have been downs, but each was balanced by a rise. In 2012 she ended a seven-year silence with the poignant, powerful Slipstream, co-produced with Joe Henry and released on Redwing, her own label. Dig in Deep was produced by Raitt, with the exception of "You've Changed My Mind, written by Henry specifically for her, and recorded in 2010. She wrote or co-wrote five of its 12 songs. The members of her fantastic road band are again her musical partners. Raitt's signature slide guitar is back out front; it shines throughout the recording. Her earthy singing voice, with just a hint of time's grain, is more disciplined and holds more emotional authority than ever before. It soars through a song collection balanced between rough, rowdy rockers and searing ballads. All of the material, regardless of tempo, underscores her title. The themes in these songs -- loss, betrayal, desire, regret, atonement, loneliness, resolution -- are all resonant. Opener "Unintended Consequence of Love" is a funky NOLA-flavored R&B groover complete with great breaks from drummer Ricky Fataar. The reading of INXS' "Need You Tonight" is more unruly than the original -- and way sexier. Raitt's distorted slide break is nasty, delicious in its aggression. The cover of Los Lobos' "Shakin' Shakin' Shakes" is a roadhouse boogie with teeth as Raitt's slide and George Marinelli's counter leads snake around one another. "I Knew," with its irresistible hook, wise lyrics, and beguiling melody, would have been at home on Nick of Time. Her "What You're Doin' to Me" juxtaposes gospel and blues via Mike Finnigan's Hammond B-3 and Raitt's pumping piano; the lyric is a celebration of unfettered desire. It's hard to believe the swaggering blues-rocker "Gypsy in Me" wasn't written by Raitt -- but one of her many gifts has been interpreting songs in such a way that they become inseparable from her persona. Her own choogling "The Comin' Round Is Going Through" is a scorching political rocker that takes on the one percent and foretells coming karmic consequences. It can communicate on a roadhouse dancefloor as well as in a concert hall. Two ballads, Henry's "You've Changed My Mind" and her own "The Ones We Couldn't Be," portray different kinds of vulnerability to what life extracts as it is being lived. Raitt's voice in both songs -- and indeed throughout Dig in Deep -- expresses unwavering honesty and unqualified acceptance. The aforementioned arc has come full circle: Raitt is now in full control of her career, delivering consistently great music as a result. © Thom Jurek /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Carole King - The Carnegie Hall Concert - June 18, 1971 (Remaster) 1996 (2011) [96... https://i117.fastpic.org/thumb/2022/...61acf6545.jpeg Carole King - The Carnegie Hall Concert - June 18, 1971 (Remaster) 1996 (2011) 96-24 Country: USA Genre: Pop ,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:43 Full Size: 1.4 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Cloven Hoof - Throne of Damnation (EP) (2010) [FLAC] https://i117.fastpic.org/big/2022/05...6c1e29700.jpeg Cloven Hoof - Throne of Damnation (EP) (2010) [FLAC] Country: UK Genre: Heavy Metal Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 23:18 Full Size: 190.85 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Florence + The Machine - Dance Fever (Deluxe) (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...95b21d6f9.jpeg Florence + The Machine - Dance Fever (Deluxe) (2022) 96-24 Country: UK Genre: Indie Rock,Indie Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:06:43 Full Size: 1.29 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Van Morrison - What's It Gonna Take (2022) [96kHz/24bit] https://i117.fastpic.org/thumb/2022/...d035eaa4c.jpeg Van Morrison - What's It Gonna Take (2022) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:19:14 Full Size: 1.7 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Anvil - Impact Is Imminent (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...b09d9227b.jpeg Anvil - Impact Is Imminent (2022) 44.1-24 Country: Canada Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:43 Full Size: 639.94 MB Formed by Canadian school friends Rob Reiner and Steve (Lips) Kudlow and for the past eight years supported by bassist Chris Robertson, Anvil release their nineteenth studio release `Impact Is Imminent` this month. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Symphonity - Marco Polo - The Metal Soundtrack (2022) [44.1kHz/24bit] https://i117.fastpic.org/thumb/2022/...b5ae55222.jpeg Symphonity - Marco Polo- The Metal Soundtrack (2022) 44.1-24 Country: *****ia Genre: Symphonic Melodic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:47 Full Size: 507.79 MB With its third full-length release, Symphonity has the attention of an audience that is hangry for something to sink its teeth into. Outside of New Horizon's Gate of the Gods and Stray Gods' Storm the Walls, there haven't been too many standout power or heavy/power metal releases rivaling the best of last year's bunch. Releases from Power Paladin, Validor, Veonity, and Palantir have all been strong but none reach the grandiosity of Marius Danielsen's Legend of Valley Doom - Part 3 or the extreme noodling of Eternity's End's Embers of War. And, mostly, this album exploits that need well. Playing a highly particularized brand of symphonic power metal that very much sounds Italian in origin-despite the band's ***** roots-Symphonity brings you, dear listener, the story of Marco Polo. Appropriately titled Marco Polo: The Metal Soundtrack, the album is as richly textured as it is heavy. And it's that latter commitment to riffs that not only keeps this ship afloat but makes for smooth sailing-sorry, it had to be done. Symphonic metal can mean many things. But Symphonity's symphonic has much more in common with Rhapsody of Fire than it does Nightwish. There's a rapidity to Symphonity's sound that feels more purely power metal than most symphonic metal bands that bridge the two sub-genres. As one might expect, the rapidity is more obvious in shorter songs such as "The Plague" and "I Found My Way Back Home" than a more epic song such as "Mongols." But regardless of song length, there's a grit to the band's approach that, to its credit, stresses riffs above all else. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Evergrey - A Heartless Portrait (The Orphéan Testament) (2022) 44ю1-24 https://i117.fastpic.org/thumb/2022/...827b76e5c.jpeg Evergrey - A Heartless Portrait (The Orphéan Testament) (2022) 44ю1-24 Country: Sweden Genre: Progressive Metal,Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:14 Full Size: 587.96 MB Swedish metal powerhouse EVERGREY returns with album number thirteen, "A Heartless Portrait (The Orphean Testament)", a release that continues along the band's proven path of producing extremely heavy, soulful progressive heavy metal that's true to form yet fresh and inventive all at once. Yet again, EVERGREY wields its world-class musicianship and progressive sensibilities with a focus upon quality songwriting that makes sense, avoiding the pitfalls faced by many talented prog bands who succumb to self-indulgent urges. Frontman Tom S. Englund continues to lead the charge with lyrics and conceptual references to Orpheus, the figure in Greek mythology who traveled into the underworld to save his wife. The universal sense of journey and struggle is evident throughout the listening experience, which feels cinematic in scope, scraping across a myriad of emotions with a resilient spirit threaded from the first song to the last. Beyond the fact that it's heavy sonically, the Gothenburg quintet has proven itself over time because of its depth. "Ominous" is true to its name while resting upon methodical yet stuttered drumbeats. While Englund is clearly the focal point with his incredible vocals, other members prove their talent as well. Keyboardist Rikard Zander offers spellbinding synth parts on tracks like "Heartless", and drummer Jonas Ekdahl provides a solid backbone from start to finish. EVERGREY has maintained its relevance for a few reasons. The Swedes haven't shied away from their passion for everything that is heavy metal, and they keep their eyes locked upon the present and future. "A Heartless Portrait (The Orphean Testament)" is a remarkable album that may be heralded as one of the year's peak moments for progressive metal. At the end of the day, they've earned that claim because they've created something that is forward thinking and inspirational. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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