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Bee Gees - The Bee Gees ('Black Line' Promo Sound Records) (2003) [FLAC] https://i115.fastpic.org/thumb/2021/...69f465095.jpeg Bee Gees - The Bee Gees (2CD Box Set 'Black Line' Promo Sound Records) 2003 FLAC Country: UK Genre: Pop,Rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 01:04:01 Full Size: 358.75 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Michael Jackson - Dangerous 1991 (2014) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...350cbb58d.jpeg Michael Jackson - Dangerous 1991 (2014) [96kHz/24bit] Country: USA Genre: Soul Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:17:00 Full Size: 1.6 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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TesseracT - Sonder (2018) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...167dc9d6d.jpeg TesseracT - Sonder (2018) 96-24 Country: UK Genre: Prog Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 36:24 Full Size: 727.89 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Iron Maiden - Senjutsu (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...9127573b9.jpeg Iron Maiden - Senjutsu (2021) 96-24 Country: UK Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:21:52 Full Size: 1.83 GB For Senjutsu - loosely translated as 'tactics & strategy', the band once again enlisted the services of Mark Wilkinson to create the spectacular Samurai themed cover artwork, based on an idea by Steve Harris. And with a running time of a little under 82 minutes, Senjutsu, like their previous record The Book Of Souls, a double CD album/triple vinyl album. Steve says "We chose to record at Guillaume Tell Studio in France again as the place has such a relaxed vibe. The setup there is perfect for our needs; the building used to be a cinema and has a really high ceiling so there's a great acoustic sound. We recorded this album in the same way we did The Book Of Souls in that we'd write a song, rehearse it and then put it down together straight away while it was all fresh in our minds. There's some very complex songs on this album which took a lot of hard work to get them exactly as we wanted them to sound, so the process was at times very challenging, but Kevin is great at capturing the essence of the band and I think it was worth the effort! I'm very proud of the result and can't wait for fans to hear it." Bruce Dickinson continues, "We're all really excited about this album. We recorded it back in early 2019 during a break in the Legacy tour so we could maximize our touring yet still have a long set up period before release to prepare great album art and something special as a video. Of course the pandemic delayed things more - so much for the best laid plans - or should that be 'strategies'!? The songs are very varied, and some of them are quite long. There's also one or two songs which sound pretty different to our usual style, and I think Maiden fans will be surprised - in a good way, I hope!" https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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The Night Flight Orchestra - Aeromantic II (2021) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...8823d96d2.jpeg The Night Flight Orchestra - Aeromantic II (2021) 96-24 Country: Sweden Genre: Hard rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:21 Full Size: 643.44 MB THE NIGHT FLIGHT ORCHESTRA is back! The band that formed as an idea of friends from several well known rock/metal bands (SOILWORK, ARCH ENEMY, MEAN STREAK) back almost a decade ago and has been dropping jaws ever since. With 5 albums already under their belt, 2 nominations for the Swedish Grammies, countless live shows and praises from fans and media alike, TNFO have steadily upped their game when it comes to paying tribute to a decade that influences all sorts of people and even industries to this day -the 80s. With hits like „Domino", „Lovers In The Rain", „West Ruth Ave", „Divinyls" or „This Time", the band manages to maintain a variety of vibes and emotions within every album. From hard rockers, poppy digressions to progressive epics, disco-esque songs and almost cheesy yet loveable ballads. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Michael Jackson - Blood On The Dance Floor 1997 (2014) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...289300acf.jpeg Michael Jackson - Blood On The Dance Floor 1997 (2014) [96kHz/24bit] Country: USA Genre: Soul Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:15:51 Full Size: 1.59 GB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Bee Gees - One Night Only (2013) [96kHz/24bit] https://i115.fastpic.org/thumb/2021/...0312c5b9a.jpeg Bee Gees - One Night Only (2013) 96-24 Country: UK Genre: Rock,Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:20 Full Size: 2.33 GB On November 14, 1997, the Bee Gees reunited for a concert at the MGM Grand in Las Vegas. This was the Gibb brothers' first show in ten years, and the concert sold out in a hurry. The burning question was whether or not the chemistry would still be there, and thankfully, it was. After being aired on HBO on Valentine's Day 1998, the Vegas performance found its way onto CD when One Night Only was released in the fall of 1998. The Bee Gees generally sound inspired during their performance, which ranges from