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Beatallica - The Devolver Album (2021) [44.1kHz/24bit] https://i116.fastpic.org/thumb/2021/...baf3eb3b4.jpeg Beatallica - The Devolver Album (2021) [44.1-24] Country: USA Genre: Thrash Metal, Alternative Rock, Parody,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 34:41 Full Size: 423.6 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Deep Purple - Fireball 1971 (2016) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...da8ce89af.jpeg Deep Purple - Fireball 1971 (2016) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:31 Full Size: 855.16 MB Having already gotten off to a great start with „Deep Purple In Rock", this Purple lineup of Ian Gillan, Ritchie Blackmore, Jon Lord, Roger Glover, and Ian Paice fit together like interlocking pieces. Blessed with such unerring chemistry, Purple raised the bar for hard rock with such nuggets as the hard-driving title track and the grinding 'Fools.' Elsewhere, they show surprising range with the country-flavored 'Anyone's Daughter' (featuring some impressive finger picking by Blackmore) and the Jimi Hendrix-influenced 'No One Came' (which includes a dollop of psychedelic backwards guitar). Also included is the Purple epic 'The Mule,' a sweeping tour de force dominated by Blackmore's Middle Eastern-tinged soloing and Lord's Pink Floyd-ian keyboard runs. The song became a highlight of Deep Purple's live shows. „One of Deep Purple's four indispensable albums (the others being In Rock, Machine Head, and Burn), 1971's Fireball saw the band broadening out from the no-holds-barred hard rock direction of the previous year's cacophonous In Rock. Metal machine noises introduced the sizzling title track -- an unusually compact but explosively tight group effort on which Jon Lord's organ truly shined. The somewhat tiring repetitions of 'No No No' actually threatened to drop the ball next, but the fantastic single 'Strange Kind of Woman' nimbly caught and set it rolling again, just in time for the innuendo-encrusted hilarity of 'Anyone's Daughter,' featuring one of singer Ian Gillan's first (and still best) humorous storylines to go with one of guitarist Ritchie Blackmore's most uncharacteristic, bluesiest performances ever. 'The Mule' opened the vinyl album's second side with what is perhaps Purple's finest instrumental, and on the hyper-extended 'Fools,' the bandmembers proved they could flirt with progressive rock without plunging off its cliff (although the song could probably have done without its drawn-out middle section). And closing the album was the exceptional 'No One Came,' where intertwining instrumental lines locked together beautifully, Gillan wove another entertaining yarn that was part autobiography and part Monty Python, and the often underrated skills of drummer Ian Paice helped the song sound so unreservedly fresh and intuitive that one could almost be convinced the band had winged it on the spot. Sure, the following year's Machine Head would provide Deep Purple with their commercial peak, but on Fireball, the formidable quintet was already firing on all cylinders." (Eduardo Rivadavia, AMG) https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bill Fay - Still Some Light- Part 1 (2022) [44.1kHz/24bit] https://i2.imageban.ru/thumbs/2022.0...1aa6a061fa.jpg Bill Fay - Still Some Light- Part 1 (2022) 44.1-24 Country: UK Genre: Progressive Folk Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:37 Full Size: 531.67 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Wombats - Fix Yourself, Not the World (2022) [48kHz/24bit] https://i5.imageban.ru/thumbs/2022.0...86363c23c3.jpg The Wombats - Fix Yourself, Not the World (2022) 48-24 Country: UK Genre: Pop, Rock, Alternatif et Indé Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:31 Full Size: 513.15 MB Dropped by a major label in 2018, The Wombats could have sunk like a stone. Instead, the Liverpool-formed trio has come out of that dilemma as energized as ever on their last two albums, including the new Fix Yourself, Not the World. In fact, they seem to take the title to heart: The record is the sound of a pessimist becoming a realist and trying to make the best of what they have (not exactly optimism, but baby steps). Which is pretty impressive considering the members were in three different countries during the recording sessions. "Ready for the High" starts off as a bottom-heavy monster, with dark-cloud, give-up lyrics about feeling stuck. "You can scream like a banshee and still nothing comes/ You can buy a heart balloon and watch the sky grow dull," Matt "Murph" Murphy sings. But then the whole thing opens up at the bridge, giving way to a sea of swaying trumpets symbolizing the true meaning: "The song is about being engulfed in a bad place, but rather than accepting this as immutable, acknowledging that it is only temporary and that better times are closer than they (currently) appear," Murph has said. "People Don't Change People, Time Does" sends a