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King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...2dde7173b.jpeg King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:35:50 Full Size: 3.22 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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David Gilmour - David Gilmour In Concert (2002) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...032638e96.jpeg David Gilmour - David Gilmour In Concert (2002) [48kHz/24bit] Country: UK Genre: Acoustic, Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:43:09 Full Size: 1.07 GB In Concert of Pink Floyd guitarist David Gilmour's solo concert at the Royal Festival Hall, London in June 2001, as part of the Robert Wyatt-curated Meltdown festival. It also features additional tracks recorded during three concerts at the same venue in January 2002. The track selection includes several Pink Floyd compositions in addition to Gilmour's solo works. Guest appearances are made by Floyd colleague Richard Wright, as well as Robert Wyatt and Bob Geldof. It includes the first ever performance of "Smile" a track which would appear almost five years later on Gilmour's third solo album - On an Island, and Gilmour even plays a few Syd Barrett compositions. Also included is "Je crois entendre encore" ("I still believe I hear"), an aria from Georges Bizet's opera Les pêcheurs de perles (The Pearl Fishers), with a libretto by Eugène Cormon and Michel Carré, and sung by Gilmour in the original French. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steely Dan - Pretzel Logic 1974 (2014) [96kHz/24bit] https://i116.fastpic.org/big/2021/12...d65c5157ff.jpg Steely Dan - Pretzel Logic 1974 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:47 Full Size: 720.36 MB }Countdown to Ecstasy wasn't half the hit that Can't Buy a Thrill was, and Steely Dan responded by trimming the lengthy instrumental jams that were scattered across Countdown and concentrating on concise songs for Pretzel Logic. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with Pretzel Logic. Instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay. Listen to how the album's hit single, "Rikki Don't Lose That Number," opens with a syncopated piano line that evolves into a graceful pop melody, or how the title track winds from a blues to a jazzy chorus -- Becker and Fagen's craft has become seamless while remaining idiosyncratic and thrillingly accessible. Since the songs are now paramount, it makes sense that Pretzel Logic is less of a band-oriented album than Countdown to Ecstasy, yet it is the richest album in their catalog, one where the backhanded Dylan tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Steely Dan - Countdown to Ecstasy 1973 (2014) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...07cb172d5.jpeg Steely Dan - Countdown to Ecstasy 1973 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:08 Full Size: 895.58 MB Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group's second album, Countdown to Ecstasy. The loud guitars and pronounced backbeat of "Bodhisattva," "Show Biz Kids," and "My Old School" camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Each of its eight songs have sophisticated, jazz-inflected interludes, and apart from the bluesy vamps "Bodhisattva" and "Show Biz Kids," which sound like they were written for the stage, the songs are subtly textured. "Razor Boy," with its murmuring vibes, and the hard bop tribute "Your Gold Teeth" reveal Becker and Fagen's jazz roots, while the country-flavored "Pearl of the Quarter" and the ominous, skittering "King of the World" are both overlooked gems. Countdown to Ecstasy is the only time Steely Dan played it relatively straight, and its eight songs are rich with either musical or lyrical detail that their album rock or art rock contemporaries couldn't hope to match. © Stephen Thomas Erlewine /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Saga - Detours (Live) [Remastered 2021] (1998) [48kHz/24bit] https://i116.fastpic.org/thumb/2021/...0420425bc.jpeg Saga - Detours (Live) [Remastered 2021] (1998) 48-24 Country: Canada Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:53:13 Full Size: 1.44 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smashing Pumpkins - Cyr (2020) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...1ad67b7cf.jpeg The Smashing Pumpkins - Cyr (2020) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:06 Full Size: 1.48 GB The new Smashing Pumpkins album "CYR" consists of 20-tracks. A full-length double album that was produced by front-man Billy Corgan and recorded in Chicago, and features founding members Billy Corgan, James Iha, Jimmy Chamberlin and guitarist Jeff Schroeder. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Smashing Pumpkins - Monuments to an Elegy (2014) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...04c4319c2.jpeg The Smashing Pumpkins - Monuments to an Elegy (2014) 96-24 Country: USA Genre: Alt. Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 32:35 Full Size: 770.37 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) [96kHz/24bit] https://i116.fastpic.org/thumb/2021/...201d8821e.jpeg Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:00 Full Size: 1018.61 MB Udo Lindenberg veröffentlicht seit 1971 Platten, hat über vier Jahrzehnte immer wieder den Nerv der Zeit getroffen und wie kaum ein anderer die Menschen emotional erreicht. Sein Werk ist Zeitgeschichte − unterhaltsam, politisch, romantisch und tiefgründig zugleich. So etwas schaffen nur sehr wenige Künstler. Seine Arbeit umfasst mehr als 40 Platten (Live- und Studioalben, sowie DVDs), und ein Großteil seines Werkes wurde nun für die Programm-Initiative "HighResAudio" neu in 24-Bit gemastert. "Udo Lindenberg Mastered for HighResAudio" ist bis dato das umfangreichste Projekt, welches in Deutschland in dieses neue Format gebracht wurde. Das Ganze geschah in Düsseldorf, in der Skyline Tonfabrik, wo uns Peter "Jem" Seifert und Kai Blankenberg Einblicke in den Prozess und die Hintergründe des Projekts geben. Die meisten Master waren auf 1/4″-Analogbändern. Warner Music und Universal haben uns ihr komplettes Archiv zugänglich gemacht. Alle Bänder liefen auf 38 cm/Sekunde, teilweise mit Dolby A aufgenommen. Das war schon ein irrer Moment, als wir das erste 1/4″-Band aufgelegt haben: Ball Pompös von 1974, in dem Jahr bin ich geboren! Es lief einwandfrei ohne Abrieb und klang tierisch: Gänsehaut! Nach wie vor eine meiner Lieblings-Udo-Platten. Für jedes Band hat Oliver Gregor (Rockruepel) die Bandmaschine optimal neu eingemessen. Beim Aussteuern der Wandler haben wir auf ca. 6 dB Headroom geachtet und haben ganz leise oder laute Bänder mit einem analogen Verstärker etwas angehoben oder abgesenkt. So haben wir einerseits sichergestellt, immer so nah wie möglich am Originalsound zu bleiben, und hatten andererseits immer einen vergleichbaren Pegel bei den Audiofiles, was für ein schnelles und strukturiertes Arbeiten wichtig war. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Lord Of The Lost - Judas (Deluxe Version) (2021) 44,1-24 https://i116.fastpic.org/thumb/2022/...255c7cd83.jpeg Lord Of The Lost - Judas (Deluxe Version) (2021) 44,1-24 Country: Germany Genre: Dark metal, Gothic metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:42:34 Full Size: 2.6 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Sweathog - Sweathog 1971 (2021) [192kHz/24bit] https://i116.fastpic.org/thumb/2022/...6409acf9a.jpeg Sweathog - Sweathog 1971 (2021) 192-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 33:39 Full Size: 1.4 GB Sweathog was an American rock band. Group members Lenny Goldsmith and David Leonard Johnson first met in 1967 while Johnson was playing in a group called The Persuaders at the Wayne Manor nightclub in Sunnyvale, California. After Johnson did a stint with the Beach Boys and Dr. John, he reconvened with Lenny and formed Sweathog along with Barry "Frosty" Smith, also known as Bartholomew Eugene Smith-Frost, who at that time was playing with Lee Michaels and had been in Lenny's band in San Jose. Robert Morris "B.J." Jones (November 9, 1942 - June 15, 2013) played with Johnson in Blue Mountain Eagle and was invited to join Sweathog. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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