gems from their late-'70s disco period (including "Stayin' Alive," "You Should Be Dancin'," "Nights on Broadway," and "Tragedy") to early hits like "New York Mining Disaster 1941," "How Can You Mend a Broken Heart," and "Massachusetts." While their band could have been a lot grittier and less precise and clean-sounding -- especially on the funkier material -- the Bee Gees distinctive vocals aren't anything to complain about. Although not perfect, One Night Only is a release that Bee Gees enthusiasts will definitely want. © Alex Henderson /TiVo https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Imagine Dragons - Mercury - Act 1 (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...dcaf9c253.jpeg Imagine Dragons - Mercury - Act 1 (2021) 44.1-24 Country: USA Genre: Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:05 Full Size: 497.31 MB https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Tuesday The Sky - The Blurred Horizon (2021) [48kHz/24bit] https://i115.fastpic.org/thumb/2021/...2a33bc02f.jpeg Tuesday The Sky - The Blurred Horizon (2021) 48-24 Country: USA Genre: Ambient Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 46:21 Full Size: 464.4 MB Tuesday The Sky's origins could almost be considered accidental. Guitarist Jim Matheos, famed for his work with progressive metal giants Fates Warning alongside projects such as OSI and his collaboration with John Arch, Arch/Matheos, penned a few songs that did not fit in with any of his established outlets, and intrigued by this, decided to write more and see where this took him. The result was 2017's Drift, a record that drew influence from the likes of Brian Eno, Sigur Ros, Boards Of Canada and Explosions In The Sky, and now he returns with its successor, The Blurred Horizon. A mixture of ambient, electronica, post-rock and more, The Blurred Horizon is perhaps best described as a beautiful record, having a natural grace to it. While predominantly the work of Matheos, he is not the sole performer on the record, enlisting the help of other musicians where necessary. "It's primarily a solo project, but with the idea of having different guests on each record to help fill it out and, hopefully, give each one a slightly different sound. With the first record, there was Anna Lynne Williams on vocals for a couple of songs, and Lloyd Hanney of God Is An Astronaut on drums. For this one, the live drums on five tracks were handled by Gavin Harrison of The Pineapple Thief, King Crimson, and Porcupine Tree. He's my absolute favorite drummer, so he was the first person I thought of when I decided that some of the songs could benefit from real drums. I originally was thinking of just one or two songs, but once I heard how good he made them sound, I kept asking him do more, which, thankfully, he agreed to. His playing added a whole new dimension to the songs, particularly on 'Hypneurotic', where he plays two different full drum kit takes, panned left and right, to achieve a kind of 'double drummer' effect." "Everything Is Free" - the closing track and only one on the record to include vocals - is a cover of a Gillian Welch and David Rawlings song from 2001. "Fates Warning were thinking about doing some cover tunes as bonus tracks for 'Long Day Good Night' (2020), and when that didn't happen, I kept this one in mind for a future project. It seemed to fit nicely here, even though it's an otherwise instrumental album, and the vocals are by Tim Bowness. Like Gavin, Tim is someone I've worked with in the past, with OSI and several other projects. He's got a beautiful voice and his gentle delivery is just what I wanted for this one." https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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Portrait - At One With None (2021) [44.1kHz/24bit] https://i115.fastpic.org/thumb/2021/...a5cda0dca.jpeg Portrait - At One With None (2021) 44.1-24 Country: Sweden Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:03:54 Full Size: 797.04 MB When it comes to modern heavy metal, there are few bands operating at the same level as Portrait. For a decade and a half, the Swedish unit have been forging their own path, and in the process, infusing life into a longstanding, well-established genre and taking it in new directions. Following up 2017's acclaimed Burn The World, they return with the mighty At One With None, which was recorded at JFK Studios in Kristianstad, Sweden with Tommy Hansen (Helloween, Hatesphere) handling the mixing. While Portrait fans will immediately recognize it as the work of their heroes, they are not simply rehashing old ideas and treading where they have before. "One simple 'rule' that I have had personally is that no song written for this album and onwards should be similar to any song that we have already written and released. We have been doing this for 15 years now, and I am proud to say that I think we have managed to find our own identity and sound, which can't really be said about that many bands today. This is our greatest achievement, and the goal is to keep exploring and developing our own sound, without repeating ourselves." The results of working with this philosophy are undeniable, making for an essential addition to the Portrait canon. https://i111.fastpic.ru/big/2019/122...b1d0bba37c.jpg Cita:
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