similar message, even if it's from a skewed perspective. "Everything I love is going to die/ So baby keep your big mouth shut and stop wasting my time," go the lyrics, reminding you to hold tight onto the raft you have. Sometimes, though, that cling wrap can look a bit like desperation. Depending on your view, bop "If You Ever Leave, I'm Coming With You" either promises or threatens, "I'm forever locking myself in the glass of your rearview." Throughout, the muscular synth comes on like, well, not quite Duran Duran-maybe more like the ⅗ Duran side project Arcadia-with exuberant, dancefloor-ready pop beats. "Wildfire" has a mid-tempo swagger that cruises on a funk groove and finds Murph putting his falsetto to good use. "Work Is Easy, Life Is Hard" shimmies and shakes. "Flip Me Upside Down" is as frenetic as Friday rush-hour city traffic. And "Don't Poke the Bear" could be a Parklife-era Blur melody. Sometimes songs sound so alike as to blend one into the other, but it's a good schtick-even when the outlook slips back into old habits: "it's not paranoia if it's really there," Murph frets on "Worry," its chorus like careening on a rain-slick road. © Shelly Ridenour/Qobuz https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Gregg Hill - Born Liar (2022) [96kHz/24bit] https://i1.imageban.ru/thumbs/2022.0...cc1547d79d.jpg Gregg Hill - Born Liar (2022) 96-24 Country: USA Genre: Country Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 39:22 Full Size: 832.57 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Battle Beast - Circus of Doom (2022) [44.1kHz/24bit] https://i4.imageban.ru/thumbs/2022.0...831a0f7989.jpg Battle Beast - Circus of Doom (2022) 44.1-24 Country: Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:28 Full Size: 524.28 MB After re-signing to Nuclear Blast in early 2021, the Finnish heavy metal sextet BATTLE BEAST are once again getting ready to unleash their force upon the world in the shape of their brand new masterpiece »Circus of Doom«. The album is set to be released on January 21st 2022 via Nuclear Blast and in true BATTLE BEAST fashion, the 10 tracks blend true heavy metal with pop and rock-vibes, paired with Noora Louhimo's unique voice. "Our goal was to make an interesting and absorbing album, with both lighter party songs and heavier stuff as well. In a way the whole album is like a joyful day at the circus. Full of enchanting surprises and wild carnival atmosphere", explains keyboardist Janne Björkroth. "Battle Beast do their best balancing act on Circus Of Doom. As much as the album offers an escape from the circus of doom our day to day lives are consumed with currently, their tales of fantastical worlds and journeys hit closer to home than you might think. Master Of Illusion tells the tale of a self-centred, narrow-minded human being, whilst Where Angels Fear To Fly sings of those who've made the world a better place. In many ways, Circus Of Doom is a moral compass holding up a mirror to the choices we're making as a global community, from bumbling politicians to forward-thinking activists. Considering the album begins with its darker tales, and ends on more positive notes, it's no surprise its messaging feels like a Disney movie. Battle Beast have long gone under the radar against power metal's masters. On Circus Of Doom, they step out of the shadows and announce their long-awaited arrival as heirs to the throne https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Anna Von Hausswolff - Live at Montreux Jazz Festival (2022) [96kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...5962dfc770.jpg Anna Von Hausswolff - Live at Montreux Jazz Festival (2022) 96-24 Country: Sweden Genre: Experimental,Neo-Classical,Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 59:35 Full Size: 1.2 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tim Davis - Pipe Dream 1972 (2022) [96kHz/24bit] https://i1.imageban.ru/thumbs/2022.0...1998b150e1.jpg Tim Davis - Pipe Dream 1972 (2022) 96-24 Country: USA Genre: Rock, Blues Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 35:20 Full Size: 654.88 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Garcia Peoples - Dodging Dues (2022) [96kHz/24bit] https://i3.imageban.ru/thumbs/2022.0...37ae27f667.jpg Garcia Peoples - Dodging Dues (2022) 96-24 Country: USA Genre: Psychedelic ,Acid Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 34:11 Full Size: 728.07 MB Garcia Peoples the Jan. 14, 2022 release of their new album Dodging Dues.The LP is comprised of 7 songs produced by Matt McSweeney (Chavez, Superwolves, Endless Boogie) and recorded at Strange Weather in Brooklyn. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Kiefer Sutherland - Bloor Street (2022) [96kHz/24bit] https://i6.imageban.ru/thumbs/2022.0...142e3af219.jpg Kiefer Sutherland - Bloor Street (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 37:13 Full Size: 815.22 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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