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Bryan Ferry (feat. Amelia Barratt) - Loose Talk (2025) [48kHz/24bit] https://images4.imagebam.com/71/06/e7/ME11KVCO_o.jpg Bryan Ferry (feat. Amelia Barratt) - Loose Talk (2025) 48-24 Country: UK Genre: Spoken Word, Piano, Ambient, Pop-Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 37:25 Full Size: 419.97 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Angels On Fire - Falling From The Sky (2025) [48kHz/24bit] https://images4.imagebam.com/39/d2/a6/ME11KV2G_o.jpg Angels On Fire - Falling From The Sky (2025) 48-24 Country: USA Genre: Blackened Heavy Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 56:25 Full Size: 757.5 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Bowers Foreman - The Boy Who Learned To Fly (2025) [48kHz/24bit] https://images4.imagebam.com/5f/e8/4d/ME11KV2H_o.jpg Bowers Foreman - The Boy Who Learned To Fly (2025) 48-24 Genre: Rock Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 39:45 Full Size: 523.76 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Pink Floyd - Pink Floyd at Pompeii - MCMLXXII (2025 Mix) (1972) [96kHz/24bit] https://images4.imagebam.com/cb/2b/5c/ME11MPEC_o.jpg Pink Floyd - Pink Floyd at Pompeii - MCMLXXII (2025 Mix) (1972) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 01:34:14 Full Size: 1.69 GB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Maestrick - Espresso Della Vita: Lunare (2025) [96kHz/24bit] https://images4.imagebam.com/75/86/e8/ME11MPEA_o.jpg Maestrick - Espresso Della Vita- Lunare (2025) 96-24 Genre: Progressive Power Metal Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 01:18:27 Full Size: 1.66 GB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Nightfall - Children of Eve (2025) [44.1kHz/24bit] https://images4.imagebam.com/19/6e/3f/ME11MPE9_o.jpg Nightfall - Children of Eve (2025) 44.1-24 Genre: Melodic Death Metal, Blackened Doom Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:13 Full Size: 528.55 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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The Halo Effect - March Of The Unheard (Bonus Edition) (2025) [48kHz/24bit] https://images4.imagebam.com/80/88/b3/ME11MNSM_o.jpg The Halo Effect - March Of The Unheard (Bonus Edition) (2025) 48-24 Country: Swegen Genre: Melodic Death Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 47:20 Full Size: 678.37 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Stam - A Bit Edgy (2025) [192kHz/24bit] https://images4.imagebam.com/c1/8b/73/ME11MH2I_o.jpg Stam - A Bit Edgy (2025) 192-24 Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [192kHz/24 bit] Time: 32:41 Full Size: 1.13 GB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Bill Orcutt Guitar Quartet - HausLive 4 (Live) (2025) [48kHz/24bit] https://images4.imagebam.com/1a/91/b7/ME11MGVU_o.jpg Bill Orcutt Guitar Quartet - HausLive 4 (Live) (2025) 48-24 Genre: Experimental Rock, Free Improvisation Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 53:48 Full Size: 629.79 MB Hausu Mountain continues the HausLive series of live show recordings that capture some of the headiest moments in Chicago underground music. On HausLive 4, we rewind the clock approximately one year to May 3rd, 2024 at Constellation, where the all-star Bill Orcutt Guitar Quartet (featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish) made their barn-burning Chicago debut. The series channels the spirit of the informal bootlegging and tape trading of audience recordings as pioneered by the community surrounding the Grateful Dead, honing in on the raw live energy and in-the-moment emotions that can make any show stand out in the stream of time. HausLive 4 catches the Bill Orcutt Guitar Quartet in a sublime state of tour-hardened synergy with one another as they tear through the four-string guitar compositions that Orcutt wrote for his album Music for Four Guitars (Palilalia Records, 2022) with dialed-in fingers-on-fretboard precision, while also letting those songs evolve into flights of improvisation and extend into solo and duo passages led by each of the four guitarists. As Orcutt says on tape during one of the show's interludes, "that record is thirty minutes; this show is an hour, so we're improvising." The resulting free-wheeling moments combine with the rigidity of Orcutt's meticulous four-guitar compositions to form a program of music that draws power in equal measure from the forces of chance and discipline. https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Sign Of The Wolf - Sign of the Wolf (2025) [44.1kHz/24bit] https://images4.imagebam.com/7e/d9/56/ME11KWG8_o.jpg Sign Of The Wolf - Sign of the Wolf (2025) 44.1-24 Country: Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:42 Full Size: 646.8 MB Ask any fan of 70s/80s Hard Rock to name what they consider to be iconic releases of the era and you can be sure the likes of Rainbow 'Rising', Black Sabbath 'Heaven And Hell' and Dio 'Holy Diver' will all feature highly on that list. The common denominator is, of course, that of legendary power-house vocalist Ronnie James Dio. Listening to the opening strains of 'Tarot Woman' from Rainbow's 'Rising', featuring the amazing keyboard skills of Tony Carey, is what first brought Bruce Mee into the world of Heavy Metal many years ago, and he followed Ronnie James Dio fervently ever since. However, like many he was saddened by the direction all three bands took after releasing so many revered classics, and after years in the music business decided to do something about it - to bring back that gloriously epic and melodic hard rock sound from the early 80s but also featuring the musicians who actually played on those seminal albums or in the bands. Thus, with Sign of the Wolf you can once again hear those epic keyboard intros and solos from Tony Carey, evoking such fond memories of classic Rainbow. Powering the songs from behind the drum-kit we have Vinny Appice, who of course was the engine in releases such as 'Mob Rules' and 'Holy Diver', and here he links up with the likes of Chuck Wright and Mark Boals on bass. Of course, no-one could ever replace Ronnie James Dio on vocals, but here with have Andrew Freeman on all songs, the man who took up the mantle when he become the vocalist for the Dio band, which was renamed Last In Line, and whose powerful vocals give the music real gravitas. On lead guitar we have Doug Aldrich who, of course, revitalised Dio for the 'Killing The Dragon' album before hooking up with David Coverdale in Whitesnake, and whom Ronnie described as the perfect fit for his band. On rhythm guitar is Fredrik Folkare (Eclipse, Nordic Union) who also co-wrote most of the songs on the album along with Mee, with the intention of evoking those magical moments from early in Dio's career while also incapsulating the lyrical depth and gothic romance of that music. So, for fans of classic releases like 'Rising', 'Heaven And Hell', 'Holy Diver' and 'Last In Line', just lie back, turn up the volume and let yourself be taken back to a time when music like this dominated the Metal charts. https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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