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Naxatras - Naxatras (2015) [48kHz/24bit] https://i116.fastpic.org/thumb/2022/...01128a097.jpeg Naxatras - Naxatras (2015) 48-24 Country: Greece Genre: Psychedelic,Stoner Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 59:56 Full Size: 709.01 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Roxy Music - For Your Pleasure 1973 (2015) [96kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...930f0d624e.jpg Roxy Music - For Your Pleasure 1973 (2015) 96-24 Country: UK Genre: Art Rock,Experimental,Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:27 Full Size: 832.11 MB On Roxy Music's debut, the tensions between Brian Eno and Bryan Ferry propelled their music to great, unexpected heights, and for most of the group's second album, For Your Pleasure, the band equals, if not surpasses, those expectations. However, there are a handful of moments where those tensions become unbearable, as when Eno wants to move toward texture and Ferry wants to stay in more conventional rock territory; the nine-minute "The Bogus Man" captures such creative tensions perfectly, and it's easy to see why Eno left the group after the album was completed. Still, those differences result in yet another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting. This is especially evident in the driving singles "Do the Strand" and "Editions of You," which pulsate with raw energy and jarring melodic structures. Roxy also illuminate the slower numbers, such as the eerie "In Every Dream Home a Heartache," with atonal, shimmering synthesizers, textures that were unexpected and innovative at the time of its release. Similarly, all of For Your Pleasure walks the tightrope between the experimental and the accessible, creating a new vocabulary for rock bands, and one that was exploited heavily in the ensuing decade. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Weeknd - Beauty Behind The Madness (2015) [44.1kHz/24bit] https://static.qobuz.com/images/cove...750335_600.jpg The Weeknd - Beauty Behind The Madness (2015) 44.1-24 Country: Canada Genre: R&B Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:05:06 Full Size: 736.42 MB All bets regarding Abel Tesfaye's career arc were off once Trilogy, material previously released at no (financial) cost to the listener, went platinum. For a period after that, it seemed like the singer had peaked just short of pop-star status. His eager congregation pushed Kiss Land, the proper debut, to number two in the U.S., yet none of its singles, not even the one that featured Drake, reached the Hot 100. "Love Me Harder," a duet with labelmate Ariana Grande released in 2014, proved to be a masterstroke. It put Tesfaye in the Top Ten for the first time and began a streak of similarly effective singles that preceded -- and are included on -- Beauty Behind the Madness. "Earned It," a ballad recorded for the Fifty Shades of Grey soundtrack, showed that he could adapt to a traditional pop backdrop. That cut a path for "The Hills," in which Tesfaye alleviated his "day one" base with a typically degenerate slow jam, co-produced by Illangelo, that affirmed "When I'm fucked up, that's the real me" while taking the toxic narrative a step further with lines like "Drugs started feelin' like it's decaf." And then "Can't Feel My Face," a sleek slice of retro-modern disco-funk produced by Max Martin and Ali Payami, landed in June 2015. An obvious pop move, it worked -- it went to number one in the U.S. and several other territories. Tesfaye skillfully delivered his biggest hooks as he sang about dependency in that part-anguished, part-euphoric fashion derived from Michael Jackson. Like its advance singles, the rest of Beauty Behind the Madness is R&B and pop as drug-den paella: chemical and sexual abasement, self-loathing, and self-absorbed belligerence over narcotized sludge and less expected moves that peak with the wholly sweet "As You Are" and crest with a big-band diversion on "Losers." Collaborations with Kanye West, Ed Sheeran, and Lana Del Rey add star power; the last of that pack contributes to a moment where Tesfaye turns another corner by acknowledging a dead end through the fog, "addicted to a life that's so empty and so cold." The commercial strides are obvious. The creative advancements are less apparent, but they're in there. © Andy Kellman /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Marillion - An Hour Before It's Dark (2022) [96kHz/24bit] https://i116.fastpic.org/thumb/2022/...a42b7c215.jpeg Marillion - An Hour Before It's Dark (2022) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:10 Full Size: 1.06 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Marillion - An Hour Before It's Dark (2022) [96kHz/24bit] https://i116.fastpic.org/thumb/2022/...a42b7c215.jpeg Marillion - An Hour Before It's Dark (2022) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:10 Full Size: 1.06 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Versengold - Was kost die Welt (2022) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...c8232ad84.jpeg Versengold - Was kost die Welt (2022) 44.1-24 Country: Germany Genre: Medieval Folk Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:00 Full Size: 586.38 MB With "Was kost die Welt" VERSENGOLD released their tenth studio album to prove their unconditional will to play and their unbroken optimism even after the pandemic. In true Versengold style, the band does not miss the opportunity to make a reference in the album title to one of the dominant themes of the present - the human use of the world's limited resources. The 6-member band thus seamlessly follows up on their success with "Nordlicht" from 2019. The Top 5 album, which caused a stir in 2019 with the hit "Thekenmädchen", succeeded in re-entering the Top 10 of the German album charts with the second edition "Märchen von Morgen" in the crisis-ridden year 2020. As the most successful Versengold single to date, "Thekenmädchen" achieved over 11 million views on YouTube and continues to enjoy great popularity. With "Was kost die Welt" another chapter is to be added to this success story wi https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Johnny Marr (ex-The Smiths) - Fever Dreams Pts 1 - 4 (2022) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...2258e5fc9.jpeg Johnny Marr (ex-The Smiths) - Fever Dreams Pts 1 - 4 (2022) [44.1kHz/24bit] Country: UK Genre: Alternative Rock,Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:12:42 Full Size: 909.48 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Degreed - So Close To Heaven [Japanese Edition] (2022) [FLAC] https://i116.fastpic.org/big/2022/03...4687998d9c.jpg Degreed - So Close To Heaven [Japanese Edition] (2022) [FLAC] Country: Sweden Genre: Melodic Hard Rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 44:47 Full Size: 350.59 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Sam Brown - 43 Minutes (2022) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2022/...8fd458afd.jpeg Sam Brown - 43 Minutes (2022) 44.1-24 Country: UK Genre: Pop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:40 Full Size: 490.19 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Amorphis - Queen Of Time (2018) [48kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...ca87ddbcd6.jpg Amorphis - Queen Of Time (2018) 48-24 Country: Finland Genre: Doom Metal, Progressive Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:09:49 Full Size: 931.96 MB Founded nearly thirty years ago, eclectic collective Amorphis has extensively reigned as one of the most iconic and fascinating names in modern Finnish metal. Starting out as more of a traditional death metal act, they eventually came to incorporate varied vocal and instrumental styles-namely, progressive and folk techniques-that yield cleverly multifaceted achievements. The same holds true for their thirteenth studio outing, Queen of Time. The new album is a far more engrossing, consistent, and inspired record than it has any right to be. Frankly, few bands ever release something this outstanding this far into their careers. Amorphis deserves some credit simply for keeping its original core members of Jan Rechberger (drums), Tomi Koivusaari (guitars), Olli-Pekka Laine (bass), and Esa Holopainen (guitars) intact after all this time. Additionally, Santeri Kallio (keyboards) and Tomi Jousten (clean vocals) complete the line-up. According to the group, the LP distinguishes itself by including "real strings, flutes, orchestral arrangements, and even choirs" as it "provides a ground-breaking epic about the rise and fall of civilization. about the cosmic powers that people believed in long ago in a very universal way." Helping them bring their vision to life once again is legendary producer Jens Bogren, as well as several guests: saxophonist Jørgen Munkeby (Shining) and singers Chrigel Glanzmann (Eluveitie), Albert Kuvezin (Yat-Kha) and Anneke van Giersbergen (VUUR). Together, they take listeners on a methodically astounding aural journey that surely ranks as an apex of the entire Amorphis catalog. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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